Top 1200 Studio Space Quotes & Sayings - Page 18

Space is about 100 kilometers away. That’s far away—I wouldn’t want to climb a ladder to get there—but it isn’t that far away. If you’re in Sacramento, Seattle, Canberra, Kolkata, Hyderabad, Phnom Penh, Cairo, Beijing, central Japan, central Sri Lanka, or Portland, space is closer than the sea.

Death makes me realize how deeply I have internalized the agnosticism I preach in all my books. I consider dogmatic belief and dogmatic denial very childish forms of conceit in a world of infinitely whirling complexity. None of us can see enough from one corner of space-time to know "all" about the rest of space-time.

To us large creatures, space-time is like the sea seen from an ocean liner, smooth and serene. Up close, though, on tiny scales, it's waves and bubbles. At extremely fine scales, pockets and bubbles of space-time can form at random, sputtering into being, then dissolving.

If I do something for a public space, it's not something that I have in my head and go, "Oh that's a good location. I should put it here." That for me never exists. When I see the site, then I have an idea that is new and I would never do unless it's there. It's the space or the people there, which will give me the idea.

Define the space horizontally rather than vertically in movie widescreen, 2.35:1 just having that rectangular shape and when you think of great horror movies like Halloween and Jaws that just really exploit the space so well and I just think we would have so many more opportunities in creating suspense and shocks.

I'd really love to go for a fourth trip into space with maybe Mr. Duceppe and Mr. Boisclair, and I am convinced, I am convinced that after such a trip, Quebec sovereignty will no longer be an issue. Space travel affects us that much.

I think even in bad times it's good to keep some money going into research. And that's the purpose of the whole space program. It's not just exploration and going to see how far we can go out into space and keep people alive and bring them back, although exploration certainly has its place.

I think the adoption rate with respect to social media and how companies leverage that varies by the company. Cisco is probably a leader in the space. A lot of times, we actually use virtual ways to communicate our brand and do some of our advertising, first on the social space, then we do on physical advertising.

What four realms? (Amanda) Time, space, earth, and dreams. (Talon) Okay, now that is scary. Some of you guys walk through time? (Amanda) And space and dreams. (Talon) Ah. So Rod Sterling was a Were-Hunter? (Amanda)

When we let ourselves respond to poetry, to music, to pictures, we are clearing a space where new stories can root, in effect we are clearing a space for new stories about ourselves.

We needed a "psychenaut" program to be the opposite of the astronaut program in order to explore the enormous domains and dimensions of inner space. We need inner space exploration. We need to have access to more capacities in order to be adequate stewards of this most incredible process of transformation in human history.

You could not legally put a human and fly them into space. In fact, you couldn't bring a spaceship back. All those spaceships we were sending commercially into space were one way. You sort of like, got rid of them. And most passengers, who go up, do want to come back down.

Basketball is at its best when you have athletes in space making plays. It's the same for soccer, you have great athletes in space making plays and that's when the game becomes beautiful. You have spacing and skill and coaching. It's all synergetic. You don't have to be a basketball fan to appreciate that. You can be a person who appreciates movement. It's almost like a ballet at that point.

I love the magic of the studio.

Space has no "existence." "To exist" literally means "to stand out." You cannot understand space because it doesn't stand out. Although in itself it has no existence, it enables everything else to exist. Silence has no existence either, nor does the unmanifested.

When I'm not on set, I'm in the studio.

In regards to live shows, space is very important to me. Space and context should complement the music in some way; you gain so much from it. It enhances the dialogue between audience and performer. I'm very much aware of this when choosing venues. I say no to 90% of booking offers. Somehow I feel the venue needs to make sense.

For an object under the eye will appear very different from the same object placed above it; in an inclosed space, very different from the same in an open space.

I have my own studio that I sing in.

I'm a studio rat.

We're now moving toward a radically different economy. You absolutely can't have a distribution oligopoly. The new oligopolies - and I think there will be new oligopolies - will be oligopolies of trustworthiness. Microsoft, Amazon, Schwab, and other brands will dominate psychic space, not shelf space.

I don't have assistants and things in the studio.

Hospitality means primarily the creation of free space where the stranger can enter and become a friend instead of an enemy. Hospitality is not to change people, but to offer them space where change can take place. It is not to bring men and women over to our side, but to offer freedom not disturbed by dividing lines.

Art and power will go on as they have done,--will make day out of night, time out of space, and space out of time.

The cosmos exploded, actualizing its potentiality of space and time. The centers of power, like fragments of a bursting bomb, were hurled apart. But each one retained in itself, as a memory and a longing, the single point of the whole; and each mirrored in itself aspects of all the others throughout all the cosmical space and time.

Change is a journey and the journey is always about change. And if there is no change, why bother with the journey? And the best journeys require lots of space of one sort or another. So for great journeys - just open space.

We are the lucky generation. We first broke our earthly bonds and ventured into space. From our descendants- perches on other planets or distant space cities, they will look back at our achievement with wonder at our courage and audacity and with appreciation at our accomplishments, which assured the future in which they live.

When I'm in the studio, there are no boundaries.

I write in the studio.

Art comes from life, not from the studio

You come to the photograph as an aesthetic object with no context... Then you step in and read the text and then out again to revisit the image in a completely different way. I'm interested in that space between text and image. The piece becomes the negative space between the two.

If I got the option of going into outer space and hanging out there for a day and then coming back home and dying the next day, or just waiting around to see if there's any opportunity for the technology to develop so that I might experience outer space sometime in the future, I would probably take the ride today and die tomorrow.

I'm always looking to find order within the chaos. And sometimes when my life gets fairly chaotic, I'll take a walk outside. I think about the order and the perfection of galaxies of planets in orbit and traveling around space and thinking how chaotic the wars and divorces and riots on our planet must look from outer space.

I've been a teacher all my life. I've had my own dance studio, my own acting studio for 18 years out here... I'm just a natural teacher. I teach on all my healing work now. I think actors teach any time they work anyway. We're teaching emotions, we're teaching how to deal with emotions, we're teaching how to get around issues and deal with them. Actors are some of the best teachers in the world, because they're teaching you through entertainment, and you don't know you're getting a message.

All changes in space which we see, hear, smell or taste are literally tactile impressions. All our senses are variations of our unique sense of touch. Two approaching objects touch one another when they finally meet without a noticeable space between them. ... This is what happens in any condensing matter in which the outer aspects move towards a centre... Each single part of matter approaches its neighboring part until the two collide, causing an impact or a pressure. It is space, which appears and disappears between and round object and in the movements of the particles of the object.

The studio can be quite tedious.

Going into orbit around Earth - where the space station is today, and where the space shuttles and John Glenn and all those folks go-that's three-eighths of an inch above a schoolroom globe, just FYI. That's not very far from Earth. Yes, you are off Earth, but you're not really going anywhere yet. The moon was the only real destination.

The idea of, say, the compressed space between the floor and the object hanging over it and then the long space between the object and the ceiling was a kind of interesting idea for me - the idea of compressing and expanding. That was an idea that I worked with, which you could only do sculpturally. You can't really do with a painting on the wall.

Perhaps future space probes will be plastered in commercial logos, just as Formula One cars are now. Perhaps Robot Wars in space will be a lucrative spectator sport. If humans venture back to the moon, and even beyond, they may carry commercial insignia rather than national flags.

In the racialized space of capitalist gentrification, police are not only arbiters of the peace, they are the muscle of retail racism: You can only be in this space if you transcend your blackness by showing us some green dollars. Even then, there is no guarantee that green will transcend your black skin.

I have a house in Hollywood with a studio in it.

I live in the studio and I'm inspired.

If I don't get in the studio, I don't have no therapy.

I was certainly no Maradona. I was a very fast player. When I saw a space, I used it. When I went past somebody, he didn't catch up with me again. I was a player who came with a run-up. What Maradona could see in a small space, I saw over long distances.

I'm trying to manufacture a sleepover feel; like a tree house or a clubhouse. I want people to be silly and play and feel safe and some people, you have to coax them into that space and some people bring me further into that space, even past the point that I wanted to go.

I was scared every time I put on a uniform and stepped on the field. I’m scared every day I go into the studio and I come on stage because I fear that I will not live up to what is expected. I fear that somebody who spent a lot of money to come into our studio, to come to New York and they’ll walk away and go, ‘I could have stayed at home.’ I feared that as a player a fan would come to the stands and I wouldn’t perform well. Just the way I’m built. I’m more scared of failure than I am excited about the accolades that come with success.

Intellectually, perspective [drawing] is a breakthrough, because here, for the first time, the physical space we live in is being depicted as ifit were an abstract, mathematical space. A less obvious innovation due to perspective is that here, for the first time, people are actually drawing pictures of infinities.

I have detected disturbances in the wash.' 'The wash?' 'The space-time wash.' 'Are we talking about some sort of Vogon laundromat, or what are we talking about?' 'Eddies in the space-time continuum.' 'Ah...is he. Is he.' 'What?' 'Er, who is Eddy, then, exactly?

[Electronic newspapers will bring] plenty of ulcers for journalists because they'll have new deadlines every 60 seconds. It'll be a race to file. On the other hand, because space is infinite there will hopefully be more room for thoughtful pieces, longer pieces, the kind that a journalist wishes he or she could do but doesn't have the space.

If I'm not at the studio, I'm at home.

We need to give each other the space to grow, to be ourselves, to exercise our diversity. We need to give each other space so that we may both give and receive such beautiful things as ideas, openness, dignity, joy, healing, and inclusion.

What's lovely about 'Eureka' is that it's a sci-fi show, but it's not monsters from outer space; it's not craziness from outer space. It's just about this community of people and what they do. These geniuses have sometimes done wonderful things and sometimes created global warming. It has this wonderful left-of-center sense of humor.

NEEMO missions are a challenging and exciting aspect of astronaut training. The research we conduct during those missions allows us to test new technologies and exploration concepts in conditions similar to the ones we'll experience in space. They are a great opportunity to help me expand my knowledge and develop new tools for future space exploration.

Photons come out of nowhere, they cannot be stored, they can barely be pinned down in time, and they have no home in space whatsoever. That is, light occupies no volume and has no mass. The similarity between a thought and a photon is very deep. Both are born in a region beyond space and time where nature controls all processes in that void which is full of creative intelligence.

I love being in the studio.

In art, new ways of seeing mean new ways of feeling; you can't divorce the two, as, we are now aware, you cannot have time without space and space without time.

All those experiences were a chance to learn more about music. Playing with the Valley band is like such a "live" band. I mean, really, in many ways Bright Eyes is really a studio project. We form bands to tour, but it really is - you know, we take the songs and we figure out how to decorate them and it's all in the studio, we build the songs that way. Whereas Mystic Valley Band was the exact opposite, where everybody knows what they are gonna be playing on the song and there's sort of a general stylistic approach, and then it's just plug in and play.

I hate filming in the studio.

Rockets have remained fundamentally unchanged, except for a few exceptions for the last almost 50 years. So, for there to be a fundamental shift in rocketry and getting into space, there almost has to be a breakthrough in propulsion. Either in how to bring the price down, or how to more efficiently get people up into space and the key barrier is the expense of a rocket.

Space travel is a dream for many men and women. I think my trip will be perceived differently by different genders because for women, a lot of time, not only space travel, it's not accessible to everyone, but is even less accessible to women, there are a lot more barriers for them especially if they live in countries where things like space travel, engineering, any science and technology-related field would be considered a more male-dominated field. And so I want to show them that there is nothing preventing woman, or making them less qualified to be involved in any of these fields.