Top 1200 Studio 54 Quotes & Sayings - Page 10
Explore popular Studio 54 quotes.
Last updated on December 12, 2024.
To be able to get up and be in my studio and work all day is a great joy.
But in marketing, the familiar is everything, and that is controlled by the studio. That is reaching its apogee now.
I've only ever gone into studio films with people I really like.
What is generally referred to as American-style films are, in fact, studio productions.
Every time I'm not on a project, I'm writing or in the studio or doing gigs DJing.
My studio was lo-fi by necessity; I was fourteen with no reliable income.
I don't try to go to the studio and make a single. I just do whatever I feel.
If we found an ashtray in the studio, we'd try to play it and find a part for it in a song.
There's no room for being a visionary in the studio system. It literally cannot exist.
Joanne' is a progression for me. It was about going into the studio and forgetting that I was famous.
It's really nice when the studio is behind what you're doing, because that's often not the case.
Music is the outlet for me because when I do step into the studio, I feel no barriers.
We were all ruled by the studio system. I signed a contract for seven years.
There's not a lot of thinking that I need to do away from the studio on Broken Bells stuff.
The studio keeps notes on the details of editions and production processes and the like.
I'm a recording studio guy, an engineer, a songwriter and a guitar player, in that order.
I'm hyperactive, and I went in the studio and I would just start making records, for no reason.
When I record in a studio. I know that on Tuesday at 3 o'clock I've got to go be creative.
My day job is that I write songs for other artists and if I'm not on the road I'm in my studio.
I can't travel every weekend. I like to spend some weekends at my studio.
I have only one loyalty - to my writing. I never wanted to be the head of a studio or a producer.
It's hard to know exactly what it sounds like to me. I'm in the studio and I write it. and that's it.
My studio is the only place I feel good in. There, I'm fearless; outside, I'm a mess.
I don't typically work that late into the night in a studio, I'm more productive during the day.
I look forward to the future - and going into the studio to make new music.
I loved the medium of TV from the first moment that I got into a studio.
The better the script, the less money there is. That's just the economics of the studio system.
I respond to creativity well when I'm outside and reacting to experiences, not inside a studio.
You have to collaborate with the moment and the environment. It kind of was magnified by the house being a studio.
When I get in the studio the idea is just to work and bang out as many as I can.
You can have ambiguity in television that you are not allowed in film... at least in Hollywood studio films.
As a songwriter, I go into the studio, and I just try to write a great song.
Honestly, most of the stuff I made for 'TV on the Radio,' I write in the studio.
I've only actually done one studio film. I want to be left alone.
I think that I learned a studio system prefers a sort of professionalism from the director.
The typical output deal from a studio is 10 to 14 movies a year.
Sometimes I hear a drum groove in my head and I rush down to my studio.
I don't want to spend a month and a half in a studio with music I don't like, and fortunately I don't have to.
We go into the studio with the mindset of simply wanting to make something great.
I lived in a studio apartment until my mid-30s. I don't have an extravagant lifestyle.
I always resented having a guardian and the restrictions of going to school at the studio.
I love being in the studio. Expressing myself that way is really cool.
I spend a lot of time working in the studio as a producer, not just a singer.
I used to go into the studio around midnight and stay all night.
I think you get in trouble if you make experimental big studio films.
What's working for me is like when I go into the studio, I'm trying to get goosebumps.
I sometimes look around that studio in the middle of commercials and think, 'Really?'
When I go into the studio I just want to make something that feels good.
If I didn't have a girlfriend, I'd have 10 girls at the studio, and they would make me not rap.
Choreography is mentally draining, but there's a pleasure in getting into the studio with the dancers and the music.
No, I'm at full height, I'm in the studio, I can actually catch actors by the eye, it's fantastic.
I'm getting in the studio with everybody I've always wanted to work with. That's the amazing thing.
The studio have always claimed that the ship is the star of the show, especially when they're renegotiating contracts.
Every time I go into the studio, it's some next level, man.
It was easy for me to show the films to the studio and the network and say, "This is who I'm hiring."
I feel most confident when I am in a dance studio alone.
The studio thought I was crazy to perform all of my own fencing stunts, but I loved it.
When I did 'Stardust,' I was fighting the studio for things I believed were right.
Today, it's very tempting to create songs by cutting and pasting in the studio.
As a studio, you have to have a niche. You have to provide a service and there has to be a reason for your being around.
