Top 85 Stella Quotes & Sayings - Page 2

(on Marilyn Monroe) I was walking down Broadway with her and nobody was stopping us. She was going to (Stella Adler's) actors' studio, and she was taking me to show me what it was all about. And I said to her: "How come nobody is taking your picture?" She said: "Well, watch." She took her scarf off, straightened her shoulders, and draped something another way, and we were surrounded. It must have been 400 people. And I said: "Now I know why!"

What does it mean when you hook up your work to that of a late modernist giant working in a reductive vein - Ad Reinhardt, Agnes Martin, Robert Ryman, Ellsworth Kelly, Frank Stella, or Donald Judd, for example - like a caboose? I am not talking about engaging directly with another artist's work or ideas, but of perpetuating a look or, in the case of Wade Guyton, the various monochromatic, striped and geometric surfaces we associate with Minimalism.

All of modern acting comes from Stanislavski, who was the Russian partner to Chekhov. When Chekhov was writing his plays, Stanislavski was running his theater. And Stanislavski really was the first inventor of modern acting and then everything that came out of the method and Stella Adler and the great teachers really came out of him.

Stella: I got a nose for trouble. I can smell it ten miles away... I can smell trouble right here in this apartment. First you smash your leg. Then you get to lookin' out the window. See things you shouldn't see. Trouble. I can see you in court now, surrounded by a bunch of lawyers in double-breasted suits. You're pleading: 'Judge, it was only a little bit of innocent fun. I love my neighbors like a father.' And the Judge says, 'Well, congratulations, you've just given birth to three years in Dannemora.'

With my first, I gained 40 pounds; in the second, I gained 35, and with Stella, I gained 25. My thing is to get most of your weight off, or at least get into good eating habits and exercise routinely, the sooner the better.

I'm a fan of designers and clothes that look beautiful, but more importantly, make me feel beautiful and confident. It's why I've always loved Stella McCartney, and more recently, Prabal Gurung. Their pieces are cool, yet timeless, and the fits are effortlessly flattering.

You reminded me of a quote that my acting teacher Stella Adler wrote in her book ['The Art of Acting'], which I asked her to sign: "The young actor feels some greatness inside themselves that they want to give back to the world." That resonated with me, but I didn't really understand what she was talking about until much later, in the way you surmised that my struggle to become an actor was from being this kind of introverted young boy.

There's benefits of having established artists on the record, Liam Payne on 'Polaroid' for example. If you look at that song you have Lennon Stella, who's an up-and-coming artist, so there's a balance on there because I still want people to focus on the song just as much as Liam being an amazing superstar.

My old school, St Stella’s, only goes to Year Ten and most of my friends now go to Pius Senior College, but my mother wouldn’t allow it because she says the girls there leave with limited options and she didn’t bring me up to have limitations placed upon me. If you know my mother, you’ll sense there’s an irony there, based on the fact that she is the Queen of the Limitation Placers in my life.

My eyes are bright, my hair has come loose from its ribbon, and Stella's scarf is waving around my neck. But that's not what I see when I look at the picture. I see three unlikely friends holding hands. And Ryan, Kenny, and Melanie are standing behind us, rapt. And in the sky above us, I see a miracle.

I'm trained as an actor for the stage - classically trained, believe it or not - and I worked closely with Stella Adler for years. People don't know that much about it. They just think I am these people. But I've been in this comedy racket, because it's just how everybody wants to see me.

Stella McCartney, not only is she a designer, she is a mother of four, and she lives for practicality. She understands what a woman needs to wear to work and what a woman needs to wear when it's time to go out and put on the Ritz!

I miss the Stella girls telling me what I am. That I'm sweet and placid and accommodating and loyal and nonthreatening and good to have around. And Mia. I want her to say, "Frankie, you're silly, you're lazy, you're talented, you're passionate, you're restrained, you're blossoming, you're contrary." I want to be an adjective again. But I'm a noun. A nothing. A nobody. A no one.

It's how they've stayed popular for so long. By not doing anything that will make them look like fools. They never leave home without their safety nets and I think, good for them, but the thing with safety nets is this. I got tangled in them so many times and the Stella girls always seemed to leave me dangling, upside down, to the point where I almost couldn't breathe anymore.

Water, wind and birdsong were the echoes in this quiet place of a great chiming symphony that was surging around the world. Knee-deep in grasses and moon daisies, Stella stood and listened, swaying a little as the flowers and trees were swaying, her spirit voice singing loudly, though her lips were still, and every pulse in her body beating its hammer strokes in time to the song.

Will Ferrell is probably the funniest comic actor, certainly of my generation. I am a huge, huge Will Ferrell fan. I'm not a huge comedy buff, truthfully. What I find funny is either something unbelievably stupid, like Dumb And Dumber or Airplane!, where the jokes are just so stupid and pointless, or something like The Office or The Comeback, where the humor is in the excruciating awkwardness of a situation. Stella kind of explores both of those, stupidity and awkwardness.

You have bits of canvas that are unpainted and you have these thick stretcher bars. So you see that a painting is an object; that it's not a window into something - you're not looking at a landscape, you're not looking at a portrait, but you're looking at a painting. It's basically: A painting is a painting is a painting. And it's what Frank Stella said famously: What you see is what you see.

I like big books and I cannot lie. You other readers can’t deny That when a kid walks in with The Name of the Wind Like a hardbound brick of win. Story bling. Wanna swipe that thing Cause you see that boy is speeding Right through the book he’s reading. I’m hooked and I can’t stop pleading. Wanna curl up with that for ages, All thousand pages. Reviewers tried to warn me. But with that plot you hooked Me like Bradley. Ooh, crack that fat spine. You know I wanna make you mine. This book is stella ’cause it ain’t some quick novella.

A good zoo," Stella said, "is a large domain. A wild cage. A safe place to be. It has room to roam and humans who don't hurt." She pauses, considering her words. "A good zoo is how humans make amends.

I was studying with Stella Adler, who was a great, great teacher who encouraged me to be an actor. I had thought I would just write or direct or whatever. I wasn't thinking very much of Hollywood. I was thinking only of the legitimate theatre. But then I changed.

When I get home, I'm not the boss like I am at work - I slip into a more feminine role. I take everything off and put on my Stella McCartney silk robe. I'll put on a red lip or red nails, and it lifts my mood. Sexy underwear also gives you a spark.

The integrity of being an artist for Frank Stella means going into the unknown.A great artist is somebody who's not scared to reinvent themselves and to start all over again. And some artists do it once, twice, three times in their career. He's done it probably a dozen times or more.

Every day I'd say I look different. Sometimes I look really formal, sometimes I love the classic Stella McCartney, Chloe Sevigny and Gwyneth Paltrow thing. Other days I like being rock star and wearing leather jackets and studs. I love wearing Burberry - it's the perfect combination of formal and punky.

It's a lot easier to gain traction when there is such a great proliferation of Internet access. The velocity at which some of these startups are gaining traction is mind-boggling. Companies like ShoeDazzle, Stella & Dot, Gilt, Groupon - these companies are going from zero to hundreds of millions in revenue in three years.

Far from being dominated by ideas from Paris and New York, Latin American artists were often the innovators. They were doing drip paintings in advance of Pollock, creating language art before the American conceptualists, and fashioning shaped canvases decades before Kelly or Stella.