Top 1200 Stuff Quotes & Sayings - Page 20

Greedo taught me a lot. I don't say that about every artist. Some artists might teach me stuff musically, but Greedo taught me stuff about being a man and being a musician and being a creative, and being different from other people.

We'd be recording and I'd go down to Greenpoint where Rostam was living and track stuff... It was a busy time. I felt like in general, I was just super psyched with the prospect of getting to be a musician, that it became a thing that I would think about more than I would think about my studies and stuff like that. I still did fine, but it was an interesting time in my life.

People think I'm against critics because they are negative to my work. That's not what bothers me. What bothers me is they didn't see the work. I have seen critics print stuff about stuff I cut out of the film before we ran it. So don't tell me about critics.

As I started getting older and started to learn about the world, my friends would tell me about video games and dirt bikes and stuff, and I'd be like, "Oh, I got none of that." I started asking questions, like, "Why we can't get this stuff?" And it was like, "Well, we work hard to make sure da da da..."

I equate fame towards people who know your work, people who will see your work. But all that stuff, like with the Genies and stuff like that, it was so much fun. It's so much fun and it's nice when it comes, but that's not what it's all about.

We want to be original. To express our most interesting stuff. But you don't see the word "original" come up very often to describe big bands. Our job isn't to pigeonhole ourselves or describe where we fit in. Our goal isn't to fit in. Our goal is to be free of all that stuff.

I used to think that animation was about moving stuff. In order to make it really great, you bounce it, squash it, stretch it, make the eyes go big. But, as time went on, I started loving animating a character who had a kind of burning passion in her heart. Suddenly, animation became for me not so much about moving stuff as it was about moving the audience.

I like to tell kids that I started thinking about stories when I first started reading stuff like Dr. Seuss and 'Go, Dog. Go!,' thinking, 'Oh yeah, that's funny. I'd like to do that.' And then writing throughout school, but at the same time I was studying pre-med stuff, because my mom told me I should be a doctor.

If I could change the attitude of young men toward literature, I would want them to read not just for escape, but because literature can be more truthful about things like sex, commitment, and aging. It can be more truthful about the stuff that our parents lied to us (and themselves) about, and the stuff that everyone has to lie about. It can all be dealt with truthfully in fiction and poetry.

Some songs are just going to be acoustic with just maybe some light background stuff going on and maybe violin or something like that. Or sax - I mean, I'm definitely having some sax. That's just what I love. It's going to be jazz-rock stuff. That's what I'm aiming for.

It's kind of a misnomer about science fiction that science fiction is about anything other than people. It's about people doing stuff, sometimes doing extraordinary stuff.

When I was a kid and a young man I read everything. When I was about 23, I was incredibly lucky in that I wound up with several book review columns, which meant that I had to read huge amounts of stuff that was outside my experience and outside my comfort zone. I think every young writer should be forced to read the kind of stuff they would not normally read for pleasure.

You've got the whole stuff with transgender toilets and stuff like that - that's no way for a government to behave. We're supposed to be against ISIS, so why are we trying to slowly introduce a country-club version of Sharia law in America, you know? It doesn't make any real sense at all. I think there's going to be a lot of energy, there is already a lot of reaction against that - people are prepared to really stand up and be counted for democracy, and in the process to find out what is and what isn't.

It was part of a financial situation. I could only afford records in thrift stores. Then you could find wonderful things, but now everything is a collectible. I like the recycling idea --using the stuff that people don't want anymore, and make new music out of it. There was an element of looking back and listening to your parents' records and doing something with that stuff. Sort of acknowledging the past while rejecting it at the same time.

I think I get really into comfort music: '60s stuff, '50s stuff like Frankie Avalon. I love it - such simple songs, but so well written. That, and old French pop. I love that, because I don't speak French. It's all just pop music! But I love it because it just makes me focus on the melodies.

It's going to be so obvious when something isn't well made for VR. People are going to use the best VR content. That's the stuff that's going to get shown to people. That's the stuff that's going to get demoed. That's most of what people are going to buy.

I think it's just recognizing that who you are is not any of the stuff that you have. It's not any of the things of the ego. Coming to that awareness is a very hard thing for most people to do - but that's an excuse. If you tell yourself it's too hard, then you won't take it on. But right now, for most people, it's almost an impossibility to do so, because they're so attached to "I am what I have"; "I am what I do"; "I am what my reputation is"; or "I am all of this material stuff."

I've got pages and pages of snippets of stuff, and if Max [Hershenow] sends me a track to write to I'll go through all the stuff and the initial reaction of gut and how it makes me feel and I'll sort of go from there and start pulling my favourite pieces of my lyrics and that will be a very literal word collage and from there I'll sculpt it for and whatever reason the song sort of presents itself. It's a bizarre process.

I get a bit nervous because I just want the show to go well. I think you always have to be a little bit nervous, or else you're a little checked-out, and that's maybe the time when you're not doing your best stuff, because you're kind of just checked-out and falling back on stuff.

The basic idea that the purpose of life is to be happy or is to experience the most favorable ratio of pleasure to suffering or productivity to work or gratification to sacrifice or any of that stuff, which, you know, a couple generations ago, to say that kind of stuff would have made you, you know, a freak - a freak and an Epicurean - and now seems to be so much - simply an unquestioned assumption of the culture that we don't really even talk about it anymore.

Every time I've done comedy in, like, traditional comedy clubs, there's always these comedians that do really well with audiences but that the other comedians hate because they're just, you know, doing kind of cheap stuff like dancing around or doing, like, very kind of base sex humor a lot, and stuff like that.

Bad stuff happens. Sometimes it makes no sense at all. Sometimes its unfair. Sometimes, it just plain sucks. Bad stuff happens sometimes. Always remember that, but remember that you have to move on somehow. You just pick your head up and stare at something beautiful like the sky, or the ocean, and you move the hell on.

My brother had a big comic book chest, and he kept the key in the exact same place. So when he would leave for camp or be gone for a few days at a friend's house, I would totally sneak into that room and open the comic book chest and see 'X-Men' and 'Sandman' and all the Neil Gaiman stuff and all the Marvel stuff and some old 'Thor' comics.

I look at the game like, 'How can I impact it not just standing there?' Just try to be active offensively setting screens, doing stuff like that, but I'm also trying to be active driving the ball to the hole, finishing, one-dribble pull-ups and stuff like that. Just playing ball and not being robotic. Just evolving.

To Craig's [ Brewer] credit, I felt totally safe on the set [of Black Snake Moan] . And because I felt safe, Sam[L.Jackson] had to protect me. He got upset at all the physical stuff Craig wanted me to do. When I start doing stuff like that, all the screaming and running, I kinda go out of my head. I'm not necessarily in my own body anymore.

I'm very into the military and police stuff. Gear and technical gear is something that's changing every day and every day you're trying to be on the cutting edge and improve your stuff more and more because your life depends on it. And so, the guns and the gears are changing constantly.

All of the action, and the Wild West West fun, crazy, HBO stuff is in there and it's all amazing, but what separates the show [ Westworld] is that it's an existential drama. It's an intellectual nightmare. It is all very much based in reality. A lot of the technologies that we're exploring is stuff that we're working at, right now. All of this is not that far away. It's taking a look at humanity and the state that we're in now and what would happen, if we kept on going the way that we're going and we created this artificial intelligence.

The thing that I mostly get from my parents is 'trust your stuff.' That's what my dad always says. Trust your stuff. I tend to get very insecure and doubt myself, but then I think of that and I say to myself, 'OK, you can do this. You know your material, you know what you have to do, you just have to trust it and have fun.'

I'm in my late 20s, and people are coming around to it again. I think they're realizing how much this stuff affects them. I think all the time about how much Judy Blume affected me, or Beverly Cleary. And I think that now some people are starting to come around and get more of an appreciation for [my stuff].

I went from being a kid-kid, listen to everything from The Beatles through Kiss, Peter Frampton, Jethro Tull classic rock, classic stuff into immediately, it seemed like, Iron Maiden and stuff like that. The first Iron Maiden record and then, obviously, the first Metallica record.

Mike Jones, Ying Yang Twins, then a little later, Wiz Khalifa and Meek Mill, too. It was the repetitive stuff with Mike Jones when he would give out his number, and I also like his style. Back then, actually, I still think du-rags, grillz, and stuff like that are cool.

Write a lot. And I mean a ridiculous amount. You have to write so much that you don't mind throwing away and changing things that you've written - which is the second thing you have to do. A lot of young writers are very precious about their words. Don't be - you've got to be ready to burn stuff. You're not as good as you think you are, at least not yet. The more you write, the faster you'll write, and the less you'll mind throwing stuff out.

I am such a fiery woman and I am a real passionate woman and I get so much stuff built up inside of me that I can release all that on stage, and I kind of counterbalance it with the normal Maria that I am because with the real calming, natural kind of earthy spirit stuff and it kind of balances me out so I don't go too crazy.

Here's a two step formula for handling stress. Step number one: Don't sweat the small stuff. Step number two: Remember it's all small stuff.

I'm a lesbian. Yup. Hundred percent. Hundred percent. I remember being in college, and I had fallen in love with this woman, and I remember sitting in my dorm room saying out loud to myself, like, 'You have enough problems. You are not gonna let this happen.' You just kinda, like, stuff it away until - well, some people stuff it away forever.

How come it can’t fly no better than a chicken?’ Milkman asked. Too much tail. All that jewelry weighs it down. Like vanity. Can’t nobody fly with all that [stuff]. Wanna fly, you got to give up the [stuff] that weighs you down.’ The peacock jumped onto the hood of the Buick and once more spread its tail, sending the flashy Buick into oblivion.

Everybody has that outlet in life when they're going through different stuff. They like to do different stuff whether it's reading books or watching movies. My outlet was going to comic books because it got me out of this world and put me into that world and let me use my imagination.

I've always wanted to do action stuff. I like it. You really want something that's special; that's got something special about it and not cheesy, I guess. I'll tell you something, it's fun, it's different. Comedy is difficult. Doing comedy is very difficult. Action stuff is fun.

Alan Menken took me to his studio and we went through his trunks of songs and put together an album of stuff that people and stuff that people don't know. I'm very proud with the way it came out. I had no idea what it would be like to do an album and that process was grueling and tedious but it was very rewarding. I would do it again if I had the chance.

We had made a - sort of a national decision that we wanted to be this intellectual property country, where we would have things manufactured in China, but we would do the design, we would do the creative stuff.And now what we have done is, we have forgotten that that's what we wanted, and we're making the intellectual stuff more and more free. And, so, we're sort of left with less and less.

I always loved writing songs - writing for myself and demo-ing songs, really with no intention of ever letting anyone else hear them. Finally the Foo Fighters stuff happened when I just went to the studio down the street from my house and recorded some stuff in about five or six days, and all these people wanted to release it as an album. I wanted to release it on my own, with no photos and no names on it.

The only part I miss about driving is driving. That's it. I don't miss all the other stuff that goes along with it, all the other PR stuff. Anybody, when they quit driving, they miss the driving part.

"Girly" can be limiting if you're told it's the only option. I don't think the solution is to get rid of the girly stuff or decide it's oppressive and get mad at a singer or book for not ACCURATELY REPRESENTING ALL WOMEN. There just needs to be more options for girls who don't identify with the girly aesthetic, and can broaden the idea of what being a girl means. Similarly, there needs to be more of that stuff that can be aesthetically girly, but feminist in the actual message.

I came to the conclusion is that we have a very shallow view of human nature in the policy world. We're really good at talking about material things, really bad at talking about emotions, really good at stuff we can count, really bad at the deeper stuff that actually drives behavior.

Why can’t you remember your Shakespeare and forget the third-raters. You’ll find what you’re trying to say in him- as you’ll find everything else worth saying. 'We are such stuff as dreams are made on, and our little life is rounded with sleep.'' - 'Fine! That’s beautiful. But I wasn’t trying to say that. We are such stuff as manure is made on, so let’s drink up and forget it. That’s more my idea.

A high-ranking Syrian official in DC laughed when he heard I was reading Michel Aflaq and writing this book. He said, "Let me tell you something. There are no Baathists, no one believes this stuff, this is stuff you read in school because it's assigned to you. Maybe someone believed it, but no one really believes it." And I thought that was really interesting to hear, because the ideology of Baathism was presented so often to Americans as the core of what's wrong.

The romantic element is what the story Essential Maps for the Lost, sort of sits on, but all the stuff below the surface is really about family. It's about the baggage we bring, both the good and the hard stuff in that baggage. It's more about the other relationships. It's about mothers and fathers and sisters and dogs, all of the pieces. It's really more about - yes, love, in its widest usage.

There is an invisible thought-stuff on which the mind acts, making things through the operation of a law not yet fully understood by man. Every thought moves upon this invisible substance in increasing or diminishing degree. When we praise the richness and fullness of God, this thought-stuff is tremendously increased in our mental atmosphere. It reflects into everything that our mind and our hands touch.

Rule number one is, don't sweat the small stuff. Rule number two is, it's all small stuff.

As a director you're always so busy - you're go, go, go, you're always moving, moving, moving - so I'm not actually privy to all the weird stuff that's happening around me, but for a lot of the cast and crew, that's what I hear stories from them about weird stuff happening.

I know what it feels like to be bruised; I know what it feels like to carry things around with you that never totally heal. There's closure and then there's stuff that's kind of like, Well, I guess it's going to be in the minivan forever. And you carry it with you and you continue on your journey with your minivan full of stuff, which I think most of us do.

If you like strange, specific stuff - that's a nerd. Kanye West is a black nerd. He likes strange, specific stuff. If you go up to Kanye West and say, 'Hey, what are your favorite things?' He'll be like, 'Robots and teddy bears.' That's a nerd.

Show people your stuff, listen carefully to their responses, but ultimately don't value anyone's opinion above your own. Be influenced by writers you dislike as well as writers you like. Read their stuff to figure out what's wrong. Find a balance between the confidence that allows you continue, and the self-critical facility that enables you to improve. Get the balance wrong on either side, and you're screwed.

I'm not interested in being an intellectual or in being traditional, conventional. I'm not interested in having great wisdom. I'm not interested in those facets of the evangelical movement. I don't have to get stuff from them. I got my own stuff. If it hits you, okay. That's why I've got so many different races, classes, and such a mixture of theologies and philosophies. I've got agnostics, atheists, Buddhists, Christians, Jews, Muslims the whole spectrum.

The stuff that I used to worry about before, it's like I don't worry about it anymore. Which is kind of a beautiful result of having a baby. It's like everything gets so simple. It's like, 'Great, I care about how you're doing. I care about getting you what you need, and the rest of this stuff, if it happens, great, if it doesn't happen, oh well.'

There's a lot of unexpected things. Wonderful things, tough things, but there's always somebody just ready to pitch in. That's probably the heaviest thing, the constant amount of support because it makes you just want to do even better. It makes you want to do stuff for the fans, makes you want to do stuff for the people on the show. I love it.

Always was Morocco. And recently the country's leadership seems to have embraced it in all its ill-reputed glory. The days of predatory poets in search of literary inspiration and young flesh are probably over for good. Hippies can just as easily get their bong riffs in Portland or Peoria. But the good stuff, the real good stuff, the sounds and smells and the look of Tangier -- what you see and hear when you lean out the window and take it all in -- that's here to stay.

A wonderful area for speculative academic work is the unknowable. These days religious subjects are in disfavor, but there are still plenty of good topics. The nature of consciousness, the workings of the brain, the origin of aggression, the origin of language, the origin of life on earth, SETI and life on other worlds...this is all great stuff. Wonderful stuff. You can argue it interminably. But it can't be contradicted, because nobody knows the answer to any of these topics.

The sin of capitalism, perhaps, is to make wants feel like needs, to give to simple silly stuff the urgency of near-physical necessity: I must have it. The grace of capitalism is to make wants feel like hopes, so that material objects and stuff can feel like the possibility of something heroic and civic.

I think when things get hard with your family, it's really easy to want to isolate yourself. The world is so harsh, so when stuff happens outside, you want to go to your family, but when stuff happens inside your family, you sort of start to feel like, 'I'm alone. There is no place I can go to where just nothing will happen to me.'