Top 369 Steven Quotes & Sayings - Page 4

I was really fortunate from the time I arrived in Hollywood to work with some of the greatest directors from the beginning. I worked with Robert Altman, John Boorman, and of course Steven Spielberg, Michael Cimino, Brian De Palma ... I couldn't pick one of them; they were all different, but they are all so talented.

Steven Gerrard was someone I looked up to massively. I'd always try to copy him, right down to the boots he was wearing. It was his attitude on the pitch that stood out - you could really see how much he hated losing.

Steven Adler and I played football in the street when we were 12. I remember rehearsing in my bedroom with my first band, and some kid climbed over the fence of my backyard and peeked his head in the window to see who was rocking. It was Slash.

Hardly any filmmakers can just make anything they want. Obviously, there are some exceptions, like Steven Spielberg, but he has that mainstream mentality and the kinds of films he loves to make are the kind that appeal to this big, mass audience.

I saw 'Tintin' in Europe - it is 'Indiana Jones' on steroids. Unbelievable. What a fantastic movie. Steven Spielberg, you rock the house. And working with those young English guys like Edgar Wright, and also Peter Jackson; what a great combination.

When I was on set I tried not to bug Steven Soderbergh too much. "Why did you put the camera there?" But he was very open to my questions and definitely being on his set was really thrilling because he's such a master.

Working with Steven Spielberg, how bad could it be? But "1941" was one of those excessively big movies where every action scene was done and re-done and re-done again. It was so overproduced and overly expensive. And it wasn't terribly funny.

In the Steven F. Austin Colony, which was the first colony, Texans first established a provisional government in 1835 with the intention of writing a declaration of independence soon after.

I have no idea and I think Steven King strongest suit is the characters that he does create, all in the same area where he lives. The way he describes them is one of his fortes and it boggles my mind how he's able to do that and to create so many. It must be thousands by now.

I wanted to be Steven Spielberg, Tim Burton, Stanley Kubrick, David Cronenberg, Ridley Scott, James Cameron, and Hitchcock. I'd wanted to be a director since 13, and horror and the suspense thriller were the most powerful genres to me.

I'm a huge fan of 'Buffy,' 'Angel' and 'Doctor Who.' People like Joss Whedon, Russell T. Davies, and Steven Moffat are really amazing about making you feel like you had a complete meal and yet leaving you hungry for more.

You know that you're part of a Spielberg production when you've got some aliens involved, but you really know when you're sitting there at a table read, and they say, 'Steven really wanted it this way.'

Steven Hawking is a brilliant physicist and when it comes to theology I can say he's a brilliant physicist.

My dad couldn't connect to my wanting to be a filmmaker. He was very connected in entertainment, and through him I met Steven Spielberg and got rides on his private plane to California. I'd see Spielberg's people reading scripts. I was like, 'That's what I want to be when I grow up.'

I think that having had [Steven Spielberg's] confidence in me probably made me a little more immune to feeling as bad about myself in the face of rejection. I also was just so young - I was unaware enough to not take it too seriously.

I can't wait to meet Steven Spielberg or Al Pacino again so I can say, 'I have to tell you how you know me. You know me because I am the worst actor in the world.'

Eight years ago, I was a waiter, and I didn't have a pot to piss in. And now...? It's like I said to my wife: I love the fact that, if I was in a restaurant and Steven Spielberg walked in, I could go up to him and say, 'Hey, mate, how are you?' I think that's pretty amazing, actually.

I didn't even really know who Tom Hanks and Steven Spielberg were, and my parents kept trying to tell me, 'Noah, what is wrong with you!? This is the biggest actor and director in all of Hollywood!' And then I was like, 'Who cares? Whatever.' I was nine; I didn't know anything.

A career high was when I did a cover for 'W Magazine's July issue with Steven Meisel. So few girls shoot with Meisel in their career, and a lot of people had told me I would never achieve that, so it was a dream come true.

I remember on my very first film, which Steven Soderberg executive-produced, he said, 'Try not to repeat yourself. Do things that scare you.' Even if it's a challenge, I want people to say that this guy tried this thing. Hopefully he learned from it.

With Steven Meisel, I'd looked at his work from afar and always loved it, and when I started to work with him, I was blown away. He taught me so much about looking at women and looking at images.

If I feel like a night in, or if I have an early plane to catch, I like to make some chai tea and snack on dark chocolate while watching a movie on my projector and big screen. I'm crazy about all kinds of movies, especially the classic Steven Spielberg ones or 'The Godfather.'

Fear may very well be a caveman fear of the predator, of the giant lizard chasing them - maybe that's what Steven Spielberg connects with so well in Lost World.

I have played against the big England players - Steven Gerrard, Frank Lampard, Wayne Rooney, Ashley Cole. I never like to point out somebody because they are all great players with experience.

When I was in high school I saw Steven Wright, a brilliant one-liner comedian, and I thought: 'That's what I should do; I should write one-liners.' And I did. My first album is mostly one-liners.

Some of my biggest influences are people like Steven Wright and Todd Berry. I'm a shy person, and I don't think people who aspire to do comedy think that's an option.

[Ocean's Thirteen] is a great group, and it was an opportunity to work with Steven Soderbergh. But mainly? It was shot in L.A. and I want to be next to my kids. So I've been doing everything that has to do with being next to them, close to them.

Now in the U.S.A., a lot of great players come after their careers in Europe, like Zlatan Ibrahimovic, Steven Gerrard, Frank Lampard, Andrea Pirlo, great players.

The only time I can ever remember Steven crying over any of it was after my treatment, when I tried to use my foot on his bass drum pedal, and we realized I could never play a drum set.

I think the action movies in the 80s and 90s were different. It was a testosterone age. Steven Seagal, Jean-Claude Van Damme and Sylvester Stallone - they fuelled my childhood. But now I don't think I'd like to do just action, I don't enjoy that.

My dad taught me; Mr. Steven Seagal taught me, also.

It's just such an honor to say that I was in something by Steven Spielberg. I feel so blessed I got to meet such great people, and I got to go to a beautiful place, Vancouver, and I had a great time.

Steven, my friend who came out to me my senior year, was a huge Madonna fan. So I may know all the words to 'Bedtime Stories,' 'Erotica,' and a few more of her albums - and we may have watched 'Truth or Dare' a thousand times.

Sometimes when you're the good guy, you're sort of trapped. "Oh, he can't say that." And even when you're playing a real person like a Steven Biko, you're sort of stuck within those confines. So yeah, bad guys do have more fun.

The comedians I liked were Bill Cosby and Steven Wright, like just always as a comedic actor. I always liked Gary Larson, who's really funny for a cartoonist, obviously.

As a director, I do very few takes, because I feel like you hire the right actor and they'll do the job right. And the directors that I've worked with and had the best luck with - Jason and [ Steven] Soderbergh and the Coen brothers - all have been that kind of director.

That said, I should also add that I learned a great deal from being allowed in these privileged circles and am grateful for the opportunity to have worked closely with some of the most powerful and successful people in the business including Steven Spielberg and Ted Turner.

As someone who's been doing a lot of classical theater recently, I loved the idea of getting to run around in Steven Alan, and not be in a corset and a wig, and not have a dialect, and get to be in a 90-minute play with no intermission, and get to do real comedy.

I've always got stuff in my head in case I meet somebody like Steven Spielberg or someone like that, where I can hopefully say something to them that nobody else has ever said and get a laugh out of them.

Steven Spielberg has this great quote: "Moviemaking is always about noise. There's so many voices that you've gotta listen to. But you've always got to pay attention to the one voice that's in your gut that always tells you it's still not good enough."

One evening, Mike Myers and Steven Spielberg were discussing 'Goldmember,' and I just happened to joke, 'If you need a Japanese character, let me know!' The next day, they called me for audition! I find it's always helpful to maintain a sense of humour.

A career high was when I did a cover for W Magazines July issue with Steven Meisel. So few girls shoot with Meisel in their career, and a lot of people had told me I would never achieve that, so it was a dream come true.

I just love Steven Seagal for his pure - his perspective on what being a hero is: just a purely evil, cruel perspective.

I'd have to say Steven Gerrard has been the biggest influence in my career so far. I watched him when I was younger and then to go and play and train with him every day is massive for me, and still is now.

My target is to score more goals, not necessarily be the next Steven Gerrard. Obviously, my respect for him is very high, but I want to go my own way. I want to be Emre Can, not copy other players.

For me, each one of those experiences stands on its own. The first one was with Steven Spielberg, who helped me to get an agent and vouch for me, and that gave me the confidence to continue.

As a player, you get to the stage where you realise that you are not 25 anymore - and can't play the way you used to. The intelligent players adapt - and Steven Gerrard has the ability to do that. He is an excellent passer of the ball, possesses an intelligent football brain, and has great vision.

An ideal movie would be, like - to get this to happen, I have to work so much harder - but imagine Denzel Washington, Laurence Fishburne, Jamie Foxx, Eddie Murphy... Who else? Donald Faison. Directed by Steven Spielberg. That would be awesome.

I want to work with Steven Spielberg... whether it is a small role or big in a Hollywood movie, it will be a lifetime experience for me. It will be a dream come true for me. And I always believe that anything can happen in life.

For actors, when you first get the project and you see that it's a Steven Spielberg, Tom Hanks and Gary Goetzman-produced project, right away, from an acting standpoint, you go, 'Wow. That'd be great to be part of that. What a career move that'd be.'

You have to understand, when you're 15 and you're doing this Steven Spielberg movie with megastars - Robin Williams, Dustin Hoffman, Julia Roberts - you know you want to be cool. I don't know how cool I'm going to look with my belly button out!

In 1987, I had no idea who Steven Isserlis was. We met at the Spoleto Festival in Charleston, South Carolina. It was originally just an Italian summer festival, but for the past 14 years, there's also been a spring festival in America.

I find it amusing that every time I was asked when I will work with Zoya or Farhan, I was quoted as saying, 'It will be easier to convince Steven Spielberg to cast me rather than my own children.' That has come true.

I've gotten my butt kicked by the best. Jet Li beat me up the best, but Steven Segal can still kick a good butt. It's a different kind of kicking, though.

When someone like Steven Soderbergh asks you to do a film you know you're in good hands. You know it's going to be slick, and it's going to be intelligent, and it's going to have a kind of style to it, and I would probably have done anything to be really honest.

When the end comes, dark and hungry I'll be alone, love When the end comes, black and starving I'll say good-bye, love.-from Golden Tongue: The Poems of Steven Slaughter

I stole a ton of film language from Steven Soderbergh and 'The Limey.' It's the definition of elliptical. It was the first movie I remember that introduced me to storytelling that isn't just one scene after another, and that things can be mixed up in the way that real experiences can.

My granddad used to mind me at weekends, and if the game was on, and you wanted to get across the room, you had to crawl under the TV. So I've always been a Liverpool fan, and meeting Steven Gerrard was massive for me. He knew who I was before we'd even said hello!

[Steven] Lerner said that unions and community organizations are, for all intents and purposes, dead. The only way to achieve their goals, therefore - the redistribution of wealth and the return of '$17 trillion' stolen from the middle class by Wall Street - is to 'destabilize the country.

Each photographer has their own vibe and presence that they bring to their shoots. Steven Meisel is a teacher. He teaches everyone on set something about their craft. He has an amazing way to bring out everyone's best in themselves.