Top 1200 Steinway Piano Quotes & Sayings - Page 4

As a young child, I thought that all pianists played everything. I mean, I thought anything on piano - any piano music, all pianists played it.

I started off with violin, then I started learning guitar, then I went to piano. But I self-taught piano just because I enjoyed it. I've always really enjoyed music.

I started writing songs when I was real young, when I was 3 years old. The piano spoke to me - I don't remember when I wasn't playing piano. My second grade talent show was the first time I performed my own thing. I dressed up as Dracula and played a song called 'Monster Rock' that I wrote. And I won.

To learn a piece on the piano - even a simple one - has proved every bit as agonizing as writing a chapter in a book, every bit as tedious and hopeless and halting. But this is not to say that the piano hasn't helped my writing. It has, just not in the ways I expected.

You know, I only claim to play three instruments. My dad is a banker, but a drummer at heart; and my mom used to teach piano lessons when she was younger. So I can play some piano, play a little drums, and fake the bass - but banjo, mandolin, and guitar are my thing.

I love anything that gets me outside of my own head. I love music because it's really just - I tried to play piano as a kid. I was awful. It didn't help, and this is absolutely true, that my piano teacher had arthritis. And that's not a good way to learn.

I started studying music at the age of five and a half. My older sister was taking piano lessons. When her teacher left our apartment, I would get up on the piano bench and start picking out the notes that were part of my sister's lessons.

I just wanted to release an album of piano music for music's sake. I'm not expecting to sell millions of albums. It's was just nice to be able to sit down at an acoustic piano and make some music.

So I always liked to sing, and apparently when I was about four or five I also started to be attracted to pianos and musical instruments. Whenever we went to a friend's house, I vaguely recall climbing up on the piano, plunking on it, and trying to figure it out. So my parents figured I was interested and asked me if I wanted to take piano lessons. I said sure.

The first music-learning thing that I took seriously was piano lessons when I was a kid. I guess that was probably the only time that I was forced to perform music, because I had piano recitals, and my school also had mandatory music classes that had some performing required.

I went through eight years of classical piano lessons without being able to read notes. I only have to hear a melody to be able to play it. It used to freak my piano teacher out when he finally noticed that notes don't make any sense to me and that I played by ear.

A MIDI file contains coded instructions to play a particular series of notes on an electronic music synthesizer. A MIDI file is more like a piano roll in a player piano than any type of sound recording.

Banging on the piano while my grandmother was watching me. I'd run up to her and ask: 'How was that, Grandma?' And she'd say, 'That was beautiful, baby!' And I'd run back to the piano and play some more. I'm sure that's why I still play today, because I was encouraged from such a young age, 2 or 3.

In my spare time, I’ve been playing a lot of piano. I’m trying to learn classical piano, Mozart and Beethoven and stuff. I took lessons when I was younger and now I sort of sight read the music and play it by ear. It’s fun. It takes up a lot of time. I practice a couple of hours a day, but I find it soothing.

I think of myself as Rebecca Wells from Lodi Plantation, in Central Louisiana, a girl who was lucky enough to be born into a family that encouraged creativity and didn't call me lazy or nuts when I dressed up in my mother's peignoirs and played the piano, having painted a small sign decorated in glitter that read 'The Piano Fairy Girl.

If you think hard enough about it, Rowlf the dog playing the piano on 'The Muppet Show' - what kind of insanity was happening underneath the cameras to make that happen? His mouth is moving, and he's got two hands playing the piano. That's two people under there!

I'd swear to God, if I were a piano player or an actor or something and all those dopes thought I was terrific, I'd hate it. I wouldn't even want them to clap for me. People always clap for the wrong things. If I were a piano player, I'd play it in the goddam closet.

The genome could be thought of as a kind of piano with twenty-five thousand keys. In some cases, a few keys may be out of tune, which can cause the music to sound wrong. In others, if one key goes dead the music turns into a cacophony, or the whole piano self-destructs.

A great pianist doesn't run around the piano or do push ups with his fingers. To be great, he plays the piano. ...being a footballer is not about running, push-ups or physical work generally. The best way to be a great footballer is to play.

I had been inspired by an organ player named Earl Grant, who played organ and piano together. My mom took me to see him. So I went home, put my piano and organ together, too.

The piano has disappeared from working-class family life, which is a shame. It's associated with the middle classes now. Everyone in my family sang and played piano, but my parents were delighted and amazed when I became the first professional performer in the family - apart from a clog-dancer way back.

To be honest, I don't really consider myself a prodigy. Learning the piano, I have encountered some difficulties. There are many challenges in playing and I've grown frustrated at times... But because I like to play the piano, I never thought of giving up. I was always able to overcome difficulties in pianistic techniques. Yes, there might be some 'traffic lights', but they all turned 'green'.

I've been making electronic music since I was 12. I was making music as soon as I knew how to make sounds on a piano. My parents had a baby grand, and the piano is still my favorite instrument. I look at it as a songwriting machine.

I can't read music. Instead, I'd do stuff inside the piano, do harmonics and all kinds of crazy things. They used to put me in these annual piano contests down at Long Beach City College, and two years in a row, I won first prize - out of like 5,000 kids!

To know the piano is to know the universe. To master the piano is to master the universe. The spectrum of piano sound acts as a prism through which all musical and non-musical sounds may be filtered. The grunts of sheep, the braying of mules, the popping of champagne corks, the sighs of unrequited love, not to mention the full lexicon of sounds available to all other instruments-including whistles, scrapes, bleatings, caresses, thuds, hoots, plus sweet and sour pluckings-fall within the sovereignty of this most bare and dissembling chameleon.

My father had left behind an old piano. My sister was already going to school, my mother was out working, and I stayed at home alone with my adorable grandmother who understood nothing I said. It was so boring that I stayed at the piano all day long, and that saved my life.

I am in awe of the brand, and there is nothing I would do or contemplate doing that would any way impact the unique pedestal that Steinway occupies in the industry, 160 years, uncompromising reputation for excellence, and it's my goal to safeguard that reputation and continue that pursuit of perfection.

I was 20 years old. I had moved to Los Angeles from Columbus, Ohio. I was working as a piano salesman - a terrible piano salesman. I couldn't sell them. I could demonstrate them, but people wouldn't buy them from me.

The atom can't be seen, yet its existence can be proved. And it is simple to prove that it can't ever be seen. It has to be studied by indirect evidence - and the technical difficulty has been compared to asking a man who has never seen a piano to describe a piano from the sound it would make falling downstairs in the dark.

I wanted to take up guitar because playing piano is a little harder. Carrying a keyboard around is harder, and finding a real piano is much harder, and I wanted to play live more, so I figured a guitar would be easier to carry around.

Put a small piano in a truck and drive out on country roads; take time to discover new scenery; stop in a pretty place where there is a good church; upload the piano and tell the residents; give a concert; offer flowers to the people who have been so kind as to attend; leave again.

To try to cure unemployment by inflation rather than by adjustment of specific wage-rates is like trying to adjust the piano to the stool rather than the stool to the piano.

If you hear Thelonious Monk play a run that goes from the top of the piano, OK, he has opened up the Grand Canyon with that. He's the river that's carved this entire space that we call the Grand Canyon. He does that with one run. He lets you know, like, what the possibility of the sound of the piano can do.

In my bachelor days, I had a small upright piano in my kitchen. It cost £10 from eBay plus £70 delivery. It was because I'd seen an old photo of Tom Waits - with dirty dishes, empty bottles, a hot plate, a coffee machine and a piano strewn with lyric sheets - and fallen in love with it.

I never took any kind of vocal lessons or teachings of how to - I never even took piano lessons. And a voice just came to me and said, go play the piano in the church.

I took lessons for about everything you could imagine - gymnastics to karate to flute and piano. My mom always definitely kept me in some kind of class or program, but for guitar, I kinda gave up on then kinda just taught myself. Same thing with piano. I've never been good with following lessons.

Here in New Orleans, what a lot of the musical families do - and this is a romantic concept on my part - is they teach their kids to tap dance first. Then after tap dance, you learn piano, and after piano, you get to pick between all the instruments that are out there.

As an example, there is a Japanese composer / singer whose name is Tanimura [Shinji]: he has composed a song entitled entitled "Kazeno Komoriuta" and I have recorded my piano adaptation of this song and honestly I couldn't expect that it would be so difficult and challenging for me to perform my piano version of this beautiful song.

In many parts, I start from the outside and then it triggers things within. For 'The Piano,' I went, 'I'm going to learn these piano pieces. I'm going to learn this sign language, and I'm going to do them all day every day, five days a week.' It was a totally physical thing.

I always liked major-key music quite a bit, and that might have something to do with so many of the musical experiences of my childhood being based around the piano. On piano, it is very easy to move between major and minor and to really see how it looks and to feel how it sounds.

I'm by no means a pianist. I think that's safe to say, but the piano, for me, I would say it's the enabler. It gave me what I needed and gives me what I need in order to write a song. And I think playing or improvising on the piano is where I feel most liberated and sort of less conscious of all my insecurities or inadequacies.

I played with Prince in 2010... the America tour. The one with Misty Copeland dancing on top of the piano! But Prince played the piano on that song. But I played two dates with him on that tour. When we played the gig, every couple of songs, Prince would change his clothes.

I mean, the piano, of course, but I think the piano should be taught in school just like mathematics, just like reading, writing and arithmetic. I'd say reading, writing, arithmetic and rhythm. But that should be a prerequisite, because then the quality of music in the world at least in the United States, would be much better, if everyone knew something about the piano and about music, they would know this is not good. Right now, there is so much music out that's not good, but no one knows the public doesn't know.

If you force yourself to write away from the piano, you come up with more inventive things. If you're too good a piano player, as some composers are, the music may become flavorless and glib. And if you're not a very good pianist, you're limited to the same patterns.

Music is something I couldn't live without. My dad was into music, he played for pleasure - guitar, piano. I started off doing jazz, singing with a lot of fabulous musicians here in London before I went to the States. And I still take piano lessons every Wednesday.

I became really creative around the time I started understanding that people could be creative with music and that that was allowed. I stated taking piano lessons at age five, but I never did what my piano teacher told me to do. I would just do whatever I wanted.

Played percussively, the piano is a bore. If I go to a concert and someone plays like that I have two choices: go home or go to sleep. The goal is to make the piano sing, sing, sing.

When I was a little girl my parents always told me do everything you want in an artistic way. If you want to draw, make a drawing. Just do it. And if you want to play piano, play piano. It was a very free childhood where everything was possible.

I tend to write on an acoustic guitar or the piano. I have kind of a rule: if I can't sit down and play this and get the song over, I don't take it to the band, because most any good song, you can sit down and deliver it with a piano or a guitar.

I have always wanted to learn the piano, but because I travel so much, I can never get any consistency of lessons. So everywhere I go, if I can find a piano, even if it is in the lobby of a hotel or something, I go on YouTube and pick some songs to learn.

Once, somebody asked Robert Schumann to explain the meaning of a certain piece of music he had just played on the piano. What Robert Schumann did was sit back down at the piano and play the piece of music again.

My dad noticed some kind of talent on piano when he asked me to play a couple random songs on piano when I was 6 and I just did it. I attempted lessons but I was just so bad at reading notes. I would read "Three Blind Mice" by ear, so learning notes was almost impossible.

I started studying music at the age of five and a half. My older sister was taking piano lessons. When her teacher left our apartment, I would get up on the piano bench and start picking out the notes that were part of my sister's lessons

I describe my plots as follows; A character is walking down the street when all of a sudden a piano falls on them. They spend the rest of the story digging out from under that piano. How they dig, how long and how well, this all depends entirely on the character.

I feel like I'm an okay piano player. To the music world, to people that's in the hip-hop culture, they probably look at me like, 'Zaytoven the greatest piano player in the world.' I'm okay.

But it's funny, I really was quite introverted as a child. I just liked music, so mum and dad bought me a piano when I was seven - I actually got up to Grade Seven at the London College of Music on piano.

The music I listened to when I was a kid was Sonny Boy Williams and Pinetop Perkins. He was the one who had the most influence on my playing. I saw him through a window playing piano and I thought it was unbelievable somebody could move their fingers that fast. And this is how I got interested in piano.

I think having musical training as a child was really, really important. I studied piano as a child. Piano is a great instrument to understand musical theory on. I think I have that in my brain somewhere.

Discipline, strictly speaking, is activity carried on to prepare us indirectly for some activity other than itself. We do not practice the piano to practice the piano well, but to play it well.

I think of myself as Rebecca Wells from Lodi Plantation, in Central Louisiana, a girl who was lucky enough to be born into a family that encouraged creativity and didn't call me lazy or nuts when I dressed up in my mother's peignoirs and played the piano, having painted a small sign decorated in glitter that read 'The Piano Fairy Girl.'