Top 1200 Super Funny Quotes & Sayings - Page 18

I got into trouble a lot in school. They say you're a disturbance in class. You're a distraction, they're moving you around. You never really get rewarded in class for being funny. You're a disturbance. But the funny kid is often witty and clever and quick... they finally get a chance to express themselves when they get out of school.

I'm not really a line type of guy. I mean, pick-up lines work for some guys. You gotta really sell that thing hard. I did try one pick-up line, and it failed miserably. I thought it was really funny, but the girl didn't find it very funny.

Nothing is funnier than unhappiness, I grant you that… Yes, yes, it's the most comical thing in the world. And we laugh, we laugh, with a will, in the beginning. But it's always the same thing. Yes, it's like the funny story we have heard too often, we still find it funny, but we don't laugh any more.

Oftentimes, a funny situation is funny because it's uncomfortable or weird. The most memorable stories, or the stuff that you repeat to your friends, it's not like, "Oh, I had a pleasant day, nothing happened on the bus today." It's when strange things happen, when you become uncomfortable or knocked out of your own reality, those are the things that are interesting.

It was easy to make fun of Bush, but it was sort of like shooting fish in a barrel and it didn't really feel all that good because it was so easy to do. I would much rather live under a thoughtful president. Even if it makes it harder to be funny about politics, it makes it more interesting to be funny about politics.

If you look at UFC champions: BJ Penn - terrifying! GSP - terrifying! Anderson Silva - terrifying! But I'm not terrifying. I am not the super-submission guy, I am not the one-punch KO guy, so I am not the most feared guy in the worldBut I will not quit, I will not break and I will fight you like a dog for every second of every round. I am not a super-talented guy, I'm just a dude who will fight you tooth and nail.

I'm not a boy-writer, I've never been. I wanted to be a boy-writer when I was young, and I think that held me back. I wanted to be very clever, and funny, but I'm not very clever and not terribly funny. I've finally accepted my limits, and I do what I can do.

Mariah is a beautiful and talented person, and I've had a crush on her for as long as I can remember. Every day, my respect for Mariah continues to grow higher. She's a caring, warm and funny person. People have no idea how funny she is! I feel like I've always known she was my forever love.

A comic says funny things. A comedian says things funny.

Some people say funny things - but I say things funny.

It's funny: most people who recognize me on the subway and stuff - it's much more they think of me as a funny guy. I get much more of people telling me how much I make them laugh, actually. Which is nice.

I don't want any funny business, and above all I don't want to be dragged into other people's funny business. If it's to be my head on the block, I want to know that it's doing there, and not that it's some stupid things that other people have done.

I always try and mix High Street finds into my looks. It really doesn't matter how much something costs, it's the way you wear it! Fashion is about self expression, having fun, and occasionally being a little disposable. I really enjoy lots of stores that are found at local shopping malls. French Connection, Zara, and Topshop always interpret the fashions direct from the catwalk at affordable prices. This playsuit from Hoss Intropia is delicate, super sexy, and has a lingerie feel. I'd throw on a super soft, chunky cardigan and a pair of flat gladiator sandals.

I'm super-curvy.

I just knew that I was funny, and I knew that it was just a matter of time. I didn't know what was going to actually happen - this is definitely way bigger than I thought - but I knew there was no way I was going to be that funny, and nobody was going to notice it.

Sure, I would have loved it, if we'd gotten 2,000 screens, but I never had that delusion. I was very realistic. I think it's a success, in that it turned out funny, I got everyone I wanted to be in it, and it will get seen. The hope is that it gets a little cult following. I think people will be surprised about who's in it and how funny it is. That's my hope.

I don't consider myself a funny girl, but I do have a sense of humor because I don't take myself too seriously. Taking yourself too seriously, I think, is not right. Life is supposed to be funny. Because if you can laugh about yourself when you made a mistake or when you did something wrong, you can learn from it.

I love funny women. I love writing funny women characters.

Kind of the exhausting thing about doing pure comedy, or something that's broader, is you're kind of a slave to the laugh. If it's not funny, then there's not much point in doing it. The kind of über-objective is to make people laugh. You always have to have that in the back of your mind, "Eh, I've got to figure out a way to make this funny."

There's different kinds of improv. There's Second City improv where you try to slowly build a nice sketch. There's stuff you do in college coffee houses where you just go joke, joke, joke. Bring another funny character with a funny hat on his head. Christopher Guest is more the line of trying to get a story out.

One can always come up with funny lists and jokes. You know what? I take it back. Not everyone can always come up with funny lists and some jokes. I'm very lucky to have a gift where I can do that pretty ably.

Just to talk in front of people is scary. And now you gotta learn how to be funny, and now you gotta learn how to make people laugh at what you think is funny. That's not easy.

I really never thought people would think that I was funny, I thought (my friends) thought I was funny because I was their friend, but other people would just think I was an asshole. I was at least partly right.

There's a rule of writing: if everything is funny, nothing is funny; if everything is sad, nothing is sad. You want that contrast.

We all know funny people who can't get it down on the page - even funny writers who can't get it down on the page.

If something is very, very funny but possibly controversial, if it's truly funny, then it's worth doing. Things aren't worth doing for the sake of being controversial.

There's a difference between being a comic and a comedian. A comic is a guy who says funny things, and a comedian is a guy who says things funny, and he has a style and point of view that will last much longer.

People always say, when did you realize you were funny? And I think it's not that you realize you were funny. It's that you're brain works in a certain way. And I don't think that that's - I think in some respects it's uncontrollable, and you can either accept it and deal with it and hone it or you can try to fight it. And I was too weak to fight it.

I thought it would be a funny concept to publish a book about stand-up comedy with Faber, the poetry publisher, and to apply to stand-up the same sort of weight of annotation that you would to a classic work of literature, an epic poem. I thought that would be funny.

Great, big, serious novels always get awards. If it's a battle between a great, big, serious novel and a funny novel, the funny novel is doomed.

Because I was familiar with Taika's Watiti work and there's a very subversive, funny streak amongst all of them. I don't think he turned [Hunt for the Wilderpeople] into a sort of drama, there's too much dark material underneath it for it to be a comedy; it wasn't designed to be a comedy. I think it's a comedy... I think it's a drama that's funny; which is different.

The moment you think you're not funny, the next funny thing you think of is just around the corner. So you have to appreciate the natural breathing patterns, the ups and downs. There are moments you're going to be hilarious and moments where you're going to be not so hilarious. That's just the way it works.

We live in a funny time, a funny era, when desire, to be adult desire, has to be conceived as sexual. And that didn't used to be the case. Sexuality is a social construction as much as anything else and I think the realities of sexuality don't always fit into the social constructions that we have, and we live in a goal-oriented time - on all fronts.

I really don't have a type. I never had a type. If I could put them all together, it's, like, the most different grouping. So I love when guys are funny. I love guys that are funny and goofy and over the top. And you know, I really like personality.

When I try to be funny, it always makes me more nervous that I'm trying too hard, and then my brain that already thinks too much jumps into hyper drive, and I light-speed start talking 'Star Trek' to someone who's talking 'Star Wars.' Anyway, it doesn't work out usually when I 'try' to be funny.

Kind of the exhausting thing about doing pure comedy, or something that's broader, is you're kind of a slave to the laugh. If it's not funny, then there's not much point in doing it. The kind of ueber-objective is to make people laugh. You always have to have that in the back of your mind, 'Eh, I've got to figure out a way to make this funny.'

Sometimes just being an immigrant, I read things the wrong way, and that can be funny. Or I'll put the emphasis on the wrong word, and that can be funny. I have an affinity for comedy because I like to watch them. It's an honor to make comedies because I love being able to pop something into the DVD player and laugh. I love doing it.

I know what is funny coming out of my mouth and what is not funny coming out of my mouth. You have to figure out, What is the joke that I can do that nobody else can do?

I'm not super traditional at all.

[An article about Cho] started out, "Funny, sexy, zaftig Margaret Cho..." What is "zaftig?" Isn't that German for "big fat pig?" I guess I was lucky - "zaftig" is kind of a nice word. It could have been, "Funny, sexy, OBESE Margaret Cho."

I'm super competitive.

Going before an audience of people who expect you to be funny is tough. Going before an audience that expect you to be boring, and then being a little funny, is much easier. I prefer easier.

I'm not super-athletic.

You're taking big risks doing comedy, because ultimately, you're trying to be funny. If you're not funny, you look like an idiot. You have to be prepared to look like an idiot, so you need to have confidence in the man at the helm of it all. You have to take a massive leap of faith and be daring and bold with your choices. It always makes for better work I think.

I think I'm always inspired by really, really funny, amazing women, but I'm also inspired by really funny, amazing men. I think there's more of a feminist voice, like with Amy Schumer being out right now, whom I adore.

I did a lot of sitcoms, and being funny isn't about being beautiful. Usually, beautiful people aren't the funny people.

'Funny Games' was conceived as a provocation. My other films are different. If people feel my other films are, or respond to them as provocation, then that's quite different. 'Funny Games' is the only one of mine where my intention was to provoke the audience.

Some people say funny things, but I say things funny.

I'm a super tomboy.

They didn't know why these things were funny. Sometimes you laugh because you've got no more room for crying. Sometimes you laugh because table manners on a beach are funny. And sometimes you laugh because you're alive, when you really shouldn't be.

I'm super-hygienic.

Any comic can get on the radio show and be funny. You can get that on any morning radio show or afternoon radio show. There are plenty of people who do that. It's not a difficult format, to sit around with two or three comics and be funny.

When I was, like, 16, I went in to the head of Disney, and I hadn't taken acting class really at all, and I didn't know what I was doing, and it was really embarrassing. Of course, you think Disney wants over-the-top and funny, and I was just trying to be over-the-top and funny, and it just wasn't working, and that was the worst.

In the U.K. and Ireland, crowd-work is a big thing. It shows you how funny someone would be if you met them off-stage. Americans don't care if you're funny off-stage. They want to see the writing; they want to see the work you did.

I'm not super into sports.

It’s crazy. Since there have been men and women, there have been funny women... f**king idiot-ass men keep saying that women aren't funny. It makes me crazy. I find it disgusting and offensive every time.

The actors come in and they make characters their own and so Patrick and I have never been the kind to think that our script is the bible. We want to make sure that the story is told, that you stick to the story but if you have to make changes to the character then that's fine. A lot of times there are some funny one-liners, funny things that happen that are out of the ordinary. I like it.

I'm not super-political.

When I walked in on 'Drag Race' and saw Katya, I had no idea she was gonna be funny, because she was stunning. She had this perfect red lip, I remember looking into her eyes and being like, 'This is a woman!' Then she was really funny. She kind of presents normal, and it's a one-two punch with the comedy.

I'm not a super dribbler.