Top 1200 Sun Set Quotes & Sayings - Page 13

I think most of my approach to life has been like that, to find order in chaos, to be in the middle of a bunch of things happening at the same time, but find focus. I strive to be like the sun sitting in the middle of the solar system with all the planets spinning around it - millions of things going on. It's just sitting there being the sun, but exerting gravitational effect on everything. I think man should look at himself that way.

When I write for an album, I'll always have about 30 different types of instrument around me. I set them up in a small room with my computer running GarageBand, which is always set to record.

I was very lucky to have had the opportunity to tour with the Beastie Boys and watched almost every set they played on all those dates. Why not? You do your set and then you get to see the Beasties play? Best deal in town.

Look how the smaller birds greet the sun, with so much merry chirruping and so much outpouring of song! It is their way of expressing worship for the only Light they can know, an outer one. But man can also know the inner Sun, the Light of the Overself. How much more reason has he to chirp and sing than the little birds! Yet how few man feel gratitude for such privilege.

No matter what you set out to do and how you set out to do it, you ultimately have to be who you are, and who you are as that character. So, I paid as much homage as I could to what Michael Clarke did, and had to rely on my own gifts to guide me through it.

Like, on the 'Parks And Rec' set, I still feel like I'm a guest star. Being a fan of the show, it's really surreal to be on the set and see that it's not real, and getting to know the actors and they're not their characters.

I just wanted to do it all. Film and television was so strange to me because I didn't grow up in the business, I didn't know anything about it, and I had never been on set before. But, from the minute I got on set and did 'Old School,' I was like, 'I want to do this!'

It's just not enough time on set. That's my favorite time. I live for that time on set. I feel like that's when I'm stretching and flexing my muscles and learning how to direct better.

I like working, I'm not into relaxing. Work motivates me, and even when I do take a holiday, I meet friends, talk about projects and set up meetings, set meetings between other people, or get involved.

During my 8 years in office, I set up a special investigatory branch as part of the highest court level. As it happened, from the time I set it up until now, I'm the one who has been investigated under that procedure. Of course, I had not expected this to happen.

And here Dante describes an evidently spherical world... "The lamp of the world [the sun] rises to mortals through different passages; but through that which joins four circles with three crosses [the position of the rising sun at the vernal equinox] it issues with a better course and conjoined with better stars, and tempers and stamps the wax of the world more after its own fashion. Although such an outlet had made morning there and evening here, and all the hemisphere there was bright, and the other dark..."

You make me smile like the sun, fall out bed, sing like a bird, dizzy in my head. Spin like a record crazy on a sunday night. You make me dance like a fool, forget how to breath, shine like the sun buzz like a bee, just the thought of you can drive me wild. Oh you make me smile.

I've always known that the quality of love was the mind, even though the body sometimes refuses this knowledge. The body lives for itself. It lives only to feed and wait for the night. It's essentially nocturnal. But what of the mind which is born of the sun, William, and must spend thousands of hours of a lifetime awake and aware? Can you balance off the body, that pitiful, selfish thing of night against a whole lifetime of sun and intellect? I don't know.

The one important thing you do as boss is you set the standard. The minute you go in and say 'we'll let it go this time,' you set a new standard, which is lower. So you cannot do that.

By going on the defensive. [...] libertarians are, inadvertently, conceding that speech should be policed for propriety, and that those who violate standards set by the PC set are somehow defective on those grounds alone and deserve to be purged from "polite" company.

For you, it's a silent movie. For us, it's a talking movie because we had lines on set. There's a lot of noise on set and music. We spoke in English, in French, in gibberish, but it was very alive. The challenge was tap dancing.

Imagine you are walking down a leafy path...The sun is receding, and you are walking alone, caressed by the breezy light of the late afternoon. Then suddenly, you feel a large drop on your right arm. Is it raining? You look up. The sky is still deceptively sunny...seconds later another drop. Then, with the sun still perched in the sky, you are drenched in a shower of rain. This is how memories invade me, abruptly and unexpectedly.

When we in Congress set the terms under which immigrants in this country must live, we wield a power that is checked primarily by our individual sense of fairness: the power to set taxes and make laws that apply to people who do not have representation.

We definitely set out to make a great 'radio' record. We set out to write great hooky choruses-but with verses that said something.

In the center of all rests the sun. For who would place this lamp of a very beautiful temple in another or better place that this wherefrom it can illuminate everything at the same time? As a matter of fact, not unhappily do some call it the lantern; others, the mind and still others, the pilot of the world. Trismegistus calls it a "visible God"; Sophocles' Electra, "that which gazes upon all things." And so the sun, as if resting on a kingly throne, governs the family of stars which wheel around.

I was on a show called 'SliDE' when I graduated from college, and then that set the premise of my love for acting. It was so much fun. I was on set with my best friends every day. From that, I got 'Home and Away' and it was such a relaxed, friendly environment. Everyone's so kind and supportive.

When you people have a set up joke and the joke is set up straight and the words are just well written, I always say "C'mon, humans don't speak that way."

In this model, the sun is a very tiny speck of dust indeed-a speck less than a three-thousandth of an inch in diameter ... Think of the sun as something less than a speck of dust in a vast city, of the earth as less than a millionth part of such a speck of dust, and we have perhaps as vivid a picture as the mind can really grasp of the relation of our home in space to the rest of the universe.

When a person places the proper value on freedom, there is nothing under the sun that he will not do to acquire that freedom. Whenever you hear a man saying he wants freedom, but in the next breath he is going to tell you what he won't do to get it, or what he doesn't believe in doing in order to get it, he doesn't believe in freedom. A man who believes in freedom will do anything under the sun to acquire... or preserve his freedom.

I definitely isolate, but I also always have people in front of me, and I have to be OK with that. I'm in a business where, on the set, you're around two hundred people every day, and if you're high on the call sheet, you sort of set the tone for the set. And you want people to feel appreciated, and you want to ask them how their kids are. You want to talk to people and invest in them and let them know that they're appreciated and heard. But then I do like to just kind of withdraw.

We didn't set out to be cool. We set out to be an extremely tight band. We wanted to defy expectations. The more negative your mindset on coming to one of our gigs, the better for us, frankly.

The first thing I think of when I hear the name of Lucille Ball is a Hollywood legend. I have fond memories of growing up at her house, but she was a different person off the set than she was on the set.

National parks, zoos, protected areas, polluted seas - using the whole world as a readymade, I thought about it as a stage set. To activate a stage set you need a drama, an actor to offset it.

But beauty is set apart, beauty is cast by the sea, a barren rock, beauty is set about with wrecks of ships.

My ego would be fed tremendously when I'd go on a set and get in a car and tear it to pieces. I'd get out and everyone on the set would applaud.

It's funny: when I set out to create the world of 'California,' I didn't give the type of apocalypse much thought... I simply set my two characters, Cal and Frida, in a depleted world and moved through it intuitively.

Our stories can set us free. When we set them free.

The Amazon is not just a set of trees. It is a set of 25 million people. If we don't create real economic opportunities for them, the practical result is to encourage disorganized economic activities that results in the further destruction of the rain forest.

So he was deserted. The whole world was clamouring: Kill yourself, kill yourself, for our sakes. But why should he kill himself for their sakes? Food was pleasant; the sun hot; and this killing oneself, how does one set about it, with a table knife, uglily, with floods of blood, - by sucking a gaspipe? He was too weak; he could scarcely raise his hand. Besides, now that he was quite alone, condemned, deserted, as those who are about to die are alone, there was a luxury in it, an isolation full of sublimity; a freedom which the attached can never know.

Circumstances dictate your set of values, your set of morals.

I was very comfortable on the set of 'Lost'. I was so nervous when I went on to the set because I had just watched all the 'Lost' episodes. I was, like, a fan. A big fan.

We were filming the West Wing on the set one day in DC and Madeleine Albright comes by the set. I mean, when does that happen? You turn around and there's the former Secretary of State just sitting there. After the Clinton administration finished we were filming right outside the White House and John Podesta comes walking up while we're out there filming. Just strolling by the set - the former Chief of Staff! Things like that would happen all the time.

Early morning, the orange sun is slowly rising, shining forth in empty luminous clarity. The mind and the sky are one, the sun is rising in the vast space of primordial awareness, and there is just this. Yasutani Roshi once said, speaking of satori, that it was the most precious realization in the world, because all the great philosophers had tried to understand ultimate reality but had failed to do so, yet with satori or awakening all of your deepest questions are finally answered: it's just this.

The error arises from the learned jurists deceiving themselves and others, by asserting that government is not what it really is, one set of men banded together to oppress another set of men , but, as shown by science, is the representation of the citizens in their collective capacity.

This is where the story starts, in this threadbare room. The walls are exploding. The windows have turned into telescopes. Moon and stars are magnified in this room. The sun hangs over the mantelpiece. I stretch out my hand and reach the corners of the world. The world is bundled up in this room. Beyond the door, where the river is, where the roads are, we shall be. We can take the world with us when we go and sling the sun under your arm. Hurry now, it's getting late. I don't know if this is a happy ending but here we are let loose in open fields.

I really wanted to make sure that if we set Duke up, that he's set up the right way and he's his own hero for the right reasons.

Google was the right set of people at the right time, and they ended up doing the right set of things. It's worth looking at how they are managed. They are network-oriented and allow a lot of flexibility and creativity.

I was very comfortable on the set of Lost. I was so nervous when I went on to the set because I had just watched all the Lost episodes. I was, like, a fan. A big fan.

It was a kind of paralysis you would get from tendonitis and I would last about five to ten minutes into the set and it would set in and I really couldn't play.

What happened?" he demanded. "I heard an explosion!" "Yeah.That was me. I set the boat alight." "What?" "I set fire to the boat." "But we're on the boat!" "I know.

When I was a little girl, I used to try and bring sunshine to my mother. I felt so bad that she had never really seen or felt it. So I would try and catch it in jars. When that failed, I captured jars and jars of lightening bugs and told her that if we could catch enough of them, then it would look like the sun. She’d laugh, hug me, and then set them free and tell me that nothing should have to live its life in a cage. (Cassandra)

What signifies Philosophy that does not apply to some Use? May we not learn from hence, that black Clothes are not so fit to wear in a hot Sunny Climate or Season, as white ones; because in such Cloaths the Body is more heated by the Sun when we walk abroad, and are at the same time heated by the Exercise, which double Heat is apt to bring on putrid dangerous Fevers? The Soldiers and Seamen, who must march and labour in the Sun, should in the East or West Indies have an Uniform of white?

I had this spooky psychological thing about 'The Piano' before it began, which was how everybody was going to go nuts on the set. Because a film tends to set up the way people are going to behave.

Rise early. Fix a time-table to which you must try to keep. One seldom regrets having made an early start, but one always regrets having set off too late; first for reasons of safety-the adage 'it is later than you think is very true in the mountains-but also because of the strange beauty of the moment: the day comes to replace the night, the peaks gradually lighten, it is the hour of mystery but also of hope. Setting off by lantern-light, witnessing the birth of a new day as one climbs to meet the sun, this is a wonderful experience

But it is fit that the Past should be dark; though the darkness is not so much a quality of the past as of tradition. It is not adistance of time, but a distance of relation, which makes thus dusky its memorials. What is near to the heart of this generation is fair and bright still. Greece lies outspread fair and sunshiny in floods of light, for there is the sun and daylight in her literature and art. Homer does not allow us to forget that the sun shone,--nor Phidias, nor the Parthenon.

When my country, into which I had just set my foot, was set on fire about my ears, it was time to stir. It was time for every man to stir.

Golden Verses So-called because they are "good as gold." They are by some attributed to Epicarmos, and by others to Empedocles, but always go under the name of Pythagoras, and seem quite in accordance with the excellent precepts of that philosopher. They are as follows: Ne'er suffer sleep thine eyes to close Before thy mind hath run O'er every act, and thought, and word, From dawn to set of sun; For wrong take shame, but grateful feel If just thy course hath been; Such effort day by day renewed Will ward thy soul from sin. E. C. B.

From the sun did I learn this, when it goeth down, the exuberant one: gold doth it then pour into the sea, out of inexhaustible riches, -So that the poorest fisherman roweth even with golden oars! For this did I once see, and did not tire of weeping in beholding it. - Like the sun will also Zarathustra go down: now sitteth he here and waiteth, old broken tables around him, and also new tables half-written.

What we do with Him now, we will be for all eternity. In His eternity He came to die our death and give us His eternity. His eternity requires no sun or moon or seasons or days. His is an eternal day without time. He is the Light. He is the source of all our needs. In Him is no darkness. As we have the light of the sun, we can also have the light of the Son. One provides for the natural, One for the spiritual.

But the funny thing is, I broke my finger not on set doing kung fu. I broke my finger when I fell down the stairs prior to going on set.

I've learned a lot about what kind of actor I want or do not want to be while being on set. I sit back and observe how other actors treat the totem pole of set politics.

Animators do amazing working translating and interpolating the characters [in the Planet of the apes], the facial performances. What we're creating on set - if you don't get it on the day, in the moment, on set, in front of the camera, with the director and the actors. The emotional content of the scene and the acting choices.

When we're doing our lessons, the teacher doesn't say, 'Ready, set, work,' They say, 'Ready, set, play,' and I always took that word seriously.

It's nice to have my mother as someone I can talk to about acting. My dad's a director, so when he comes to watch me on set, he think it's his set. He's always telling a production assistant, 'Can you get me five donuts?'

At first glance, you read something on the page and it can seem one way, and you can have your decisions before you wind up on set about what that set is supposed to mean, but until you're actually there doing them, there's really no way to understand it.