Top 1200 Street Smart Quotes & Sayings - Page 11

Explore popular Street Smart quotes.
Last updated on November 15, 2024.
You tell me you want to race down the street, I'm going to try to beat you. My grandmother asks me to race down the street, I'm going to try to beat her. And I'll probably enjoy it. Competitive to a fault, sometimes.
The establishment Trump talked about wasn’t really Wall Street. He said, “When Washington got rich.” Bernie Sanders would have said, “When Wall Street got rich, the country didn’t.” So I think when Donald Trump says "Washington," what he means is the government regulatory agencies.
"Sesame Street" was really the first kid's show that my dad did. He did a couple of TV specials that were targeted for kids before "Sesame Street," but really, it was, it's kind of going back to our roots, when we start to get adult. This show gets very adult sometimes, and that's because of the audience.
If you owe money, you can't pay them out. You just pay for everything, you do smart things, you eventually get very rich. If you do smart things and use leverage and do one wrong thing along the way, it could wipe you out, because anything times zero is zero. But it's reinforcing when the people around you are doing it successfully, you're doing it successfully, and it's a lot like Cinderella at the ball. [...] And everybody thinks they're going to leave at two minutes to 12.
I remember when Martin Luther King was assassinated and riots broke out in the city. We celebrated Palm Sunday on 14th Street. I have a memory of walking down the street with buildings smoldering, and soldiers and cops everywhere. Anyways, it [St. Stephen’s] was a church that really taught me the things I needed to learn to not go to church. But I think it is a church that does great work, I went to a wedding there three days ago.
You’re kind of a psycho. I get that.” “I might be,” Monica agreed, and gave her a slow, strange smile. “You’re one smart little freak. Now run away, smart little freak, before I change my mind and stick you in one of these old suitcases for some architect to find a hundred years from now.” Claire blinked. “Archaeologist.” Monica’s eyes turned winter cold. “Oh, you’d better start running away now.
I've been fortunate to have had the life I had prior to Hollywood. I wasn't starving, I was going to eat the next day. I came to Hollywood wanting a career that had longevity, and I wasn't afraid to take risks because I had a dollar in the bank. I wasn't driven by money as much as I was driven by making a successful transition. And I was smart enough to know that I certainly didn't have all the answers and I needed to surround myself with smart people and be willing to take risks and be willing to fail.
Love makes you smart and strong. Smart enough to know there is nothing else that matters. Strong enough to know that nothing else can weaken you. When you're in love, you're at peace, you're whole, and always safe. I know I made you feel at peace.
I prefer to take actors and put them in real settings and real locations and real situations rather than create artificial locations that serve the characters. It's just much easier when you are walking down the street with your actors to do that in a real street that's still open with people on it, rather than to close it off and bring in extras.
Dark house, by which once more I stand Here in the long unlovely street, Doors, where my heart was used to beat So quickly, waiting for a hand, A hand that can be clasp'd no more - Behold me, for I cannot sleep, And like a guilty thing I creep At earliest morning to the door. He is not here; but far away The noise of life begins again, And ghastly thro' the drizzling rain On the bald street breaks the blank day.
My friend is an idiot. He smokes three packs of cigarettes a day. He won't quit, either. His big excuse is, "Why should I quit smoking? Anything could kill me. I could be walking down the street one day and i could be hit by a bus." Maybe if you quit smoking you could cross the street a hell of a lot faster.
We must infuse our lives with art. Our national leaders must be informed that we want them to use our taxes to support street theatre in order to oppose street gangs. We should have a well-supported regional theatre in order to oppose regionalism and.
To prove that Wall Street is an early omen of movements still to come in GNP, commentators quote economic studies alleging that market downturns predicted four out of the last five recessions. That is an understatement. Wall Street indexes predicted nine out of the last five recessions! And its mistakes were beauties.
Once I start to do a film, it has inferences. If a guy walks down a street and kicks a dog, you're saying something about that guy. A guy walks down the street and somebody's about to be run over and he shoves him out of his way and gets hit by the car himself, you're saying that guy's a hero. You can't avoid making certain statements.
We urgently need to bring to our communities the limitless capacity to love, serve, and create for and with each other. We urgently need to bring the neighbor back into our hoods, not only in our inner cities but also in our suburbs, our gated communities, on Main Street and Wall Street, and on Ivy League campuses.
Every successful high street needs a catalyst that starts making people want to come there, and independent shops can be that catalyst. If you want a new idea on the high street, you'll probably find it in an independent. I know I shouldn't say this, but new ideas rarely happen in chains. What we do is adopt it once we spot it in an independent.
Statistically, Portland, Oregon has the most street kids, like kids that run away from home and live on the street. Its like a whole culture thing there. If you walk around on the streets, there are kids living on the streets, begging for money, but its almost like a cool thing. They all just sit around and play music and squat.
Creating a portrait of a female point of view in an environment that we've pretty much exclusively understood through a male perspective - "Wall Street," "Wolf of Wall Street," "Arbitrage" - etc. was beyond exciting for me. It felt downright necessary. And I felt really inspired by Alysia Reiner and Sarah Megan Thomas' agenda in telling these types of unique, feminist stories. [Both of them produced and acted in "Equity."]
OK, so here's the deal. First of all, "The Wall Street Journal" was bought for $5 billion. It's now worth $500 million, OK. They don't have to tell me what to do. "The Wall Street Journal" has been wrong so many different times about so many different things. I am all for free trade, but it's got to be fair. When Ford moves their massive plant to Mexico, we get nothing. We lose all of these jobs.
I would sit on the street corners in my hometown of Indianola, Mississippi, and I would play. And, generally, I would start playing gospel songs. People would come by on the street - you live in Time Square, you know how they do it - they would bunch up. And they would always compliment me on gospel tunes, but they would tip me when I played blues.
Obviously ice hockey's much faster. You play street hockey, most likely, with a ball. Where the puck is more difficult to maneuver with. There's not too many things that are different. Playing on the ice is totally, totally different than playing on the street. It's totally a different game in that aspect.
The media insist that crime is the major concern of the American public today. In this connection they generally push the point that a disarmed society would be a crime-free society. They will not accept the truth that if you take all the guns off the street you still will have a crime problem, whereas if you take the criminals off the street you cannot have a gun problem.
When Occupy Wall Street happened, I took my money out of Citibank. I already had problems with all the banks - Citibank, Bank of America - but I was kind of just too lazy to take my money out until I saw how Citibank responded to Occupy Wall Street.
So, I'm on 'Sesame Street,' walking around with all these monsters, Elmo and his buddies, a whole bunch of chickens, a whole bunch of penguins and a number four dancing about. It was just pure joy, simple, ridiculous fun, stupid joy. There's no irony. 'Sesame Street' is just a crazy great place to be.
On Wall Street, there is no "Wall Street"; there are individuals. — © Jamie Dimon
On Wall Street, there is no "Wall Street"; there are individuals.
In a world of dumb terminals and telephones, networks had to be smart. But in a world of smart terminals, networks have to be dumb.
We pick up people dying full of worms from the street. We have picked up more than 40,000 of them. If I lift up such a person, clean him, love him and serve him, is it conversion? He has been there like an animal in the street but I am giving him love and he dies peacefully. That peace comes from his heart. That's between him and God.
I locate a great deal of the power of Occupy Wall Street in the name itself, 'Occupy Wall Street,' or '#OccupyWallStreet.' It works because the name contains everything you need to know: the tactic and the target. The name is also modular. You can create your own offshoot in your own city.
I ran for president. I ran for governor twice. And I've been the governor now for nearly seven years. I find that the people who are my best advisors are the people who are smart enough to give me really good advice and smart enough to keep their mouths shut about what advice they give me. And so if I want advisors that way, that's the kind of advisor I'm going to be for Donald Trump.
Well, I'd rather choose to be beautiful, um, because, to be beautiful it's natural. But being smart you can learn... you can learn, um, a lot of things... a lot of things from the experience... you can learn from a lot of things being smart.
I wasn't always smart, I was actually very stupid in school [T]here was a boy who was very attractive who was even stupider than I was. And in order to ingratiate myself with this boy who was very beautiful, I began to do his homework for him – and that's how I became smart, I had to do all this work to just keep ahead of him a little bit, in order to help him. In a sense, all the rest of my life I've been trying to do intellectual things that would attract beautiful boys.
I left Goldman Sachs. I was thinking about going to another Wall Street place. I didn't want to do that. That was crazy. After you work on Wall Street, it's a choice: would you rather work at McDonald's or on the sell side? I would choose McDonald's over the sell side.
I've always wanted to do a video of me following a girl down the street. Michael Jackson's done it. Omarion's done it. All these male pop artists have followed women down streets in videos - it's kind of the classic thing. And I was like, there is no video of a girl following a girl down the street. I need to do this at some point in my life.
There was a time in our past when one could walk down any street and be surrounded by harmonious buildings. Such a street wasn't perfect, it wasn't necessarily even pretty, but it was alive. The old buildings smiled, while our new buildings are faceless. The old buildings sang, while the buildings of our age have no music in them.
Well, "The Washington post" three weeks ago had this investigation and they said that President Obama has now raised more money from Wall Street and the banks for this election cycle than all - than all eight Republicans combined. I don't want to say that, because if that's the truth, that Wall Street already has their man and his name is Barack Obama, then we've got a much bigger problem.
I was in 'Harry Potter,' and nobody on the street recognizes me from that. Nobody on the street has ever stopped me from 'Harry Potter!' — © Domhnall Gleeson
I was in 'Harry Potter,' and nobody on the street recognizes me from that. Nobody on the street has ever stopped me from 'Harry Potter!'
I've walked down the street with Madonna, and I've walked down the street with Colin Firth, and it was a little bit more... with Madonna they were a little rougher, but they were all there for Colin. It was amazing. Women adore him. They swoon.
I'm trying to do something real different; I'm trying to bring the street to real pop. I'm trying to bring the street to pop. Not watering it down, no nothing.
We're in the Chicago suburbs, ruling our 'hood and the streets that lead here. It's a street war, where other suburban gangs fight us for territory. Three blocks away are mansions and million-dollar houses. Right here, in the real world, the street war rages on. The people in the million-dollar houses don't even realize a battle is about to begin less than a half mile from their backyards.
I think there ought to be some serious discussion by smart people, really smart people, about whether or not proliferation of things like The Smoking Gun and TMZ and YouTube and the whole celebrity culture is healthy. We've switched from a culture that was interested in manufacturing, economics, politics - trying to play a serious part in the world - to a culture that's really entertainment-based. I mean, I know people who can tell you who won the last four seasons on American Idol and they don't know who their [bleeping] Representatives are.
A man walks down the street. It's a street in a strange world. Maybe it's the third world. Maybe it's his first time around. He doesn't speak the language. He holds no currency. He is a foreign man. He is surrounded by the sound, sound of cattle in the marketplace, scatterlings and orphanages. He looks around, around he sees angels in the architecture spinning in infinity and he says, "Amen" and "Hallelujah!
Long John would sometimes hold his interviews in the Carnegie Delicatessen, which is the most famous delicatessen in New York up by Carnegie. Let's see, 57th Street, you're down to like 50th Street and 7th Avenue... You'd go in there and everybody would be eating a heart attack on a plate, pastrami, malts, that kind of stuff. But it literally was the place where Woody Allen would go.
...he said, with sort of a little derisive smile, "How can you walk down the street with all this stuff going on inside you?" I said, "I don't know how you can walk down the street with nothing going on inside you.
I think a lot of hedge funds get their trades from Wall Street and get their ideas from Wall Street. And I just like to find my own ideas. I'm reading a lot; I read a lot of news. I'm addicted to it. I basically - I follow my nose on news stories.
Men who are offenders of street harassment and women who experience street harassment can walk by and feel something about it, because it's out there in the environment where the harassment actually happens. So it's a lot more powerful than an oil painting that's stuck in a gallery or under my bed or in my studio where only a couple of eyes are going to see it, as opposed to it being in an environment where it could possibly effect a change.
So, I'm on Sesame Street, walking around with all these monsters, Elmo and his buddies, a whole bunch of chickens, a whole bunch of penguins and a number four dancing about. It was just pure joy, simple, ridiculous fun, stupid joy. There's no irony. Sesame Street is just a crazy great place to be.
You see, Momo... it's like this. Sometimes, when you've a very long street ahead of you, you think how terribly long it is and feel sure you'll never get it swept... And then you hurry. You work faster and faster, and every time you look up there seems to be just as much to sweep as before, and you try even harder…, and you panic, and in the end you're out of breath and have to stop-and still the street stretches away in from of you.
My mother used to read me from Bank Street schools, that book, you know, Bank Street school had these early reader books. And my mother would read to my brother and I and we had all those advantages that everyone says you need to be successful in school and I was successful in school.
If the street life, not the Whitechapel street life, but that of the common but so-called respectable part of town is in any city more gloomy, more ugly, more grimy, more cruel than in London, I certainly don't care to see it. Sometimes it occurs to one that possibly all the failures of this generation, the world over, have been suddenly swept into London, for the streets are a restless, breathing, malodorous pageant of the seedy of all nations.
Do you remember that old TV series, Get Smart? Do you remember at the beginning where Maxwell Smart is walking down the secret corridor and there are all of those doors that open sideways, and upside down and gateways and stuff? I think that everyone keeps a whole bunch of doors just like this between themselves and the world. But when you're in love, all of your doors are open, and all of their doors are open. And you roller-skate down your halls together.
Walk some night on a suburban street and pass house after house on both sides of the same street each with the lamplight of the living room, shining golden, and inside the little blue square of the television, each living family riveting its attention on probably one show; nobody talking; silence in the yards; dogs barking at you because you pass on human feet instead of wheels.
Once I have the finished sculpture, I’ll put it out on the street or in nature or somewhere where it interacts with the environment. Really it’s kind of the idea of turning the street into a stage and this sort of urban theater has a life of its own. If you have creative drive, and you need to manifest it, then you need some sort of medium to do that through. For me, it worked out with sculpture, and tape just is a means of doing sculpture.
I have had the occasion of coming into money and spending some recklessly, like on a purse. At this point, shopping and the spending of money on things like Botox gives me the rush I used to get copping drugs on the street. Or, making other people cop drugs for me on the street. I didn't like to do that. I wanted to protect my reputation.
Before 'Deadpool,' if I was walking on the street, some people would recognize for some project, and another person for a different project. But now, every time I'm walking down the street, people recognize me as the actor from 'Deadpool.'
Certainly my inner world will never be a peaceful place of bloom; it will have some peace, and occasional riots of bloom, but always a little fight going on too. There is no way I can be peacefully happy in this society and in this skin. I am committed to Uneasy Street. I like it; it is my idea that this street leads to the future, and that I am being true to a way of life which is not here yet, but is more real than what is here.
The man who goes through life with an uncertain doctrine not knowing what he believes, what a poor, powerless creature he is! He goes around through the world as a man goes down through the street with a poor, wounded arm, forever dodging people be meets on the street for fear they may touch him.
If a man is called to be a street sweeper, he should sweep streets even as a Michaelangelo painted, or Beethoven composed music or Shakespeare wrote poetry. He should sweep streets so well that all the hosts of heaven and earth will pause to say, 'Here lived a great street sweeper who did his job well.
Bonuses balance my budget in New York City. The bigger the bonuses on Wall Street, the more money I had to spend on poor people. The New York City budget is determined greatly by the bonuses given on Wall Street.
If I catch Corey Graves on the street, I'm gonna do something to him. I ain't gonna do it at the office or the airport, but if I catch Corey Graves on the street, you see that little bouffant hairdo he got? I'm gonna rearrange it for him.
Hank Paulson, obviously, had spent his career on Wall Street, had a deep knowledge of the Street, and also was a very forceful personality, had a very good relationship with the president, and was in a very different place, for example, than Ben Bernanke, who is an academic, quiet guy: spent most of his time thinking about monetary policy.
This site uses cookies to ensure you get the best experience. More info...
Got it!