Top 1200 Studio 54 Quotes & Sayings - Page 2

Explore popular Studio 54 quotes.
Last updated on December 4, 2024.
My dad died from pancreatic cancer at 54... I'm making sure I'm eating my vegetables and staying away from the red meat.
If you elect me the first Jewish justice of the peace, I'll reduce the speed limits to 54.95!
Every one of our affiliate stations was established and exists to reach women 25 to 54. — © Delilah
Every one of our affiliate stations was established and exists to reach women 25 to 54.
A studio session ... provides the greatest chance for control. Even though there is total freedom, I still dislike studio photography and the contrived images that usually stem from this genre.
Since this was the first and only series I had ever produced, I was unaware of what the 'Normal' environment was for a studio. I tried to run it as I did in my SF studio.
There's 54 years of X-Men comics by now, so there are a lot of characters to explore.
No studio picks up the phone after seeing 'Dogtooth' and goes, like, 'We have the next superhero movie.' Though if one did, that would be an interesting studio to work with.
I've been taking pictures since I was probably 16. I'm 54, and I can't believe how excited I am.
Our studio is in the middle of an oil refinery. There's smoke and fire around it and when you emerge from the studio you hear this hissing sound all around you.
My dad heard of a studio on the radio, and it was advertised as a place for kids to meet kids, and it was actually a studio, and that's where I met my manager and agent.
The strategy of keeping the studio close, like an outbuilding five paces from the house, or in the loft next door, or with the studio on one end and the bed on the other - makes art always available.
More than 54,000 jobs in the region are dependent upon the Port of Philadelphia alone.
The average life expectancy rate in some parts of Glasgow is 54. If you've ever been there, you'll realize that that's maybe a bit long.
I love being in the studio, and I am a huge fan of live music. Without writing good stuff in the studio, you have nothing to play live. — © Anthony Hamilton
I love being in the studio, and I am a huge fan of live music. Without writing good stuff in the studio, you have nothing to play live.
Every Vacation movie didn't just make the studio money. They each made the studio a lot of money.
We're in an on-demand world. You can do real-time commentary now with no barriers. I don't have to drive to a studio, don't have to put makeup on. I don't have to go to a studio and get miked up.
I just want to be in the studio 24/7. Even if I'm not working on a song right then, just sit in the studio. That's what I love.
When you in the studio you don't need everybody calling your phone telling you about what's going on outside the studio. I don't need those distractions.
I was doing a lot of drama until I took the comedy role in the series 'Car 54, Where Are You?,' and I've been tagged as a comedian ever since.
I love being in the studio. If I'm at home, I will go to the studio pretty much every day anyway. It's just something that I like to do.
My studio cube is an experiment in solar heating and design. The south wall is covered with glass planks that collect and distribute heat naturally to my work studio on the second level.
Because I'm such a studio guy, I really trust my process. I really believe in myself in the studio.
I use the studio as my drug. That's where I relieve everything at - the studio.
When you do a movie in the studio system, there's a committee. A committee of six or seven people you answer to. There's two or three producers, a studio executive and one or two people above that studio executive.
My studio work is a central part of my life and I'd be at loose ends without it. When I'm not in my studio, I don't stop thinking about painting.
I don't believe that an animation studio should be an executive-driven studio.
I've never went into the studio looking for a certain direction for my next production. I make music that I enjoy and whatever flows in my head when I'm in the studio is how the track is going to turn out.
I'm never too ambitious when I go into the studio. I always know that I'm just going into the studio to work on or try to develop an idea that I have for a song.
Jordan Ruddes does [have a home studio], but it's all self-contained. I'll be the only guy with a fully built recording studio. So they'll have to come to me.
I remember one day going in the studio to sing and then going to work with three separate songwriters before I came back in the studio. I was running on empty.
Since this was the first and only series I had ever produced, I was unaware of what the "Normal" environment was for a studio. I tried to run it as I did in my SF studio.
Let me earnestly recommend...one studio which you may freely enter and receive in liberal measure the most sure and safe instruction...the Studio of Nature.
I haven't done a lot of studio movies, but studio movies and independent films are always just as fun as each other.
When I left Van Halen, I went in the studio and made a CD called Marching to Mars with all studio musicians. I did it immediately. With the disappointment riding on my shoulders of the breakup of the band.
Sony is the coolest studio. They are really amazing. I think part of it comes from they're not an American corporation. They don't work by quite the same rules. And their studio heads have a lot of autonomy.
What the hell could you do? I've never been arrested, I haven't taken drugs, I've had the same wife for 54 years; where's anything of interest to people?
I had this vision of shooting a great white in the studio with all the edge lights I use for movie posters. I knew that I couldn't bring the great white to the studio, so I had to bring the studio to the great white.
The studio is my main compositional tool. And I used to be horrible in the studio. I didn't know any kind of technical stuff. But when you have something in your head, you've gotta figure out a way of executing it.
I made many studio albums and I think the danger of studio recording is that if you do not watch out, you come out with a perfectly sterile performance. — © Chuck Mangione
I made many studio albums and I think the danger of studio recording is that if you do not watch out, you come out with a perfectly sterile performance.
When you go into the studio, you have to know what you're going in there for. I went into the studio because I had a voice and I wanted to change things, and I don't necessarily mean my bank account. The money is almost a B factor, a side product.
We like the ambiance and atmosphere, and we felt really early that... I mean, of course, Air is an electronic band, but we are doing so many real recordings and the studio is so important for the sound. The acoustics create atmosphere and emotion. Also we want to be independent, we don't want to be obliged to go into a commercial studio and only stay one week because it's really expensive. We want to be able to give a chance to a song, and to spend a lot of time in the studio.
The magic can happen in a studio. Special things can happen in a recording studio, even though it may seem like a clinical environment from the outside looking in.
Look what venison does to a goofy guitar player from Detroit? I'm going to be 54 this year and if I had any more energy I'd scare you.
There's a lot of discussion about whether you should be a good live band or a good studio band. I think you can use the studio to make a great "studio record" and not necessarily have to reproduce exactly that on stage, but still be a great "live band." Having said that, if what you're going for is just the raw capture of your live sound, then that's cool, too - go for it! I enjoy working in the studio, though, and while I try to get near to an approximation of what's going on onstage, it's not my first priority usually.
I hate studio. For me, studio is a trap to overproduce and repeat yourself. It is a habit that leads to art pollution.
The studio is not the place to write. You need to be 75% ready when you go into the studio, and then the music can develop to the next stage.
Once you work with a studio on a film, the studio is sort of like this enormous clam that just opens, takes everything and then closes, and no one enters again. They own it all.
I think the purpose of test screenings is different for the studio and for the filmmaker. For the studio, I think they want to know whether the film works or not.
The studio and road both have their charms. The studio allows me to be a mad scientist and the tour lets me feel like James Bond. — © Jason Mraz
The studio and road both have their charms. The studio allows me to be a mad scientist and the tour lets me feel like James Bond.
If you had a sign above every studio door saying ‘This Studio is a Musical Instrument’ it would make such a different approach to recording.
It doesn't take a lot to get me motivated. I'm a studio rat. When I was in high school and I would walk into a recording studio, it felt like this magical place, this temple, this womb that I could escape into.
In a new poll 54 percent believed President Bush exaggerated the size of Iraq's missile threat. Hey, he's a guy.
I'm not a guy to go in the studio and spend months, let alone years, like some people do. I cannot even be in the studio for a month, it will drive me nuts.
I ain't a new artist, I'm good in the studio, I don't need somebody to hold my hand in the studio. I don't even really want them all over my album or anything like that.
My instrument is the studio. When I play my instrument, I'm creating music using the studio. All the other instruments serve it.
We honestly felt a bit more at home in the TV studio than we did in the recording studio.
A studio is like a meditation room where music is created. And a live performance is the place where the creation of the studio is taken ahead. I love both.
I stay in the studio. I'm a studio junkie.
I haven't felt compelled to go back in the studio and do anything serious. I have a little sort of home studio thing which I potter about in occasionally.
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