Top 448 Steven Spielberg Quotes & Sayings - Page 6

[Ocean's Thirteen] is a great group, and it was an opportunity to work with Steven Soderbergh. But mainly? It was shot in L.A. and I want to be next to my kids. So I've been doing everything that has to do with being next to them, close to them.

My dad taught me; Mr. Steven Seagal taught me, also.

My target is to score more goals, not necessarily be the next Steven Gerrard. Obviously, my respect for him is very high, but I want to go my own way. I want to be Emre Can, not copy other players.

I've gotten my butt kicked by the best. Jet Li beat me up the best, but Steven Segal can still kick a good butt. It's a different kind of kicking, though.

The only time I can ever remember Steven crying over any of it was after my treatment, when I tried to use my foot on his bass drum pedal, and we realized I could never play a drum set.

In this sense, science, as physicist Steven Weinberg has emphasized, does not make it impossible to believe in God, but rather makes it possible to not believe in God.

As a player, you get to the stage where you realise that you are not 25 anymore - and can't play the way you used to. The intelligent players adapt - and Steven Gerrard has the ability to do that. He is an excellent passer of the ball, possesses an intelligent football brain, and has great vision.

I have played against the big England players - Steven Gerrard, Frank Lampard, Wayne Rooney, Ashley Cole. I never like to point out somebody because they are all great players with experience.

I think there's a side of me that's trying to compete with Lucas and Spielberg - I don't usually admit this publicly - because I tend to think that they only go so far, and their view of the world is rather simplistic. What I want to do is take whatever cinema is considered normal or successful at a particular time and play around with it - to use it as a way of luring audiences in.

Each photographer has their own vibe and presence that they bring to their shoots. Steven Meisel is a teacher. He teaches everyone on set something about their craft. He has an amazing way to bring out everyone's best in themselves.

As someone who's been doing a lot of classical theater recently, I loved the idea of getting to run around in Steven Alan, and not be in a corset and a wig, and not have a dialect, and get to be in a 90-minute play with no intermission, and get to do real comedy.

I'd have to say Steven Gerrard has been the biggest influence in my career so far. I watched him when I was younger and then to go and play and train with him every day is massive for me, and still is now.

When 'The Pacific' came around, I had to audition the old-fashioned way. It was the casting director and then the producer and then another producer and another producer and then Spielberg and Hanks.

A career high was when I did a cover for 'W Magazine's July issue with Steven Meisel. So few girls shoot with Meisel in their career, and a lot of people had told me I would never achieve that, so it was a dream come true.

'Straight Outta Compton' is my first biopic, my first period piece, and I got a chance to kind of get out there like some of my idols, you know, like Scorsese, Spielberg, Spike Lee, the guys who came before me. You know, I'm feeling good about it.

I remember on my very first film, which Steven Soderberg executive-produced, he said, 'Try not to repeat yourself. Do things that scare you.' Even if it's a challenge, I want people to say that this guy tried this thing. Hopefully he learned from it.

I don't want to be the Asian filmmaker; I just want to be a filmmaker. I want to be Spielberg. I want to be Tim Burton.

I have no idea and I think Steven King strongest suit is the characters that he does create, all in the same area where he lives. The way he describes them is one of his fortes and it boggles my mind how he's able to do that and to create so many. It must be thousands by now.

Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios.

When I was in high school I saw Steven Wright, a brilliant one-liner comedian, and I thought: 'That's what I should do; I should write one-liners.' And I did. My first album is mostly one-liners.

I would love to share the screen with Meryl Streep, wouldn't we all? I would love to work with Spielberg and Scorsese; that would be lovely. I'm also a huge fan of Johnny Depp and the way he creates his characters, so that would be fun. I mean, any of the greats, really.

When I was a little girl, I wanted to be a rock star. I wanted to be Steven Tyler. It was really strange, but as a little girl you think anything is possible, and it is. I never even thought about being an actress.

I'm no actor. And I wasn't like George Lucas or Spielberg, making home movies as a teenager, either. But I would go back and watch certain movies again and again. By the time I saw 'The Graduate' I was aware of how these amazing stories could be told.

In a film muddied by fictional detail, the new Spielberg production Fifth Estate's portrayal of the Guardian's work with Wikileaks is accurate in describing the running dispute between journalists who wanted to redact documents to make them safe and Julian Assange, who wanted no such restraint.

When the end comes, dark and hungry I'll be alone, love When the end comes, black and starving I'll say good-bye, love.-from Golden Tongue: The Poems of Steven Slaughter

I didn't read much as a kid. Strangely enough, when I first met my dad, Aerosmith singer Steven Tyler, I didn't know he was my dad and I fell in love with him. I put his poster on my wall.

With Steven Meisel, I'd looked at his work from afar and always loved it, and when I started to work with him, I was blown away. He taught me so much about looking at women and looking at images.

I stole a ton of film language from Steven Soderbergh and 'The Limey.' It's the definition of elliptical. It was the first movie I remember that introduced me to storytelling that isn't just one scene after another, and that things can be mixed up in the way that real experiences can.

I wasn't the kind of kid like Spielberg or Lucas who knew to go to film school. I didn't know at 12 what I was going to do; it took me until I was about 23. I studied journalism in college, but after school, I got a job in public television and I never worked as a journalist for one moment.

During my time playing for England we had Wayne Rooney, David Beckham, Michael Owen, Steven Gerrard, Frank Lampard, Paul Scholes. They were world-class players playing for Chelsea, Man United, Liverpool, Arsenal, all legends of the game.

Steven Adler and I played football in the street when we were 12. I remember rehearsing in my bedroom with my first band, and some kid climbed over the fence of my backyard and peeked his head in the window to see who was rocking. It was Slash.

The Holocaust survivor who knows Auschwitz through the experience of suffering observes it all from the perspective assigned to him. He keeps silent or gives interviews to the Spielberg Foundation, he accepts the compensation payments promised him after a fifty-year delay, or, if he is prominent, he makes a speech in the Swedish Academy.

Martin Scorsese is doing a 3D movie (Hugo Cabret). A lot of amazing filmmakers are. Not just the obvious of Jim Cameron, but Spielberg is doing it and Peter Jackson has worked in it. In the hands of those types of people, it will just keep getting better and better.

Steven Gerrard was someone I looked up to massively. I'd always try to copy him, right down to the boots he was wearing. It was his attitude on the pitch that stood out - you could really see how much he hated losing.

The things had been made a half a dozen times from silent pictures through the '30s and '40s. In fact, I think there's a version in the '50s. And then, of course, Spielberg eventually did a version of The Lost World, but this [filming] was '91, I think. And we shot it in Zimbabwe.

It took me twenty years to get Steven Parrino's work. From the time I first saw his art, in the mid-eighties, I almost always dismissed it as mannered, Romantic, formulaic, conceptualist-formalist heavy-metal boy-art abstraction.

A strange thing happens when Spielberg discusses his own work. His degree of self-criticism seems a direct reflection of each film's box-office performance. You will not catch him complaining that the audience 'didn't get' a film; if it didn't do well, it generally didn't deserve to.

I'm a huge fan of 'Buffy,' 'Angel' and 'Doctor Who.' People like Joss Whedon, Russell T. Davies, and Steven Moffat are really amazing about making you feel like you had a complete meal and yet leaving you hungry for more.

My granddad used to mind me at weekends, and if the game was on, and you wanted to get across the room, you had to crawl under the TV. So I've always been a Liverpool fan, and meeting Steven Gerrard was massive for me. He knew who I was before we'd even said hello!

In 1987, I had no idea who Steven Isserlis was. We met at the Spoleto Festival in Charleston, South Carolina. It was originally just an Italian summer festival, but for the past 14 years, there's also been a spring festival in America.

Guys like Spielberg and Zemeckis and really anybody who is a storyteller-filmmaker today has studied Hitchcock and the way he visually tells a story. He was the master of suspense, certainly, but visually you would get a lot of information from what he would do with the camera and what he would allow you to see as the story was unfolding.

Many great teams have players who have come through the youth system or have been at the club for a long time as their captains. I'm thinking of Steven Gerrard at Liverpool, John Terry at Chelsea, Raul at Real Madrid, as well as Puyol at Barcelona and Gary Neville at Man United.

As a kid, I always wanted to be like Spielberg and to make wonderful movies. Even when I was making 'Indiana Jones,' I was looking at how he would come up with these amazing shots and how he would choreograph the blocking and all that. So I knew from early on I would go to film school and try to work behind the camera.

My cerebral cortex, the gray matter that MIT neuroscientist Steven Pinker likens to 'a large sheet of two-dimensional tissue that has been wadded up to fit inside the spherical skull,' is riddled instead of whole.

Steven [Sebring] was documenting me as a widow with two children, going from 50 to 60 years old. My focus, during that time, was to rediscover myself, stay healthy, take care of my kids and reestablish a relationship with the people.

Some of my biggest influences are people like Steven Wright and Todd Berry. I'm a shy person, and I don't think people who aspire to do comedy think that's an option.

The comedians I liked were Bill Cosby and Steven Wright, like just always as a comedic actor. I always liked Gary Larson, who's really funny for a cartoonist, obviously.

Steven, my friend who came out to me my senior year, was a huge Madonna fan. So I may know all the words to 'Bedtime Stories,' 'Erotica,' and a few more of her albums - and we may have watched 'Truth or Dare' a thousand times.

I just love Steven Seagal for his pure - his perspective on what being a hero is: just a purely evil, cruel perspective.

In the Steven F. Austin Colony, which was the first colony, Texans first established a provisional government in 1835 with the intention of writing a declaration of independence soon after.

I think the action movies in the 80s and 90s were different. It was a testosterone age. Steven Seagal, Jean-Claude Van Damme and Sylvester Stallone - they fuelled my childhood. But now I don't think I'd like to do just action, I don't enjoy that.

Steven Hawking is a brilliant physicist and when it comes to theology I can say he's a brilliant physicist.

Sometimes when you're the good guy, you're sort of trapped. "Oh, he can't say that." And even when you're playing a real person like a Steven Biko, you're sort of stuck within those confines. So yeah, bad guys do have more fun.

[Steven] Lerner said that unions and community organizations are, for all intents and purposes, dead. The only way to achieve their goals, therefore - the redistribution of wealth and the return of '$17 trillion' stolen from the middle class by Wall Street - is to 'destabilize the country.

As a director, I do very few takes, because I feel like you hire the right actor and they'll do the job right. And the directors that I've worked with and had the best luck with - Jason and [ Steven] Soderbergh and the Coen brothers - all have been that kind of director.

I have an agent, John Brockman, who is an agent to many academic authors like Dan Gilbert and Steven Pinker, and he's very good at conning academics into writing books. He pulled this trick on me.

When I was on set I tried not to bug Steven Soderbergh too much. "Why did you put the camera there?" But he was very open to my questions and definitely being on his set was really thrilling because he's such a master.

A career high was when I did a cover for W Magazines July issue with Steven Meisel. So few girls shoot with Meisel in their career, and a lot of people had told me I would never achieve that, so it was a dream come true.

Now in the U.S.A., a lot of great players come after their careers in Europe, like Zlatan Ibrahimovic, Steven Gerrard, Frank Lampard, Andrea Pirlo, great players.

When someone like Steven Soderbergh asks you to do a film you know you're in good hands. You know it's going to be slick, and it's going to be intelligent, and it's going to have a kind of style to it, and I would probably have done anything to be really honest.