Top 1200 Successful Work Quotes & Sayings - Page 18

Let's think beyond the normal stuff and have an environment where that sort of thinking is encouraged and rewarded and where it's okay to fail as well. Because when you try new things, you try this idea, that idea... well a large number of them are not gonna work, and that has to be okay. If every time somebody comes up with an idea it has to be successful, you're not gonna get people coming up with ideas.

In the world of comics, Jack Kirby and Will Eisner may have been more influential artists, but Joe Kubert was its most influential man. Even if he were to be remembered solely for his body of illustration work, he’d still be one of the greats, but by opening the Kubert School in 1976, he was able to personally mentor and educate literally thousands of successful artists who owe their careers to his teachings.

Competition always tends to bring about the most economical and efficient method of production. Those who are most successful in this competition will acquire more capital to increase their production still further; those who are least successful will be forced out of the field. So capitalist production tends constantly to be drawn into the hands of the most efficient.

I would love to work with Anthony Hopkins; I would love to work with Meryl Streep; I would love to work with DeNiro; I would love to work with Johnny Depp; I'd love to work with Brad Pitt, Matt Damon, Gwyneth Paltrow... I think she's amazing.

There has to be some more regulation. But our kids have this incredible buffet of they can work in genomics, they can work in pre-omics, or they can work in robotics, or they can work in this, or they can work in that. And within the next five years there will be entirely new industries that come out of nowhere that kids are working in that would have been inconceivable when they started college. Not when we started college.

"Light Over Water" is the longest piece I have ever composed. It is a landmark in my personal struggle to create large forms. I feel that it is by and large a formally successful work, though I was constrained to write a piece at least fifty minutes long, and there are some dead spots in the music where I think I was simply marking time. However, I think when the dance is in motion, the formal problem is nonexistent.

I don't believe in work-life balance. I think it's more about work-life integration because, increasingly, so much time of ours is spent doing work, so I've always wanted to dedicate my work life to having a social impact.

I was educated in line with the basic premise: work work work. You are only a valuable human being if you work. This is utterly wrong. Half working, half dancing - that is the right mixture. I myself have danced and played too little.

The three of us have worked on the development of the small and totally harmless fruit fly, Drosophila. This animal has been extremely cooperative in our hands - and has revealed to us some of its innermost secrets and tricks for developing from a single celled egg to a complex living being of great beauty and harmony. ... None of us expected that our work would be so successful or that our findings would ever have relevance to medicine.

We are here on earth to work-to work long, hard, arduous hours, to work until our backs ache and our tired muscles knot, to work all our days. This mortal probation is one in which we are to eat our bread in the sweat of our faces until we return to the dust from whence we came. Work is the law of life; it is the ruling principle in the lives of the Saints.

As a working actor, all I want to do is work. That's it. It's terrifying when you don't work. It's very hard when you don't work. There have been times when I've been out of work for like six months. I feel theatre to me is like manna.

Most poor people are not on welfare. . . I know they work. I'm a witness. They catch the early bus. They work every day. They raise other people's children. They work every day. They clean the streets. They work every day. They drive vans with cabs. They work every day. They change beds you slept in these hotels last night and can't get a union contract. They work every day . . .

A successful person finds the right place for himself. But a successful leader finds the right place for others. Few things in life are better than seeing people realize their potential. If you invest in people by helping individuals improve themselves, showing them the way to their “right place”, they will never be the same again. And neither will you. It is impossible to help others without helping yourself.

The work of community, love, reconciliation, restoration is the work we cannot leave up to politicians. This is the work we are all called to do.

There is work to do; that is why I cannot stop or sit still. As long as a child needs help, as long as people are not free, there will be work to do. As long as an elderly person is attacked or in need of support, there is work to do. As long as we have bigotry and crime, we have work to do.

If you work hard and you learn and you absorb and you pay attention, career in food is great. This job can take you all around the world. You can eat the most delicious food. It allows you to be creative.... [And] don't ever quit. It's going to pay off eventually. It might not be in a year. Might be 20 years or 10 years. But you have to keep pushing. Just have that fire, have the passion, and want to be successful. And don't listen to anybody else.

As far as a theoretical point of view for my generation, I'm probably the most successful theoretician. I mean, double albums and concepts and dresses and major disasters and wonderful successes and yet you don't see the critical review of my work. Why? Because it's all focused on the persona. Billy Corgan. But I get to sort of jump in and be Billy Corgan. But then I get to sort of jump back out and be like, sensitive man in the corner.

The most successful teachers in low-income communities operate like successful leaders. They establish a vision of where their students will be performing at the end of the year that many believe to be unrealistic. They invest their students in working harder than they ever have to reach that vision, maximise their classroom time in a goal-oriented manner through purposeful planning and effective execution, reflect constantly on their progress to improve their performance over time, and do whatever it takes to overcome the many challenges they face.

I insist you to strive. Work, Work and only work for satisfaction with patience, humbleness and serve thy nation.

I don't in any way underestimate the difficulties, because it's only gotten harder. But I do think you just have to go into politics with the attitude that you're going to speak clearly and authentically about what you see the country needs...and seek out whatever possible partners you can, even in the other party. I've looked at successful presidents going back. Some of our most successful governed through periods when their party was in charge, and when the other party was in charge. There's no magic formula.

A lot of people look down on people who are successful, but Conor McGregor is successful because he runs his mouth and he knows how to put on a show. I mean, look at his press conferences. I mean, come on. People show up just to see him just act nuts. Hats off to that guy, he's a very intelligent, very smart guy.

Fences work and the walls work and separations work. They afford to any nation the delay of entry.

I figured I’d probably write 50 scripts in my life. Out of those 50, I figured maybe five would be produced, and that maybe one or two would be successful. So I always kind of expected I’d write at least one successful film in my life. [...] The way it all came together was kind of like Murphy's law in reverse—I don’t expect that kind of experience again any time soon.

Everyone, you know, during crises times, is much more focused on, okay, how do we get the boat completely seaworthy, sailing along well, and everything going well? And so as long as you're communicating how the general strategy of the company and how the work they can do to add to that and to make that more successful and the thing that they can contribute to that, that is generally very motivating for employees in crisis times.

A successful relationship is not about two people staring into each other's eyes, it's about two people looking ahead together. I think in order to construct, it's not just, "you do this, then I'll do this." It's more like, "let's work on these ideas together, and just move together, with these ideas." It does create a balance.

First, I would say, is ideology. I have never spoken to any member of these groups, not just ISIS, but also Al Qaeda, Shabab, etc., who wasn't driven by the ideology. Beyond that, a lot of people are wounded in some way - they've fallen out of society in some manner. All of the ones I've spoken to seem to have veered off course from lives we consider acceptable and successful. Of course, there are others like Osama bin Laden, who was a wealthy and successful businessperson.

There is nothing better than work. Work is also play; children know that. Children play earnestly as if it were work. But people grow up, and they work with a sorrow upon them. It's duty.

Aging happy and well, instead of sad and sick, is at least under some personal control. We have considerable control over our weight, our exercise, our education, and our abuse of cigarettes and alcohol. With hard work and/or therapy, our relationships with our spouses and our coping styles can be changed for the better. A successful old age may lie not so much in our stars and genes as in ourselves.

If your educe sculpture to the flat plane of the temporal experience of the work. (...) the experience of the work is inseparable from the place in which the work resides. Apart from that condition, any experience of the work is a deception.

I believe in work, hard work, and long hours of work. Men do not breakdown from overwork, but from worry and dissipation.

Innovation is the specific tool of entrepreneurs, the means by which they exploit change as an opportunity for a different business or a different service. It is capable of being presented as a discipline, capable of being learned, capable of being practiced. Entrepreneurs need to search purposefully for the sources of innovation, the changes and their symptoms that indicate opportunities for successful innovation. And they need to know and to apply the principles of successful innovation.

I understand all the work to be of a nonabstract nature regardless of the style, form, or explicit subject matter because all the work... is concerned with evoking experiences that are in themselves - and their relationship to you, the viewer - the ultimate subject and content of the work. I want to equate the experience of the work with its meaning.

The dripping... well, if it happens, it happens; it does not take anything from the work. The dripping just proves that you were not trying to control the work, but the work was developing by itself and if it drips, it's a natural part in the evolution of the work.

Everything that I've learned about computers at MIT I have boiled down into three principles: Unix: You think it won't work, but if you find the right wizard, they can make it work. Macintosh: You think it will work, but it won't. PC/Windows: You think it won't work, and it won't.

Do you want a successful career or a close relationship with your family? Both! Do you want a focus on business or have fun and play? Both! Do you want money or meaning in your life? Both! Do you want to earn a fortune or do the work you love? Both! Poor people always choose one, rich people choose both.

When I work, I work. I don't think about anything else. I just wanna get the work done. And I'm a perfectionist.

You never know how a film will play, whether it will be successful or not, or whether it will touch the audience. I always said to myself that whatever happens, big audience or small, that I would not let the results have an impact on my way of working. But it would be a bit silly for me to change my methods when I have a big success. That means my methods work well.

I work with amazing organisations: I work with I'm A Performer With Disability, and I work with a clinic which tries to get opportunities for people with disabilities to work in the film and TV industry, and we're making strides, and they're making strides.

A life lived in chaos is an impossibility for the artist. No matter how unstructured may seem the painter's garret in Paris or the poet's pad in Greenwich Village, the artist must have some kind of order or he will proudce a very small body of work. To create a work of art, great or small, is work, hard work, and work requires discipline and order.

Sign your work...If you're not proud of it, don't ship it. If you are, sign your work and own the results. We'll know who to thank. If you work for a place where work goes unsigned (internally, in particular) it's worth asking why.

The Cul-de-Sac ( French for "dead end" ) ... is a situation where you work and work and work and nothing much changes

I assert with confidence that the law of success, here and hereafter, is to have a humble and a prayerful heart, and to work, work, work.

We work for the families back home, we do not work for the lobbyists that prowl the halls of the capital building, do not forget who we work for.

The achievements of an organization are the results of the combined effort of each individual. People who work together will win, whether it be against complex football defenses, or the problems of modern society. Individual commitment to a group effort - that is what makes a team work, a company work, a society work, a civilization work.

Successful men are influenced by the desire for pleasing results. Failures are influenced by the desire for pleasing methods and are inclined to be satisfied with such results as can be obtained by doing things they like to do. The common denominator of success - the secret of every man who has ever been successful - lies in the fact that he formed the habit of doing things that failures don't like to do.

Drafting of the constitutions is interesting and the discussions around them revealing in many ways. I take it as a discussion of very important symbols revealing many different problems. My take at the beginning was to warn that Tunisia might be the only successful country, the only one to justify us in talking about the spring, while all the other countries were less successful, if not failing. Now the point is that even in Tunisia it is not going to be easy, and this is where we have a problem.

As a result of continuous work with these highly toxic substances, our minds were so numbed that we no longer had any scruples about the whole thing. Anyway, our enemies had by now adopted our methods and as they became increasingly successful in this mode of warfare we were no longer exclusively the aggressors, but found ourselves more and more at the receiving end.

The dripping... well, if it happens, it happens; it does not take anything from the work. The dripping just proves that you were not trying to control the work, but the work was developing by itself and if it drips, its a natural part in the evolution of the work.

Writing is work. It takes a lot of contemplation, concentration, and out-and-out sweat. People tend to romanticize it, that somehow your work appears by benefit of some mystical external force. In reality, to be a writer, you have to sit down and write. It's work, and often it's hard work.

Tradition, history and respect; that kind of qualities I admire, that I want to see preserved. Time is the only commodity that matters. Being successful doesn't make you manage your time well; managing your time well makes you successful. Goals, Priorities, and Planning. Why am I doing this? What is the goal? Why will I succeed? What happen if I chose not to do it? 'Good judgement comes from experience, experience comes from bad judgement'.

I'm not someone that wants to control everything. I like to work with people that bring their talents to the project. So I like it when the makeup artist has a chance to do their work, when the dresser does their work, when the director does their work. They all come with stories and ideas to think about.

Basically, every band that makes it has some dude with some sense of business. I don't know if our band would've been so successful were it not for Daniel's [Kessler] insight into how things really work. Daniel was the one who was diligently saying, "We should make a demo, send it out, play shows but not too many shows, get on shows with touring bands that are coming to New York."

I noticed that difference early on, like if you were successful in rock 'n' roll, that was a really bad thing, you almost had to hide it. You had these guys selling 200 million records with dirty T-shirts on. I was like, 'Come on, man. Come on. We know you're successful.' Hip-hop is more about attaining wealth. People respect success. They respect big. They don't even have to like your music. If you're big enough, people are drawn to you.

I like speed, I like passion, I like this style of football. Bayern Munich, for example, are very successful and play another style. I respect their style and it is another idea about football that is very successful but, if I had to choose what style I like most of all, it is the style we play.

I'm not against work, I think work is great, I work a lot; but if you want to play, the consequences must not be important.

Don’t have work-life balance - at least in the sense of trying to escape from work so you can have a life. Work should be fun - so make work enjoyable and satisfying for everyone - among other reasons because it pays off.

I found the most difficult thing when you became successful - when I had the record album, it won Album of the Year - that you were cut off from the source of your material. Your material was everyday people, and you were kind of cut off from that, and you had to work at it.

Love is hard work. It is the hardest work I know of, work from which you are never entitled to take a vacation.

At least 90 percent of my work is in situ. For me, it's not only to work with the architecture and space, it's also to work with the time, to work with the people who are involved with the place. It's also dealing with history. It takes all this into account. Other works can be placed in different environments, but they always follow a rule. This is usually not the case for work in situ, because even if they are transported, they remain there forever or they are destroyed.

The ability to make new work from old work - especially if that new work is different enough that it doesn't dent the market for the old work - is something that benefits all creators, since so few can claim not to have a giant or 10 supporting them underneath.