Top 1200 Stuff Quotes & Sayings - Page 19

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Last updated on April 21, 2025.
The political vibe of late-'40s Hollywood through the mid-'50s is something we're seeing a lot of echoes of right now, and in a scary way, where I'm wishing for an Edward R. Murrow to stand up and start somehow calling people on stuff. But as far as the way the industry works, I feel like we're in a place where you see companies slowly moving back to only doing their own stuff.
Leaving America means renouncing your citizenship, moving out of the country and leaving family and friends behind. You can retain your citizenship if you like, but you'll still be away from loved ones and still be paying taxes. You lose all the good stuff about America and have to keep all the bad stuff.
Many people have said we just need to add more products. Look at Oracle, look at SAP. Add ERP and inventory or compensation. Add all this stuff. What we realized is we're the customer company. We're the front office solution, and our customers would be really upset if we just added a whole bunch of stuff and lost focus.
Whenever we play new material, eventually some of the songs become classics themselves. They can't become that unless you play them. Any new song is not going to go down as well as some of the old stuff, because obviously the old stuff the fans know inside out.
I'm very interested in the distance and the space between those two poles: very concrete, song-based stuff on the one hand and very improvisational, abstract stuff on the other. I don't see any reason music should exclude one or the other, and I think the pairing of them together makes for very interesting music in a lot of ways.
Teenagers watch and listen to all kinds of things. It is the nature of being a teenager to seek out intense stuff. Stuff about death and sex and love and fear. Teenagers are the bravest, most curious, most philosophical, most open-minded readers there are, which is why so many less-than-young adults like writing for them.
My daughter loves to do art stuff. As a father, I like to play with her. We break out the big pads of paper and the glitter and all the stuff. She likes to do what she likes to do. I want to do something, too. So I've just started using her same materials - a lot of crayons, a lot of sparkle, charcoal, pencils, markers and glue.
I directed one of my shorts that did festivals around the world, and that was great. I've got a bit of a bug for that now. I just hope I keep challenging myself and keep doing stuff that interests me with people who I respect and who teach me stuff. If I can keep doing that in anything - acting, writing, directing or whatever - I'll do it because life is short.
People read stuff over your shoulder when you're in public, and when you write the kind of stuff I do, and people read it over your shoulder, it makes you a little self-conscious.
I don't worry about being exposed. When I'm writing about myself I think about myself as a character. There is a ton of stuff going on in my life that I don't write about. If I need to write that stuff down, I write about myself in my diary.
Growing up in a house where there was a lot of different musical influences - my mom listens to soul stuff and Top 40, my sisters would listen to hip-hop - and the church, I grew up listening to a lot of gospel stuff. So I think that plays a role in how I make music now because my music has a lot of range. I don't just do one thing.
The music director, Stephen Oremus, was telling me: "I hope you've done your work." We only have ten days rehearsal. The music is no joke. My solo singing is not that hard. But the stuff I have as part of the choir or as a "Dead Guest" in the second-half... I'm singing some really incredible chorus stuff that I haven't done in a long time. It's extremely difficult.
As we get better at things, we need less people to produce the things we really need, but what do we do with the rest of the people? They have to be doing something, too, to buy from those few which are doing the really basic stuff, and so that's why we need to be continually producing new stuff.
Oh wow, you know what's wrong with all these families on TV? All these kids say stuff no kid would say. Stuff grown-ups want them to say. Man, I'd make a really realistic family. Where kids get spankings. On TV parents say, 'Oh, you shouldn't do that ever again. Now you can have ice cream.' Forget it.
I can be a little bit outrageous. I can be a lot of things. I'm a bit of an adrenaline junkie, so I love to go out there and do kind of crazy stuff which is slightly outrageous, like bungee jumping, skydiving, surfing and that sort of stuff. But I also like to just chill with my friends and go and see movies and do normal things.
To paraphrase president Kennedy's inaugural, the torch has been passed to a new generation of cartoonists and they are doing really interesting stuff, taking the old cliches and breathing new life into them and inventing new ones. This doesn't mean the previous generation of which I'm a charter member isn't doing good stuff but this new material is invigorating everyone.
I think it's important to be able to write stuff that's personal to you and stuff that you'll really be able to understand what you're singing about and be able to truly sing it. Because if you're singing a song that someone's written for you and you really can't relate to it, it's hard to sing that song.
I made a decision at some point to live a nontraditional life. I've become like, the opposite of a consumer. I just want freedom. I don't want stuff. I don't want clutter. I just want to be able to move freely. I want to be good to the people I love. But I don't want stuff. I just want, you know, love and big ideas.
You can't control who likes you. If I got Backstreet Boy fans what am I supposed to do? Turn them away? Whoever likes my stuff, likes my stuff but just know Slim Shady is hip hop, I grew up on hip hop, it's the music I love and it's the music I respect. I respect the culture...that's me.
I worked with Michael Black and Michael Showalter on their show 'Michael and Michael Have Issues.' We did some stuff on that, but it ended up not getting picked up for a second season. There will be more stuff, but not right now. Michael Showalter and I are literally next-door neighbors. We see quite a lot of each other.
That is the good stuff that comes into our life and it's based on the good stuff that goes out of our life! — © Bob Proctor
That is the good stuff that comes into our life and it's based on the good stuff that goes out of our life!
For better or worse, that is true with any new innovation, certainly any new technological innovation. There's many good things that come out of it, but also some bad things. All you can do is try to maximize the good stuff and minimize the bad stuff.
I used to delay doing stuff that I just didn't want to deal with - things like putting the garden hose away properly or doing the dishes right after dinner. Now I have this little voice in my head that says, 'I know you don't want to do this, but just do it anyway.' In other words, there's far less stuff that I put off until tomorrow.
I find a difference between what gets called world music - a fusion of western music and music from different cultures in more of a modernized version - and Explorer Series stuff, which is completely undiluted indigenous folk music. That's a lot more powerful than a lot of the super-processed stuff that comes out now.
If you put up a blog, people can cut out the middle man and get material to you. Which is really helpful because a lot of time there's really cool stuff out there that we just don't see. Because, y'know, the agent is acting in our best interest, but it does sometimes prevent some of the good stuff from getting through.
I don't care about people kissing my ass or telling me how great I am. I don't really give a damn. I read the bad stuff a whole lot more than I read the good stuff. I read that because there are always going to be critics who are going to say how good you aren't.
I learned how to take other people's mechanisms of promoting their stuff through me as opposed to promoting my own stuff, as far as getting Snoop DeVilles, SnoopDeGrills, Snoop Doggy Dogg biscuits, Snoop Dogg record label, Snoop Dogg bubble gum, Snoop Youth Football League.
I think a lot of people look at athletes in general and think they have everything figured out. They made it to the big leagues... We're battling and going through the same stuff everyone else is going through, but just in a different way. Maybe it can be comforting knowing that we have to battle through some of the same stuff.
I don't think of my life as a career. I do stuff. I respond to stuff. That's not a career - it's a life!
I only write about stuff I know. I don't have a lot of experience with boys and stuff so I write a lot of songs about interesting and strange subjects that people wouldn't write songs about.
I had a lot of different jobs between fifteen and nineteen. I'd moved out of my house way, way younger than I should have. So I was living out on my own with my brother when I'd just turned sixteen. I did busboy stuff, and worked in warehouses, and did odd jobs, and stuff. I earned me some Pesos.
"I think I know the real reason." "Which is?" "Alcohol in the dust clouds. Goddamn stuff is everywhere. Any lousy species ever invents the telescope and the spectroscope and starts looking in between the stars, what do they find?" He knocked the glass on the table. "Loads of stuff, but much of it alcohol." He drank from the glass. "Humanoids are the galaxy's way of trying to get rid of all that alcohol."
I like all of the typical hard rock bands. I'm an AC/DC fanatic. I love ZZ Top, just about any Van Halen, any Judas Priest, the list goes on and on, most of the Iron Maiden stuff. Those are the big bands, but I got my feel from, I grew up on Mountain and Humble Pie. That kind of stuff is where I get my feel from.
Half of my library are old books because I like seeing how people thought about their world at their time. So that I don't get bigheaded about something we just discovered and I can be humble about where we might go next. Because you can see who got stuff right and most of the people who got stuff wrong.
Most of my fans know I love video games. I say it in every interview, so they know. But one thing that I like doing is skateboarding, I like jet skiing, skydiving. It's like a huge roller coaster ride. Like forty seconds of free-falling. That's some of the stuff I love, daredevil stuff. I like horseback riding.
When you think of Grimm's fairy tales, they are deeply, deeply psychological. They're so powerful, so bloody, and really, really disturbing. Think about five-year-olds reading that stuff. Even 'Little Red Riding Hood' is a really freaky story. Grandma is gobbled up by a wolf, and the wolf is going to eat the girl. That's scary stuff.
Ideal government would be a very boring job - it would be a matter of organizing a lot of utilities and keeping the wires together and the power plant and all that kind of stuff. It's not a matter of telling people how to live, it's a matter of making it pleasant for them to live. Government should be in the position of distributing food, stuff like that.
I never considered myself part of rock 'n' roll. My stuff was more adult. It was more difficult for teenagers to relate to; my stuff was filled with more despair than anything you'd associate with rock 'n' roll. Since I couldn't see people dancing, I didn't write jitterbugs or twists. I wrote rhythms that moved me. My style requires pure heart singing.
I think a lot of people think it's easy to just post stuff. They think it's the easy way to fame nowadays, but it's been hard. You have to film the video, which takes forever because I'm super picky about all my takes and stuff. Then you have to edit it and upload it, and doing that three times a week is very, very difficult.
There is a diverse meaning to the lyrics as well. A lot of the stuff I write is from a personal level but is not really anything that I care about if people get or not so I write alot of the stuff as metaphors based in Viking mythology and Viking History which is sort of my main interest in life and sort of my main atmosphere in life.
Sometimes my feelings get so big that I just want to swim out into the darkness. Just jump off the end of the world. Sometimes I want to dig, right down to the bones of everything. Sometimes when you dig, you dig up stuff you might not want to find. But that’s where the good stuff lies.
Jazz stopped being creative in the early '80s. After your acoustic era, where you had the likes of the Miles Davis Quintet, when it gets to the '70s it started being jazz fusion where you had more electronic stuff happening, then in the '80s they started trying to bring back the acoustic stuff, like Branford Marsalis and the Wynton Marsalis & Eric Clapton sextet. It started dying down from there. Miles was still around in the '80s and he was still being creative; he was playing Michael Jackson songs and changing sounds, but a lot of people were still trying to regurgitate the old stuff.
We're living in an economy where productivity is no longer the goal, employment is. That's because, on a very fundamental level, we have pretty much everything we need. America is productive enough that it could probably shelter, feed, educate, and even provide health care for its entire population with just a fraction of us actually working ... Our problem is not that we don't have enough stuff-it's that we don't have enough ways for people to work and prove that they deserve this stuff.
So it's not really whether you talk about politics, but how well were you able to do it. Peter Gabriel and Sting get away with it...U2...the examples are there, of people being able to carry these subjects in the music, and the audience is absolutely able to embrace subjects that aren't just the stuff they already know about. And they're actually able to learn stuff.
I'm trying to leave more of my calendar open for the spontaneous things. A lot of fun stuff that happened in previous years were things that were like, 'Hey are you available next week?' I wasn't really open unless it was planned months in advance. I'm excited to play it by ear and let a lot of stuff happen as it happens.
I played ball in college and semi-professional, and aside from the game and all that, the most valuable thing is the relationships. Who can care how many rings you have or how many championships you've won or how many records you broke. The most valuable stuff is the intangible stuff.
When you create stuff, you're always going to be progressing and where you're at a year down the line, as the creator, it's always going to feel immature. You're going to notice the flaws and the things that you've learned in that year aren't going to be there. So, I think it's important to see stuff as a capture of time - that's what I was doing at that time - and not be ashamed of it. That's how I try to approach music.
I read fantasy books like the Harry Potter books, 'Twilight,' also biographies, and I like to read about people who have been through stuff like wars or lost their families - real life stuff, you know? I like to read about their experiences and how they coped with that.
I think ultimately it's just time management. You're just doing a lot more stuff. You're doing the same stuff, you're writing and you're producing, but it just comes with a lot of other things. A lot of long term thinking and plotting things out for the future, bringing elements together. I have a lot of support.
That's it. Gently now," Reagan said to Nellie. "We'll move onto the hard stuff tomorrow." "This...isn't...the hard stuff?" Nellie spit out through gritted teeth. Reagan grinned. "You really hate me right now, don't you?" "Immeasurably." "Good. Give me ten.
I think the key to being a journalist is getting your subject to feel comfortable enough to talk about stuff they want to talk about and the stuff they like and don't like, and still feel comfortable about it.
Don't sweat the small stuff...and it's all small stuff.
I just went into my studio and started to compile stuff. I was so happy with what was coming out that good momentum just carried over and when I would listen back to some of the riffs and some of the ideas, I was completely happy because I felt like, "wow, this was a breakthrough!" The ideas and the songs were really strong and I couldn't wait to show everybody the stuff.
We've gone through the urban renewal cycle in the '60s and '70s that really did a lot of damage to the fabric of urban life - neighborhoods bulldozed and highways pushed through, and all that kind of stuff that really destroyed the kind of social underpinning and the kind of mom and pop stores and all the stuff that makes a community viable.
More is not better. Better is better. You don't need a bigger house; you need a different floor plan. You don't need more stuff; you need stuff you'll actually use.
When I came up, it was Macho Man and all these other guys, and you had to come up with your own stuff. If you didn't come up with your own stuff, you weren't getting over. — © Scott Steiner
When I came up, it was Macho Man and all these other guys, and you had to come up with your own stuff. If you didn't come up with your own stuff, you weren't getting over.
When I was younger, I was always described as happy-go-lucky. Then I drank and I partied - did all that stuff that might tell you maybe there was a little bit of untruth in that [description]. Now, the surprising thing is that when I say stuff, I actually mean it. I don't have to do the work of trying to formulate my point of view. It just is. And it's surprising how much I love life. I just really have a good time.
So she [Hillary Clinton] wouldn't intentionally put the nation at risk. She wouldn't intentionally traffic in top secret stuff. And besides, not all this stuff we deal with is that classified anyway. So here's the president [Barack Obama], very powerful, intimidating guy, [James] Comey works for him, the president's been out there saying he didn't think Hillary did anything wrong.
I've got a lot of wonderfully talented, creative directors I've worked with in Texas, but the market we're in, they kind of have to write to that. I think we've done some cool, simple spots. I was very comfortable in Texas, and getting ready to push out into national stuff, try to get to that national-type creative, and then I got sidetracked with this stuff.
Making a film is like making a mixtape. You're collecting all this stuff and putting your favorite stuff into it: you have actors that you like, characters that you're interested in, moments you want to explore, themes you want to deal with, music that you want to put in. It's a pastiche of all these things that deal with how you see the world. You're just trying to make a love letter, a gift.
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