Top 85 Stella Quotes & Sayings

Stella McCartney is just the coolest show to do. I love the collection. I love the setting. All of her stuff always feels so fresh.

I think Stella Tennant is amazing. And then I really loved all those '60s society models, like Edie Sedgwick.

I was trained by Stella Adler for theater so you kind of give it all on every take.

Each time I spend with Stella McCartney, I like her better. So I was excited to be asked by her.

I have a Stella McCartney Adidas sports bra. I feel like I'm totally comfortable running. No problem. I have support where I need it.

I bought a Stella McCartney jacket in Salt Lake City. It's nice. It looks like a pea coat. I love Stella's stuff, so wherever I go in the world, I will always go in and buy her stuff.

I'm married. My wife, Stella - a beautiful woman. She's brought a lot of peace to my life, a lot of wisdom.

All I need is the breakthrough. The joint-venture for my clothing. Same as Stella McCartney has.

I grew up in New York, in the Village, and I started going to Stella Adler pretty young. I was 13 or 14 years old. But I was also really shy when I was growing up.

Then I heard this genius teacher Stella Adler - I recommend you read anything you might find about her and if you have anyone interested in theatre, you get them one of her books.

I was always looking at Helmut Newton photos with the Le Smoking suit and Stella Tennant in Self Service magazine. It was never just about an ultrafeminine woman for me.

I did 'Midnight's Children' and 'Cooking with Stella' when I was at the peak of my career.

I just remember Stella Tenant and me dancing in Donatella Versace's bathtub until like four in the morning. It was one of those 'pinch me' moments.

I'm very passionate about my two Dobermans, Stella and Mr Jonty. I go on and on and on about them, and people have to tell me to shut up before I get out pictures of them.

I said, 'I'm going to the United States to study with Stella Adler and do movies because nobody here has done it and my passion is films.' But I came here and I didn't speak English, I didn't have a green card, I didn't know I had to have an agent, I couldn't drive, I was dyslexic.

The characters in 'Stella' wake up and they want to have a good day. They don't set out to make someone's life a misery.

I was a student of Stella Adler and then later Lee Strasberg, and they were into sensory work. At its best, acting is not about words - even when the words are important.

I don't have a favourite designer because I feel every designer offers something different and special, but I do really like Alexander Wang, Burberry, Stella McCartney and Balmain.

Wearing a bold print gets harder as you get older. Its safer to stick to subtle prints or block colours. I have always found prints quite tricky. My daughter Carly, who is on the design team at Stella McCartney, is obsessed with them.

I always tell the truth, Stella replies. Although I sometimes confuse the facts.

Once I really started to understand Frank Stella's work and follow it, there's a certain type of invention and playfulness and extreme rigor with which he kept going forward.

I love the name 'Stella McCartney.' It's a beautiful name the way it rolls off the tongue. A couple of years ago, I wrote a cello concerto and used that as the basis for the rhythmic and melodic structure of the main motif of the cello part.

Stella Duffy is a writer who never lets you down.

Stella McCartney is [my] big fan.

Without 'Gavin & Stacey,' 'Stella' wouldn't exist.

I think the most note-worthy part is that Stella [Mozgawa] had joined the band two weeks before we started recording, so that really influenced the way that the album was recorded. It was really important for Stella and Jen[ny Lee Lindberg] to lay down the drums and bass first for most songs, because they were determining how they needed to lock in together, and Stella was still kind of learning and figuring out her parts.

I think comedy drama is a tricky one. But it's like in real life: often really tense, dramatic situations can be punctuated with the mundane and banal, and that's what we try to capture in 'Stella.'

I've been a big fan of Michael Showalter's for a long time. I watched 'Stella' growing up.

I went to acting school in New York City for two years. I studied with Stella Adler.

The cows in Stella Gibbons's immortal 'Cold Comfort Farm' are named Graceless, Aimless, Feckless and Pointless, and that more or less is the verdict on 'Ocean's Kingdom,' the wildly hyped and wildly uninteresting collaboration between Peter Martins and Paul McCartney.

When I was 15, 16, I studied with Stella Adler at the Conservatory of Acting, then I stopped again and went to the Actors Studio when I was 18.

I like Stella [McCartney] a lot - she's a very open and warm person. I don't particularly want to know about her background.

Of course, in later years, I'd studied acting more than ever before - mostly with the late Stella Adler, who was marvelous! - but in my earlier years, I couldn't afford to do this.

There was one moment where they were riding their little ponies in Scotland, and Stella said to me: 'Dad! You're Paul McCartney, aren't you?' 'Yes darling, but I'm Daddy really'.

My favourite designers are Stella McCartney, Balenciaga, Karl Lagerfeld, Chanel and Givenchy, but I wish I had loads of money to spend on them.

Wearing a bold print gets harder as you get older. It's safer to stick to subtle prints or block colours. I have always found prints quite tricky. My daughter Carly, who is on the design team at Stella McCartney, is obsessed with them.

I love Stella McCartney because she's timeless and classic, and I love Isabel Marant for wearability - you don't need 'an occasion' for her clothes.

I've always been a huge admirer and lover of Alexander McQueen, Alexander Wang. I love so many British designers like Stella McCartney.

I have a background in theater. At the time I read 'The Loved Ones' script, I was playing Catherine the Great of Russia onstage. Straight after that, I played Stella in 'A Streetcar Named Desire' and Isabella in 'Measure for Measure.'

I like Stella McCartney, Chloe, Alexander McQueen, Aaron Featherstone, normal Chanel if I can ever afford it, I'd be wearing that all the time! I like to admire from afar.

Randall laid his hand on Stella's, but only to remove it from his sleeve. "My precious, you really must have some regard for my clothes," he said with gentle reproach. "Much as I love you, I cannot permit you to maul this particular coat.

I studied with Stella Adler and I didn't like the representational aspect of most opera singers. Most of the opera singers had not a false, but over theatrical way of presenting.

We're all aware of the huge plastic crisis and the effect it's having on our planet. Fashion has a key role in that, but also there are ways we can deal with it. Stella McCartney is someone to look up to in that sense, she makes the bigger point in her collection that you can be sustainable and stylish.

Kate(Henshaw-Nuttal) was superb. The same for Stella(Damasus-Aboderin) and, of course, Jeta and Jumai(Joseph). They can work anywhere in the world. I think you can put Jeta and Stella on a plane and fly them to London or to Los Angeles to go and work.

There were times when the first thing we'd talk about in the morning was 'Stella,' and the last thing we'd talk about at night was 'Stella.'

I love talking about 'Stella.'

I wanted the collection for Target to reinterpret all the must-haves of Stella McCartney for winter and to make my designs more accessible to a wider audience in Australia.

My favorite acting books are Stella Adler's 'The Art of Acting' and 'Sanford Meisner on Acting.'

I have a background in theater. At the time I read The Loved Ones script, I was playing Catherine the Great of Russia onstage. Straight after that, I played Stella in A Streetcar Named Desire and Isabella in Measure for Measure.

I went to acting school in New York City for two years. I studied with Stella Adler

Certainly in 'Stella' there weren't really any baddies. And if there were, they were quite ineffectual baddies. And the same is true of 'Gavin & Stacey.' I like people to be redeemed.

I just remember Stella Tenant and me dancing in Donatella Versaces bathtub until like four in the morning. It was one of those pinch me moments.

I'm an actor. I was trained by Stella Adler, one of the greatest teachers of the world. I was 19 years old, and she frightened me to death. I was her houseboy for a while.

Stella: And when he comes back I cry on his lap like a baby.. [she smiles to herself] Blanche: I guess that is what is meant by being in love.

People who don't know how old I am can cast me as the woman in 'Girl with a Pearl Earring' and can cast me as Stella in 'Streetcar Named Desire,' and they are miles apart.

I used to put that I studied with Stella Adler on my resume. I never met Stella Adler. But if you told a casting director you studied with Stella Adler all the sudden they'd let you in the door.

My favorite book of all time is Cold Comfort Farm, by Stella Gibbons.

My fragrance is rose and amber, and I was just very specific. A lot of what I've done, at the stages I've done it, I've been a little naive, which brought with it a kind of charm. I did Stella a while ago. It's now a bit of a classic.

I think Stella Tennant is amazing. And then I really loved all those 60s society models, like Edie Sedgwick.

Two goddesses now must Cyprus adore; The Muses are ten, and the Graces are four; Stella's wit is so charming, so sweet her fair face, She shines a new Venus, a Muse, and a Grace.