Top 600 Superman Quotes & Sayings - Page 10

Man is a transitional being, he is not final; for in him and high beyond him ascend the radiant degrees which climb to a divine supermanhood. The step from man towards superman is the next approaching achievement in the earth's evolution. There lies our destiny and the liberating key to our aspiring, but troubled and limited human existence — inevitable because it is at once the intention of the inner Spirit and the logic of Nature's process.

This character matters so much to so many people. I want to get that right. I want to do it justice. I want people to believe in the character and have faith in the character and kids to grow up wanting to be Superman. Or, God forbid, there's people who are going through hardship and wishing that this character would turn up and save them.

I read some Marvel, but I was more of a DC guy. Particularly the Flash, Barry Allen. I latched on to him because I felt like him. You thought to yourself, 'Well, you can't really be Superman.' You couldn't really be Batman - Batman was a really dark figure. I identified with Barry Allen's hopefulness.

What is the ape to man? A laughing-stock or a painful embarrassment. And just that shall man be for the superman: a laughing-stock or a painful embarrassment.

I grew up watching Wonder Woman; I grew up watching Batman. I grew up watching George Reeves as Superman.

The intellectual and moral satisfaction that I failed to gain from the utilitarianism of Bentham and Mill, the revolutionary methods of Marx and Lenin, the social contract theory of Hobbes, the "back to nature" optimism of Rousseau, and the superman philosophy of Nietzsche, I found in the nonviolent resistance philosophy of Gandhi. I came to feel that this was the only morally and practically sound method open to oppressed people in their struggle for freedom.

Bes had indeed put on his ugly outfit. He climbed onto the roof of the limbo and stood there, legs planted, arms akimbo, like superman-exept with only the underwear. I wasn't sure what to say except: "Put some clothes on!" "These children are under my protection," Bes insisted. "I don't know you," I said, "I never met you before today." "Nonsense. You expressly asked for my attention." "I didn't ask for the Speedo Patrol!

Characters work really well when they're reflective of the times that they're operating in. To keep these characters static - like Superman was invented in the '30s, Wonder Woman in the '40s - if they were still operating under those kinds of constraints, they'd die. These pop cultures, just like Greek myths, they have to reflect the time their stories are being told. That's what makes them relevant.

We love being in business with Guillermo [Del Toro]and frankly that movie, if you look it up, did I think more business than the first X-Men, did more than Batman Begins, our first movie, did more than Superman Returns, The Fast and the Furious, Star Trek- so for a movie that was an original property that we made up it's done really well.

One of the greatest sins in any story is false suspense. The kind of 'suspense' that disintegrates the moment you give your reader one second to think about it. And it's an easy trap to fall into, so watch carefully for it. If your story hinges on the question, 'Will Superman be pushed so far in his battle against Lex Luthor that he'll have to kill him?', or if your big cliffhanger moment is, 'Wow, is Spider-Man really dead this time?', then I understand Food Lion is hiring.

If there is some sort of trouble at home, kids don't think that James Bond is going to come save their mum from their dad, or their dad from their mum. They don't think, "Bond is going to come and save me." Superman is a different sort of idealized figure.

Christianity, righty understood, is utterly unlike religion that man invents. It is so completely contrary to the way man does things that it must have come from God. Take Christmas, for example; only God could have thought of that. When man invents a super being, he comes up with a Superman, or a Captain Marvel. God gives the world a baby.

There’s a whole psychological reason for those cartoons about good against evil. We have "Superman" and all those other hero people, so that we can go out into life and try to be something. I’ve got most of Disney’s animated movies on video-tapes, and when we watch them. Oh, I could just eat it, eat it. […] Jimmy Cricket, Pinocchio, Mickey Mouse – these are world-known characters. Some of the greatest political figures have come to the United States to meet them.

I did Lois & Clark: The New Adventures Of Superman. It was a sequence where the president got captured and they made a doppelgänger of the president who was kind of goofy. They were Second City people who were the producers and writers, and they told my agent, "Well, we know Fred can do the kind of goofy, but we're not sure he can do be the straight president, kind of the Clinton-esque." So I really got my back up and I called my agent and I said, "Goddammit, I insist that I go in and read." And I did a great job and I got the part.

At first, it was really weird after being a touring stand-up comedian that wears just jeans and a shirt. But now, it's almost like when you go from Clark Kent to Superman: "All right, I've got to go put on a suit and interview Justin Trudeau." It feels like it's part of the process. Oddly enough, I've been in enough places - they sometimes send you to places that are a bit scary - that I know how to run in a suit. Like, run fast.

I think it's one thing if you are turning out dozens or even a hundred stories a year, you've got to have a great supporting cast behind you. Superman had a family that developed, and it's only natural that Batman has a family of sorts that developed. I think it's a great way to keep the comics interesting and varied, to appeal to different segments of an audience, to bring new perspectives to it.

The ‘I’ character in journalism is almost pure invention. Unlike the ‘I’ of autobiography, who is meant to be seen as a representation of the writer, the ‘I’ of journalism is connected to the writer only in a tenuous way—the way, say, that Superman is connected to Clark Kent. The journalistic ‘I’ is an overreliable narrator, a functionary to whom crucial tasks of narration and argument and tone have been entrusted, an ad hoc creation, like the chorus of Greek tragedy. He is an emblematic figure, an embodiment of the idea of the dispassionate observer of life.

If there’s any other message in this to readers, it’s in these two characters as icons of hope, that it doesn’t make any difference where you come from, or where you went to school, or who you are, there’s hope. That a kid from Jersey with Superman as the icon that kept him alive for years would one day end up writing the character is as absoutely unlikely as it is utterly inevitable. And if that’s true for me, it’s true for you, if you follow your dreams and your passions in full flight. Don’t give up. No Limits. It’s never too late to learn to fly.

Writing about real stuff that really concerned me brought out my craft. If you're writing a story about, 'Is Lois Lane gonna figure out that Superman is Clark Kent?' - it's really hard to get involved in that on anything other than a craft level. And I'm not gonna put down craftsmanship; it is a noble enough thing to have made a table that you can pound on and it doesn't fall down. But occasionally, we might have an assignment that engages some other parts of ourselves, and those tend to be the good stories.

I'm a little worried about a Batman versus Superman movie just because it's... I just think it's really tough to pull off. I'm very excited about seeing it, but I think it's really tough to balance those two characters in the same movie.

There's an honesty to Clark, Kal-El - Kal-El's the better way of saying it because he is both Superman and Clark - there's an honesty to him which crosses over on both - I don't like to use the word 'identities,' but I will because I can't think of a better one. So, it is not that tough to make that swap and change.

Making Superman was so hard. We were a year over schedule. We were there a year and a half, the first time. And in a year and a half, you go through everything you go through in a life. So you can't really go, "Oh, it must have been fun to work with Chris Reeve." In a year and a half, you bonded like a family, so you know someone far too well to think something as simplistic as "Oh, it's just fun." You know their secrets. I mean, it was everything. It was truly - it's a cliché to say we were family, but we really were.

I have always liked the idea of Superman because I have always liked the idea that there is one person in the world who doesn’t do bad things. And that there is one person in the world who is able to fly.

I think up to this point, it's been difficult to suggest a world where Batman and Superman and Wonder Woman and others could exist in the same universe. That was one of the things I really wanted to try and get at. Not to mention, the amazing opportunity to bring those characters and have those characters tell an important story, their own story, within the confines of a film.

Clearly, there's a real onus on you to do something correctly when everybody, at least in the United States, had a really clear, specific idea of what this guy looked like - and even more so, what he looked like as Clark Kent and as Superman. You have this whole vast audience of people who would be acutely aware of any deviation whatsoever and probably holding you to a slightly higher standard as a result.

The future. Space travel, or cosmology. Alternate universes. Time travel. Robots. Marvelous inventions. Immortality. Catastrophes. Aliens. Superman. Other dimensions. Inner space, or the psyche. These are the ideas that are essential to science fiction. The phenomena change, the basic ideas do not. These ideas are the same philosophical concepts that have intrigued mankind throughout history.

There is therefore no reason to put a limit to evolutionary possibility by taking our present organization or status of existence as final. The animal is a laboratory in which Nature has worked out man; man may very well be a laboratory in which she wills to work out superman, to disclose the soul as a divine being, to evolve a divine nature.

I know, who doesn't want to play a superhero, right? And everyone wants to play Superman or Batman. Everyone wants to play a superhero.

If you can feel like a good man in your 40s, you can feel like a better man in your 50s, a Superman in your 60s, and maybe a Spider-Man in your 70s.

Up there we see everything, Oakland to the left, El Cerrito and Richmond to the right, Marin forward, over the Bay, Berkeley below, all red rooftops and trees of cauliflower and columbine, shaped like rockets and explosions, all those people below us, with humbler views; we see the Bay Bridge, clunkety, the Richmond Bridge, straight, low, the Golden Gate, red toothpicks and string, the blue between, the blue above, the gleaming white Land of the Lost/Superman's North Pole Getaway magic crystals that are San Francisco.

Certainly as a kid, I grew up with Batman, Superman, whoever - they didn't need to be black for me to relate to them. But when a character like Cyborg came along, I got excited, because he looked a little bit more like me; his experiences were a little bit more like mine.

I don't think I was particularly in need of superheroes. I never had any fascination with Superman or Spider-Man or a Batman kind of character. If it happened at all, it was imagined characters that I had invented. My dad was a role model for me. He was a fascinating man. There was intrigue and entertainment growing up with him. He gave me an edict that I still pursue: “Life should never be boring."

Seeing clearly within himself and always able to dodge around the ends of any position, including his own, Shaw assumed from the start the dual role of prophet and gadfly. To his contemporaries it appeared frivolous and contradictory to perform as both superman and socialist, sceptic and believer, legalist and heretic, high-brow and mob-orator. But feeling the duty to teach as well as to mirror mankind, Shaw did not accept himself as a contradictory being.

I make no apologies for Popeye. Behind M*A*S*H, it's my biggest hit. It got maligned by the critics because it wasn't Superman. It wasn't about special effects and it wasn't made for 14-year-old boys. The majority of films are made for 14-year-old boys; I don't know where they get the eight bucks to get in. It's hush money from the parents.

I think a lot of creators are attracted to those toys they got to play with when they were young, and everyone wants to write a Superman story or a Batman story or a Spider-Man story. I don't know, if it's been successful for me, it should be successful for anyone. "Hit the ground with your feet running" is the secret of breaking new characters when it seems like no one else is having any luck.

And what I'm telling you now is not for you to go out and try the same ways I try, or not to even try my technique. Just put it to your personality, put it to yourself, and you develop your workout. Cause those books and things, those are other people's gimmicks and hypes. Build your own gimmick and hype, and that'll make you a better powerlifter. Not just doin' it like James does it, cause if you try to fly off the building like superman you'll be out there in the middle of the street.

I will say that adapting a character like Da Vinci really wasn't that dissimilar from doing Batman or Superman. Because all three of these guys are really iconic figures, and yes, Da Vinci was historical, but there's clearly been a lot of mythmaking about him, and a lot of things have been attributed to him that may or may not have happened.

The word "utopia" has two meanings. It means both "good place" and "nowhere". That's the way it should be. The happiest places, I think, are the ones that reside just this side of paradise. The perfect person would be insufferable to live with; likewise, we wouldn't want to live in the perfect place, either. "A life time of happiness! No man could bear it: It would be hell on earth," wrote George Bernard Shaw, in his play Man and Superman.

Stain Boy Of all the super heroes, the strangest one by far, doesn't have a special power, or drive a fancy car. next to Superman and batman, I guess he must seem tame. But to me he is quite special, and Stain Boy is his name. He can't fly around tall buildings, or outrun a speeding train, the only talent he seems to have is to leave a nasty stain. Sometimes I know it bothers him, that he can't run or swim or fly, and because of this one ability, his dry cleaning bill is sky-high.

Superheroes are also about immigrants. Superman, the prototype of all superheroes, is a prototypical immigrant. His homeland was in crisis, so his parents sent him to America in search of a better life. He has two names, one American, Clark Kent, and the other foreign, Kal-El. He wears two sets of clothes and lives in between two cultures. He loves his new country, but a part of him still longs for his old one.

Were really trying to make Crisis as accessible as possible, which is extremely difficult to do because it involves so many characters. But, again, you dont need to know all the details. Obviously the mainstays are there Superman, Batman, Wonder Woman and heavily focused on. There are a ton of great characters, and a lot happens to them over the course of Infinite Crisis . Some change and evolve, others fall, but it really is about trying to bring everybody on stage. We probably have 90 percent of the DCU showing up, if not more but without losing focus on what the story is.

Every instance in my life, I've felt like the exact opposite of Superman. Except this time, this moment right now. I don't care. I don't feel like a weak, insipid sissy. Because right now I know I would save the girl. I know that I would rather risk the planet than let harm befall Eliza Wishart. I would save her in a second. Because I can imagine her and me huddled safe together while the earth falls under evil designs, but I can't imagine the world without her in it.

I really became a hardcore Batman fan when I was eight years old. What was clear to me, the reason I liked him better than Superman or Spider-Man or the Hulk or whoever, was the fact that he was human, and I could identify with him, and I really believed in that character strongly. In my heart of hearts, when I was eight years old, I believed that if I studied real hard, and worked out real hard, and if my dad bought me a cool car, I could be this guy.

Adults...struggle desperately with fiction, demanding constantly that it conform to the rules of everyday life. Adults foolishly demand to know how Superman can possibly fly, or how Batman can possibly run a multibillion-dollar business empire during the day and fight crime at night, when the answer is obvious even to the smallest child: because it's not real.

Nietzsche's vision of the superman is of someone who's able to control and tame his passions and turn them into something richer than raw emotion and raw feeling. I think the best writing does that too. Untamed passion basically results in bad writing or bad polemics, which so many writers and public intellectuals are vulnerable to.

Like a lot of kids, I had a Superman cake or different theme cakes, but then I hit the age where I think my mom thought I was ready for the German chocolate cake that she makes for my dad. Just the sight of that, the taste of that frosting, just reminds me of being at home with my mom and my dad and my sister and my friends.

I guess I could be singing about Superman, or about Zarathustra coming down from the mountain, but in my mind I was singing about Julian Assange. I wish I could say that Nietzsche inspired my lyrics but all I can honestly say is I was inspired by the graphic design of these '70s paperback covers for Beyond Good & Evil and The Birth of Tragedy and The Gay Science.

If I'm creating a new superhero, it shouldn't be any different from other superheroes in terms of the qualities. Obviously the personality can be different. I think traditionally in comics women have tended to be a girlfriend or the daughter of whoever, whether it's even Batgirl as Gordon's daughter, or whatever. There is that relation of the hero, you know, like Superman's cousin, Supergirl. And that's great. It's fantastic to have a link to these amazing characters, but I kind of like the idea of things being something in their own right, which is why I've always loved Wonder Woman.

I want to ride my bicycle bicycle bicycle; I want to ride my bicycle; I want to ride my bike; I want to ride my bicycle; I want to ride it where I like...; I don't believe in Peter Pan, Frankenstein or Superman; All I wanna do is bicycle, bicycle, bicycle...

I put a lot of effort in creating something fictional, yet very personal, because Shook is a defining part of me and my music: the Shook entity is much like the Batman or Superman comics characters. I like the idea that I can have this image that represents a part of me, but isn't really me, kind of like an alter ego.

We're really delving into so many stories that are comic book based, so I like that we have a woman as part of that production. We haven't really explored that too much. Wonder Woman has had so many different connotations over the years because she's so beloved as a character, and it's been interesting to see how she's evolved - to see how her outfits have changed, and going from having her invisible plane to starting to fly herself, and sort of be on par with the physical attributes of Superman.

...for the contingent out there who sneer at heroes like Superman and Wonder Woman and Captain America, those icons who still, at their core, represent selfless sacrifice for the greater good, and who justify their contempt by saying, oh, it's so unrealistic, no one would ever be so noble... grow up. Seriously. Cynicism is not maturity, do not mistake the one for the other. If you truly cannot accept a story where someone does the right thing because it's the right thing to do, that says far more about who you are than these characters.

When you feel sad, it's okay. It's not the end of the world. Everyone has those days when you doubt yourself, and when you feel like everything you do sucks, but then there's those days when you feel like Superman. It's just the balance of the world. I just write to feel better.

I used to have to do readings in church, and it was terrifying. I would never have my glasses. The words are printed so small even Superman would be nervous. And you’re reading from the Bible. It’s not like you can just make something up and improvise. “A reading from the letter of Saint Paul to the Corinthians. Uhhh. Dear Corinthians, … How was your weekend? Sure is hot here. Uh, tell Jesus ‘Hey.’ This is the word of the Lord.

Poverty comes from Hell. Prosperity comes from Heaven. Adam had complete dominion over the earth and all it contains. A. Adam could fly like a bird. B. Adam could swim underwater and breathe like a fish. Adam went to the moon. Adam walked on water. Adam was a super being; He was the first superman that lived. Adam had dominion over the sun, moon & stars. Christians do not have Christ in their hearts. Sow a big seed, when you confess it, you are activating the supernatural forces of God.

It is this ideal of progress through cumulative effort rather than through genius—progress by organised effort, progress which does not wait for some brilliant stroke, some lucky discovery, or the advent of some superman, has been the chief gift of science to social philosophy.

Two years and a half and Syria is still withstanding against the United States, the West, Saudi Arabia, the richest countries in this area, including Turkey, and, taking into consideration what your question implies, that even the big part or the bigger part of the Syrian population is against me, how can I withstand till today ? Am I the superhuman or Superman, which is not the case !

If you do a black character or a female character or an Asian character, then they aren't just that character. They represent that race or that sex, and they can't be interesting because everything they do has to represent an entire block of people. You know, Superman isn't all white people and neither is Lex Luthor. We knew we had to present a range of characters within each ethnic group, which means that we couldn't do just one book. We had to do a series of books and we had to present a view of the world that's wider than the world we've seen before.

Big Ben just kept building up. It ended up coming off the field. It kept taking over. Superman kept taking over Clark Kent and you just never saw who Ben Roethlisberger was any more.

Every once in a while, someone comes up to me and says, "Excuse me, are you Tim Daly?" And I say yes and they say "I have to tell you, I am such a huge fan of yours, and my favorite work of yours is the voice of Superman." I'm always sort of surprised when that happens - I used to think that it was all about the kids watching those animated shows, and who did the voices didn't really enter their consciousness. But there are people that it means a lot to and I'm always a little bit taken aback by that. And I'm thrilled when that happens.