Top 1200 Streets Of Paris Quotes & Sayings - Page 3

I love as you come into Paris, you've got the Arch de Triomphe and all that crazy traffic. Then I love the drive from Paris down to Antibes and you veer off east in through the Alps and you come into the south of France on the mountain road as opposed to the freeway.

You are not going to put 100,000 police officers on the streets overnight and do the right job. To put them on the streets, to see that they're properly trained; you have to do it in an orderly way over a period of time.

These New York City streets get colder, I shoulder every burden every disadvantage I've learned to manage. I don't have a gun to brandish. I walk these streets famished.

If you have ever walked in Paris, you will see that Paris will ever walk in your memoires!

When Picasso painted in Paris, was he a Spanish or a French painter? It does not matter, he was Picasso, whatever the influences surrounding him. He simply chose Paris because it was the ideal place for him to sell his creation.

Just watching the people on the streets of NY is inspiring, there are so many styles and unique points of views. Fashion is very much inspired by the streets, has always been and I'm sure it will continue to do so.

The moment that always comes to mind when I think fondly about 'The Hills' is when Lauren and I got to go to Paris. I was in my early twenties, and I had never been to Paris. The thought of the Crillon Ball was so glamorous - wearing designer gowns, getting hair and makeup done, and meeting all these amazing people.

The city of Paris is determined to promote the happiness-on-a-bike fantasy. Paris mayor Anne Hidalgo wants to turn the city into the most bike-friendly capital in the world.

Everything is groomed in Palm Beach...the lawns, the streets, and the shops are all pristine, particularly those on world-famous Worth Avenue, one of the most fabulous shopping streets in the universe, with outposts of Gucci, Chanel, Valentino, and Louis Vuitton enticing residents and visitors.

I have a picture of a rainy Paris street scene which I bought when I was 33 and on my first trip to Paris. I go past it when I go upstairs every night and it reminds me of that trip and makes me happy

I wanted to live in Paris and write nothing but fiction and be perfectly free. I had decided all this had to be settled by the time I was thirty, and so I gave up my job and moved to Paris at twenty-eight. I just held my breath and jumped. I didn’t even look to see if there was water in the pool.

Traffic in the streets of Bombay is chaotic at best. Riding a bicycle is a dangerous occupation. However, there are hundreds of them on the streets competing with the cars and buses and lorries because it is the poor man's mode of transport.

'The Paris Review' was always the pinnacle: it was the place to be published. You were thrilled if you were published in 'The Paris Review,' and George Plimpton himself was practically mythical. He was a legendary figure.

My grandmother ... came here, not only like so many others because of the streets 'being paved with gold' and all, but because she wanted to leave the place where the streets were paved with people who had not gone to America.

I let the streets talk to me. The streets speak to you - how you find out what's new, what people are wearing, what people aren't wearing.

Lise: Paris has ways of making people forget. Jerry: Paris? No, not this city. It's too real and too beautiful. It never lets you forget anything. It reaches in and opens you wide, and you stay that way.

What we think about Paris is a part of how we feel about it. Our idea of Paris is our idea and we don't know that that's not necessarily the way it really is. It feels so real.

I have great respect for Bernie Sanders, there was a moment where he opposed the Paris Deal... I was frustrated with him, but he and I have a very good relationship... and I have great affection for him, but I do think when he criticized the Paris agreement, I didn't think it was the right position.

I'm married to the street; I ain't gonna switch over. I ain't gonna go religion on nobody. I believe in God - God is for the thugs too - but the streets are in the most trouble. So I'mma keep it focused on the streets and the struggle. That's what I'm mainly about.

Eww," Jack said, and then giggled. "Yeah, and a Paris Hilton doll that had an optional brain."Aphrodite raised her brow at him. "Don't go all crazy. There are some things even Paris Hilton can't buy.

There's something special about racing in real streets. The 'artificial' circuits have a certain sameness to them. But every race conducted on real streets has a character of its own - Barcelona, Monaco, and now Long Beach.

A year and a half after the end of the war and the German occupation, Paris was muted and looked bruised and forlorn. Everywhere I went, I sensed the tracks of the wolf that had tried to devour the city. But Paris proved inedible, as it had been ever since its tribal beginnings on an island in the Seine, the Ile de la Cité.

The streets and the industry are two different things. You could be one super-hot artist in the streets, and you could walk into a corporate building, and people would be like, "Who are you?"

Paris is my favorite city in the world. The men are so beyond gorgeous, especially the humpy Arab men. But I could never live in Paris, it's a boutique city.

When I went to Europe for the first time, I went to Paris and then to Venice. So after Paris, Venice was my first great European city, and it just blew me away.

I mean, the radical contingency that is - that exists and the fact that I'm going into the streets and finding random strangers any given day - who's in these streets that day?

Clear skies and clean air must become the new normal. We must re-design our cities, reclaiming the streets for cycling and walking, allowing people to walk along streets unpolluted by traffic.

For a painter, the Mecca of the world for study, for inspiration, and for living is here on this star called Paris. Just look at it. No wonder so many artists have come here and called it home. Brother, if you can't paint in Paris, you'd better give up and marry the boss's daughter.

Jazz came from the streets, hip-hop came from the streets. It's just a different language. It's all borne out of hard times, struggle, and the fight to have equality and things be better.

The trouble with the Labour Party leadership and the trade union leadership, they're quite willing to applaud millions on the streets of the Philippines or in Eastern Europe, without understanding the need to also produce millions of people on the streets of Britain.

I wasn't sleeping on the streets at night. Of course, there were a lot of good people sleeping in the streets. They weren't fools, they just didn't fit into the needed machinery of the moment. And those needs kept altering.

We had maybe the greatest success of any company that I know of in Paris, and after two or three years I wanted to do this same number that we did for PBS, so we did it and Paris had always considered us their darlings.

Almost every football player played on the streets. And also, a lot of people not ending up as football players play on the streets. It's the beginning of a lot of social gathering.

I think Paris Hilton is really our generation's Marilyn Monroe. She's the image of the youth today. There's a real fascination with Paris, ranging on the obsessive. I'm repulsed by her, but because of her notoriety, she has access to an audience.

Everything I am is cause of Paris. She like paved the way for me. A girl like me who is literally famous for nothing - Paris Hilton taught us how to make that a business, you know what I mean?

The time I spent working in the wild west show in Paris had a pretty big impact on me. A friend of mine had hooked me up with the gig over there and I literally left Texas with a hundred dollar bill in my pocket and one way plane ticket to Paris.

What I wanted to do was to look at the powerlessness that I felt as - and continue to feel at times - as a black man in the American streets. I know what it feels like to walk through the streets, knowing what it is to be in this body and how certain people respond to that body.

I love the streets, and the streets love me back. And when things ain't going the way they should go, they let you know... and when they happy, you gotta keep 'em happy.

Air Max is from when we were running the streets. It was comfortable to wear in London, whether you were going out to a club or kicking a ball in the streets. Those kinds of things stick in my mind from the young, magical, fantasy years of my life.

My ideal city would be one long main street with no cross streets or side streets to jam up traffic. Just a long one-way street.

Even on the poorest streets people could be heard laughing. Some of these streets were completely dark, like black holes, and the laughter that came from who knows where was the only sign, the only beacon that kept residents and strangers from getting lost.

If you really believe that you're making a difference and that you can leave a legacy of better schools and jobs and safer streets, why would you not spend the money? The objective is to improve the schools, bring down crime, build affordable housing, clean the streets - not to have a fair fight.

The best of America drifts to Paris. The American in Paris is the best American. It is more fun for an intelligent person to live in an intelligent country. France has the only two things toward which we drift as we grow older—intelligence and good manners.

I see N.Y. hip-hop like I see N.Y. streets. N.Y. streets are grimy; it's a grind. N.Y. rappers are hustlers - whatever sound is in, we can adapt to that; there's nothing wrong with that.

I never had the idea of moving to Paris and becoming something. I liked the idea of living in Paris because it seemed to have so many parts of life I really enjoyed. The people there seemed to prize literature and art, food and drinking, a more hedonistic way of living. My ambition was to be cosmopolitan. I grew up in the suburbs. I went to college in Maine. I had a dream in my head that if you wanted to be the most urbane, living-life-to-the-fullest kind of person, Paris was the place to be.

I was a football fan, a kid who loved football and when you are a kid from Paris there are only two stadiums - the Stade de France or the Parc de Princes - and that is what makes Paris so special.

In 1978, I was in Paris - I was in someone's car and listening to the radio - and on comes Paco de Lucia. I'd never heard of this chap, and I just thought, 'I have to meet him.' And I was very lucky; I found him very quickly. Crazily enough, he happened to be in Paris!

I was really from the streets, and I really did hustle in a major way. When I got my record deal, I left the streets alone as far as hustling. I never, ever hustled again. I said, 'I'm gonna change my life, I'm going legit. This is where I'm at.'

I love Mexico because that's where I'm from, but my favorite city, whenever I need to recharge, I love Paris. I get very inspired while I'm there. There's so much art and culture, and Paris, before New York, that was the capital of the world. And I love history too, so I go there. It does something special to me.

I was taken to my first fashion show - Nina Ricci haute couture - in Paris by the White Russian princess, down on her luck, whom I was boarding with in Paris in 1963. I was captivated by the glamour of the gilded salon, the elegant clothes, and the audience of grand ladies.

In the case of the Paris Agreement, if we want to have full compliance with the Paris Agreement, we need not only action by governments; we need the action by all of society.

I met a Shanghai photographer who finds these old streets and matches the French names to what they are today. I was able to find my grandfather's block, and just walking the same streets and finding his house was deeply moving. I finally felt connected to China.

The Arab Spring, nobody's in the streets demonstrating for radical Islam; they're in the streets with a window of democracy. They want our political reform, our social justice, and our economic opportunity.

We have all the technology to record things in the streets. Now the historians cannot twist it or change it, because we have cellular phones or video cameras, and we are filming in the streets what's going on. We have the voices of everybody recorded. There's too much recording and I think that's wonderful.

During my childhood, Washington was a segregated city, and I lived in the midst of a poor black neighborhood. Life on the streets was often perilous. Indoor reading was my refuge, and twice a week, I made the hazardous bicycle trek to the central library at Seventh and K streets to stock up on supplies.

If the weather is too cold or rainy, I take shelter in the Regence Cafe, where I entertain myself by watching chess being played. Paris is the world center, and this cafe is the Paris centre for the finest skill at this game.

In Paris in 1964 was the first time I ever heard Dylan at all. Paul got the record (The Freewheelin' Bob Dylan) from a French DJ. For three weeks in Paris we didn't stop playing it. We all went potty about Dylan.

France has not been able to come to terms with the fact that it's not a major power anymore. I mean even before the Second World War Paris was one of the main centers of intellectual and cultural life. But now Paris is a kind of subsidiary of Germany, their traditional enemy and they can't come to terms with it.

Walking on these streets, until the night falls, my life feels to me like the life they have. By day they’re full of meaningless activity; by night, they’re full of meaningless lack of it. By day I am nothing, and by night I am I. There is no difference between me and these streets, save they being streets and I a soul, which perhaps is irrelevant when we consider the essence of things

The streets respect me because I kept it real with me. You gotta be real with yourself, and the streets recognize game.