Top 1200 Steinway Piano Quotes & Sayings

Explore popular Steinway Piano quotes.
Last updated on April 14, 2025.
When we hear a Mozart piano concerto today, we're most likely to hear the piano part played on a modern concert grand. In the hands of a professional pianist, such a piano can bury the strings and the winds and hold its own against the brass. But Mozart wasn't composing for a nine-foot-long, thousand-pound piano; he was composing for a five-and-a-half-foot-long, hundred-and-fifty-pound piano built from balsa wood and dental floss.
I took piano lessons as a kid, and my daughter's played piano since before she started kindergarten, so classical piano is something I really love.
I wish to thank Steinway for its wonderful pianos which I've been privileged to play in all my concerts. There is no piano like it in the world. — © Evgeny Kissin
I wish to thank Steinway for its wonderful pianos which I've been privileged to play in all my concerts. There is no piano like it in the world.
I play the piano a lot at home, I write songs on the piano and guitar. I would like to actually play piano on stage... I don't think I'll get the chance for a while.
I can play piano, and I write everything on piano, but I don't really feel like a piano player, necessarily.
I want to make music. That means I prefer the Steinway piano.
I learned to play piano on my own and my parents thought "Oh it would be a good thing for you take piano lessons. That's the way you really need to learn to play the piano."
When she started to play, Steinway came down personally and rubbed his name off the piano.
When one plays a Steinway, there is a warmth and nobility in the sound that is unequalled by any other instrument.
With a tone so rich, I would never be afraid of the dark. Steinway is the only and the best!
It is a privilege and an honor to perform on Steinway pianos.
I insist on a Steinway for my recordings, my concerts and my home. It is the only piano I want to hear my music played on.
The piano is just a different animal. It's expensive, it's big, it's heavy, and it doesn't fit in the mix easily. Everyone grew up with a piano in their living room, so rocking out on the piano was accessible - it wasn't an upper-class thing. Now pianos have become very much a piece of furniture.
I started with the piano-accordion and rebelled against it, but I could not afford piano lessons.
I played piano. I've always liked piano. My father played piano. Actually, to be fair, the sound of the harpsichord did annoy him a bit, and I thought, how can I annoy Dad? I'll play the harpsichord.
We developed our own type of Igudesman and Joo electric violin, let's say, and funny enough, the shape of it was developed by the head technician of Steinway. It's actually an electric violin, which is made from the stick that holds up the piano lid.
The Steinway pianos of today are the finest I have ever played. — © James Levine
The Steinway pianos of today are the finest I have ever played.
The only instrument I can play is piano. Whenever I make songs at home, I play the piano and make them on the piano.
And I've played piano since I was little, so I was originally the piano player in the band.
Steinway is the only piano on which the pianist can do everything he wants. And everything he dreams.
I just found the piano so fascinating and wonderful, and I begged my parents to buy me one. In the end, they bought me a toy piano and eventually an upright piano, and I started lessons.
I feel like piano is my main instrument. I'm most comfortable on the piano.
The Steinway piano - with its beauty and power - is the perfect medium for expressing the performer's art, drama and poetry.
The Steinway piano is the most harmonious implement for musical intention. It completes what is beautiful and artistic.
Steinway is the finest piano ever made. Its tone is magnificent and its well-balanced action superb.
I grew up in a family of piano players. Both my sisters were serious players, and they both, as they became more accomplished, aspired to buy a Steinway and asked my dad to buy a Steinway.
I despair about the lack of proper respect shown for the piano. If you want it to sound like a traffic jam, go out in the street and forget the piano. That's not a piano sound.
I was very fortunate to take piano lessons from a young age, and the only times that we were able to play on Steinways was at our recitals, which were really nerve-wracking. Partly because we got to play on a Steinway.
I have a Baldwin in my L.A. apartment, a Steinway in my New York apartment, and a Kawai plexiglass grand piano in storage for shows. I still play for two or three hours every day.
One of my dreams was always to have a piano - a room with a piano overlooking the ocean or a lake.
I had a voice - I had an instrument - I loved singing and I had an inspired singing teacher, Miss Sleigh. I went to her every Saturday, and I now possess the upright Steinway piano beside which I used to stand in fear and trembling if I hadn't done my breathing exercises.
I enjoy the challenge of taking something which was not meant for the piano, distilling its essence and writing or improvising it for/at the piano, but having the listener forget that he or she is listening to a piano.
Mom and sister played piano growing up; my grandma still plays piano in church. They always beat me over the head trying to get me to play piano, but I was more interested in riding dirt bikes and playing in the mud.
I started playing piano when I was eight, and I went on to study piano in school, so I have a background in classical piano and studied composition in school. Writing music came later.
As a kid, I took piano lessons, and I didn't like it. It wasn't cool. I was into Duran Duran and rock music. I didn't have any interest in piano. I did it for three years, and because of piano, I learned percussion. I learned scales. I learned how to sing. Piano gives you all of the basics of those things.
I learned to play the piano on my mother's knee - that was before we got a piano.
Steinway grand pianos are the best in the world.
It is only by demanding the impossible of the piano that you can obtain from it all that is possible. For the psychologist this means that imagination and desire are ahead of the possible reality. A deaf Beethoven created for the piano sounds never heard before and thus predetermined the development of the piano for several decades to come. The composer's creative spirit imposes on the piano rules to which it gradually conforms. That is the history of the instrument's development. I don't know of any case where the reverse occurred.
I think that, initially, I was most passionate about music and particularly about playing the piano. I started playing when I was nine, and I was obsessed with it, really. I wouldn't even go spend the night at a friend's unless they had a piano. But I didn't have the chops, the extraordinary talent to be able to play the piano professionally.
When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.
I play the sax, piano, guitar, bass... I started as a kid with piano lessons. — © Mike Dean
I play the sax, piano, guitar, bass... I started as a kid with piano lessons.
I like the piano - I'm always about 15 feet away from a piano.
I also like the banging piano - that old good-time piano.
My friendship with the Steinway piano is one of the most important and beautiful things in my life.
You think it matters to the kids whether they're learning to play on a Steinway or a normal piano?
The Steinway piano is such an incomparable instrument. Due to its virtues, I am able to express all my musical feelings.
I play the piano a lot at home. I write songs on the piano and guitar. I would like to actually play piano on stage. I don't think I'll get the chance for a while.
I started playing the piano when I was 6 years old 'cause my folks tried to get me away from the gramophone. And I just - I lived for music since I could think. And they got me piano lessons. So by the time I was 13, I was quite an accomplished piano player and musician.
For the piano and me it is always a blind date! I meet different pianos every single day. I can't take my piano with me like a bassist can take his instrument. So whenever I arrive I am a bit nervous to see what kind of piano is waiting for me.
When I was a young actor, in my first apartment, the first thing I bought was a Steinway piano. There was no bed at first. I slept on the floor.
There's this weird game called 'Blueberry Garden.' For that game an artist recorded some piano music, but evidently he only had a really terrible microphone on top of the piano, and I really liked it and wanted to experiment with that. So, I made piano recording and really mangled it, and kept experimenting with the technique.
I sometimes write songs on the piano, even though I don't actually play the piano. I always hire someone to play for me whenever I decide to sing a song I have written on the piano. My song 'Rosa' is one.
Why does the world need a Piano Day? For many reasons. But mostly, because it doesn't hurt to celebrate the piano and everything around it: performers, composers, piano builders, tuners, movers and most important, the listener.
For me, the keyboard is always an additional sound to the piano. Piano is the main instrument; I can't go anywhere without acoustic piano. It's been my best friend since I was 6 years old.
Everybody in my neighborhood in the '40s, they played pianos. That's how people partied. They didn't try the TV, the radio was OK, records was cool, but when people wanted to party, they got around a piano. My mother played piano, my sister played. I've been around a lot of piano all my life.
I have owned and played a Steinway all my life. It's the best Beethoven piano. The best Chopin piano. And the best Ray Charles piano. I like it, too. — © Randy Newman
I have owned and played a Steinway all my life. It's the best Beethoven piano. The best Chopin piano. And the best Ray Charles piano. I like it, too.
I have looked to the Steinway piano since I was three, not only as my ideal choice of an instrument. But, as a responsive and ever reliable friend.
I've always wanted to walk into a hotel, sit at a piano and play 'Piano Man.'
As a young composer I had a particular fondness for Liszt's Beethoven Symphony arrangements for the piano, and to this day I enjoy playing non-piano music at the piano.
I cut the scene out, but there was a moment where Christoph Waltz plays the piano in 'Django [Unchained]' - Jamie [Foxx] is a magnificent piano-player but there's never a moment where Django plays the piano.
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