Top 1200 Streets Of Paris Quotes & Sayings

Too many architects are just trying to make all of their buildings look like a brand, and that may be good for business, but that is terrible for the cities because they lose character. If I go to Paris, I go to see the beauty of Paris and the coherence of Paris.

Paris is a sum total. Paris is the ceiling of the human race. All this prodigious city is an epitome of dead and living manners and customs. He who sees Paris, seems to see all history through with the sky and constellations in the intervals.

Israel will do all in its power to ensure that from Paris to Jacksonville, from Berlin to Manchester, Jews can walk on the streets without hiding their identity.

One of the things that sells music is when the artist is looked at as someone who's come up from the streets. Not just any streets, but the toughest, meanest streets of the urban ghetto. And that's called 'street credibility.'

For in Paris, whenever God puts a pretty woman there (the streets), the Devil, in reply, immediately puts a fool to keep her.

Paris, the City of Light, never fails to enchant. With its jazz clubs, music in the streets, outdoor restaurants. The clatter of knives and forks at street-side cafes. Chic and trendy students embracing in the streets.

I'm someone who came to Paris as a teenager, and I dreamed of coming back to Paris as a visitor. I never dreamed of having a job at the biggest luxury house in Paris and, you know, 15 odd years later, I'm still here.

I didn't go to Paris until I was a grown-up in 1965. And when I went to Paris, it was the Paris I knew only from American movies.

I was eighteen, this was back in '46, so we also had these very frightening images of soldiers in the streets of Paris. So the effect of war, plus my shyness, plus my lack of education - I was afraid of men, really. It changes later, but it took me a certain time to adjust.

I wasn't really into music. I was into the streets. I was too worried about the streets and how I was going to eat and how I was going to make the streets happen.

I happen to think the Paris accord, the Paris treaty, or the Paris Agreement, if you will, should have been treated as a treaty, should have gone through Senate confirmation.

Paris is not so square. I'm not good at the geography of the city in Paris, so I'm always lost. Here, in New York, you can never be lost. In Paris, even when I walk to my gallery or whatever, I always take another route, because Paris is not built that way.

My husband and I were in Paris for the weekend and I hated wearing anything that was in style. I really loved '50s dresses, so we started going around Paris and hunting this stuff down. It became like this treasure hunt. From then on, I felt like a pirate every time I left Paris.

Rien ne se peut comparer a' Paris. Nothing can compare to Paris.

I think when people say 'real hip-hop,' they want it more buried in the streets. They want it more connected to the streets and the grime and the roughness of the streets. They don't want the fluff.

Many European countries are fascinated with minorities from the United States. They still see this country as a world power and they covet that power...I was approached by a professor once at the Sorbonne in Paris and asked about racism in this country, and when I reflected on racism on the streets of Paris - you know, I'd be considered an Arab there -well, she didn't want to address that...It just goes to show it was easier for Europeans to study racism in the United States than it is from within the belly of the beast.

If it falls your lot to be a street sweeper, sweep streets as Raphael painted pictures, sweep streets as Michelangelo carved marble, sweep streets as Beethoven composed music, or Shakespeare wrote poetry.

Why Paris? Paris needs no reason. Paris is its own reason.

I stayed three weeks in Paris, fell in love with the city, and decided that I was born to live in Paris.

Along the Paris streets, the death-carts rumble, hollow and harsh. Six tumbrils carry the day's wine to La Guillotine.

Inspiration is around you. Like, when I travel any country, be it Paris or London, while walking on the streets, the architecture, the restaurants all inspire me. Inspiration for design could be anywhere.

I made it from Paris, Texas, to Paris on the Strip. Who else can say that?

When the franc was in danger of collapsing in 1956, it was the Americans who propped it up and their reward was to be insulted and swindled on the streets of Paris. I was there. I saw it.

Certain streets have an atmosphere of their own, a sort of universal fame and the particular affection of their citizens. One of such streets is the Cannebiere, and the jest: "If Paris had a Cannebiere, it would be a little Marseilles" is the jocular expression of municipal pride. I, too, I have been under the spell. For me it has been a street leading into the unknown.

Because I'm Parisian, I wanted to show a Paris that I don't see at the movies, so I spent a lot of time looking for places that have never been filmed, for streets that have never been filmed because there's a thing about Paris, where it's kind of like a charming music box, this luminous cocoon, like those things that have fake snow in them that you turn upside down.

The brown toxic cloud strangling Los Angeles never lifts and grows thicker with every immigrant added. One can't help appreciate the streets of Paris will soon become the streets of LA. However, Paris' streets erupted while LA's shall sink into a Third World quagmire much like Bombay or Calcutta, India. When you import that much crime, illiteracy, multiple languages and disease-Americans pick up stakes and move away.

Paris was incredible. Everything about it for me, from spending hours eating, drinking and talking to walking through the streets...at that time I hadn't seen that sort of political passion in the youth, and I got to experience that first hand.

My mom and dad are from the streets. My mom's from Chicago. My dad's from Memphis. My dad got out of school and got with my mom. They were hustlers. They were from the streets. They were doing their thing. The streets ain't got no love for the streets. You can light up the streets, or be a victim of the streets.

I love New York City. The energy, the theatre, the art, the food, the people, the parks and streets. But I could say the same of London or Paris, too.

Paris is a danger for people like me. We spend our rent money in Paris on clothes.

Human beings are more alike than unalike. Whether in Paris, Texas, or Paris, France, we all want to have good jobs where we are needed and respected and paid just a little more than we deserve. We want healthy children, safe streets, to be loved and have the unmitigated gall to accept love. If we are religious, we want a place to perpetuate God. If not, we want a good lecture every once in a while. And everyone wants someplace to party on Saturday nights.

For more than twenty years by my own work and personal initiative, I have gathered from all the old streets of Vieux Paris photographic plates, 18 x 24 format, artistic documents of the beautiful civil architecture of the 16th to the 19th century: the old hôtels, historic or curious houses, beautiful facades, beautiful doors, beautiful woodwork, door knockers, old fountains This vast artistic and documentary collection is today complete. I can truthfully say that I possess all of Vieux Paris.

People gave us everything for free. We were allowed only so much film per picture, but there was no limit to the creativity. I like to say that they let us loose like wild dogs in the streets of Paris.

My parents were extreme left so everything was against the system. I was walking barefoot in the streets of Paris when I was eight. When I started to DJ they hated it, because for them, nightclubs, and all of this life, was terrible and fake.

Meeting up with Paris and Paris was such a highlight in Greece. Dancing at the clubs was a blast. There are just certain people you know you'll always have fun with, and Paris Hilton is definitely one of those people.

The influence of Paris, for instance, is now minimal. Yet a lot is written about Paris fashion.

I've wanted to be an actor since I was 6 years old. I was literally picked off the streets of Paris... while I was modeling there. I was asked to audition for Oliver Stone's 'Alexander.' I didn't get the part, but that led to commercials and roles in South Africa.

I don't think about returning to the streets, 'cause I don't have any plans to return to the streets. I'm at another level in my life. Returning to the street - I still be in my streets when I get time to, when it's necessary.

I was born in a little village in the south of Holland called Mierlo. It was great growing up in Mierlo. It's a lovely little town where you can run around in the streets and climb trees and all that stuff when you're a kid. Then, when you're a teenager, it's not so fun. But I moved to Paris when I was very young.

I went to see 'Francis Ha,' which I could certainly relate to. She ends up wandering the streets of Paris all alone - something I've ended up doing a number of times in capital cities around Europe.

So I left with Jean Claude and went to Paris, so when the Russians came to Prague, I was in Paris.

Paris is a very exciting city. I learned about Paris the same way that Americans do: from the movies.

I love Paris - it's one of my favorite cities - and so to shoot a video in Paris was a dream come true.

My childhood is streets upon streets upon streets upon streets. Streets to define you and streets to confine you, with no sign of motorway, freeway or highway.

Americans continue to visit Paris not just for Paris, but for ‘Paris.’ As if out of some collective nostalgia for what Paris should be, more than what it is. For someone else’s memories.

I always played football with my friends on the streets of Eure, in Normandy, not far from Paris.

The rocky time came right after I left school. I spent a lot of time at night navigating the streets of Paris trying to find something to eat.

We have great information. They're going to welcome us. It'll be like the American Army going through the streets of Paris. They're sitting there ready to form a new government. The people will be so happy with their freedoms that we'll probably back ourselves out of there within a month or two.

I spent 80% of my time working on this, and 20% of my time working on music. Why do you think the song 'Niggas in Paris' is called 'Niggas in Paris?' 'Cause niggas was in Paris!

It is no accident that propels people like us to Paris. Paris is simply an artificial stage, a revolving stage that permits the spectator to glimpse all phases of the conflict. Of itself Paris initiates no dramas. They are begun elsewhere. Paris is simply an obstetrical instrument that tears the living embryo from the womb and puts it in the incubator.

To avoid sounding like a cliche, I won't say I want to get proposed to in Paris, but Paris. I want it to happen somewhere public where people can be excited that I just got proposed to, and everyone applauds, like in a restaurant - that, or somewhere totally secluded... in Paris.

Buckley and Vidal were both stand-ins for what was happening on the streets of Chicago and the streets of America. I mean, they're representing these two different camps that are at war in the streets. And they're at war with their words. And each was looking for a knockout.

One of the things that sells music is when the artist is looked at as someone who's come up from the streets. Not just any streets, but the toughest, meanest streets of the urban ghetto. And that's called 'street credibility'.

Of course, there's no reason that Paris should have decent Mexican food. It's a silly expectation - there's a Mexican population in Paris, but they're not exactly traveling there from across the border. Paris also doesn't do Peruvian all that well, either.

When Niki and I moved to Paris, there was also the challenge of Paris, an extremely daunting city.

I lived in Paris for two years with my family. I would roam the streets of Paris during the day for a few hours in the subway, on the streets, and I listened to the French language, and I got a sense of the rhythm and the melody of the language.

Every time I look down on this timeless town Whether blue or gray be her skies. Whether loud be her cheers or soft be her tears, More and more do I realize: I love Paris in the springtime. I love Paris in the fall. I love Paris in the winter when it drizzles, I love Paris in the summer when it sizzles. I love Paris every moment, Every moment of the year. I love Paris, why, oh why do I love Paris? Because my love is near.

Jay Z doesn't care if he plays in Paris or Denver, but we do. We make more money in Paris.

I wasn't from the streets, but I was in the streets. I had a good family, nice home - you know, I can't say I grew up with nothing... but I chose to hang in the streets.

I had a go at changing history - maybe not all by myself - I fought at the battle of Normandy, I slogged through the Ardennes, and I celebrated the liberation of Paris on the streets with beautiful French girls throwing flowers at me. I said good-bye to my first true love and discovered what I really wanted to do with my life.