Top 1200 Stevie Wonder Quotes & Sayings - Page 3

Wonder, connected with a principle of rational curiosity, is the source of all knowledge and discover, and it is a principle even of piety; but wonder which ends in wonder, and is satisfied with wonder, is the quality of an idiot.

At the 'L.A. Times,' I always wanted to write about artists I thought were meaningful. So I interviewed Bob Dylan, John Lennon, Bruce Springsteen, U2, Stevie Wonder, Michael Jackson, Eminem, White Stripes. And I could understand how almost everybody I interviewed had a sense of artistry.

My favorites are Stevie Wonder and Marvin Gaye, but those are a little off in terms of getting Detroit right on the head. But of course, you know, "Dancing In The Streets." You can't forget the Motor City. And we can't forget the Motor City.

My parents were real classic rock freaks, so I heard a lot of Zeppelin, Stones, Hendrix stuff. Thankfully, they were also into lots of old soul, too, so we listened to Stevie Wonder, Earth Wind & Fire and War. I was so isolated where I grew up (a small town in Pennsylvania) that there was literally no culture.

I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band - just for fun - when I was 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish.

My father was in a dance band, and I wanted to do what he did, play the saxophone, but I couldn't blow a note, so he suggested the guitar. Chromatic harmonica was actually my first instrument, and I got very good at it - not quite Stevie Wonder, but very good.

I wish I was a prolific writing wondrous boy genius - I wish I was Stevie Wonder - but I wasn't. I was me. I wrote terrible songs about girls I was head-over-heels about. As soon as a pretty girl looks at me, that's it - I'm in love, and I should probably write a song about it!

The one thing about Essex is that there's a lot of people there that are into their soul music. And I'm talking '80s and '70s soul music, that was a big part of my childhood, there was Al Green, Luther Vandross, Stevie Wonder, people like that.

She's not impressed by your fancy car. She got a body so she's snotty and she don't care who you are. So don't get mad and dis her reputation Callin' her a floozy, any conversation. Mad grammar, backstabber, girls they wanna be her. But like Stevie Wonder, none of y'all can see her!

I like Stevie Wonder as my favorite non-pianist pianist. I mean, I shouldn't call him a non-pianist, because he's really a great pianist, but he doesn't feature it that much - he uses his keyboards and his piano technique to support his great songs and so forth, but he can really blow.

We got word that Mick Jagger heard our first album and liked it. And he wanted us to open for the Stones in Hawaii. That just blew us away. But the next thing I heard was that Stevie Wonder opened for them here in the States and actually got booed at one show. So I was scared to death.

I remember listening to 'Songs In The Key Of Life' as a kid. Stevie Wonder has an ability to manipulate pop into something globally obtainable. Anyone can listen and enjoy it because there's something for everyone. That woke me up to the possibilities of pop music.

Wonder is like grace, in that it's not a condition we grasp; it grasps us. Wonder is not an obligatory element in the search for truth. We can seek truth without wonder's assistance. But seek is all we'll do; there will be no finding. Unless wonder descends, unlocks us ... truth is unable to enter. Wonder may be the aura of truth, the halo of it. Or something even closer. Wonder may be the caress of truth, touching our very skin.

The artist's work, it is sometimes said, is to celebrate. But really that is not so; it is to express wonder. And something terrible resides at the heart of wonder. Celebration is social, amenable. Wonder has a chaotic splendor.

I tell this joke about Barack Obama is the best communicator of our generation: The guy reads a teleprompter better than any Hollywood actor. John McCain, his opponent - Stevie Wonder reads a teleprompter better than John McCain.

What's important is that people realize that I can't be put into a box musically. I've studied all forms of music; I know probably more Jay-Z songs than the biggest Jay-Z fan. I've studied R. Kelly to the Isley Brothers to Stevie Wonder to Sting and Sade. You don't have one personality every day. You don't have one mood.

I booked my first studio at like 12 or 13. Somewhere in that season of my life, singing along with the radio became me wanting to be on radio, you know. And writing Langston Hughes replica poems became me wanting to write like Stevie Wonder.

When I was a young teenager, it was all about The Clash for me and that sort of English punk stuff. Then the Clash led me to all these other kinds of music: classic rock, Stevie Wonder, world music, and Brazilian music. I got serious about jazz when I was probably about 14 or 15.

I'm touched by the Beatles. I want some of the music I do to reflect that. Here I am. I love Sly Stone and James Brown and Stevie Wonder, and I want my music to reflect some of that. Here I am. I'm touched by Jon Hendricks. I want some of my music to reflect that. And when I write, you're going to hear it.

Of course I've been called everything; Wonder Wonder Woman, Wonder Bra, Wonder Bread.

There are so many forms of soul: David Bowie was soulful as hell; Johnny Cash was soulful as hell; you also have a Prince, a Stevie Wonder. I want to bring my perception of that and not live inside the box of, 'This is the type of tracks you get,' 'This is the type of drums you get.'

I believe in Wonder Woman and the true spirit of Wonder Woman, and I wanted to tell that story. I didn't want to make her an alt version of Wonder Woman.

I don't know exactly what genre to put it in, I just know that I grew up listening to a lot of soul music - Stevie Wonder, Michael Jackson, Prince, and Whitney Houston. I was inspired by all these great big voices, and I try to do music that's timeless.

When I joined, I was one of the first artists to sign on to the Motown West label when they opened their first studio in California. At the studio, you'd run into Stevie Wonder, you'd run into Marvin Gaye…it was very special.

Folks wanna be like Will I Am not Bill I Am. They wanna be like Stevie Wonder not Steve Jobs.

We had some Stevie Wonder and Luther Vandross, but there's a lot of hip-hop and other black music that I just never grew up on. My parents didn't listen to anything other than black gospel.

I say that I do soul, R&B music. I have so many influences, from Billie Holiday, Nina Simone to Stevie Wonder and Prince and even Al Green and Bjork. And a lot of hip hop music has influenced me a lot - you know - De La Soul and Digital Underground and A Tribe Called Quest.

A lot of music influences me in other ways than this, but I've always taken a lot of influence from Stevie Wonder, Frank Ocean, and Jeff Rosenstock for the Rex music. They were also the first three artists that released albums where I enjoyed every song.

I think you have a lot of really good artists today. You have your Beyonce, Usher, Nicki Minaj and the like. But our generation, the artists were stronger. You're talking about myself, Ray Charles, Stevie Wonder, Roberta Flack, Gladys Knight, The Temptations, The Four Tops.

I wonder what you look like under your t-shirt. I wonder what you sound like when you're not wearing words. I wonder what we have when we're not pretending.

I grew up listening to pop music with my dad in the car, and we'd just listen to Stevie Wonder, Al Green, Earth Wind & Fire, KC and the Sunshine Band - all that good stuff. So to see it snaking its way back around again is really exciting, and I love listening to the radio.

I grew up in the '70s, and I hear in my own stuff a lot of what I grew up listening to, which is to say I hear a lot of Billy Joel, Paul McCartney, Carole King, Joni Mitchell and Stevie Wonder.

I was the first artist, I think, to ever do an all-keyboard album. There were things that resembled it, like Stevie Wonder. A lot of his stuff was on keyboards, but he used brass and he used other things as well. I was the first artist, also, to use drum machines. I was really the one who kind of started that whole thing.

The thing is, allies is people who are friends, people you can rely on in the struggle. You're not always going to agree with your allies. For instance, Stevie Wonder I feel like is my ally when it comes to this Florida situation, but I don't agree with his strategy. That doesn't mean he isn't an ally.

I loved things like Destiny's Child, and Amy Winehouse's first record came out when I was 11 years old. But as a young, young child, I was just surrounded by Stevie Wonder, Whitney Houston, Chaka Khan - just massive, soulful voices.

What the enlightened person sees no one could ever tell or describe. Wonder beyond belief. We live in a universe filled with wonder. It is wonder just to live.

I am in love with old school funk and soul music. That's what I grew up listening to, and I want to bring that style back with my music. I love artists like Stevie Wonder, Donna Summer, Aretha Franklin, Michael Jackson, Earth, Wind, & Fire, Bruno Mars, Justin Timberlake, and more!

You always draw from your roots. I'm influenced by everything I hear and see, and that includes music today, but obviously I go back to my early influences: Stevie Wonder, Parliament, Earth, Wind & Fire, Ohio Players, Average White Band. Those kind of artists are what I look to. When I hear that stuff on the radio, I turn it up!

No wonder is greater than any other wonder, and if once explained ceases to be a wonder.

When I was growing up, my dad would always be playing Motown around the house. He loved Stevie Wonder and the Supremes and got me into Dionne Warwick. It was the best music I'd ever heard. It was just that extremely deep, human, thought-out stream of ideas. You can always hear something new when you listen to that music.

I started playing violin because I was fascinated by how violin players could play so fast. I would buy their cassettes, and learn different concertos, but then I started rounding out my collection. My dad was a big jazz fan, so I just started hearing a lot more soul music. I loved Little Stevie Wonder, and I got really into him as a singer and a writer as I got older.

Aristotle said that philosophy begins in wonder. I believe it also ends in wonder. The ultimate way in which we relate to the world as something sacred is by renewing our sense of wonder. That's why I'm so opposed to the kind of miracle-mongering we find in both new-age and old-age religion. We're attracted to pseudomiracles only because we've ceased to wonder at the world, at how amazing it is.

Wonder is very necessary in life. When we're little kids, we're filled with wonder for the world - it's fascinating and miraculous. A lot of people lose that. They become cynical and jaded, especially in modern day society. Magic renews that wonder.

I sang 'All Of Me' at the wedding. I sang 'Stay With You' from my first album. And then Stevie Wonder came up and sang 'Ribbon In the Sky.' It was impromptu... It was cool... He's always been a friend and a mentor to me.

Singing doesn't have to mean that you sound like Stevie Wonder. I love to sing. I'm not the greatest singer in the world. But, a lot of my favorite singers aren't the greatest singers in the world.

Just coming from a musical family, I was always surrounded by it. On the car rides to school, my mom loved playing A Tribe Called Quest and the Beatles' 'Sgt. Pepper's Lonely Hearts Club Band,' and then my dad was listening to a lot of Bill Withers and Stevie Wonder.

I was a huge pop music fan as a kid, but the bands I was into were like 5ive and N-Sync. It was like watching a cartoon. There was so much going on, and the production was so well mixed. Stevie Wonder was able to give you those melodies and production but back it up with such creative integrity and real musicianship and artistry.

There's a video that's been floating around on YouTube where [Baz Luhrmann says], "We were looking for a guy that sounded like a young Stevie Wonder but much more we got a guy that sounded like a younger version of Aretha Franklin. His name's Quindon Tarver." I was just like, "Wow, to be compared to her."

Wonder was the grace of the country. Any action could be justified by that: the wonder it was rooted in. Period followed period, and finally the wonder was that things could be built so big. Bridges, skyscrapers, fortunes, all having a life first in the marketplace, still drew on the force of wonder.

I love producing, writing. I rarely write with other writers unless I have a real great respect for them. Like Burt Bacharach, or Carole Sager, or Stevie Wonder. Somebody like Smokey - like that. Otherwise, I choose to write alone.

In wonder all philosophy began, in wonder it ends, and admiration fill up the interspace; but the first wonder is the offspring of ignorance, the last is the parent of adoration.

My real musical discovery started when I was 10 with Stevie Wonder and the Jackson 5, and acts that I connected with because they were young when they were doing it, like me. Then I kind of came into my own a couple of years later; I found new artists that shaped my musical landscape. For instance, Kings of Leon played a big part in that.

I think there's a void for some authentic soul music with an edge. I think there's some people who grew up with Motown and Stevie Wonder that still can appreciate Future, Drake, and all these different things, too, but there shouldn't be a void for those people, as well.

I probably wouldn't be singing if not for Michael Jackson. When I started singing, I didn't like my tone until my mom put me on to Michael Jackson and Stevie Wonder, so listening to the way they used their instrument helped me get more comfortable with my own.

And a lot of poetry is putting yourself back into the state of wonder that you have before things when you're a child. It's not only a joyous wonder, it's sometimes a grief stricken wonder.

I fell into hip-hop right from the beginning. I was a teenager in the '60s, so I was putting all my pocket money into buying LPs. I followed the ascent of the Rolling Stones, the Beatles, and Stevie Wonder. I followed popular music very closely, and I've never stopped.

A couple of months ago I hauled my white ass on stage alongside Chaka Khan and Stevie Wonder for Divas Las Vegas, singing in front of a celebrity audience. If I can hold my own there, I can hold my own at Top of the Pops, trust me.

It is not easy to convey a sense of wonder, let alone resurrection wonder, to another. It’s the very nature of wonder to catch us off guard, to circumvent expectations and assumptions. Wonder can’t be packaged, and it can’t be worked up. It requires some sense of being there and some sense of engagement.

I grew up listening to a lot of hiphop music and R'n'B. Bands like A Tribe Called Quest, De La Soul, Big Daddy Kane, Boogie Down Productions, Cypress Hill, New Edition, Bob Marley, Prince, Stevie Wonder, and a lot of Spanish music.

The Cube was a wonder - a wonder for itself and a wonder for myself. To me, it was much more strange than to anybody else.