Top 1082 Superman And Batman Quotes & Sayings - Page 15

I love him who liveth in order to know, and seeketh to know in order that the Superman may hereafter live. Thus seeketh he his own down-going.

Superman has been around for so long; he's been around for, what, eight decades now? And he goes through these different eras where different aspects of who he is get emphasized.

I don't want to play a superhero. Drogo may not be Superman, but it is a phenomenal role. I didn't want to get typecast. Drogo is an exceptional character. Conan is iconic. Whether it does good or not, you just try to elevate it to the next level.

Hugo Strange is interesting in the sense that he's a master manipulator. He doesn't really engage Batman in any sort of physical way. His weapon is his mind, and he's very incisive and clever: he reads people and sizes them up almost instantly.

I like Batman, I like basketball, and I like to rap.

It is so gratifying for me the degree to which the Minions have been embraced. It's almost unprecedented in the CG animated world. It's amazing. That's really all a creator hopes for, that their characters grow beyond them. It's like Darth Vader and Batman. They've gotten bigger than their creators.

The only time it got really crazy was during 'Batman.' Anywhere I went in the world, people knew who I was. I was being offered these huge films that would have taken my career to a different level, and I decided to put on the brakes. I knew if I continued on that track, I probably wouldn't have gotten married.

What's happened is that every time I go to a convention or go into a comic book shop is that people drag me off into a corner and beat me up and go, 'When are you going to do Batman again?'

I actually grew up watching a lot of these cartoons - a lot of the animated series. 'Batman: The Animated Series,' 'Justice League,' all the stuff that would come onto Cartoon Network.

Fascism is not just a word. It`s not just a way to insult someone with whom you disagree. It is a specific thing. It is a specific form of far right politics that involves a sort of narcissistic cult of superman action around the leader of the party.

One of the things that I thought really worked was that you have 'Smallville' on television and 'Superman Returns' come out in the theater, and it was fine. Nobody freaked out; nobody thought they were competing.

Look at every action movie in Hollywood. Every leading man from Spider-Man to Batman to James Bond, 'Bourne Identity', every one of them possesses martial arts skills.

I'm a fan of Superman as created by Jerry Siegel and Joe Shuster. Remember that Jerry and Joe created a character that was the biggest superhero of all.

If you're not perfectly conscious of yourself, that self can be tyrannical; in relationship to others, anyone can become a tyrant. That's why no one can be a Superman. You have to go beyond yourself with a 'third eye' - self-awareness - because the one thing you cannot flee is yourself.

For boys, Wonder Woman is a frightening image. For girls she is a morbid ideal. Where Batman is anti-feminine, the attractive Wonder Woman and her counterparts are definitely anti-masculine.

Persistence is half the battle. That's what I love about independent movies. They don't have to be made. There's no studio with an agenda to set up a franchise like 'Batman' or to make a vehicle for a celebrity actor. My films are made because I love the process.

Prior to 'Action' and 'Justice League 1,' there was no label 'superhero' for a superpowered being. It's really the emergence of Superman and the Justice League that gets the public comfortable with the idea of people amongst us who have extraordinary power and that they've agreed to be our champions.

Playing an icon [superman], you don't try to be an icon because that defeats the purpose. The responsibility attached is enormous, and the realization that it actually really, really matters meant that I wanted to put the most amount of work into representing the character properly.

Verily, a polluted stream is man. One must actually be a sea to take in a polluted stream without becoming impure. Behold, I teach you the superman: he is the this sea, in him can your great contempt go under.

This is the contradiction we have in the media. We love vigilantes: Batman, Tarzan, Green Arrow - the comic books and the TV shows are filled with vigilantes. We love to promote it. Jesus Christ was a vigilante. We admire these people, but we don't want to be associated with them.

It's funny, you know: my mother-in-law, who doesn't have an ounce of nerd in her, is just so excited by the fact that I write 'Batman' because she'll see an article about me in the 'Washington Post' or 'The Wall Street Journal' or something. And that means so much to me.

I'm excited for everybody to see the books. In Justice League #15, there's a lot of other stuff too that's setup in this storyline that's going to explore Superman and Wonder Woman and Cyborg. Cyborg has a huge role in this story, actually, that sends him on a new path as well.

There are two things I want to be able to know when I walk into a fight, or with anything in life. And I'm not Superman, I'm not even that great at fighting. Those two things are: I have done everything in my power to prepare for this and I will not quit, no matter what.

If I'm not mistaken, Sigmund Freud said that in every idealisation there's an aggression. Depicting the Pope as a sort of Superman, a star, is offensive to me. The pope is a man who laughs, cries, sleeps calmly and has friends like everyone else. A normal person.

Well, 'aerospace' was really not a name in my young life. Flying airplanes was. And I got my first try at flying - just pure flying - by flying my 'Superman' cape off my daddy's barn when I was about 5 years old.

If you open the door and realize things like the fact that Batman is occupying the same narrative space that Robin Hood used to fill 400 years ago, then you have the freedom to ignore the pointless "what is literature" discussion and just talk about stories.

It's about the characters, it's about the film, it's about the process of making stunning visuals and a huge, epic movie. It doesn't matter if my head was covered in a black plastic bag and I was bouncing around in a space hopper: That's the villain of Chris Nolan's 'Batman!'

James Brown is the perfect example of flashy but classy. Classy doesn't have to mean boring. His gear was flamboyant but without being so over the top. The cape was probably the biggest part of his persona. He looked like Superman.

[Duke] is the same way that Harper Row is a character who doesn't want to know who you are beneath the mask, and that makes her interesting. She'll show up and help Batman, but she never wants to know if he's Bruce Wayne.

I love Ben Affleck. I think he will be a great Batman. Ben can bring the humanity to all his parts. He can play the good guy, the bad guy, but behind that grin he's got, there is always that humanity.

I love Bane. I love the Joker. I love Batman.

I think I had only been working nine months when I got Star Trek, and it was huge. It was very overwhelming. So that opened my eyes a bit at an early age, kind of how not be frightened when walking into a responsibility of something like villain in Batman, or a Hobbit, or whatever it is.

Of all the things I've done, the first 'Strongman' story was one of the easiest things to write. It was almost fully formed from the get-go. It's almost a 'Dark Knight Returns' riff, except you have a battle-worn Mexican wrestler instead of Batman.

Some of the greatest actors have turned superheroes into a serious business: Michael Keaton and Jack Nicholson in Batman; Ian McKellen and Patrick Stewart, the first venerable knights of the X-Men, who have now passed the baton to Michael Fassbender and James McAvoy.

Batman: a force of chaos in my world of perfect order. The dark side of the Soviet dream. Rumored to be a thousand murdered dissidents, they said he was a ghost. A walking dead man. A symbol of rebellion that would never fade as long as the system survived. Anarchy in black.

Some things are not meant to be kept forever... You know you have to stop and let go when things aren't going right, and everything you do is unappreciated. Remember what batman said? 'it is wiser to be alone but happy... than with somebody who does nothing while you're doing everything...'

Man is a rope stretched between the animal and the Superman-a rope over an abyss. A dangerous crossing, a dangerous wayfaring, a dangerous looking-back, a dangerous trembling and halting

There's a great legacy before me. Many, many fantastic actors, artists, writers have come before me and created Superman. I'm very honored to be able to be a part of it.

I do proclaim myself king of bachata because I have to represent my genre. I have to always come out and put on the Superman cape. I'm pretty much representing my culture. I'm not going to change that. But I definitely don't want there to be a misconception where people are like, 'The only thing he likes to do is bachata.'

Evolution is not finished; reason is not the last word nor the reasoning animal the supreme figure of Nature. As man emerged out of the animal, so out of man the superman emerges.

When you work on a pre-existing character, when you end up getting invited to be part of a legacy character like Superman, I don't feel like it would be true to the character if all I did was go in looking to express my own voice.

I think writers process their own experiences through the characters and situations they write. So for Batman, I used my own experience of losing a loved one. Grief is a strange place; it's like an altered state. You might sleep too much, so you can see the dead in your dreams.

One of my favorite things, coming of age, reading comics, was these ideologies and these philosophies of these characters. Seeing those on the page really represented in amazing ways some of my favorite 'Batman' comics like 'The Killing Joke' or 'The Dark Knight Returns.'

Besides Spiderman and Batman, 'The Flash' has, hands down, the best villains. You could do a TV show about The Rogues, and there's enough depth and interest and oddly honor amongst those characters that I think people will watch that show.

I did a show called 'Lois & Clark' - it was about Superman - years ago. They wanted someone to play the president of the United States. The plot was the president got kidnapped by a group, and they made a clone of him, who was very irresponsible and silly.

It is true that from a behavioral economics perspective we are fallible, easily confused, not that smart, and often irrational. We are more like Homer Simpson than Superman. So from this perspective it is rather depressing. But at the same time there is also a silver lining. There are free lunches!

People are attempting to bring a superficial reality to superheroes which is rather stupid. They work best as the flamboyant fantasies they are. I mean, these are characters that are broad and big. I don't need to see sweat patches under Superman's arms. I want to see him fly.

I feel like I've been training my entire career for this moment in a lot of ways. So many artists just want to draw Batman, and I'm getting the opportunity to do the backups in a brand-new Scott Snyder project that has so many artists.

'The Cape' is a really good comic! They invented the whole character, and now they've built a book of 'The Cape' for the show. When I was a kid, I used to love Batman, and I loved Spider-Man. My favorite was this guy called Judge Dredd. I know they made a movie of that in the '90s.

I really kind of always wondered, if I did Superman, what I would do, and what I would be able to do, because it's a little harder for me, being kind of a realistic guy, to imagine doing a character who almost has no limits to his powers.

Bond? It is a bit like saying, 'Do you want to play Superman?' Anyone would dream of it. It's one of the most coveted roles in film. I'd be honoured. But I don't know if it will actually happen. I'm just happy with the idea of being associated with it. It's nice there's a lot of good will.

I know it's hard to blame the time, but there's a bit of an expectation for a summer movie. I think that 'Superman Returns' was a bit nostalgic and romantic, and I don't think that was what people were expecting, especially in the summer.

Ever since the Tim Burton Batman of 1989, it has been de rigueur in movies to focus on the freaky alienation aspect of the superhero's life: This is how talented people make movies for 14-year-olds while retaining their self-respect.

Some of the greatest actors have turned superheroes into a serious business: Michael Keaton and Jack Nicholson in 'Batman'; Ian McKellen and Patrick Stewart, the first venerable knights of the X-Men, who have now passed the baton to Michael Fassbender and James McAvoy.

When I started writing 'Batman,' I lobbied heavily to get rid of Robin - or at least not use him in the stories I wrote. Fighting crime with a teenager dressed in primary colors while you're sporting a gray-and-black outfit always struck me as child endangerment, if not abuse.

In truth, I've never been a big superhero fan. I don't mind some of the movies, and a couple of the cartoons were alright - that Batman series from the early nineties where Mark Hamill voiced the Joker is sweetness. But largely, I've not really had much time for superheroes.

Bruce sees in this character - who fought all the way through "Superheavy" when his parents were missing, and now is determined to fight even though his parents are telling him he's worth nothing - the essence of Batman.

I went and met with Tim Burton for the role of Batman. But I just couldn't really take it seriously; any man who wears his underpants outside his pants just cannot be taken seriously.

I made 'Batman' the way I made every other film, and I've done it to my own satisfaction - because the film, truly, is exactly the way I wanted it to be.

[I]n 1938, Superman appeared. He had been mailed to the offices of National Periodical Publications from Cleveland, by a couple of Jewish boys who had imbued him with the powers of a hundred men, of a distant world, and of the full measure of their bespectacled adolescent hopefulness and desperation.