Top 1200 Stranger Than Fiction Quotes & Sayings - Page 16

I like science fiction. Arthur C. Clarke, Philip K. Dick and Vonnegut, and I really like Margaret Atwood, 'The Handmaid's Tale.' And you know, so much of science fiction has to do with predicting what's to come, so I think that's really interesting.

When I'm reading for my own pleasure, I read things other than history or archival material. I read a lot of fiction. I'm very fond of mysteries.

The key of writing fiction isn't just to remove something that the reader or listener can easily imagine. It's not a matter of being coy, or withholding information. It's allowing for multiple possibilities, recognizing the complexity of human behavior, and making the world of a piece of fiction as marvelously confounding as the world we live in.

I'm so deeply interested in what it feels like to be other people that I get to operate under the illusion when I'm writing fiction that I'm not really revealing that much about myself. But, of course, I am, and I know that I am. And yet there's this sort of membrane that I get to work behind as I write my fiction, and I love it.

My fiction is reviewed by the mainstream press, by science fiction periodicals, romance magazines, small press publications and various other journals, including some usually devoted to archaeological and other science material.

Great fiction can often present moral messages with greater power and clarity than instructional writing - since literature, after all, penetrates not just the intellect, but the imagination.

Because I'm such a creative person, and I've always got my nose in a book, I suppose it was only a matter of time before non-fiction turned into fiction again. But I never consciously set out to become a writer and I never thought I'd be doing the things I'm doing today.

As a result of reading science fiction when I was eight, I grew up with an interest in music, architecture, city planning, transportation, politics, ethics, aesthetics on any level, art...it's just total! It's a complete commitment to the whole human race on all the Earth. That's what science fiction is about.

Science fiction is essentially a kind of fiction in which people learn more about how to live in the real world, visiting imaginary worlds unlike our own in order to investigate, by way of pleasurable thought-experiments, how things might be done differently.

As a journalist, I would talk to writers, directors, creative people, and discover that for an awful lot of them, the moment they became successful, that was all they were allowed to do. So you end up talking to the bestselling science-fiction author who wrote a historical-fiction novel that everybody loved, but no one would publish.

To my way of thinking and working, the greatest service a piece of fiction can do any reader is to force him to lay it down with a higher ideal of life than he had when he took it up.

'Who are we?' And to me that's the essential question that's always been in science fiction. A lot of science fiction stories are - at their very best - evocations of that question. When we look up at the night sky and wonder, 'Is there anyone else out there?' we're also asking who we are we in relation to them.

Maybe I have a one-track mind, but the best writers and thinkers are focusing on nonfiction these days; this is the genre where a writer can make a mark and change an aspect of the world - much more so than in fiction.

In Mumbai, I feel like a stranger.

I'm no stranger to making timeless music.

In American fiction, belief is like that. Belief as upbringing, belief as social fact, belief as a species of American weirdness: our literary fiction has all of these things. All that is missing is the believer.

What I'm doing is exploring things. This is why I'm a fiction writer rather than an essayist or a politician or whatever. I just gather material and find a scenario, and see where it takes me. I don't have a plan.

Science fiction is essentially a kind of fiction in which people learn more about how to live in the real world, visiting imaginary worlds unlike our own, in order to investigate by way of pleasurable thought-experiments how things might be done differently.

The greatest fear comes when God is a stranger.

After nightfall the face of the country seems to alter marvelously, and the clear moonlight only intensifies the change. The river gleams like running quicksilver, and the moonbeams play over the grassy stretches of the plateaus...The Bad Lands seem to be stranger and wilder than ever, the silvery rays turning the country into a kind of grim fairyland.

Blade Runner appears regularly, two or three times a year in various shapes and forms of science fiction. It set the pace for what is essentially urban science fiction, urban future and it's why I've never re-visited that area because I feel I've done it.

Smile at a stranger. See what happens.

Who are we? And to me that's the essential question that's always been in science fiction. A lot of science fiction stories are - at their very best - evocations of that question. When we look up at the night sky and wonder, "Is there anyone else out there?" we're also asking who we are we in relation to them.

I read a lot; fiction and non-fiction are the mediums I find most edifying and inspiring. I watch movies and listen to music and take lots and lots of walks. Nature is a nice reset button for me, it's how I get a lot of thinking done.

I'd probably be a super wealthy guy if I had sat around writing songs and getting them placed like everyone else I know. But I write songs about people or after I meet them and they're somewhat biographical - they're fiction but also non-fiction.

I do find stories - or literary fiction - an apt form for analyzing the world. And especially for trying to imagine the other. An agenda, again, that seems more important now than ever.

People who are well-known, famous people, I think, make very poor characters for fiction. They make good characters for gossip columns. But not for fiction.

I stopped writing short fiction early on - I was never really good at it, and I never liked the results. So I stopped trying to fit the material I was working with into these tidy little short fiction packages.

In fiction, you don't invent the events. What is imaginative about it is the consciousness: how you think about the events and how you present them. And that changes the nature of everything, and that is the attraction of writing fiction.

I'm no stranger to pain. It's what made me.

I love historical fiction because there's a literal truth, and there's an emotional truth, and what the fiction writer tries to create is that emotional truth.

It's perceived as an accolade to be published as a 'literary' writer, but, actually, it's pompous and it's fake. Literary fiction is often nothing more than a genre in itself.

For if the proper study of mankind is man, it is evidently more sensible to occupy yourself with the coherent, substantial and significant creatures of fiction than with the irrational and shadowy figures of real life.

I first started writing historical fiction in the late '70s and kept pictures of Kathleen Woodiwiss and Rosemary Rogers on my refrigerator until my first book was published by Avon in 1982. The biggest advantage of this genre for me is that it allows me to blend fact and fiction.

That's all I've ever dreamed of, Mr. Bones. To make the world a better place. To bring some beauty to the drab humdrum corners of the soul. You can do it with a toaster, you can do it with a poem, you can do it by reaching out your hand to a stranger. It doesn't matter what form it takes. To leave the world a little better than you found it. That's the best a man can ever do.

The man in the street is always a stranger.

I like science fiction. Arthur C. Clarke, Philip K. Dick and Vonnegut, and I really like Margaret Atwood, The Handmaid’s Tale. And you know, so much of science fiction has to do with predicting what’s to come, so I think that’s really interesting.

I would, however, start writing fiction about 10 years before I actually did, because it's such great fun to do, many times more creative than nonfiction.

I have been a stranger in a foreign land.

The biographies and autobiographies are on the whole more impressive than the fiction of the last two decades, but the freakish best sellers among them are least likely to withstand the test of time.

Truth, as ever, avoids the stranger.

I am a stranger to half measures.

For ever, I shall be a stranger to myself.

It is untrue that fiction is nonutilitarian. The uses of fiction are synonymous with the uses of literature. They include refreshment, clarification of life, self-awareness, expansion of our range of experiences, and enlargement of our sense of understanding and discovery, perception, intensification, expression, beauty , and understanding. Like literature generally, fiction is a form of discovery, perception, intensification, expression, beauty, and understanding. If it is all these things, the question of whether it is a legitimate use of time should not even arise.

Truth is stranger than nonfiction. And life is too interesting to be left to journalists. People have stories, but journalists have 'takes,' and it's their takes that usually win out when the stories are too complicated or, as happens, not complicated enough.

I would love to work with Shilpa again. But it would have to be for 'Dill Mill Gayye (DMG)' - that's the only fiction show I'll take up on small screen. I'm extremely faithful to that show. That apart, I'm not likely to do anymore fiction on TV for the time being.

I think the 'New York Times' reviews overall tend to overlook popular fiction, whether you're a man, woman, white, black, purple or pink. I think there are a lot of readers who would like to see reviews that belong in the range of commercial fiction.

If you think of a work of fiction as a kind of scale model of the world, then the positive valences - where things turn out better than you thought they would - ought to be in there somewhere, too.

The truth, however, was stranger still.

Having done, you know, science fiction, I didn't want to get trapped in science fiction. So my eclecticism was my only conscious choice. I didn't want to find myself in a niche that I couldn't get out of.

A stranger is just a friend I haven't met yet.

The thing that fiction can do is look from the inside out rather than from the outside in. Even memoir leaves me somewhat frustrated. I think now we need a poet to uncover what isn't on the surface.

I think, when you are writing non-fiction, you feel there's an obligation to get it absolutely right, so all your factual details have to be, have, you know, to go through a long list of them and tick them. I'm not saying that's not important in fiction, but I think you have a bit more leeway; you can suit yourself.

I've read pretty broadly on the Holocaust - both fiction and non-fiction - and to me, 'The Lost Wife' is one of the best. The horrors of war serve as a backdrop to a love affair that spans a lifetime, and that love story stayed with me long after I put down the book.

I'm a stranger wherever I go, but I'm happy.

At DePauw, I was teaching writing and fiction. The things I wanted to teach, more than anything else, were form and theory of the novel, of narrative. I liked those classes.

Selden and Lily stood still, accepting the unreality of the scene as a part of their own dream-like sensations. It would not have surprised them to feel a summer breeze on their faces, or to see the lights among the boughs reduplicated in the arch of a starry sky. The strange solitude about them was no stranger than the sweetness of being alone in it together.

Sketchy: I'm no stranger to stoner logic.

Our legacy is really the lives we touch, the inspiration we give, altering someone's plan - if even for a moment - and getting them to think, cry, laugh, argue. More than anything, we are remembered for our smiles; the ones we share with our closest and dearest, and the ones we bestow on a total stranger, who needed it RIGHT THEN, and God put you there to deliver.

We are all prone to the myth of the perfect stranger