Top 1200 Stupid Movie Quotes & Sayings - Page 20

Let's face it: Sadness and evil are always more believable than happiness and love. When a movie reviewer calls a film "realistic," everyone knows what that means--it means the movie has an unhappy ending.

I think you should check out 'Battle: Los Angeles' because it really is a sci-fi movie, but it's not. It's not like anything you've seen before. The best way to describe it is it's a war movie that happens to have aliens as the enemy.

Every time I do a movie like 'Finding Neverland' or 'Chocolat' or 'Shakespeare' in Love,' we deal with the creative process, but there's humor and fun along the way. I always love that kind of movie.

If I was one of the leaders...if I was just a leader of one of these studios what I would do is I would go to all my cohorts who run other studios and say let's make a deal. Let's each of us make three 3D movies a year or whatever the number is. Let's not take every movie and make it a 3D movie. Let's take our three tentpoles or whatever movie it is so you have a specialness to it.

("Let's stand under a tree," she said. "Why?" "Because it's nicer." "Maybe you should sit on a chair, and I'll stand above you, like they always do with husbands and wives." "That's stupid." "Why's it stupid?" "Because we're not married." "Should we hold hands?" "We can't." "But why?" "Because, people will know." "Know what?" "About us." "So what if they know?" "It's better when it's a secret." "Why?" "So no one can take it from us.")

You don't want to make a movie just to make a movie. You better have a point of view.

Whether it's a movie I'm in or not, if there's a good movie, and it's low budget, and you know everyone's done it just because they were passionate about it and they cared for it, if it has any kind of audience, it's just a wonderful outcome.

If you're showing people where it's smooth sailing, where is the joke? If you go back to any movie, even a conventional movie, with any comedians, they're either not terribly intelligent or they're not doing something well.

I wouldn't exactly describe 'Detention' as a horror movie. I mean, it does have horror elements in it, but it's got a lot more to it, and it's not a typical horror movie.

For me when I watch 'The Shining,' it's like watching a home movie. I understand how it scares people. I think it's an entertaining movie, don't get me wrong. But I look back on it with so many memories.

I know a lot of actors picture themselves winning Academy Awards. I really just wanted to do a Christmas movie because it's the kind of movie that I really love to watch. I'm a sucker for the holidays.

I've always been led to believe that the ultimate goal for an author is the movie deal. Now I understand that the movie deal is merely a MEANS TO A MUCH HIGHER END: NAIL POLISH.

The first movie I ever cried at was when I was 10 years old and saw 'The Notebook' in theaters. I was like, 'Whoa, so weird. Crying at a movie? I'm not supposed to do that. So weird.' I didn't know that art could make you do that.

But I think once the word gets out that the movie is funny - funny is transcendent - it will traverse all demographic barriers if people embrace it as a funny movie.

It doesn't matter if you're doing a studio movie or you're doing an independent movie. When you get to set and you're doing a scene, it's always going to be the same job.

It's weird because movie-making, and especially movie theaters, have always been so old-school, and it wasn't until 3-D that a lot of them were forced to have digital projectors and even digital distribution.

There are only seven movie stars in the world whose name alone will induce American bankers to lend money for movie productions, and the only woman on the list is Ingrid Bergman.

The worst thing ever for me is go see a movie, and the next day I go, 'What did I do last night? I have no memory of this $300 million movie I watched because I felt nothing.'

Will Ferrell is probably the funniest comic actor, certainly of my generation. I am a huge, huge Will Ferrell fan. I'm not a huge comedy buff, truthfully. What I find funny is either something unbelievably stupid, like Dumb And Dumber or Airplane!, where the jokes are just so stupid and pointless, or something like The Office or The Comeback, where the humor is in the excruciating awkwardness of a situation. Stella kind of explores both of those, stupidity and awkwardness.

There are movies that we have done that haven't come out very well. That doesn't feel very good. But 'Jem' is in a different category. I'm proud of the movie. I stand by the movie, but I'm obviously sorry it didn't do any better.

It's such a huge endeavor putting a full movie together, especially an independent movie. I tend to kind of do them when they come my way more than something than I go out and actively pursue.

My background is a small town with no movie theater. So... I always pictured myself onstage. I went to acting school and learned all the skills. I left early because I did my first movie and discovered that I really loved the minimalistic work with the camera.

There's actually a big difference between story and character. A great story doesn't make a great movie. A great script, which defines its moments and characters can become a great movie. You can make a movie that makes a lot of money and it may or may not have great story or great characters.

The movie was kickass, which was appropriate, because tonight it was called Kickass: The Movie.

Here's the story: 25 years ago, I had my lips injected with silicone. Stupid thing to do at 24. I saw 'Beaches.' Remember that movie 'Beaches'? I did it with my best girlfriend, so she and I go and we get our lips done. Fine. I have it like that for my whole career, right? So then cut to a couple of years ago, I have a doctor remove as much as they possibly can because it got to the point where they were yucky. You know, they get hard. It's gross. They are now whatever that was after they took out as much of the silicone as they could.

I was always a fan of Nic. With his movie, you know it's "A Nic Refn Movie."

I personally have never made a movie in Hollywood, because I don't want to get up in my own bed and then go to the movie set, and then come home at night to my real life.

I figure if kids see a movie about 12-year-olds chopping each other up, they can probably see a movie where everyone keeps their clothes on and doesn't use foul language.

That's the trouble with anything which essentially has a lot of bits that are physically impossible: You're left, stuck, in the studio. And that's a shame. You're making a movie. You don't want it to stay put, you want it to be a movie - to move.

We excuse movies like 'Independence Day' that really lack logic and say, 'It doesn't make any sense, but it's a ride.' I thought a movie was a movie and a ride was a ride.

The music business is rougher than the movie business. In film you get noticed in a small role, even in a movie that bombs. But in records you better have that hit or else it's 'See you later.'

I never take credit for my movie's success. I am the face of the movie, but there are numerous unsung heroes behind the scene. From the director, cameraman and editor to the light boy, everyone knows how difficult it is to satisfy the audience.

I do not proactively approach Hollywood, but also I do not always turn down offers. But since I'm living as a movie director, I have a desire to shoot something like 'This is a Hollywood movie!' at least once in my lifetime.

You live and die two or three times making a movie. First, you write it, and the first pivotal moment comes when you can get it made. The second is in the process of making it, when the movie reveals itself to you, its flaws and its virtues. Then the most unnerving moment is when that movie is then launched into the world. It’s like bringing your kid to the first day at school and somebody points out that it has bowlegs, it is cross-eyed, or it’s gorgeous. You feel very exposed.

I totally heard by chance that they were doing the casting for a James Bond movie, and that one of the auditions was taking place in Paris. So I tried myself to contact every name involved in the movie I could possibly find on the IMDb!

Hollywood parties not only confuse me, but they often disillusion me. The disillusion comes when I meet a movie star I’ve been admiring since childhood. I always thought that movie stars were exciting and talented people full of special personality. Meeting one of them at a party I discover usually that he (or she) is colorless and even frightened. I’ve often stood silent at a party for hours listening to my movie idols turn into dull and little people.

Every couple of years we'll watch the movie and it's like watching home movies, seeing the ranch on-screen. But that movie Heaven's Gate, people are appreciating it more and more as time goes on.

I think 3D is a great innovation for the film business. But I hope it's not the thing that kills the golden egg because what's happening now is every movie there's pressure from the studio to turn it into a 3D movie.

I scored a movie called 'Endangered Species'. I worked on another movie called 'Staying Alive'. A German film called 'Fire and Ice'.

If it's a huge tentpole movie, for instance with a movie like 'Tintin,' a year and a half, almost two years in advance, we were developing a videogame campaign and massive consumer products campaign.

A lot of times I think people, when they're doing a movie that's a family movie, they're worried about this being too esoteric or too dark or too weird.

Well, when Kathy Kennedy, who is the president of Lucasfilm, came to me to ask if I'd be interested in working on this "Star Wars" movie, we talked about a young woman at the center of the story from the outset. And it was something that was always an important part of this movie.

At the end of the day it's got to be a good movie, it's got to be a funny movie, and it's got to make people think, 'Hey, I couldn't have spent my time any better.'

I feel like a zombie movie is kind of like the gold to hear movie.

But the animation has become very good, and I think that a movie is not a book, and a book is not a movie.

A sister is like yourself in a different movie, a movie that stars you in a different life.

I was never a critic. I was a journalist and wrote about filmmakers, but I didn't review movies per se. I make that distinction only because I came to it strictly as someone who was just a lover of storytellers and cinematic storytellers. And I still am. I'm still a great movie fan, and I ,that love of movies is very much alive in me. I approach the movies I make as a movie-lover as much as a movie-maker.

For the movie 'Bhaskar Oru Rascal' I had to let go of a part of my agreed salary and in fact, had to lend money to the producer when he couldn't meet his financial obligations at the time of the movie's release.

People always ask me if I hate the nuns. Do I make my movies extra dirty to piss them off? I always say no, that's not the point. To a Catholic, a movie is only dirty if it makes you want to have sex more. If it makes you feel sick, disgusted, ashamed of your own body, then it's not a dirty movie at all. It's a Catholic movie. And I make very Catholic movies.

I would still encourage somebody, if they wanted to make a movie, to just go take a movie camera. That's clearly been shown to work. It's just how do you get it seen?

It really has been a blessing because you can go and look at our other movies we've done in a studio system. We didn't get to make the movie that we wanted to make. We made the movie that someone else wanted us to make. That can be a little disheartening, a lot disheartening. While there have been struggles, it doesn't matter which table you're at because you're going to have obstacles, but I kind of like being able to make the movie that you want to make.

I never considered myself a movie star, and I didn't want to become a movie star, because as soon as you do, you throw away that possibility of playing character. You really do. All of a sudden you're just an entity, you know?

The idea right now - and it may evolve - would be a live-action movie where some of his characters would be animated. To me, this movie is very much about the creative process.

Baseball is a sport where being stupid and keeping things really simple a lot of times is the right way to do things. There are very few guys that are capable of processing a lot of information and applying it and still being good at it. … I don't want to name names, but there were guys I played with that were so stupid that they're really good, because their mind never gets in the way.

A lot of what is famous about film making are the movie stars and what is considered a movie star is a lot of great acting, but also a lot of physical beauty.

Comic books sort of follow with the move - if people see the movie and if they're interested in the character and want to see more of the character, they start buying the comic books. So a good movie helps the sale of the comic books and the comic books help the movie and one hand washes the other. So, I don't think there's any reason to think that comics will die out.

For me, I rarely go and see 3D movies because I feel like, when you're wearing glasses, you're aware that you're in the theatre. And the whole thing for me with the movie experience is to be lost in the movie.

We didn't want to make a movie that excluded any fans. 'Venom' fans actually are of all ages, and so we wanted to be inclusive to all the fans that were excited about the movie.

You’ll find that the movie business is paid for by those mega movies. The movie business is paid for by Big Macs. By movies as product. Movie studios use that term “product” all the time. Product? You mean you have a lot of stories? No, we have a lot of product. You have stories.

I really like 'Passion of the Christ.' I like that movie. I also like 'We Were Soldiers,' and 'Braveheart.' And 'Napoleon Dynamite' - that movie was funny.