Top 369 Steven Quotes & Sayings - Page 6

Steven Spielberg making a Ready Player One movie is going to change the course of human history as pertains to how quickly virtual reality is adopted. He's going to shows the whole world the potential of VR, which is one of the reasons I think he's doing it. Once you have to compose for 360 degrees, and a movie is different every time you watch it depending on where you choose to look, it's like the dawn of a new era.

Steven and I have worked together a lot and I'm far ahead of the curve than most people in knowing what he wants, but he knows far more than I know about what's important for the story. So, most of the changes he will make will involve story changes.

Meeting Oprah Winfrey, I cried like a baby. Meeting Steven Spielberg, I cried like a baby. Meeting Denzel Washington, I gushed like a crazy woman. If I don't get excited or star struck by someone I've been dying to meet, it's time to retire.

Steven's Spielberg is one of the most visually talented and character-oriented directors I've ever worked with. And I learn from him every time I watch one of his movies. Good or bad - and he has made some awful movies - they're never uninteresting. He's made four or five of the greatest movies of all time. Perfect movies, like E.T. or Schindler's List or Saving Private Ryan.

These are the two sides of Steven Spielberg: the reverent grown-up who knows when to say the right thing and the exuberant kid who loves a good laugh. Both sides are sincere, and both are necessary, for Spielberg knows he can't feel good about himself unless everyone else feels the same way.

For me, I can't see Liverpool without him because he's just been there since I was a kid. I had him on the back of my shirt. He's always been on the team every time I've watched Liverpool. It's going to be really weird next season, a Steven Gerrard-less Liverpool side.

Take care, Jeffy. I’ll see you soon, right? Just remember not to throw food at the nurses. I don’t want to get any complaint calls, OK? Steven, I don’t throw food at…oh, that was a joke, right? Yup, buddy boy. It was a joke. But seriously, no kissing the nurses on the lips, either. It messes up their makeup. Eeeeeeewwwww!

Steven Gerrard wanted to speak to me, so I went to see him and we had a sit down over my future. He's someone who had pretty much been in the public eye his whole life, and now that I was going to be in bigger fights earning better money, he took it upon himself to give me a talking to about what I should do next.

Dinner with Steven Moffat in Bar Shu, spent mostly in enthusiastic Dr Who neepery. I love my life....As a side note, running Windows Vista on the Panasonic w7 is making me really nostalgic for 1986. Whoever thought I'd get to type things then stare at a blank screen for a bit and one-by-one watch the letters appear? Cory and Mike's 'Why Don't You Run Linux?' talks are staring to seem much more sensible.

I think it's likely that the civilizing effect of literature has done most of the work, and still continues to do. Look at Steven Pinker's book, The Better Angels of Our Nature: Why Violence Has Declined. It proves beyond any shadow of doubt that violence has declined dramatically throughout the centuries. There are various reasons for it: the rise of the state, Leviathan, the monopoly of violence, children's rights, animal rights. They're all positive signs.

I love so many different types of music - hard rock, bebop, jazz fusion, R&B. And I've loved meeting and painting so many amazing artists like Lionel Richie, Ronnie Wood, Sia, Steven Tyler, Swizz Beatz, Taylor Swift, James Moody, The Fifth Dimension, Chick Corea, Herbie Hancock and Michael Jackson. It makes me smile thinking about each one of them.

One of my favorite poses was when working with Steven Meisel. It was one of my first photo shoots with him, and we were trying to get the cover of Italian 'Vogue.' Then, I literally took my Balenciaga hat, pulled it down, and gave a rolling-eye, 'ugh' face, crossed legs on the floor. And lo and behold, that was the cover of Italian 'Vogue.'

I thought Chris Benoit was worthy of being a Horseman. I thought Dean Melinko was. Obviously I thought Steven Michael was, though obviously he was inexperienced, I thought he was a perfect fit as a horseman. I did not like the Paul Roma deal. I did not like Sid Vicious or about two or three guys that they put in there, I just couldn?t see it. I couldn?t stomach it, but I had to.

I must say Steven Spielberg was great to me, and I loved working with him. He called me up on the phone and was like, "I want you to be in this movie - 1941. There are a couple of parts. You can take whichever one you want. One of them is a main character who is involved in everything, and there's another character who has his own storyline and goes off on his own. He's probably the funnier, more unique character." I said, "Well let me do that second one."

I don't know when the last time was that Steven Spielberg or George Lucas made a movie with Universal, but I can tell you that Universal is leading the charge. They're looking at film differently. They're planning ahead in a way that I've never seen a studio do before. They're believing in a relationship between fan and film franchise, in a new way. They're more receptive to an audience, in part because of social media, in a way we've never been allowed.

I had been emotionally affected by the story [of Steven King], on my own, and I knew how I wanted to feel watching it because I had felt it already reading it. God bless them, Bad Robot hired me to develop it and I spent the next six months in a room, alone, with a lot of index cards up on a wall, like the guy in A Beautiful Mind.

I was very blessed it was Steven Spielberg who made the movie. He was very much into the redemption side of the story. They asked him in an interview why he had owned the rights to this story for 20 years before he made the movie, and he said, 'I wanted to see what the real Frank Abagnale did with his life before I immortalised him on film.'

I know that the gift that God gave me isn't gonna just wither up and die unless I let it die, so it's a matter of me having the faith that it's gonna come out. Whether or not the public's gonna like it is another story. But I think as long as I keep changing and sticking to what I really love - and the same goes for Steven and the other guys in the band - then people are gonna like it.

I'm a humorist. A guy like Paul Simon just makes my life so much simpler. When I was there, he had a hearing against hate. Steven Spielberg came and testified against hate. Paul Simon said hate was bad. Orrin Hatch was there, and he was against hate too. Everyone was opposed to hate. Is this really a wonderful way to spend our tax dollars, to have these men drone away about how against hate they are?

Well, to tell you the straight honest truth, it was like a Grateful Dead cover band. I didn't feel - and nothing against the guys - I didn't feel that they were opening up like they should. I'll tell you what, with guitar players, Steven has what I like in guitar players.

We have to start at ground zero and ask what it means to have a real connection with God and what it means to pray. We have to recast our whole understanding of God. We live on the other side of Copernicus, Kepler, Galileo, Isaac Newton, Charles Darwin, Sigmund Freud, Albert Einstein, Steven Hawking, a whole group of people who have recast the way we think about reality.

I cut my hair short and it basically changed everything overnight. I was about 18 when I cut my hair off - the little pixie haircut. Nobody had short hair at the time. Literally overnight everything changed. I worked with Steven Meisel within a month and a half and I booked every show. Then I got a Vogue cover - my first Vogue - and that came out a few months later.

Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios. I still don't feel like I've been part of the stereotypical Hollywood system.

When you look at Steven Meisel's pictures and you see girls rolling around in mud or cars are blowing up? It takes a tremendous amount of courage to be able to do that. I think you have to be malleable, and that's what makes a truly great model. It's not the perfect lip or the perfect face, it's your own ability to take on a character and that's, I think, something there's a misconception about.

Steven's [Sebring] presence was not threatening; he told me that if I never wanted the footage to be seen by anyone, he would give it to me. So I had nothing to lose and everything to gain, and what I gained was his supportive energy and the supportive energy of his wife, who was sometimes the one schlepping the equipment or doing the sound.

I think one of the reasons that Steven (Spielberg) and I have been as successful as we have is because we like the movies. We like to go to the movies. We enjoy movies and we want to make movies like the ones we enjoy.

My casting in 'Halo' produced by Steven Spielberg, which I am doing, is just color-blind casting; Asians have been questioning why best roles should not come to them and I am so happy about this color-blind casting. I am going to be just what I am in that film.

I would still work with Mel Gibson! He's talented, man! Come on, he came up with 'Apocalypto,' man! I want to work with this guy. I've worked with Steven Seagal. He's out of his mind. I mean, I've worked with Spike Lee for four films. I've worked with some people that you can say are right there teetering between genius and madness.

So often, in my life, when you play a joke on another actor, you say, 'Hello? Steven Spielberg? It's for you.' What's it feel like? It's bizarre. He feels like he's a friend. He feels like he's some kid in the neighborhood who has a camera and makes films, now and then, and says, 'Would you come 'round and play?' It doesn't feel grand at all.

Steven Soderbergh really likes Irréversible, that's about all I can tell you. About the making, well, it was a very particular situation, because those people all know each other, and they're all big stars. I felt like the little French guy, really. And I was very flattered to be called on that, of course, but I felt like if I didn't find something to be a little original, different, particular in the movie, I would just disappear.

My mom has a diary entry or something where I wrote, "I think Steven Tyler is my father." I had the same feelings for Todd Rundgren, who raised me as his daughter. I would go to sleep at night and wake up at like 6 in the morning and creep up the little steps to the tower where he would be on his computer. I would just sit there.

Steven Meisel is completely consumed with what interests him. He does what he wants to do, and when something doesn't interest him, he's not afraid to say so. I think that's why you don't see his work all over the place as often as you might like to. Today he only photographs what he wants to photograph, what turns him on. He has an extraordinary eye, and his sophistication is limitless. This is a man who doesn't miss a beat.

Steven Pinker says, the invention of printing and the widespread appearance of fiction - this taught empathy. If you read a novel, you're in someone else's head, in three, five different people's heads. Suddenly, the principle of "Don't do anything to anyone that you wouldn't want done to you" becomes real in people's minds. That's a fantastic achievement if fiction is indeed partly responsible for it. That's a great thing to be a part of. In the end, then, I don't know if writers have legislated, but they have civilized.

Adam and Eve, not Adam and Steve. Well, of course not Adam and Steve. Never Adam and Steve. It's Adam and Steven.

I like how you can go back and watch David Lean and John Ford and see the influence that had on Steven Spielberg, especially David Lean, in the camerawork, and yet, you don't watch any Spielberg movie and think of David Lean. Once you're looking for it, you see it all, but it's not in your face.

Martin Scorcese is probably America's greatest living director, and while he is not a titan like John Ford or Alfred Hitchcock or Federico Fellini, he is certainly consistently more interesting than Steven Spielberg, Brian de Palma, Francis Ford Coppola or Woody Allen. Even a failure like Gangs of New York or a curiosity like The Aviator is more interesting and ambitious than Munich, The Black Dahlia or Scoop.

I get to listen to a lot of this music again doing my DJ work on Little Steven's Underground Garage. To hear Van [Morrison] on Them's version of "It's All Over Now, Baby Blue"- what a vocal, and what an arrangement. Also, I get to hear so many records that I missed the first time around - The Chocolate Watchband, Roky Erikson. It's an audio food fest, a total privilege, a second chance.

The remarks that [Steven] Lerner gave at Pace University: "'Unions are almost dead. We cannot survive doing what we do but the simple fact of the matter is community organizations are almost dead also. And if you think about what we need to do it may give us some direction which is essentially what the folks that are in charge - the big banks and everything - what they want is stability.'" So we have "'to destabilize the folks that are in power and start to rebuild a movement'".

I've been very lucky and fortunate to meet people that are very inspirational in their spirits, too, and not just as filmmakers - in their personal life. I mean, Steven Spielberg is very inspirational just to sit down and talk for an hour, like Ingmar Bergman was. They know so much about life and, you know, movie-making, so it's just wonderful to be around those people.

Steven and I stood on the stage at the Boston Garden after the Stones had just played there and the stage was still up. We had been playing cards, maybe a high-school dance, to 400 or 500, maybe a thousand. We just stood on the stage and thought, 'Well,man,maybe someday.' In 4 years that was OUR stage.

The president-elect Donald Trump moved a bit closer to getting his Cabinet in place with another round of confirmation hearings. The most contentious was for his treasury secretary pick, Steven Mnuchin, a billionaire banker who worked at Goldman Sachs and owned a hedge fund. There was important news that came out during the hearing. Mnuchin said that he would support raising the debt ceiling sooner rather than later, and not risk the country defaulting.

New Rule: The rest of the world can go back to being completely jealous of America. Our majority white country just freely elected a black president, something no other democracy has ever done. Take that Canada! Where's your nubian warrior president? Your head of state is a boring white dude named Steven Harper, and mine is a kick-ass black ninja named Barack Hussein Obama!

Clint Eastwood is so fair and consistent. It does not matter who he is talking to, he is always nice. It doesn't matter whether he is with a production assistant or Steven Spielberg, he is friendly and never seems superior. I think it is hard for people to realize that he is accessible because they are caught up in the image and can't talk to him because he is 'Clint Eastwood', so they get tongue-tied. They get terrified. It is funny watching people with him.

My first time acting for camera really was for Steven Spielberg in War Horse. I was trained in theater and I was actually working in theater at the time. I had a small role with the Royal Shakespeare Company, which is a huge prestigious theater company back in England. I honestly thought that was as good as it got.

Steven Spielberg's name was all over 'Poltergeist,' and 'E.T.' was out the same year, which every single parent took their child to. So despite 'Poltergeist' being a horror movie, I convinced my parents to let me see it. It was terrifying. I guess this says a lot about me as a six-year-old, because I loved it.

No one writes better historical fiction than Steven Pressfield. The Afghan War that was waged by Alexander the Great 2000 years ago is eerily similar to the one that's being fought today. This book should be required reading for anyone who wants to better understand what American and Coalition forces are up against in one of history's most tribal and troubled regions.

It's Steven's [Sebring] view of what he saw in traveling and working with me. But on another scale, I think the film [Dream of Life] is very humanistic: It touches on motherhood, death, birth, art, laundry, anger against the Bush administration... While I don't think it's the kind of film where one goes to find some of the darker, edgier aspects of life, the film was born of grief.

Honestly, some cases have been more famous than others - like Tot Mom, or Steven Avery, or Scott Peterson - but I would not characterize any one as being more special to me, more intriguing, or more important because that would be placing one victim as more important, or one defendant as more [notorious] than others, and I don't think that's right.

Directors like William Friedkin (Killer Joe), Steven Soderbergh (Magic Mike) and Lee Daniels (The Paperboy) got in touch with me and wanted me to be part of their films. That was a whole new chapter for me. I didn’t chase any of those films and it made me think that I was right to take a chance, say no to the kind of thing I had grown tired of doing, and wait until something good came around. And it did.

Everybody is different. Some comedy is more musical like Steven Wright. His is a pillar of comedy to me. He invented a whole form and all his jokes are poems. So it's different. I wanted to do it like George Carlin. Now I do it like me.

In 1989 at Greater Saint Steven Full Gospel Church, I gave my life to Christ. That's pretty much where it all started for me. I was 23 years old at the time, right after my first year in the NBA. The pastor preached a message about being fully committed. That pretty much was me. I wasn't fully committed. I was kind of in and out all of the time. So I just wanted to make a commitment.

I've always loved fantasy. I've always loved sci-fi. It's not like I can list off my favorite sci-fi shows or movies, but I just love being taken into a different world. I'm a huge fan of Steven Spielberg. I'm a huge fan of George Lucas. I've always loved it.

This summer-sweet night is only one minute upon one minute upon another Beautiful cacophony, sugar upon lips, dancing to exhaustion I thought of you, before this minute upon another minute upon another Until, numb, my lips fell onto the mouth of another, and I was undone. ~from Golden Tongue: The Poems of Steven Slaughter which is a fictional book in Ballad: A gathering of faerie

I worked with Herb Ritts on the Marky Mark shoot, and then Steven Meisel, and then they'd start sending limos for me, and I was like, 'That is so embarrassing. I'm not getting in a stretch limo by myself to go to a shoot.' That whole New York thing of, 'You are fabulous! Turn up to a Meisel shoot in a limo and you're fabulous!'

I got called to write for Aerosmith, nothing ever came of it, but I ended up spending the day with Steven Tyler and going to his house and we sat down at the piano, just me and him, and he sang for me and played, then he asked me to sing for him, and then we sang harmony together. That was just a big moment where it was like 'oh my god, my life is crazy!' It was really cool.

I don't know what to say about it except Tom Hanks is a great person, a serious person; he's dissatisfied in a very likeable way, in a very discreet way, and Steven Spielberg is similar in his discretion and drive. But Spielberg is calm. He's this driven filmmaker and visionary. He really is.

I fought some guy who looked like Steven Seagal, some aikido guy or something. The fight's not even on my record, I don't remember his name. My dad was there at the fight and he said he blinked and he missed the fight, so I think I finished him fast or something. I forgot all about that fight.

I got a call from a mutual friend of ours, Charles King, who's also the executive producer. [Steven Caple Jr and I] had a conversation about it. I read it. We kind of finished each other's sentences when it came to the nuances and personality flaws that the character had, and some stereotypes and things we were trying to stay away from. We agreed on that as well. He just kind of allowed me to run rampant with the ideas. As we paced ourselves through, we developed Turquoise.

Suddenly people were saying I was cocky because I'd done a Steven Spielberg movie and thought I was better than everyone else, which surprised me at first. I suddenly started feeling like a freak because everyone was treating me differently. It was confusing, and I did wonder if acting was for me anymore.

Occasionally I do movies with other directors. I did 'The Diving Bell and the Butterfly' for Julian Schnabel. I did a movie with Jim Brooks ('How Do You Know'). I did a movie with Judd Apatow ('Funny People'). So I do get a chance to work with other people, which is always enjoyable, always pleasant. But still, Steven [Spielberg] makes the types of movies that I'm interested in as well.