Top 746 Studios Quotes & Sayings - Page 2
Explore popular Studios quotes.
Last updated on November 22, 2024.
You're fighting a losing battle if you expect the people who own the studios to make moral choices.
Studios always seem to be in basements without natural light and with black everything.
The studios always had their idea of what I was, and they'd give me the dumb-blonde roles.
I've been hanging around movie sets and recording studios since I can remember.
I have a real interest in pushing some of the limits of things that studios don't want to make.
I've watched the demise of the Hollywood orchestra, the house orchestras of the big studios.
I'm not used to studios being ecstatic about we did and saying, "Please go do that again."
I like the fact that major studios have been attempting horror films recently.
I am currently talking to one of the studios about making American Star as a TV series.
I don't have a stack of scripts that, when I get home, studios are clamoring, saying, 'Has Bob read ours yet?'
Not many people get that chance to have multiple studios wanting you to make a movie with them.
When you're not in studios, you don't have any luxuries; you can't control the elements, so you have to put up with those extremes.
There was a technique to making a musical. It took a long time for the studios to learn it, and it was very complicated.
I don't like recording studios - except my own,
which is just a little room above the garage.
On their best days, writers all over the world are winning Pulitzers, all alone in their studios, with no one watching.
I remember showing Prince around Warners' recording studios. He was the nicest kid.
The studios didn't really take independent films seriously, till 'Sweetback' was such a financial success.
We were like a stock company at Warners. We didn't know any of the stars from the other studios.
Yet, that's what studios do. If one thing works, they'll keep doing it till it runs its course and people aren't interested anymore.
I just hope, every now and then, the studios still slip one of my movies in.
Music was definitely a way out. Instead of playing basketball, I was going to recording studios.
Trust me: Studios, investors, filmmakers, they will shift because they just follow the money trail.
I have a tendency to hire people who tend to be unattractive to the studios. Maybe this is a bad idea.
In the old days the studios guided your career. Now it's all up to you.
As a producer, as a songwriter, I've spent a lot of time either in my bedroom or in studios, alone.
I think the big studios shaped and formed the artists that they put under contract.
The studios mostly threw away the negatives of the classic films. They had no interest in their legacy.
Hood films now are made by studios and have nothing to do with the reality they supposedly represent.
Relatives cannot help you in the studios. You stand or fall by your own efforts.
It's always a shock to the people who run studios when a movie that is for women is a hit. They have an infinite capacity to be shocked.
The studios will go wherever they smell money. It's like sharks to the blood.
When I was working actively, I used to be in the studios for 12 hours. I didn't have any time for my family.
It's hard to get movie studios to pay a lot of money for movies that don't have robots or explosions.
The company, Tiffany Studios, ended up in bankruptcy in 1930 - early '30s.
I love playing live, I don't like studios all that much. I need the reaction of the audience.
I lived in an area where there were a lot of rock musicians, and we got together regularly in our studios.
Florida has tons of entertainment opportunities because Walt Disney World and Universal Studios are there.
Between the marriages, I shagged my way round television studios like a mechanical digger.
I've never had an issue with studios. I believe in them as true creative partners in the process.
Getting a movie made is a miracle... because the studios are only interested in making 'The Avengers.'
The major studios don't differ very much from one another as they all operate under essentially the same principles and pressure.
With 'Soul' I was just here in Aotearoa, New Zealand the whole time so I never got to go to the studios.
I've really pushed the limits of what you can get away with at big studios, and I've been extremely well-supported.
I'm happy in English studios. I just feel like there's no pressure anywhere.
I've always believed in expanding the definition of what a Marvel Studios movie could be.
Secondarily, I think films that are driven by music also terrify studios.
Actors dread working with studios because they dictate what you do in a way that independent movies can't.
Studios are run by those who are way too old or mostly young, who don't think creatively.
It's so important for me to do my own stunts. The sense of achievement is so immense. But the studios don't want to take the risk.
Studios never put pressure. They know the kind of films I want to make.
Studios are passe for me. I'd rather play in a garage, in a truck, or a rehearsal hall, a club, or a basement.
There was a time when I used to enter the film studios in the morning and come out only at night.
And I maintain good relationships with all the studios so I've never been bullied into any cut, frankly.
If the studios paid the artists, how would they ever be able to afford the executives?
I don't like recording studios - except my own, which is just a little room above the garage.
The Hollywood structure was monopolistic, run by four or five big studios.
I don't think anybody at the major studios is rushing to offer me a romantic lead.
You have to strike the deals, and they have an interest in them. With a revenue share model where you're already splitting with the studios, you have to do something with Fandango and so on.
The fact that Disney bought Maker Studios doesn't really change anything for me.
These audiences are so damn smart, way smarter than the studios give them credit for.
