Going on things like rollercoasters is not really up my street I guess. I don't feel like I need to do stunts. I'm too scared and I don't think it's my job.
Is there fear? No, there isn't. Now, I've made mistakes. I've broken 56 bones in my body, and each one was a mistake. But when we do stunts, there's just no room for fear.
As much as they'll let me I do my own stunts and I do all my own fighting.
As far as I know, there is only one other director who was a stuntman - guy named Chuck Bail who directed 'Gumball Rally.' Doing stunts isn't exactly a common path to directing.
I love doing stunts, though I have to be careful with my back. As for dances, somehow I am uncomfortable doing them. I lack grace.
When I was doing stunts, I had lots of cuts on my body because of the chain. Even though everybody took care of me, I still got hurt.
We try to spread the word about the charity by doing fun little stunts to catch people's attention. Like when Hank Green did a music video for us.
I loved doing my own stunts, and so, as much as the insurance people would allow me, I would get involved.
There's a standard pay scale for stunts. The more difficult the stunt, the more money involved. But if I'm the only stuntman who can do a particular gag, there's usually a little more in it for me.
I really enjoy doing stunts, especially. I had never done any stunt work, ever, in my life before, and in our first episode of 'Legacies,' I was doing a bunch.
Planet of the Apes was a gigantic challenge, making the clothes work so people could do stunts and action in the clothes. I really learned a lot about that in that movie.
I just have to say no to some of the stunts that I love doing so much. I enjoy doing that stuff, but I've learned to let the stuntmen do those.
You are treated like a cog in a machine. The director might be obsessing so much with the stunts that he doesn't notice your performance, and the producer may just be an insane money man, but I have no snobbery about the movies.
The art of stunt-making is not about falling down; it's about getting the shot. Creating stunts is creating heroes.
I've done things to my body, mechanically, that I'll never do again. I've done stunts that I shouldn't have done 10, 11, 12 times. I've broken a ton of bones on sets.
We did many of our own stunts. We had our hands full. In fact, the roles were physically demanding.
I have to stay in shape for the physical endeavour stunts I do. I work out a lot. I have a personal trainer. I go two or three times a week. I'm on a diet where I photograph everything I eat and send it to her.
I love action and I love doing my own stunts. I love that sort of thing.
[On performing in action movies] I've spent all those years learning how to do certain skills, and then that competitive spirit kicks in and you want to do the stunts. Basically, it's the the male competitive ego at work.
I wouldn't want to be in one room, 20 hours a day, 52 weeks a year, with four white walls and a stove. I think it stunts your growth as a human being.
Connery made Bond real through his physicality. He did most of his own stunts and fights, and the audience knew it was him.
Writing is not like acting, where you can pull these little stunts that create a particular effect. Words are all it is about, and the way you use words has to be individual and particular to you.
To yield to Resistance deforms our spirit. It stunts us and makes us less than we are and were born to be.
The main thing is to keep it simple, keep it real, be honest and pull no stunts. You can't forget where you started and came from.
I had to go for physical training for 'Aayirathil Oruvan.' I had to do stunts which required huge leaps.
I'm too old and too rich to do any more stunts.
I try to stay in the best physical shape that I can because I do most of my own stunts. It looks amazing if you can do it, but I don't advocate it because you always get injured.
For my character, I mostly shot in the jungles and also did stunts and fight sequences on the harness. At the end of the day, I used to be hurt and bruised, but I completely enjoyed doing all these.
Steve Irwin did wonderful conservation work but I was uncomfortable about some of his stunts. Even if animals aren't aware that you are not treating them with respect, the viewers are.
I'm not a big fan of CGI. When I look at it, I go: 'Wait a minute. That's not possible.' And I think other people see the same thing. The movies I worked on, we did stunts for real. And I think it shows.
I have always done my own stunts, and I have been in hundreds of fights in films, but I have never been in a fist fight outside the movies.
I had a spine problem. I did a lot of stunts and fights in Hindi cinema, had falls from horses... all that took a toll on my health.
The most difficult part of portraying 'Darna' would probably be the timing when you do stunts. You have to look strong but you can't be too strong because you don't want to hurt the person you are doing the scene with.
I insist on doing all my own film stunts, although they are often worked out in advance by a stunt man who then advises me on the best and safest method of performing it.
The unsuccessful person is burdened by learning, and prefers to walk down familiar paths. Their distaste for learning stunts their growth and limits their influence.
Something happened to me and I became really successful at something at a young age, and that stunts you in every other aspect of your life because you feel like that's what you're good at and so that's what you need to stay in.
I try to stay in the best physical shape that I can because I do most of my own stunts. It looks amazing if you can do it, but I dont advocate it because you always get injured.
I always think to shoot action scenes is not really about the stunts. It's more about an expression and about imagination.
Broadway was life-changing because it pushes you mentally, physically, emotionally - every way that you can be pushed. It makes you feel like there's nothing you can't do. It's like doing your own stunts.
Early on, I used to think it was really cool and macho to jump out of the car and tackle the bad guy. But then when you see the stunts in the movie, you realize it could've been a lady in a poncho.
Acting is my number one, but dancing will always be a part of who I am and in my heart. I love doing stunts when they are a part of my acting.
I do love doing stunts; I was in a film called 'The Quiet Ones,' which was quite a spooky film, and I had to be hung upside down, which was good.
I love playing roles that are physical, absolutely love. Whether it's just that kind of basic level of physicality or whether it's stunts.
My dad always jokes that we should have a reality TV show because my friends and I pull crazy stunts, like putting Saran Wrap on the toilet.
I do my own stunts; that's something I'm very passionate about. I spent a lot of time on boats as a kid, so it's just nice to be able to put that into use in the job that I do.
I do generally all my stuff [stunts] except for motorcycles and cars, that stuff I don't know how to do as well as certain people do.
I started off as an artiste and later a producer. All these aspects are interconnected. I became adept at every field - acting, producing, stunts and distributions. I never found anything tough.
I realized being on the set that I love doing stunts and I love fighting and I love action, so it was really fun to shoot those scenes.
This climate surrounding me has reached Clive Oppenheimer. In practical terms he sees that I'm not interested in any sort of daredevil stunts, I'm just interested in the work. And he's convinced that I'm clinically sane.
I've got bits falling off me. I'm not made of rubber. That's from film stunts. Every single injury I have is related to a movie. I know that sounds fundamentally embarrassing.
I've always loved the Bond pictures. I have watched every single one. Movies don't get bigger or better than Bond, so I knew this was my opportunity to do a massive action picture with outrageous stunts.
I always wanted to be a stuntman. If acting went well and I was able to take a year out, I might train and get on the stunt register, which gives you qualifications so you can do more of your own stunts.
Needless to say, my stunts take years to perfect and are closely monitored by a team of trained professionals at all times, so no one should ever think about trying to re-create them.
Progress is not made by pulling off a series of stunts. Each step has to be regulated. A man cannot expect to progress without thinking.
The important thing is to build up my cardiovascular system, so I have the stamina to do stunts. To me, stepping over the line, taking a chance and succeeding is the ultimate freedom, be it in rock and roll or when executing a really challenging routine.
As much as theyll let me I do my own stunts and I do all my own fighting.
Of course, I do my own stunts. And I also do my own lying.
For the most part, I do a lot of my own stunts. On 'The Final Destination,' they kept pulling my stunt woman in, and I'd shoo her away. I'm a black belt in tae kwon do, so I was adamant about doing stuff myself.
I wasn't a huge fan of superhero movies before I watched 'Wonder Woman.' That was a really cool film - I really like all the stunts.
I'd always been a good athlete and I liked getting paid what they paid you for stunts. In those days, they paid you per stunt so I'd try to do as many as I could.
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