Top 1200 Studio Quotes & Sayings

I hate studio. For me, studio is a trap to overproduce and repeat yourself. It is a habit that leads to art pollution.

I'm not one of those rapper guys that spend nights in the studio. I hate being in the studio.

I don't use any real vintage hardware any longer. That's always been the object as far as gaining control of the studio environment, going back to when I built my first studio, Secret Sound, in New York City. The whole point was to not have to pay studio bills anymore and not be looking at the clock.

I always have days off before and after I go to the studio. That's really important for me that I know that I have days off after, 'cause then I can give my everything when I'm in the studio. I love being in the studio and being able to think, 'Okay, I'm not doing anything tomorrow.'

When I go into the studio, I'm strictly for business... I don't like any fooling around in the studio.

I'm very critiqueful of my own stuff, and I kick everybody out the studio when I'm singing, no one is in the studio, it's just me and the engineers, no one else in the studio when I'm doing my thing.

We honestly felt a bit more at home in the TV studio than we did in the recording studio.

My whole life at a certain point was studio, hotel, stage, hotel, stage, studio, stage, hotel, studio, stage. I was expressing everything from my past, everything that I had experienced prior to that studio stage time, and it was like you have to go back to the well, in order to give someone something to drink. I felt like a cistern, dried up and like there was nothing more. And it was so beautiful.

Since this was the first and only series I had ever produced, I was unaware of what the "Normal" environment was for a studio. I tried to run it as I did in my SF studio.

Since this was the first and only series I had ever produced, I was unaware of what the 'Normal' environment was for a studio. I tried to run it as I did in my SF studio.

My studio work is a central part of my life and I'd be at loose ends without it. When I'm not in my studio, I don't stop thinking about painting.

A lot of people have said 'people should see you work in the studio,' because a lot of people don't realize I'm an actual engineer. I don't walk in and have some guy grab the board. I have my own studio and soldered every wire in the studio.

I love being in the studio. If I'm at home, I will go to the studio pretty much every day anyway. It's just something that I like to do.

When I left Van Halen, I went in the studio and made a CD called Marching to Mars with all studio musicians. I did it immediately. With the disappointment riding on my shoulders of the breakup of the band.

I haven't felt compelled to go back in the studio and do anything serious. I have a little sort of home studio thing which I potter about in occasionally.

Things don't get tough in the studio. Sometimes things get tough outside the studio and going in the studio is a relief, a sanctuary, therapy.

I'm never too ambitious when I go into the studio. I always know that I'm just going into the studio to work on or try to develop an idea that I have for a song.

We're in an on-demand world. You can do real-time commentary now with no barriers. I don't have to drive to a studio, don't have to put makeup on. I don't have to go to a studio and get miked up.

I had this vision of shooting a great white in the studio with all the edge lights I use for movie posters. I knew that I couldn't bring the great white to the studio, so I had to bring the studio to the great white.

I moved my studio to Palm Springs 'cause I don't like the idea of going to a studio every day like a job... I need to make a personal record, so I need to be in a house... I don't want to be in a studio where people can hear the music 'cause I don't know what it is yet.

I don't believe that an animation studio should be an executive-driven studio.

When you go into the studio, you have to know what you're going in there for. I went into the studio because I had a voice and I wanted to change things, and I don't necessarily mean my bank account. The money is almost a B factor, a side product.

I thought I was going to be a rapper as a kid and used to hop the train down to Jazzy Jeff's studio for, like, six months straight waiting outside of the studio for the big break, and one day we got in the studio and played our demo for Will and Jeff and quickly learned that we weren't that good.

The studio is really fun because I don't make it into the studio unless I've got something I really like. I love working with different musicians in the studio; that's a real joy, working with someone for the first time.

I just don't like my voice in the studio, and I just don't like the studio, I'm not a studio-head. And that's why you don't get so much material from me.

I run into viewers all the time who have no idea I've moved to N.Y.C. I think, for many of them, a studio is a studio is a studio.

There's a lot of discussion about whether you should be a good live band or a good studio band. I think you can use the studio to make a great "studio record" and not necessarily have to reproduce exactly that on stage, but still be a great "live band." Having said that, if what you're going for is just the raw capture of your live sound, then that's cool, too - go for it! I enjoy working in the studio, though, and while I try to get near to an approximation of what's going on onstage, it's not my first priority usually.

It is always weird to be in the studio working on Christmas music in June and July, so we decorated the entire studio, we really did. We brought out lights, fake trees and decorated the place to get in the Christmas spirit. You'd leave the studio, and it'd be 100 degrees out in Nashville, but nonetheless, a great experience.

All I ever hoped for was freedom of choice and to not have to just do work because I needed to pay the bills. If you can, weave your way into a studio in a situation where it's supportive of the other work you wanna do. Also, there is caliber and weight in studio films, and I think the ideal is to get that balance right: Do a studio film, go away and do something that is smaller.

The studio is my main compositional tool. And I used to be horrible in the studio. I didn't know any kind of technical stuff. But when you have something in your head, you've gotta figure out a way of executing it.

When I'm in the studio, I stay in the studio, like, sometimes 20 hours out the day.

If I was an artist, and I was in the studio, then whatever I was doing in the studio must be art.

Jordan Ruddes does [have a home studio], but it's all self-contained. I'll be the only guy with a fully built recording studio. So they'll have to come to me.

When I'm in the studio I often hunger for the road. And when away I long for the efficiency of the studio.

They're mostly done before we went into the studio, although I do like writing in the studio.

I've never went into the studio looking for a certain direction for my next production. I make music that I enjoy and whatever flows in my head when I'm in the studio is how the track is going to turn out.

When you do a movie in the studio system, there's a committee. A committee of six or seven people you answer to. There's two or three producers, a studio executive and one or two people above that studio executive.

The studio is not the place to write. You need to be 75% ready when you go into the studio, and then the music can develop to the next stage.

I ain't a new artist, I'm good in the studio, I don't need somebody to hold my hand in the studio. I don't even really want them all over my album or anything like that.

I use the studio as my drug. That's where I relieve everything at - the studio.

A studio session ... provides the greatest chance for control. Even though there is total freedom, I still dislike studio photography and the contrived images that usually stem from this genre.

The strategy of keeping the studio close, like an outbuilding five paces from the house, or in the loft next door, or with the studio on one end and the bed on the other - makes art always available.

My studio cube is an experiment in solar heating and design. The south wall is covered with glass planks that collect and distribute heat naturally to my work studio on the second level.

I used to carry a notebook to the studio. I don't do that no more 'cause I don't have the time to write anywhere but right there in the studio on the spot. So when you hear my stuff, know that I wrote it in the studio.

So for my studio purposes, I know that I'm in my studio with technicians who've done amazing things to my board and to my power amps and I know what I can deliver out of my studio.

What is it that an artist does when he is left alone in his studio? My conclusion was that if I was an artist and I was in the studio, then everything I was doing in the studio should be art . . . . From that point on, art became more of an activity and less of a product.

My studio is fully analog. There's nothing modern. There's not even a computer in my studio.

A studio is like a meditation room where music is created. And a live performance is the place where the creation of the studio is taken ahead. I love both.

Sony is the coolest studio. They are really amazing. I think part of it comes from they're not an American corporation. They don't work by quite the same rules. And their studio heads have a lot of autonomy.

If you end up spending more time in the studio than you do on the road, that's not a good balance for me. Because I think when you're in the studio, you need to come off the road and go in the studio and that's when you're applying your best. That's when you've got the best attitude, best energy, all that stuff.

No studio picks up the phone after seeing 'Dogtooth' and goes, like, 'We have the next superhero movie.' Though if one did, that would be an interesting studio to work with.

If you had a sign above every studio door saying ‘This Studio is a Musical Instrument’ it would make such a different approach to recording.

It would be a dream come true if I could just go from studio to studio and play solos.

Non-studio entities can experiment with storytelling that might be too niche... for a studio.

Once you work with a studio on a film, the studio is sort of like this enormous clam that just opens, takes everything and then closes, and no one enters again. They own it all.

I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio to get new ideas. You have to get new ideas from life, not from the studio. Then you go to the studio to realize the idea.

I would rather be hired solely for my talent, not just to fill a quota. I also don't want to shoot just any studio movie just to say I'm shooting studio movies - for me, quality of the material comes first, and if eventually that leads to a really great studio project, then that's a bonus.

I'm not a guy to go in the studio and spend months, let alone years, like some people do. I cannot even be in the studio for a month, it will drive me nuts.

You don't enter a dance studio and say "I can't do that." If you do, then why are you in the studio in the first place?

Let me earnestly recommend...one studio which you may freely enter and receive in liberal measure the most sure and safe instruction...the Studio of Nature.