Top 1200 Studio Space Quotes & Sayings - Page 20

All art is solitary and the studio is a torture area.

It's very important when you in the studio to be with a confident creative.

Every time I'm in the studio, I always think of my professor in undergrad. He was like, "There are so many artists in the world. If you're going to be an artist, make sure you have something to say. Don't just be an artist and put out bullshit. Have something to say." I guess that would be my philosophy and something I think about all the time. Every day when I'm in the studio I hear him and I see him. I remember him saying it in class. So that's something that I always want to make sure I have: I'm saying something with the work.

I still love to go in the studio and write and all that.

I'm always in the studio working on music and dancing.

We expect him to take up a lot of space in his gangly experiments with life, and we teach him, through task, work, game, activity, and experience how to use that space. Above all, we give him mentoring and supervision that respects and teaches his gifts, his visions, even his shadowy inner demons

I want to write a studio movie, but probably one that's for me to be in.

There are millions of people out there who would love to become astronauts, who'd love to go to space - they'd love to look back at this wonderful world from space. That will be the engine that will enable us then to develop spaceships to transport people around the world at tremendous speeds in an environmentally friendly way.

What I really enjoy and what I do in the studio is play keyboard.

Every studio needs a rubber chicken.

'Perfectionist' is the scariest word on a studio lot.

I think minimalism is something I just got attracted to just in general because I like the empty space, if you think about it, like there's a lot of empty space. So there are sounds there, there are chords, like coordinates, to sort of tell you where the emotion is going, but then it leaves so much room for the voice to do other things.

My goal in life is to be as happy as a studio audience.

Going to space was a moment that people think was my Mount Everest, but it's not. I have so many Mount Everests. This just happens to be one of them. It has changed the way I approach things. I realize it's not about me; it's about what I did and about the person we had as a Canadian woman in space. I look at pictures of myself and say, 'That's the woman who did it'.

I was born into the studio and all I really know is dance.

I get so insecure about studio sessions.

I have a dog named Steve that lives at the studio.

I'm most comfortable when I'm in the studio and music playing.

But I looked out at the waves far below the bluff. They looked violent, erupting against the cliff. I watched them rising - up, up, higher, higher - then falling, crashing, swirling into chaos, passing away. I breathed deeply. I tried to breathe space between my thoughts, find the space between the anger.

I certainly don't think I'm deserving of taking up space forever as a human. There's a whole generation of people yet to be born that are going to be so much more evolved than I am. I don't want to take up space. They're going to be better equipped to make the world a better place than I am.

Pixar is the first studio that is a movie star.

Young people today are flooded with disconnected images but lack a sympathetic instrument to analyze them as well as a historical frame of reference in which to situate them. I am reminded of an unnerving scene in Stanley Kubrick's epic film, 2001: A Space Odyssey, where an astronaut, his air hose cut by the master computer gone amok, spins helplessly off into space.

We are cognizant of time, the sense that there is mutability. Time is change. It's the separation of eternity from itself. When eternity is separated from itself, we see it appear in different forms. Time is not a movement in space. Space is a movement in time.

The future is about wings and wheels and new forms of space transportation, along with our deep-space ambition to set foot on another world in our solar system: Mars. I firmly believe we will establish permanence on that planet. And in reaching for that goal, we can cultivate commercial development of the moon, the asteroid belt, the Red Planet itself and beyond.

For me, making time for God is like making time to fill my stomach - like the physical space in the stomach needs food, spiritual space in one's soul needs regular prayer.

We're in a time when bashing is the norm - especially on social media, where everybody's online and no one interacts face-to-face. There's a quote I found yesterday - it was hilarious: "People need to chill, like literally, we're floating in space on a giant rock we can't leave. Look at the stars or something instead of being awful." You think of floating on a rock in space as so alien, but that's exactly what we're doing.

I've got a studio at home, and I'm always recording.

I have a rough idea when I walk into a studio though.

I have a studio at home, and do 3 hours a day that way.

When I played in Holland, I always tried to lob the goalkeeper. People used to say, 'Oh, you're always only trying to make a nice goal'. But I said, 'Listen, if the goalie is a little bit off his line, how much space do you have on his left or right?' It's not a lot. 'And how much space do you have above him?'

I have no philosophy, my favourite thing is sitting in the studio.

We allow no geniuses around our Studio.

The studio is a time when you can do anything that you want to. You have that freedom.

I'm big on the studio. I like to stay in it 24/7.

We have the largest digital design studio in the world.

When I played in Holland, I always tried to lob the goalkeeper. People used to say, 'Oh, you're always only trying to make a nice goal'. But I said, 'Listen, if the goalie is a little bit off his line, how much space do you have on his left or right?' It's not a lot. 'And how much space do you have above him?

I feel most real to myself in the studio.

If I wasn't the head of a studio, who would talk to me?

I'm a studio rat. I like going in there as producer.

I've always been interested in what happens in the studio.

Bohr’s standpoint, that a space-time description is impossible, I reject a limine. Physics does not consist only of atomic research, science does not consist only of physics, and life does not consist only of science. The aim of atomic research is to fit our empirical knowledge concerning it into our other thinking. All of this other thinking, so far as it concerns the outer world, is active in space and time. If it cannot be fitted into space and time, then it fails in its whole aim and one does not know what purpose it really serves.

If anything, when you're up in space and you're inside a space ship, which is your home, and without which you would not survive, you know that Earth is your home. This is the only place you can return. In fact we're very meticulous. Part of our job is to maintain the spaceship. If we apply the same kind of model to Earth maybe we'd have a different outlook.

I thought that there must be an easier way to explain how a gravitational wave interacts with matter: If one just looked at the most primitive thing of all, 3D floating masses out in space, and look at how the space between them changed because of the gravitational wave coming between them.

The brilliance here is appropriation: space, form and interface combine to create a Jetsons sound machine. A dream of music access that just hovers, its floating defines a space. The shape seems so obviously sci-fi, but fresh. The function could follow the form. The shape is beautiful and functional-which hits both of the pillars of American Needs right on the head.

Triumphs against the natural order of living exact unforeseen payments. At the same time that man attempts to straighten a crooked nature, he is striving to annihilate space, which seems but another phase of the war against substance. We ignore the fact that space and matter are shock absorbers; the more we diminish them the more we reduce our privacy and security.

The calluses on your feet in space will eventually fall off. So, the bottoms of your feet become very soft like newborn baby feet. But the top of my feet develop rough alligator skin because I use the top of my feet to get around here on space station when using foot rails.

I love the stage more than the studio.

I started off as a studio pianist in Hollywood.

Being in the studio is my absolute favorite thing.

As you begin to create more destinations, that will naturally create a stronger economic pipeline for space. And just as we have been the leader of commercial air travel for the first century, as we look to the second century of aviation, I would expect Boeing to be the leader in both air and space travel.

When you have to put on shades in the studio, you know you have to stop.

When I went into the studio I created a sound that I wanted to hear.

Being in the studio is a really romantic time.

I was a bit of a mother hen at Studio 54.

If you're a studio writer, the funny better be on the page.

Once you know the reason why - you've defined your white space of canvas on which you can paint and create a new concept idea. No matter how creative you are - and thus how much creative space you need - there's always some fundamental values and drivers your brand should seek to address - in order to become successful.

For queer people, the personal is very political, just to talk about it in a public space. It's very political just to come out and take up that space and be like, 'This is my narrative. It's not an outsider narrative, and it's not a fetish narrative; it's just my story, and it's worth being told and listened to.'

If I want to walk out in the desert and heat up a can of beans on a fire, I still can. In those movies like Gattaca or whatever, the space age stuff is always all there is. But in the world there is never just one way of living. It's more like a big junkyard. Put it this way: I'm not afraid I'm going to end up on a space station in aluminium-foil underwear.

I am always locked in my design studio.

I don't suffer the decisions the studio world makes.