Top 1200 Story Quotes & Sayings - Page 20

In a movie, you work three months to tell a story that happens in two hours. In a Mexican soap opera, you work one day to make a story that's an hour and a half. So you can see the difference in the quality of the project.

Each painting is its own world, but a lot of times I do see the paintings as one page from a story. You can imagine what has happened before or after. Sometimes they are worded as being a part of a story, especially the paintings where characters are in conversation.

One of the things I do is try to get a positive message out there in the local schools and tell my story. I also do a lot of faith-based speaking, sharing my story and testimony, to help show what God has done in my life and what he can do in others' lives.

To tell one comprehensive story of how it has happened that what is is, one which shall hold true, come what may, now-after - a story that whatever comes shall perfectly continue or confirm: such is the ideal motive of religions.

When you are telling your story, hold your own ink pen. Don't let anybody else tell your story.

The same myths are told in every culture, and they might swap out details, but it's still the same story. It's the same story, but with a different face.

Clearly, I regret the email was quoted incorrectly and I regret that it's become a distraction from the story, which still entirely stands. I should have been clearer about the attribution. We updated our story immediately.

It took a lot to understand that the interest in both writing a story and reading it is not in the objective dangers someone takes. You don't have to fight snakes or wake up in a strange apartment to have a story; it's about what goes on inside your mind and soul.

Drawing' is telling a story with pictures. 'Writing' is telling a story with words.

I tell my story, not because it is unique, but because it is not. It is the story of many girls.

Rooted in the word 'history' is 'story.' And America's story is exceptional. It's amazing. Younger students should learn that we have always been and continue to be a land of immigrants - a land committed to bold new ideas.

Myths are the prototype for all stories. When we write a story on our own it can't help but link up with all sorts of myths. Myths are like a reservoir containing every story there is.

I find the mediums to be incredibly different. In theatre you're telling the same story eight times a week, and in TV that story is constantly changing and you're often telling it out of order based on shooting schedules.

The discrepancy or contradiction is the entire story. And being the entire story, it by itself discredits the entire twenty-six volumes of the Warren Commission. Nothing else has to be shown or even argued.

An emotional story is an emotional story no matter how big or small it is.

A good story isn't the one that shuts everyone down and sort of leaves them in silent awe. A good story is one that, even before you finish the anecdote, you can see their eyes shining because it has so resonated with something from their own lives that everyone in the group has a version of the same story and they cannot wait to tell it, and that they're going to compete to make their version even more extreme than your version. So your version is just a seed.

It's difficult to write a really good short story because it must be a complete and finished reflection of life with only a few words to use as tools. There isn't time for bad writing in a short story.

Every story is organic, and every story finds its own ending.

Certainly, it includes that. I want the story to be interpreted in as many ways as possible, and of course, the bad blood aspect of it included. For instance, perhaps this is a story not about the hereditary nature of evil, but rather you could interpret it from a different perspective, too.

All children mythologise their birth. It is a universal trait. You want to know someone? Heart, mind and soul? Ask him to tell you about when he was born. What you get won’t be the truth: it will be a story. And nothing is more telling than a story.

And so I write this for you, My Sarah. With the hope that one day, when you’re old enough, this story that lives with me, will live with you as well. When a story is told, it is not forgotten. It becomes something else, a memory of who we were; the hope of what we can become.

Writing a story is pretty all-consuming for me - it feels a lot like method acting, and for the eight or twelve or fifteen months that I'm working on a story, I'm constantly thinking about how my narrator would react to whatever tangled situation I'm in.

A story can take you through a whole process of searching, seeking, confronting, through conflicts, and then to a resolution. As the storyteller and the listener, we go through a story together.

Perhaps there's another, much larger story behind the printed one, a story that changes just as our own world does. And the letters on the page tell us only as much as we'd see peering through a keyhole. Perhaps the story in the book is just the lid on a pan: It always stays the same, but underneath there's a whole world that goes on - developing and changing like our own world.

You know, when you read stories in the Bible - you know, Samson, the story of David or the story of Moses - you know, there's conflict on the way to the victory.

A story is like something you wind out of yourself. Like a spider, it is a web you weave, and you love your story like a child.

Speaking generally, I think it's useful to acknowledge explicitly the power imbalance between a journalist and the protagonists in a story about poor people, even to make that imbalance part of the story - and to redress it, narratively, where you can.

I believe there are aspects of the narrative that become easier to understand by shifting the focus of the story to the characters. Illustrating growth and change in the protagonist becomes a simpler process, and these changes are, in fact, one of the themes of 'Sekiro: Shadows Die Twice''s story.

It's sad to say, but the story of Royal Mail's privatisation is a story of our times: the loss of democratic control; the transfer of wealth and power to the richest in society; and the growing pressure on working people to work harder and faster for less.

I never try to convey a message, I just want to tell a story. Why that story in particular? I have no idea, but I have learned to surrender to the muse. I become obsessed with a theme or with certain stories; they haunt me for years, and finally, I write them.

You either walk inside your story and own it or you stand outside your story and hustle for your worthiness.

With my personal work I prefer not to work from storyboards because being a director, producer and animator in one person I don't have to communicate my idea to anyone else, I can keep the feeling of the story, the story arc and structure in my head.

Hemingway's short story 'Hills Like White Elephants' is a classic of its kind. It illustrates Hemingway's 'iceberg theory,' which requires that a story find its effectiveness by hiding more than it reveals.

At the same time, it's a family story and more of an epic. I needed the third-person. I tried to give a sense that Cal, in writing his story, is perhaps inventing his past as much as recalling it.

I've always been fascinated by Madam Walker's ability to use her money for political causes. I find her story so inspires people that it gives me great joy to share the story.

A good role is one that moves along with the story, like 'Baazigar' and 'Kareeb' for example. Similarly, I agreed to '36 China Town' and 'Phir Hera Pheri' because my characters in both films have a graph and are significant in moving the story ahead.

Life, like any other exciting story, is bound to have painful and scary parts, boring and depressing parts, but it's a brilliant story, and it's up to us how it will turn out in the end.

When I was a young artist, and I would go look at other artists' career retrospectives, and I was often disappointed with the lack of story line... What was missing to me was the story of where the artist came from and how they got to where they were.

Don Juan's story can have no end, and that, on my word, is the definitive and true story of 'Don Juan.'

For me, when I see movies where I kind of know who the characters are and what the situation is, I get bored. To me, it's, "How do I tell a story that will keep the audience engaged?" A great story does that: it's not exactly what you expect.

When your story is ready for rewrite, cut it to the bone. Get rid of every ounce of excess fat. This is going to hurt; revising a story down to the bare essentials is always a little like murdering children, but it must be done.

I was an altar boy and heard the Bible being read out repeatedly. The stories have stayed with me, although they're completely remixed in my head. And often, when I do further reading, I'm quite surprised by the difference between the real story and my memory of the story.

I feel like any actor should always be thinking about how to serve the story. The thing to be cautious of is trying to make too much of your 'moment,' or whatever. The story is a lot bigger than you, and you're there to help it along.

I got out of autobiography because my story is, I was famous, it was hard for me, I got into therapy. I had trouble with food, I got a nutritionist. There's no story there.

Honesty allows us to live with not knowing. We do not know the full story; we do not know where we are in the story. We do not know who, ultimately, is at fault or who will carry the blame in the end.

For me, body art is all about expression; it's a lifestyle and can serve as a reminder that when my career is done, I'll have a story to tell on my body. And it will be my story of my life on my body.

The writer of Kaafir,' Bhavani Iyer had to keep the story with her for 13 years, the producer, Siddharth Malhotra, could only provide justice to the story after struggling for eight years.

I wanted to write a horror story. But in some ways, I have always thought of myself as a kind of ghost-story/horror writer, though most of the time the supernatural never actually appears on stage.

People are moved by my story, but they're only moved by my story because of what I do on the court.

I'm excited about becoming a transmedia storyteller. The idea that we can tell the 'Agent Mom' story online with MTV Comics and build a fan base that we can take over to Paramount to discuss turning that story it into a movie is just awesome.

The point is the love story. We live in a love story in the midst of war.

I don't think nostalgia is very useful to me. There is a story to be told, there's behaviour to create or to bring to the screen that will help tell that story, and nostalgia is just not really a big part of my emotional package.

There is a shortage of hard R. It was the story and the character. He's never played a character like this and so that was the thing that really won him over. The story itself, on the surface - Patrick and I love actors almost in a geeky kind of way.

Trinkets' is based on a book, so sometimes to take one book and spread the story out so much doesn't really do the story justice. Everyone just decided that two seasons would be the perfect amount of time.

You have to go to what the essence of what Pennywise is about - the dark power of adulthood. It's not coincidence all the grown-ups in town are evil. This is not a story about a monster. It's a story about the end of childhood.

'The 25th Hour' came out of the decision - a really very conscious decision - that I needed a story set within a compressed time frame because that would help focus the story.

If nobody is looking for a story, and I have no reason to write a story, I would really much rather to do anything else because it's no fun writing stories, particularly not for me. I just do it in order to sell them and make a couple of bucks.

The dioxin story is the story of how science has failed to provide us with answers, how corporations control policymaking and decisions in our society, and how government is silenced.

I have always loved westerns... supernatural westerns in particular. One of my first professional short story sales was a horror/western story. It wasn't so great, though, so I'm glad the magazine folded before it saw print.

Reincarnation is a story we tell; then in the end it's the story itself that is the reincarnation.