Top 25 Stonehenge Quotes & Sayings

George Smiley: [quoting an old letter from Bill Haydon about Jim Prideaux] He has that heavy quiet that commands. He's my other half. Between us we'd make one marvelous man. He asks nothing better than to be in my company or that of my wicked, divine friends, and I'm vastly tickled by the compliment. He's virgin, about eight foot tall, and built by the same firm that did Stonehenge

I haven't been baptised. My dad's not in the church and is not a religious person. My mum is more spiritual - she does Thai-chi and goes to Stonehenge and things like that. I'm proud to be pagan. Finland is not really a religious country. I'm still looking for my god.

Perhaps these ancient observatories like Stonehenge perennially impress modern people because modern people have no idea how the Sun, Moon, or stars move. We are too busy watching evening television to care what's going on in the sky.

There [is] a feeling of recognition, as of meeting an old friend, which comes to us all in the face of great artistic experiences. I had the same experience when I first heard an English folksong, when I first saw Michelangelo's Day and Night, when I suddenly came upon Stonehenge or had my first sight of New York City - the intuition that I had been there already.

Every age has the Stonehenge it deserves -- or desires.

That sinister Stonehenge of economic man, Rockefeller Center.

I'm completely uninterested in the origins of Stonehenge. I don't care about the real story behind it or whether it should be saved or not. What I'm interested in is this: in the Victorian era, you could go there as an early cultural tourist and you were given a chisel to chip off a bit of the stones and take it with you. That's what you did in Victorian times.

Stonehenge was built possibly by the Minoans. It presents one of man's first attempts to order his view of the outside world.

I used to think that the great thing about sculpture was that, like Stonehenge, it was something that stood against time in an adamantine way, and was an absolute mass in space. Now I try to use the language of architecture to redescribe the body as a place.

In 'Spinal Tap,' there's the fake historical quality of 'Stonehenge.' It's something the musicians look at with a mystical reverence. In folk music, it's the seriousness with which these people approach their 'art.'

Some archeologists believe that Stonehenge - the mysterious arrangement of enormous elongated stones in England - is actually a crude effort by the Druids to build a computing device.

Since Stonehenge, architects have always been at the cutting edge of technology. And you cant separate technology from the humanistic and spiritual content of a building.

Defensively the Red Sox are a lot like Stonehenge. They are old, they don't move, and no one is certain why they are positioned the way they are.

Carnegie Hall is as good as they say it is. It's not like Stonehenge which looks great in books but then you go there and it's a pile of rocks next to a highway. There's actually a highway right next to it, but you don't see that in pictures.

The Stonehenge proposal got a lot of interesting criticism. One of the best - or worst - said something like, "Go home to Las Vegas." I think this project could possibly be realized at a very late part of my career. Right now, I don't have the authority, the budget, the credibility.

the place (Dogtown, in Gloucester, Massachusetts, fh) is forsaken and majestically lovely as if nature had at last formed one spot where she can live for herself alone.. (it) looked like a cross between Easter Island and Stonehenge - essentially druidic in it appearance, it gives the feeling that an ancient race might turn up at any moment and renew an ageless rite there.

The druidical claims for Stonehenge seem to belong to that bonkers-but-persistent strand of Englishness that believes there is something particularly mystical about the English themselves, who were clearly a chosen people.

It is indeed immensely picturesque. I can fancy sitting all a summer's day watching its shadows shorten and lengthen again, and drawing a delicious contrast between the world's duration and the feeble span of individual experience. There is something in Stonehenge almost reassuring; and if you are disposed to feel that life is rather a superficial matter, and that we soon get to the bottom of things, the immemorial gray pillars may serve to remind you of the enormous background of time.

I collect rocks from all over the world. I have a ring of stones that date to 3500 B.C. It's like a little Stonehenge.

Stonehenge had an aura but it was also just stone. Then in the sixties, it became a great hedonistic, hippie, druid, rock-n-roll party site. There are amazing pictures of people up on the stones going wild and that's the image I recreated for my model of the project: full access to everyone. I even invented a Stonehenge soccer team that uses spaces between the stones as goals.

Anyone who has lived through an English winter can see the point of building Stonehenge to make the Sun come back.

Stonehenge is famously aligned with midsummer sunrise, and possibly also intentionally with midwinter sunset.

All inquiry into antiquity, all curiosity respecting the Pyramids, the excavated cities, Stonehenge, the Ohio Circles, Mexico, Memphis,--is the desire to do away this wild, savage, and preposterous There and Then, and introduce in its place the Here and Now.

The Golden Arches of McDonald's rise, glorious across the landscape, contempo-monolithic, simple in concept as Stonehenge if we could but see it.

Since Stonehenge, architects have always been at the cutting edge of technology. And you can't separate technology from the humanistic and spiritual content of a building.