Top 1117 Stream Quotes & Sayings - Page 18

Finn always called it Enna's Stream. He tended to refer to most anything as belonging to her--Enna's Meadow, Enna's Mountain. When he referred to Yasid as Enna's Kingdom, she said, "Isn't that your heart?" Finn smiled and kissed her hand. Isi rolled her eyes. "Oh you two are impossible." Enna laughed. "This coming from the girl who calls her husband 'sweet little bunny boy'?" Isi blushed. "That was just once.

The present flowed by them like a stream. The tree rustled. It had made music before they were born, and would continue after their deaths, but its song was of the moment. The moment had passed. The tree rustled again. Their senses were sharpened, and they seemed to apprehend life. Life passed. The tree rustled again.

In this life you have to be your own hero. By that I mean you have to win whatever it is that matters to you by your own strength and in your own way. Like it or not, you are alone in a forest, just like all those fairy tales that begin with a hero who’s usually stupid but somehow brave, or who might be clever, but weak as a straw, and away he goes (don’t worry about the gender), cheered on by nobody, via the castles and the bears, and the old witch and the enchanted stream, and by and by (we hope) he’ll find the treasure.

The oil industry is a stunning example of how science, technology, and mass production can divert an entire group of companies from their main task. ... No oil company gets as excited about the customers in its own backyard as about the oil in the Sahara Desert. ... But the truth is, it seems to me, that the industry begins with the needs of the customer for its products. From that primal position its definition moves steadily back stream to areas of progressively lesser importance until it finally comes to rest at the search for oil.

You don't know how to fix the holes in our ozone layer. You don't know how to bring salmon back up a dead stream. You don't know how to bring back an animal now extinct. And you can't bring back forests that once grew where there is now desert. If you don't know how to fix it, please stop breaking it!

In my later years I have sought to become simpler, straighter and purer in my handling of the language. I've had many writing heroes, writers who have influenced me. Of the ones still alive, I can think of E.B. White. I certainly admire the pure, crystal stream of his prose. When I was very young as a sportswriter I knowingly and unashamedly imitated others. I had a series of heroes who would delight me for a while and I'd imitate them--Damon Runyon, Westbrook Pegler, Joe Williams.

The ego, as a collection of our past experiences, is continually offering miserable lines of thought. It's as if there were a stream with little fish swimming by, and when we hook one of them there is a judgment. The ego is constantly judging everybody and everything. It has its constant little chit chat about things that can happen in the future, things about the past, too, and these are the little fish that swim by. And what we learn to do-this is why it takes work-is to not reach out and grab a fish.

I used to think that people who regarded everyone benignly were a mite simple or oblivious or just plain lax-until I tried it myself. Then I realized that they made it only look easy. Even the Berditchever Rebbe, revered as a man who could strike a rock and bring forth a stream, was continually honing his intentions. "Until I remove the thread of hatred from my heart," he said of his daily meditations, "I am, in my own eyes, as if I did not exist."

The realization that my problem was one that concerned all men, a problem of living and thinking, suddenly swept over me and I was overwhelmed by fear and respect as I suddenly saw and felt how deeply my own personal life and opinions were immersed in the eternal stream of great ideas. Though it offered some confirmation and gratification, the realization was not really a joyful one. It was hard and had a harsh taste because it implied responsibility and no longer being allowed to be a child; it meant standing on one’s own feet.

When authoritative reports of radical-design craft having spectacular performance are viewed in the light of a stream of astrobiological discoveries, the possibility that some UFOs are alien does not seem quite so farfetched. Serious-minded scientists in astronomy and other disciplines estimate there could be billions of planets in the universe, and millions that could harbor life. If even a few of those planets were occupied by technological civilizations, their ability (if not desire) to explore other worlds, such as ours, must be a possibility.

If you love a person, by and by the person becomes the door to the whole. But one has to start with the person, with the small, with the atomic. You cannot take the jump. The Ganges cannot simply jump into the ocean, it has to start in the Gangotri, just a small stream; then wider and wider and bigger and bigger it goes, and then finally it merges with the ocean.

I recently read in the book My Stroke of Insight by brain scientist Jill Bolte Taylor that the natural life span of an emotion—the average time it takes for it to move through the nervous system and body—is only a minute and a half. After that we need thoughts to keep the emotion rolling. So if we wonder why we lock into painful emotional states like anxiety, depression, or rage, we need look no further than our own endless stream of inner dialogue.

In societies where modern conditions of productions prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into representation. The images detached from every aspect of life fuse in a common stream in which the unity of this life can no longer be re-established. Reality considered partially unfolds, in its own general unity as a pseudo-world apart, an object of mere contemplation . . . The spectacle is not a collection of images, but a social relation among people, mediated by images.

But first, on earth as vampire sent, Thy corse shall from its tomb be rent, Then ghastly haunt thy native place, And suck the blood of all thy race. There from thy daughter, sister, wife, At midnight drain the stream of life, Yet loathe the banquet which perforce Must feed thy livid living corse. Thy victims ere they yet expire Shall know the demon for their sire, As cursing thee, thou cursing them, Thy flowers are withered on the stem.

What sense would it make to classify a man as handicapped because he is in a wheelchair today, if he is expected to be walking again in a month, and competing in track meets before the year is out? Yet Americans are generally given 'class' labels on the basis of their transient location in the income stream. If most Americans do not stay in the same broad income bracket for even a decade, their repeatedly changing 'class' makes class itself a nebulous concept. Yet the intelligentsia are habituated, if not addicted, to seeing the world in class terms.

It's hard to see a river all at once, especially in the mountains. Down on the plains, rivers run in their course as straightforward as time, channeled toward the sea. But up in the headwaters, a river isn't a point where you stand. In the beginnings of the river, you teeter on the edge of a hundred tiny watersheds where one drop of water is always tipping the balance from one stream to another. History changes with each tiny event, shaping an outcome that we can only fully grasp in hindsight. And that view changes as we move farther downstream.

Now,I'm no scientist,but I know what endorphins are. They're tiny little magical elves that swim through your blood stream and tell funny jokes to each other. When they reach your brain,you hear what they're saying and that boosts your health and happiness. "Knock Knock... Who's There?.. Little endorphin... Little endorphin who?... Little Endorphin Annie." And then the endorphins laugh and then you laugh. See? Its Science.

The here, the now, and the individual, have always been the special concern of the saint, the artist, the poet, and - from time immemorial - the woman. In the small circle of the home she has never quite forgotten the particular uniqueness of each member of the family; the spontaneity of now; the vividness of here. This is the basic substance of life. These are the individual elements that form the bigger entities like mass, future, world. We may neglect these elements, but we cannot dispense with them. They are the drops that make up the stream. They are the essence of life itself.

The long fight to save wild beauty represents democracy at its best. It requires citizens to practice the hardest of virtues--self-restraint. Why cannot I take as many trout as I want from a stream? Why cannot I bring home from the woods a rare wildflower? Because if I do, everybody in this democracy should be able to do the same. My act will be multiplied endlessly. To provide protection for wildlife and wild beauty, everyone has to deny himself proportionately. Special privilege and conservation are ever at odds.

In the firm expectation that when London shall be a habitation of bitterns, when St. Paul and Westminster Abbey shall stand shapeless and nameless ruins in the midst of an unpeopled marsh, when the piers of Waterloo Bridge shall become the nuclei of islets of reeds and osiers, and cast the jagged shadows of their broken arches on the solitary stream, some Transatlantic commentator will be weighing in the scales of some new and now unimagined system of criticism the respective merits of the Bells and the Fudges and their historians.

Images detached from every aspect of life merge into a common stream, and the former unity of life is lost forever. Apprehended in a partial way, reality unfolds in a new generality as a pseudo-world apart, solely as an object of contemplation. The tendency toward the specialization of images-of-the-world finds its highest expression in the world of the autonomous image, where deceit deceives itself. The spectacle in its generality is a concrete inversion of life, and, as such the autonomous movement of non-life.

Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.

It is often by a trivial, even an anecdotal decision, that we direct our activities into a certain channel, and thus determine which of the potential expressions of our individuality become manifest. Usually we know nothing of the ultimate orientation or of the outlet toward which we travel, and the stream sweeps us to a formula of life from which there is no returning. Every decision is like a murder, and our march forward is over the stillborn bodies of all our possible selves that will never be.

There is definitely global warming, and man is definitely contributing to it. Go out to, say, Montana and talk to some pretty conservative people, hunters and fishermen. They know that in the trout stream they fished when they were growing up, the trout are stressed because the water temperature is going up. They know the hunting season has been delayed because the snows are coming later, and therefore the elk aren't coming down from the mountains.

When you come from your heart in the midst of your self and in your life, you’ll be like a salmon turning and going upstream. You’ll be going against the stream. You’ll be going against what your self is like. In that way, you are training your self, your conditioning and the streams of your self.

A muddy little stream, a village grown unfamiliar with time and trees. I turn around and retrace my way up Main Street and park and have a Coke in the confectionery store. It is run by a Greek, as it used to be, but whether the same Greek or another I would not know. He does not recognize me, nor I him. Only the smell of his place is familiar, syrupy with old delights, as if the ghost of my first banana split had come close to breathe on me.

A poet is an unhappy creature whose heart is tortured by deepest suffering but whose lips are so formed that when his sighs and cries stream out over them, their sound beomes like the sound of beautiful music . . . . And men flock about the poet saying, Sing for us soon again; that is to say, may new sufferings torture your soul, and may your lips continue to be formed as before.

There is a terrible thing that's been happening probably for the last 20 years or so and it's called the music business. And music isn't really business; it's work and you got to pay and you've got to buy your guitar or go into the studio. So there is a business side but when people say, "I'm going into the music business," it's not. It's about expression. It's about creativity. You don't join music, in my mind, to make money. You join it because it's in you; it's in your blood stream.

You are free when you gain back yourself,” Madame Wu said. “You can be as free within these walls as you could be in the whole world. And how could you be free if, however far you wander, you still carry inside yourself the constant thought of him? See where you belong in the stream of life. Let it flow through you, cool and strong. Do not dam it with your two hands, lest he break the dam and so escape you. Let him go free, and you will be free.

And pomp, and feast, and revelry, With mask, and antique pageantry, Such sights as youthful poets dream On summer eves by haunted stream. Then to the well-trod stage anon, If Jonson's learned sock be on, Or sweetest Shakespeare, Fancy's child, Warble his native wood-notes wild, And ever, against eating cares, Lap me in soft Lydian airs, Married to immortal verse Such as the meeting soul may pierce, In notes with many a winding bout Of linked sweetness long drawn out.

The stream will not permanently rise higher than the main source; and the main source of national power and national greatness is found in the average citizenship of the nation. Therefore it behooves us to do our best to see that the standard of the average citizen is kept high; and the average cannot be kept high unless the standard of the leaders is very much higher.

It is that holy poetry and singing we are after. ... It is the wild singing we are after, our chance to use the wild language we are learning by heart under the sea. When a woman speaks her truth, fires up her intention and feeling, staying tight with the instinctive nature, she is singing, she is living in the wild breath-stream of the soul. To live this way is a cycle in itself, one meant to go on, go on, go on.

Each state of the human mind has some parable in the physical creation by which it is shadowed forth; nor is it only artists and poets, but even the most abstract thinkers that have drawn from this source. Lively activity we name fire; time is a stream that rolls on, sweeping all before it; eternity is a circle; a mystery is hid in midnight gloom, and truth dwells in the sun. Nay, I begin to believe that even the future destiny of the human race is prefigured in the dark oracular utterances of bodily creation.

Dying was nothing and he had no picture of it nor fear of it in his mind. But living was a field of grain blowing in the wind on the side of a hill. Living was a hawk in the sky. Living was an earthen jar of water in the dust of the threshing with the grain flailed out and the chaff blowing. Living was a horse between your legs and a carbine under one leg and a hill and a valley and a stream with trees along it and the far side of the valley and the hills beyond.

How rarely boyhood loves to paint in glowing tints his future bright, a picture where no line is faint--whose very clouds are touch'd with light. And girlhood hails a world unknown and reads it in her own glad dreams, as lilies see themselves alone reflected in their azure streams. But rosy clouds that morning brings, ere noon may deepen into thunder--and life's dark stream has sterner things than silver lilies growing under.

You often say ; I would give , but only to the deserving, The trees in your orchard say not so , nor the flocks in your pasture. Surely he who is worthy to receive his days and nights is worthy of all else from you. And he who has deserved to drink from the ocean of life deserves to fill his cup from your little stream. See first that youyourself deserve to be a giver , and an insturument of giving. For in truth it is life that gives unto life-while you , who deem yourself a giver , is but a witness.

Spiritually, trees play a unique role in the Jewish and Christian scriptures, from the Garden of Eden to the Cross of Christ. Biologically, in great forest communities, they help sustain life on our planet, giving off oxygen, anchoring soil, keeping stream and rivers clear, and providing habitation for thousands of species. How can religious persons not care about the widespread destruction of these creatures of God? We need to love them as our very selves, as neighbors in earth's community of life.

The foundation of the Christian's peace is everlasting; it is what no time, no change can destroy. It will remain when the body dies; it will remain when the mountains depart and the hills shall be removed, and when the heavens shall be rolled together as a scroll. The fountain of His comfort shall never be diminished, and the stream shall never be dried. His comfort and joy is a living spring in the soul, a well of water springing up to everlasting life.

Now the work of art also represents a state of final equilibrium, of accomplished order and maximum relative entropy, and there are those who resent it. But art is not meant to stop the stream of life. Within a narrow span of duration and space the work of art concentrates a view of the human condition; and sometimes it marks the steps of progression, just as a man climbing the dark stairs of a medieval tower assures himself by the changing sights glimpsed through its narrow windows that he is getting somewhere after all.

Then there is the further question of what is the relationship of thinking to reality. As careful attention shows, thought itself is in an actual process of movement. That is to say, one can feel a sense of flow in the stream of consciousness not dissimilar to the sense of flow in the movement of matter in general. May not thought itself thus be a part of reality as a whole? But then, what could it mean for one part of reality to 'know' another, and to what extent would this be possible?

There is sweet music here that softer falls Than petals from blown roses on the grass, Or night-dews on still waters between walls Of shadowy granite, in a gleaming pass; Music that gentlier on the spirit lies, Than tir'd eyelids upon tir'd eyes; Music that brings sweet sleep down from the blissful skies. Here are cool mosses deep, And thro' the moss the ivies creep, And in the stream the long-leaved flowers weep, And from the craggy ledge the poppy hangs in sleep.

A feller's glad to be a friend, Out fishin'. A helpin' hand he'll always lend, Out fishin' The brotherhood of rod and line An' sky an' stream is always fine; Men come real close to God's design, Out fishin'. A feller isn't plotting schemes, Out fishin'. He's only busy with his dreams, Out fishin' His livery is a coat of tan; His creed, to do the best he can; A feller's always mostly man Out fishin'.

Be very careful of what you allow to infiltrate your consciousness and subconsciousness. When you watch too much television, you'll start to feel inferior from all the commercials hard selling the idea that you're not complete unless you buy their product. The ad agencies appeal to your fear of not being wanted or loved. It's the same with the local news. They get you to stay tuned with a constant stream of fear tactics. It's as if our culture is addicted to fear and the flat screen is our drug dealer. Don't allow that crap into your head!

Have you ever stood where a stream spills into a river? The two become one. They laugh over the stones together, twist through the sharp canyons together, plunge down the waterfalls together. It is the same when a man and woman love one another. It is not always a pleasant thing, but when it happens, a man has little to say about it. Women, like streams, can be smooth one minute and make a man feel like he’s swimming through white water the next.

We do not live in a time when knowledge can be extended along a pathway smooth and free from obstacles, as at the time of the discovery of the infinitesimal calculus, and in a measure also when in the development of projective geometry obstacles were suddenly removed which, having hemmed progress for a long time, permitted a stream of investigators to pour in upon virgin soil. There is no longer any browsing along the beaten paths; and into the primeval forest only those may venture who are equipped with the sharpest tools.

Obama does not believe in individual upward mobility. He would penalize it, tax it, regulate it, inveigh against it and disincentivize it. We will be like salmon swimming upstream to mate. We will overcome the currents, the waterfall, the rocks and the predators, and will grapple our way up the stream. Then, at the top of the waterfall will stand Obama the Bear, waiting to scoop us up and have us for dinner. The taxman cometh.

Basically I made her [ Sara Pocock] listen to funk music for a good month, a nonstop stream of George Clinton. I was talking about the art from...if you look at the art from George Clinton albums there are two or three artists he worked with...I made her listen to my album too so all the images are from jokes I made. I wanted it to look like the thoughts that are coming out of my brain which is what comedy is anyway.

I've noticed that as someone who has done music and creative things in Washington state and Portland, to kind of toot your own horn, or admit, "I'm going for it. I'm hustling," is not exactly the norm. Which is weird, because you go to New York, or LA, or anywhere else, you've got to be gunning for it - and you should be - you're part of a fast-moving stream of other people who are really ambitious. People move here to work less. So, to say that you're hustling all the time, and going for it, is kind of a little bit against the grain here.

I read with keen interest the words of a bumper sticker readily visible on the highly polished chrome bumper of a car which was weaving in and out of the traffic stream. The words were these: "Honk if you love Jesus." No one honked. Perhaps each was disturbed by the thoughtless and rude actions of the offending driver. Then, again, would honking be an appropriate manner in which to show one's love for the Son of God, the Savior of the world, the Redeemer of all mankind? Such was not the pattern provided by Jesus of Nazareth.

The pride of ancestry is a superstructure of the most imposing height, but resting on the most flimsy foundation. It is ridiculous enough to observe the hauteur with which the old nobility look down on the new. The reason of this puzzled me a little, until I began to reflect that most titles are respectable only because they are old; if new, they would be despised, because all those who now admire the grandeur of the stream would see nothing but the impurity of the source.

Ah, drink again This river that is the taker-away of pain, And the giver-back of beauty! In these cool waves What can be lost?-- Only the sorry cost Of the lovely thing, ah, never the thing itself! The level flood that laves The hot brow And the stiff shoulder Is at our temples now. Gone is the fever, But not into the river; Melted the frozen pride, But the tranquil tide Runs never the warmer for this, Never the colder. Immerse the dream. Drench the kiss. Dip the song in the stream.

A life of mere pleasure! A little while, in the spring-time of the senses, in the sunshine of prosperity, in the jubilee of health, it may seem well enough. But how insufficient, how mean, how terrible when age comes, and sorrow, and death! A life of pleasure! What does it look like when these great changes beat against it--when the realities of eternity stream in? It looks like the fragments of a feast, when the sun shines upon the withered garlands, and the tinsel, and the overturned tables, and the dead lees of wine.

To-day, to-morrow, every day, to thousands the end of the world is close at hand. And why should we fear it? We walk here, as it were, in the crypts of life; at times, from the great cathedral above us, we can hear the organ and the chanting choir; we see the light stream through the open door, when some friend goes up before us; and shall we fear to mount the narrow staircase of the grave that leads us out of this uncertain twilight into life eternal?

There is a willow grows aslant a brook, That shows his hoar leaves in the glassy stream; There with fantastic garlands did she come Of crow-flowers, nettles, daisies, and long purples That liberal shepherds give a grosser name, But our cold maids do dead men's fingers call them: There, on the pendent boughs her coronet weeds Clambering to hang, an envious sliver broke; When down her weedy trophies and herself Fell in the weeping brook.

Along a stream that raced and ran Through tangled trees and over stones, That long had heard the pipes o' Pan And shared the joys that nature owns, I met a fellow fisherman, Who greeted me in cheerful tones. . . . . Foes think the bad in him they've guessed And prate about the wrong they scan; Friends that have seen him at his best Believe they know his every plan; I know him better than the rest, I know him as a fisherman.

To play chess on a truly high level requires a constant stream of exact, informed decisions, made in real time and under pressure from your opponent. What's more, it requires a synthesis of some very different virtues, all of which are necessary to good decisions: calculatioñ, creativity and a desire for results. If you ask a Grandmaster, an artist and a computer scientist what makes a good chess player, you'll get a glimpse of these different strengths in action.

The fisherman has a harmless, preoccupied look; he is a kind of vagrant, that nothing fears. He blends himself with the trees and the shadows. All his approaches are gentle and indirect. He times himself to the meandering, soliloquizing stream; he addresses himself to it as a lover to his mistress; he woos it and stays with it till he knows its hidden secrets. Where it deepens his purpose deepens; where it is shallow he is indifferent. He knows how to interpret its every glance and dimple; its beauty haunts him for days.

What are the top 20 universities in the world that do good materials research that might create carbon fibers to do jet stream kites or new magnets that will allow [energy] generation to be done up there and you just bring the electricity down. You either have to bring down rotational energy, which is hard, or you have to have the generator up there and bring down the electricity. Well, putting the generator up there is hard to do because it's too heavy.

Strider's bedroom "The only thing hanging on the wall that wasn't a weapon was the portrait just over the bed. No. Not true, he thought then. The portrait was a weapon, too. Of seduction. In it Strider was utterly naked and whisking through the cloads like an avenging angel. He was holding a teddy bear in one hand and a stream of pink ribbons in the other. Anya had given him the nearly life-size monstrasity as a joke. But the joke was on her. He loved the thing.

There rise authors now and then, who seem proof against the mutability of language, because they have rooted themselves in the unchanging principles of human nature. They are like gigantic trees that we sometimes see on the banks of a stream; which, by their vast and deep roots, penetrating through the mere surface, and laying hold on the very foundations of the earth, preserve the soil around them from being swept away by the ever-flowing current, and hold up many a neighboring plant, and perhaps worthless weed, to perpetuity.