Top 1200 Studio Quotes & Sayings - Page 15

Explore popular Studio quotes.
Last updated on April 22, 2025.
I'm basically a poetry scholar, and I'm happier here in my studio with my row of Chinese dictionaries than I am, frankly, at Lincoln Center.
As a producer, it's your job to bang on the table and convince studio heads why great movies should be made.
Due to the hectic, non-stop nature of my work, I'm always using my BlackBerry to stay in touch with my studio, wherever I am. — © Giles Deacon
Due to the hectic, non-stop nature of my work, I'm always using my BlackBerry to stay in touch with my studio, wherever I am.
If you do a film with a studio, agents step in, they start saying, 'My actor has to get this amount of money', and it becomes about deals.
I'm a studio guy. That's really what I love the most. I'm so fascinated with audio gear and recording techniques and whatnot, it's pretty mesmerizing.
Sometimes when I'm in the studio I feel so much but don't know how to express it. You're just like in a cave - life goes on without you.
I'm peripheral in Colab's history because others were involved in media, filmmaking, and music, and I was always a studio artist.
I have ambitions to do a Broadway record one of these days and get in the studio with like, a real orchestra. I'm a big musical theatre geek.
I'm passionate about nature and the respect, peace, and beauty I derive from it. My voice, my live performance, and when I'm in the studio. My children and love.
All the movies that I have done I have not been in control of. Sometimes there is a contractual situation where you go to the studio, and they kind of tell you which ones they want you to do.
I walk by studio heads and they actually look and put their hand out now, like maybe I should be on their radar.
A lot of big studio films, which are fun and great, tend to have a formula, and you've seen it before, and it's a new version of it.
I thought 'Borat' was a breakthrough comedy, because it was really funny. It wasn't some studio-produced script with 14 writers. — © Steve Martin
I thought 'Borat' was a breakthrough comedy, because it was really funny. It wasn't some studio-produced script with 14 writers.
We're always in the studio pretty much, either at home or on the road, trying to come up with new ideas and stuff.
Some people separate their work and home lives, but I love the idea of having my studio and house in the same space.
I think one of the great things about 'Bridesmaids' is that it's a big studio comedy, but all of the relationships in it are so grounded that you're watching a real movie.
I like to come and go as I please which means I'm not anxious to dash back from the studio to fix dinner for a man.
When I was 15, 16, I studied with Stella Adler at the Conservatory of Acting, then I stopped again and went to the Actors Studio when I was 18.
Usually, when we go out, it's because we made a new studio album, and that becomes the focus of the tour throughout the world for a year or so.
This was the rule that I had when we made 'Frampton Comes Alive!': being known as a live performer, I'm not going to go into the studio and overdub.
I've always enjoyed the enthusiasm of the best studio musicians and, over the years, have collected so many inspired contributions from them.
A studio, like a poem, is an intimacy and a freedom you can look out from, into each part of your life and a little beyond.
When I was in the recording studio, I needed to concentrate on what my voice was doing, which is rather difficult if you can't actually see what you are supposed to be singing.
Sometimes if you're in the studio for a very long time, you want to get out and play live shows and vice versa.
I bought a Dutch barge and turned it into a recording studio. My plan was to go to Paris and record rolling down the Seine.
'Your Dog' I tried to re-record at my house, like, four times after the studio recordings were done.
A big budget studio film is slower, theyve got so much to create around you. Everything is more complicated.
The actual breakthrough in the privacy of the studio, when one dares to apply paint in a new manner, is a solitary thrill, dependent upon no one else.
But here I am today recording this and I'm in the studio with all the others on a clean mic. It's extraordinary, the actor's found a way of doing it for himself.
I have an awards cabinet in my studio where I keep my eight Oscars, my 11 Grammys, my seven Golden Globes, and my Tony Award.
Any project that I find encouraging that isn't attached to a studio, I can go to them, which I definitely would. You have to take an interest in what you do.
As a member of the often maligned fourth estate, it is so refreshing to have a conversation instead of a buttoned up interview in a stifling studio.
When I wake up in the morning, I've got a coffee and I'm in my own home studio just chilling... I make happy music.
The focus is on melody: If you get it right, and it connects to the mass audience, it doesn't matter if it's a studio album or played on the dance floor.
I was never a part of the Actor's Studio, because two friends of mine started it in 1947 and by that time I'd gone to California.
My studio is designed for atmosphere. I have a really cozy, comfortable room that has a great, huge glass door that views my backyard.
Atlantic has been great to me. They didn't flinch when I told them I was self-producing, and nobody was popping their head in the studio.
Especially early on, I had no idea what I was going to be asked to do when I walked into a studio. I was doing 26 sessions a week - all day, all night. — © Steve Lukather
Especially early on, I had no idea what I was going to be asked to do when I walked into a studio. I was doing 26 sessions a week - all day, all night.
I don't have a background in music... and I have a short attention span. If you put me in the studio every day, I'm gonna get lost.
It kind of irks me that the studio films still have to be so safe even though they don't really cost as much to make.
I have a fantastic studio in my home, and it's my biggest toy. I have about a half a million dollars worth of musical equipment in my house.
Every day I'm in my studio - it's wooden and purpose-built at the end of our garden. It's filthy and has got paint everywhere.
I've always tried different stuff in the studio. I use rakes, spoons, cans... I'm a surround-sound type of guy.
Ballet is number one, everything else is scheduled in the small windows when I'm not in the studio taking class, rehearsing, on stage or on tour.
The most emotional part is when I go into my studio every day and pretty much never have an idea of what's gonna happen.
When I work alone, and I'm in my studio, and I'm playing a lot of the stuff myself, I think the style of it becomes something a little different.
I would say the biggest difference is that you're just in a studio by yourself when you're making an animated movie. You don't have anybody to play off of.
It's nice because success has allowed me to have a blast on stage, to be in the studio with amazing people, but I find it all a bit bizarre. — © David Guetta
It's nice because success has allowed me to have a blast on stage, to be in the studio with amazing people, but I find it all a bit bizarre.
But I feel that I have a responsibility to help the film and I have relations with the studio and with those who put up the money so that I can tell a story that I believe in.
When I hear something new, mostly in rhythms, I often find it interesting to recreate it in a studio in a completely different way.
I wrote a lot of software to do various kinds of special things, and I loved the idea of composing pieces in an electronic studio.
The challenge I think at first consideration is always a mixture of the creative opportunity and the finances. From the studio perspective, that's what they're looking to balance.
'The Dice Man' is an anti-establishment cult novel, and you don't normally make studio films from such dark comedy material.
When I'm in my studio, it usually feels like a hassle to actually press all the buttons and make music come out the other end.
When I'm traveling, I always look for a dance studio. It's a great workout and a wonderful way to meet new friends in the community.
The Bassbone works great in the studio or on the live stage. Throw it in your gig bag and take it wherever you go.
Directing is the last frontier for women in the movie business. We are studio heads, we are producers and we are writers, but we are not directors in any numbers.
Chaos is everywhere - and artists, to fashion art and live truthfully, have no choice but to invite this unwanted guest right into the studio.
Once I got out of architecture school I decided not to be an architect, I just started my own little design studio.
My filing system's really crap because I can never decide whether to sort things by studio, or year, or where I lived.
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