Top 746 Studios Quotes & Sayings - Page 4

Explore popular Studios quotes.
Last updated on November 9, 2024.
The investor world that looks at studios as part of media companies will say that the studio business is supposed to be erratic. Not at our company. Not at Time Warner.
I swear, there is Capitol Studios and then there's every other studio on the planet Earth. It is the ultimate, paramount of sound in the United States of America. It is a magical place.
I was the first woman in WWE to ever be in a WWE Studios movie and was honored to be trusted with such an opportunity. — © Summer Rae
I was the first woman in WWE to ever be in a WWE Studios movie and was honored to be trusted with such an opportunity.
I always feel like there's something magic in recording studios. There's a reason good music continues to be made in them. It's just some mojo element.
More women have to be in charge of studios, so that they can greenlight films with women.
Now women are rising to great positions and they run most of the studios now.
Yoga has moved from relative anonymity in the West to a well-recognized practice offered in thousands of studios, community centers, hospitals, gyms, and health clubs.
Maybe studios don't want to see women acting in a way that isn't womanly. Maybe people don't.
Hollywood is for-profit, is what Hollywood is. All the studios are owned by big, megacorporations that are the furthest thing from liberal you can possibly imagine.
There are studios out there and we have met them who take the movie away from the filmmaker and don't want them to have input. But that's not with Marvel.
I grew up in television studios watching Mum and Dad do 'This Morning' and other stuff, and I'm just like lots of people, I'm following in their parents' footsteps.
I've always relied on a big producer and big studios. I had budgets that were ridiculous.
Hollywood, for me, is the studios. It's a way to produce. It's a different way to make movies, and I never took part in that.
I don't get along with many people, especially in studios. I'm quite blunt and I know what I want - and songwriters are very sensitive people. — © Jonas Blue
I don't get along with many people, especially in studios. I'm quite blunt and I know what I want - and songwriters are very sensitive people.
There's no point in me meeting with a bunch of producers or studios, because I'll write my own scripts in my own time.
I think we have to bottom out. When the studios jump out of the ring, perhaps the artist can get back in.
I park two blocks away from Nickelodeon studios and I hop on my skateboard and I skateboard the rest of the way to the studio.
There is a certain thing that you have to just stick to the plan, stick to what you want to do, and you try to work with studios and executives that they get it.
We don't program movies. We don't run studios. We make movies.
Often, American audiences are underestimated by producers and movie studios. They often think we're dumber than we are.
Pieces of April' was going to be a 3 to 7 million dollar film and we had three entities, two studios, and one wealthy man and they all backed out. It was quite a blow.
Studios are designed to pull out all of that beautiful ambience you get from singing in a room, and then the engineer puts it back in digitally or through whatever machinery you've got.
Marvel Studios has depicted the Marvel superheroes so beautifully that the whole world loves them.
I get the music, I get the beats. And I go to the studios and write the lyrics.
You could cast nearly any movie in Brooklyn, and now you can film in Brooklyn - for you have studios.
Only the public can make a star. It's the studios who try to make a system out of it.
One week I was in school and the next I'm at Leavesden Studios in Dumbledore's office reading scenes with Daniel Radcliffe. Weird. And terrifying for such a huge 'Harry Potter' fan
The main trouble with Hollywood is that the guys you have to pitch to, the guys who run the studios, are all business school grads.
Safety is always a paramount concern for us. We are always engaged with the studios and with what better structures can be done.
Big-time directors and the studios that bankroll them prefer to dwell in the comfortable, familiar center, where mammon is God and the only divine word comes from focus groups.
At the major studios, you see people wanting to remake a TV series, wanting to make a sequel.
I met Jason Donovan at RAK studios. He had jodphurs on and small riding boots as he jumped out of the cab. He looked just like me!
The reason there's a 'Hellboy 2' is not because the studios were passionate about the first one; it's because the numbers made sense.
During my time at high school and university in Kreuzlingen and St. Gallen, I traveled around Europe looking at art, visiting artists, studios, galleries and museums.
One week I was in school and the next I'm at Leavesden Studios in Dumbledore's office reading scenes with Daniel Radcliffe. Weird. And terrifying for such a huge 'Harry Potter' fan.
You can't do psychological thrillers. There's no audience. I've heard this. I've heard this from studios.
It's a debilitating process, working with the studios. With the length of time it takes for drafts and development deals, your enthusiasm is gone before you're ready to make the film.
My focus - even before becoming CEO - has always been memorable and unique content. And one of the most important things we did to reinforce that was create A+E Studios.
...I loved to dance in studios, but not necessarily on stage. What I loved was to sweat and to feel every single pore open up — © Peter Martins
...I loved to dance in studios, but not necessarily on stage. What I loved was to sweat and to feel every single pore open up
I don't tour the TV studios. I don't gossip over lunch. I don't drink in Parliament's bars. I don't wear my heart on my sleeve. I just get on with the job in front of me.
Of all studios that should be doing 2-D animation, it should be Disney.
I had no interest in filming. I sometimes went to the studios with my dad, but it was slow-going; it was boring to watch. I always ended up in the rehearsal hall watching the dancing. That's what I liked to do.
Studios look backward. Filmmakers look forward.
When I see a lot of the big Hollywood movies, I see they are all financed by Indian studios.
I guess in Australia every film is sort of an indie film because there are no studios.
Studios are like hospitals. A lot of people check in, and they don't check out.
After Nashville sushi and a long debate on Bob Dylan, we went into Woodland Studios at 10 pm that night for a look around, and jammed for 5 hours solid.
Musicals are so expensive to put on the stage that you have to have the backing of a corporate, you have to have Universal Studios or Disney or somebody to put in the money.
My holidays in Hyderabad would be spent on films sets visiting my father and uncle, or in the studios; I was gradually drawn to films. — © Naga Chaitanya
My holidays in Hyderabad would be spent on films sets visiting my father and uncle, or in the studios; I was gradually drawn to films.
I've been working since I was four. My life has only been about shootings, studios, and home.
I didn't have the kind of budget to compete with the big studios, therefore I had to make my films more outlandish, more outrageous.
Studios weren't banging on my door to offer me parts... And I thought, well how am I ever going to make movies that speak to my heart and to my values?
Studios and networks who ignore either shift - whether the increasing sophistication of storytelling, or the constantly shifting sands of technological advancement - will be left behind.
The supposedly petty sexual harassment that so many women have to endure, from Hollywood studios to the factory floor at Ford, is a national outrage that needs to end. Period.
The studios aren't lining up to make films about black protagonists, black people being autonomous and independent.
Juhu is really close to the airport and it's also very close to the film studios.
My name is not unfamiliar to anybody in the dance community. I'm talking the upper echelon of dance studios.
When I was working on the music of 'Jaan-E-Mann' and 'Umrao Jaan,' my father was hospitalised. I had to shuttle between hospital and studios.
I know my audience, and they're not people that the studios know anything about.
Audiences can be leery of sequels; the studios make a hit, they see dollar signs, and they make a cheap rip-off.
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