Top 772 Straw Hats Quotes & Sayings - Page 13

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Last updated on April 16, 2025.
I was always interested in acting, but in my high school sports was the cool thing to be part of, and I was still very into being cool. So I played a lot of basketball and football. But I always had that want to be in theater and to be a part of theater arts. But in my school, it was just a really nerdy thing to be a part of. Everyone in my school wore bowler hats - they were always on, always acting, and all so big. I was like, "I can't be that", even though I wanted to be.
I try to take off the rose-colored glasses and view it in all facets, but I probably would be lying if I didn't say that probably the way in for a film with me is the performance. But I have been on juries where you have to give Best Screenplay, Best Cinematography. So you do have to put on several different hats and I try to broaden my scope. And what's great is, when you're in a room full of people who are not your milieu, so to speak, you find yourself speaking in a way that you do discover a slightly discerning eye.
People are wonderful. I love individuals. I hate groups of people. I hate a group of people with a 'common purpose'. 'Cause pretty soon they have little hats. And armbands. And fight songs. And a list of people they're going to visit at 3am. So, I dislike and despise groups of people but I love individuals. Every person you look at; you can see the universe in their eyes, if you're really looking.
American Graffiti was the first movie where the director let me have any input. It was the first time anyone ever listened to me. George thought my character should have a crew cut, but I wasn't happy with that idea. I'd always had pretty long hair back then - in college, particularly - so I told George my character should wear a cowboy hat. George thought about it and he remembered a bunch of guys from Modesto, California, who cruised around, like my character, and wore cowboy hats, so it turned out that it actually fit the movie.
Harvey wasn't interested in the clothes, it was the masks that mesmerized him. They were like snowflakes: no two alike. Some were made of wood and of plastic; some of straw and cloth and papier-mâché. Some were as bright as parrots, others as pale as parchment. Some were so grotesque he was certain they'd been carved by crazy people; others so perfect they looked like the death masks of angels. There were masks of clowns and foxes, masks like skulls decorated with real teeth, and one with carved flames instead of hair.
…You see, my dear friend, I am made up of contradictions, and I have reached a very mature age without resting upon anything positive, without having calmed my restless spirit either by religion or philosophy. Undoubtedly I should have gone mad but for music. Music is indeed the most beautiful of all Heaven's gifts to humanity wandering in the darkness. Alone it calms, enlightens, and stills our souls. It is not the straw to which the drowning man clings; but a true friend, refuge, and comforter, for whose sake life is worth living
You and I have formerly seen warm debates and high political passions. But gentlemen of different politics would then speak to each other and separate the business of the Senate from that of society. It is not so now. Men who have been intimate all their lives, cross the streets to avoid meeting, and turn their heads another way, lest they should be obliged to touch their hats. This may do for young men with whom passion is enjoyment. But it is afflicting to peaceable minds. Tranquility is the old man's milk.
You're bored, aren't you.' 'I need constant distraction. Shall we go?' 'Uh, aren't you supposed to delegate responsibility or something? If you're not here, who's in charge?' Skulduggery looked around and pointed to a sorcerer at the far side of the cemetery. 'He is.' 'Who is he?' 'Don't know. He looks like leadership material, though, doesn't he?' 'Does he?' 'He's wearing a hat.' 'And that means he's a leader?' 'Leaders wear hats. It's to keep the rain off while we make important decisions. He'll do fine.' 'Shouldn't you tell him that he's in charge?' 'And spoil the surprise?
As Gloria Steinem said about Ginger Rogers: She was doing everything Fred Astaire was doing, just doing it backwards in high heels. Well, Southern women are doing and enduring what other women have to do and endure, but (at least until recently) they had to do it in heels and hats and white gloves and makeup and a sweet smile, with maybe a glass of bourbon and a cigarette to get them through the magnolia part of being a steel magnolia.
BRAIN, n. An apparatus with which we think that we think. That which distinguishes the man who is content to be something from the man who wishes to do something. A man of great wealth, or one who has been pitchforked into high station, has commonly such a headful of brain that his neighbors cannot keep their hats on. In our civilization, and under our republican form of government, brain is so highly honored that it is rewarded by exemption from the cares of office.
Basically for everything that comes out of Five Four, I've come up with the idea or changed it in some way. I'm also working with Putnam Accessory Group, a private label hat manufacturer. I'm in the process of re-branding a line they have called Chuck. It was mostly hats and bags, but I'm adding apparel and eyewear and whatever I feel like adding to turn it more into a brand. I'm supposed to be working with Pharrell on Billionaire Boys Club, but that's on hold.
But what is work and what is not work? Is it work to dig, to carpenter, to plant trees, to fell trees, to ride, to fish, to hunt, to feed chickens, to play the piano, to take photographs, to build a house, to cook, to sew, to trim hats, to mend motor bicycles? All of these things are work to somebody, and all of them are play to somebody. There are in fact very few activities which cannot be classed either as work or play according as you choose to regard them.
You have wondered, perhaps, why all real accountants wear hats? They are today's cowboys. As will you be. Riding the American range. Riding herd on the unending torrent of financial data. The eddies, cataracts, arranged variations, fractious minutiae. You order the data, shepherd it, direct its flow, lead it where it's needed ... You deal in facts, gentlemen, for which there has been a market since man first crept from the primeval slurry.
Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off - then, I account it high time to get to sea as soon as I can.
I'm wearing three hats; I'm acting, producing, and directing. I was very involved in developing the script, too. But to me, that is very liberating. To me, the lower the budget, the more I want to be involved. I want to be more in control of my own destiny when there isn't much money involved, because you don't have the experts who can control your destiny.
When I get on stage, Beyonce is my alter ego. The way that she's Beyonce in real life and then Sasha Fierce on stage, I'm Normani in real life, and then I pretend to be Beyonce on stage. I just love that she's constantly reinventing herself but stays true to who she is as a person - and she wears so many hats in her life.
Only people who have been discriminated against can really know how much it hurts. Each person feels the pain in his own way, each has his own scars. So I think I'm as concerned about fairness and justice as anybody. But what disgusts me even more are people who have no imagination. The kind T. S. Elliot calls 'hollow men'. People who fill up that lack of imagination with heartless bits of straw, not even aware of what they're doing. Callous people who throw a lot of empty words at you, trying to force you to do what you don't want to.
Aunt Loretta has something that maybe you could call class. It's not the made-up kind that Grandma has, fake pearls and Sunday hats, but something that comes to you as if you were born to the king and queen. Aunt Loretta understands better than Grandma that reading a big book is more classy than wearing fake pearls watching TV.
Small Man can be a very funny or a very tiresome Tour Companion, depending on how this kind of thing grabs you. He gambles, he drinks too much and he always runs away. Since the Rules allow him to make Jokes, he will excuse his behaviour in a variety of comical ways. Physically he is stunted and not at all handsome, although he usually dresses flamboyantly. He tends to wear hats with feathers in. You will discover he is very vain. But, if you can avoid smacking him, you will come to tolerate if not love him. He will contrive, in some cowardly way, to play a major part in saving the world.
I've always been more than a little mystified by poets who seem to think talking to people as directly as possible is a bad thing. I mean, I don't want to set up a straw man here: I understand that for many poets - and for me, at times - writing truly means writing in a way that is difficult, simply because the poem is trying to grasp for something elusive. So the difficulty of the poem is just unavoidable, and not in any way artificially imposed. So "as possible" is the key part of the phrase above, I suppose.
We spoke of ourselves as "emancipated" when we got the vote. Yet we are still slaves to the superficial and the superfluous. We are concerned with the length of our skirts, with the latest lipstick, with the newest thrill in hats. We are impressed by advertisements that insist we must be alluring; we must adopt a time-consuming coiffure, we must spend hours with the "beautician," we must attend fashion shows. As long as women are preoccupied with nonessentials we shall be afflicted with infantilism, passivity, and the eventual disillusionment that results from trivial, unproductive lives.
We have such a knee-jerk reaction to our young people, not recognizing our young people carry the torch. We condemn them for their hats worn a certain way or their hoodie worn a certain way, or their pants sagging a certain way, but the reality is, we need to meet them where they stand. We need to arm them with what they need to fight, and then we need to get the hell out the way and let them lead. That is something that is not happening in our communities.
Twisting and wiring and stringing starching and curling, delicately painting spots and shadings on scraps of silk until what had been nothing more than a pile of brightly colored fragments had been transformed into the silk irises, forget-me-not, violets and roses that would adorn the hats of women and girls more fortunate than themselves.
It was only when I lay there on the rotting prison straw that I sensed within myself the first stirrings of good. Gradually it was disclosed to me that the line separating good and evil passes not between states nor between social classes nor between political parties, but right through every human heart, through all human hearts. And that is why I turn back to the years of my imprisonment and say, sometimes to the astonishment of those about me, bless you, prison, for having been a part of my life.
Mr L Prosser was, as they say, only human. In other words he was a carbon-based life form descended from an ape. More specifically he was forty, fat and shabby and worked for the local council. Curiously enough, though he didn't know it, he was also a direct male-line descendant of Genghis Khan, though intervening generations and racial mixing had so juggled his genes that he had no discernible Mongoloid characteristics, and the only vestiges left in Mr L Prosser of his mighty ancestry were a pronounced stoutness about the tum and a predilection for little fur hats.
Men in all societies possess the biological equipment to remove their hats or shoes, but it is the birth within a particular culture that decides that a Jew will keep his hat and shoes on in his place of worship, a Mohammedan will take off his shoes, and a Christian will keep his shoes on but remove his hat.
I moved in with my grandma when I was 17 and she had this giant bookshelf and it was fascinating to me. She got me into reading. My grandma is part of the writing community. She's so cute - I went to get breakfast with her out in L.A. and she came in with a giant straw hat and orange jumpsuit. She was always a big inspiration in me in continuing in the arts, whether it was acting or I started to paint. I didn't want to be one of those people that was like, "Oh my dad's an actor, so I'm an actor." It just never works out.
Fear that I was very different from everyone else. Fear that deep down inside I was a shallow fraud, that after the revolution or after Jesus came down to straighten everything out, everyone from hippies to hard-hats would unfold and blossom into the beautiful people they were while I would remain a gnarled little wart in the corner, oozing bile and giving off putrid smells.
You love your work. God help you, you love it! And thats the curse. That's the brand on your forehead for all of them to see. You love it and they know it, and they know they have you. Do you ever look at the people in the street? Aren't you afraid of them? I am. They move past you and they wear hats and they carry bundles. But that's not the substance of them. The substance of them is hatred for any man who loves his work. That's the only kind they fear. I don't know why
Your God person puts an apple tree in the middle of a garden and says, do what you like, guys, oh, but don't eat the apple. Surprise surprise, they eat it and he leaps out from behind a bush shouting "Gotcha". It wouldn't have made any difference if they hadn't eaten it.' 'Why not?' 'Because if you're dealing with somebody who has the sort of mentality which likes leaving hats on the pavement with bricks under them you know perfectly well they won't give up. They'll get you in the end.
We cut the throat of a calf and hang it up by the heels to bleed to death so that our veal cutlet may be white; we nail geese to a board and cram them with food because we like the taste of liver disease; we tear birds to pieces to decorate our women's hats; we mutilate domestic animals for no reason at all except to follow an instinctively cruel fashion; and we connive at the most abominable tortures in the hope of discovering some magical cure for our own diseases by them.
He's a cousin of some friends of the Lightwoods or something. He's nice. I promise." "Nice, bah. He's gorgeous." Magnus gazed dreamily in his direction. "You should leave him here. I could hang hats on him and things." "No. You can't have him." "Why not? Do you like him?" Magnus's eyes gleamed. "He seems to like you. I saw him going for your hand out there like a squirrel diving for a peanut.
Many people are under the delusion that I'm just a special-effects man, but I've worn many different hats in my day. On every film I've been involved in, I worked with the writer and producer. We really formulated those scripts. We tried to make films that were logical but still had the fantasy feel of it. I enjoy Aardman Animation's films with Wallace and Gromit, but they're obvious puppet films, whereas we tried to disguise it and make our effects characters in the films rather than obvious puppets.
Oh, so that's why you're up here. For a pity party." "This isn't a joke. I'm serious." I could tell Lissa was getting angry. It was trumping her earlier distress. He shrugged and leaned casually against the sloping wall. "So am I. I love pity parties. I wish I'd brought the hats. What do you want to mope about first? How it's going to take you a whole day to be popular and loved again? How you'll have to wait a couple weeks before Hollister can ship out some new clothes? If you spring for rush shipping, it might not be so long.
Did you ever see so many pee-wee hats, Carl?" "They're beanies." "They call them pee-wees in Brooklyn." "But I'm not in Brooklyn." "But you're still a Brooklynite." "I wouldn't want that to get around, Annie." "You don't mean that, Carl." "Ah, we might as well call them beanies, Annie." "Why?" "When in Rome do as the Romans do." "Do they call them beanies in Rome?" she asked artlessly. "This is the silliest conversation.
I never stopped being a mother, and I never stopped being an artist. Which is probably why my kids are so creative. When I'm with my kids I'm creating but I'm still a mom. I don't wear two different hats. My kids have always been on the set with me. I was breastfeeding on set. None of my kids would take a bottle so they could not leave my side for a very long time.
Thing that we wanted to do was redefine what a green job was, what a climate job was. We said: "Wait a minute. There's all these people out there who are doing low-carbon work." It's not just guys in hard hats putting up solar panels. Teaching is low carbon. Caring for the sick is low carbon. Daycare is a green workplace. Overwhelmingly, this is work that is done by women, overwhelmingly women of color, on the frontlines of austerity clawbacks.
Friend of fatherless! Fountain of happiness! Lord of the swill-bucket! Oh, how my soul is on Fire when I gaze at thy Calm and commanding eye. Like the sun in the sky, Comrade Napoleon! Thou are the giver of All thy creatures love, Full belly twice a day, clean straw to roll upon; Every beast great or small, Sleeps at peace in his stall, Thou watchest over all, Comrade Napoleon! Had I a sucking-pig, Ere he had grown as big Even as a pint bottle or a a rolling-pin He should have learned to be Faithful and true to thee, Yes, his first squeak should be Comrade Napoleon!
There's the whole Mad Hatter's dilemma, it was the amount of mercury that they used in the glue to make the hats. Everything was damaging. So, in terms of the Mad Hatter, looking at it from that perspective of this guy who literally is damaged goods, physically damaged, emotionally a little obtuse, and taking that and deciding that he should be - as opposed to just this hyper, nutty guy - he should explore all sides of the personality at an extreme level.
My purpose is to show people that you can take what God put inside of you, inside your heart, and you can live by it! Like, literally. Somebody might like to make shoes or make hats. You can literally live by that gift and no go get a nine to five job. I just to keep my purpose in front of everything that I do, and that is just reminding people that it's possible. That's what it's all about for me.
A faith in culture is as bad as a faith in religion; both expressions imply a turning away from those very things which culture and religion are about. Culture as a collective name for certain very valuable activities is a permissible word; but culture hypostatized, set up on its own, made into a faith, a cause, a banner, a platform, is unendurable. For none of the activities in question cares a straw for that faith or cause. It is like a return to early Semitic religion where names themselves were regarded as powers.
Herman Cain is probably well liked by some of the Republicans because it hides the racist elements of the Republican Party. Conservative movement and tea party movement... People like Karl Rove liked to keep the racism very covert. And so Herman Cain provides this great opportunity say you can say ‘Look, this is not a racist, anti-immigrant, anti-female, anti-gay movement. Look we have a black man!'” Garofalo hypothesized. “Look he’s polling well and won a straw poll!
You must write every single day of your life... You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads... may you be in love every day for the next 20,000 days. And out of that love, remake a world.
I don’t have the time to devote to circles or covens. I have to fit things in when and where I can, in stolen moments and cups of coffee. Stirring clockwise to conjure. Widdershins to banish. There’s never enough time, and rarely enough caffeine, but I make do with what I have. Besides, cauldrons and pointy hats are overrated. Sometimes I see other customers practicing. Pouring their cream and sugar with studied intent. Stirring with purpose. I add an extra spoonful of sugar to my own coffee for them, to make all of our enchantments sweeter.
At different points, I applied to graduate school. I got into medical school. I thought about being a writer. I thought about being an investment banker. I just didn't know what I wanted to do with myself. I think the thing that best suits me about being a C.E.O. is that you get to exercise many different talents and wear many different hats.
Panic. You open your mouth. Open it so wide your jaws creak. You order your lungs to draw air, NOW, you need air, need it NOW. But your airways ignore you. They collapse, tighten, squeeze, and suddenly you're breaithing through a drinking straw. Your mouth closes and your lips purse and all you can manage is a croak. Your hands wriggle and shake. Somewhere a dam has cracked open and a flood of cold sweat spills, drenches your body. You want to scream. You would if you could. Cut you have to breathe to scream. Panic.
What wasdat, sir? What wazzat sir? What wassat, sir?” “Wayne, what are you babbling about?” Waxillium asked. “Practicing my pretzel guy,” Wayne said. “He had a great accent...” Waxillium glanced at him. "That hat looks ridiculous.” “Fortunately, I can change hats,” Wayne said in the pretzel-guy accent, “while you, sir, are stuck with that face.
A lot of people look down on people who are successful, but Conor McGregor is successful because he runs his mouth and he knows how to put on a show. I mean, look at his press conferences. I mean, come on. People show up just to see him just act nuts. Hats off to that guy, he's a very intelligent, very smart guy.
What do you think it is to be normal?' Why in the world would you want to be?' she says. I don't know. I guess that's the problem.' I don't think normal is that great.' But so many people choose it,' I reply. I don't think that's it at all. I think most everyone is normal and some of us, for whatever reason, choose to reject that and wear ruby red slippers or old black hats.' Well, why do we choose the hard road?
When we think of [John F. Kennedy], he is without a hat, standing in the wind and weather. He was impatient of topcoats and hats, preferring to be exposed, and he was young enough and tough enough to enjoy the cold and the wind of those times.... It can be said of him, as of few men in a like position, that he did not fear the weather, and did not trim his sails, but instead challenged the wind itself, to improve its direction and to cause it to blow more softly and more kindly over the world and its people.
As Churchill said about the Great War, and he said this in about 1924, that it was the first war in which man realized that he could obliterate himself completely. If you consider the way the whole world was impacted, 18 million people worldwide died, and that is taking into account military and civilian deaths: 18 million people. And it was the whole world, if you will. You know, many of those trenches were dug by Chinese. There are photographs of Chinese looking like they just came from China, with their hats and so on, digging the trenches, right from the beginning.
It's inspiring to see Black Flag looking like Vietnamese farmers with big beards and those kind of Vietnamese farming hats showing up at a Mohawk-mania club in England and being spat at because they don't sound or look like Exploited; they sound more like Black Sabbath than Black Flag. I love that.
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