Top 1200 Supporting Actors Quotes & Sayings - Page 5

I think that's one thing about the entertainment industry: Athletes want to be actors, and musicians want to be actors, so it all kind of mixes nice together.

The most exciting thing I've seen is directors not only being open to actors coming in the room with different abilities but actively looking at ways that the story can be enlarged with disabled actors.

A lot of young actors have the idea that, "I've got to do this right. There's a right way to do this." But there's no right or wrong. There's only good and bad. And "bad" usually happens when you're trying too hard to do it right. There's a very broad spectrum of things that can inhibit you. The most important thing for actors - and not just actors, but everybody - is to feel loose enough to create what you want to create, and be free to try anything. To have choices.

There are lots of actors who are posh and stick with that, and there are lots of actors who are cockney, and that's what they do. That's fine, but I don't think that could be said about me.

It is true that as he film market in China has grown, actors' and actresses' compensation has grown quite a bit. Different actors have different kind of deals. Some take percentages, some sign contracts with a company, some take a simple cash payment. But the growth also means there are many more actors out there. Competition has gotten much stiffer, too.

David was the kind of guy who was totally supportive of the actors and instructed the writing staff to trust the actor's instincts, since after all, it's the actors playing the character.

I had this sort of idolatry for certain actors who preceded me, people who inspired me, so I'm honored to be that way for young actors.

I think that what's important as a director is to give your actors the feeling that they're protected, the feeling of confidence, the feeling that if they make mistakes, then as a director, you'll know how to help them. If you're able to convey that, then the actors will give you wonderful performances. As well as the author, you have to write scenes that give the actors the opportunity to show what they're capable of.

I found American actors quite scary because they're brilliant actors and brilliantly funny, and they never stopped once you wound them up... off they went and they just deliver fantastic stuff.

I went to an acting class for 3 years. But then I figured out that, since there were already 26,000 actors in SAG (Screen Actors Guild), I could make a better living as a stunt man.

I don't really write with actors in mind; I write with characters and then hope desperately that we can get good actors to play those parts.

They were looking for actors - real actors - who could play instruments. There was a lot of improvisation and scene work involved in addition to the music. The auditions went on for a long time.

I like to spend time with senior actors before going on set to break the ice. On set, I just look at them as co-actors.

I think actors like to be directed. Actors like to know where they're headed and what they want, so I'm very encouraging.

It's notoriously difficult to get actors to go on record speaking about other actors. Such requests are usually met with terse replies from publicists explaining that their clients are on set and too busy to reply.

I think it's important to create an atmosphere where actors feel like they can try things out. It doesn't mean that I'll take every suggestion, but I want there to be some room for actors to grow.

For me, actors have to have a character, an aura, body language. They're not models. They used to call actors models. But I want them to participate in the film.

'Mercury' is one of the most challenging projects I have worked on. From the nuances of the actors' expressions to the minute technicals of the movie, everything needed to be monitored and looked into. The actors were required to emote purely with their face.

The actors I admire are character actors.

I do not subscribe to the idea of actors Rajinikanth, Kamal Haasan, Pawan Kalyan, and Upendra launching political outfits just because they are actors, though I am a fan of all these stars.

I think many young actors want to be daring. They want to surprise their fellow actors as well as their audiences.

I think there will always be a particular generation of actors who think that they're going to be replaced by robots. But certainly the emerging actors understand that that's part of the craft.

There was a time when the industry would typecast actors. It still continues to an extent on the celluloid but with the digital medium coming to the fore, the actors are finding equal status with the stars.

Not that it entirely matters: There is a perception that all actors make their movies. A lot of people assume you're responsible. George Clooney told me actors get all of the blame and all the credit.

I love Woody Allen. He's very clever, always thinking, and he's great with actors. He lets actors do what they want to do and occasionally he'll give them a specific kind of direction.

In terms of animation, animators are actors as well. They are fantastic actors. They have to draw from how they feel emotionally about the beat of a scene that they're working on. They work collaboratively.

There are some actors who can only play themselves, but good actors must really be separated from the people they play.

Actors generally get to do things you probably shouldn't do in real life - well, at least as much as one might like to or be tempted to. Though I suppose a lot of actors just go ahead and do it, don't they?

My advice to young actors is probably to do some theatre; definitely do that. I keep running into these actors who have never been on stage, and it's invaluable for an actor. What you will learn about yourself is huge.

My work requires acting at its most committed - it demands actors of enormous resilience, but also intelligence and wit. It doesn't work for narcissistic or selfish actors.

The actor's relationship to the crew is really a big dynamic that influences everything. When actors are assholes, it becomes problematic. When actors are great and sensitive and prepared, it makes a huge difference.

People very often say to actors that they admire their careers, and I rather think that what's implied by that is that we have a choice in the matter. When really, most actors, me included, do whatever comes along next.

You work with every actor differently. It's like if you're a mother, if you have children, some children need more discipline. Other children, you back off of a little bit and let them be. It's the same way with actors. Some actors need a lot of hand holding. Other actors like to be let be, and you let them go.

All actors do that. Should do that and do that. For the most part. I say all actors. I'm exaggerating, but you know who does and who doesn't. Vince is a wonderful young actor who knows his work and did a beautiful job on this film.

IMDb publishes the actual dates of birth of thousands of actors without their consent, most of them not celebrities but rank-and-file actors whose names are unknown to the general public.

Comedians are not usually actors, but imitations of actors.

There are professional negotiators working for the writers and the actors, but basically you've got the writers and actors negotiating against businessmen. That's why you get rhetoric.

I love stage actors. The pool of world class actors that have done theater [is big], there's a higher opportunity of grabbing somebody from that pool.

I want people to see my heart, what I feel - not as one of America's best black actors but as one of the best actors.

When you work in film, you have to be pretty fluent in explaining your vision, especially when speaking to actors, and I found speaking to actors to be so challenging and intimidating on set.

Are there differences between black actors’ opportunities and white actors’ opportunities? Yes, there are. It’s been said.

Actors are almost conditioned to get their director's approval. 'I just did my song and dance, boss. What did you think?' Actors are infantilized so much.

Sure, I have a lot of friends that are actors. Just because I guess I run into a lot of actors in my work.

My experience over the years with working with people who are not actors or not trained actors is that you have to get to know them well enough to see what they have that's translatable onto the screen.

What I learned about acting, from my experiences directing, is why so many producers and directors don't like actors. You go through all of this work securing a location, figuring out how to get electricity there, how to get trucks parked where they need to be, and where catering is going to come from. And if the actors don't come up with some magic, it actually didn't matter. That creates a lot of animosity towards the actors.

I think there's that weird bastardization where musical theatre actors are treated as almost like vaudevillians or circus performers - that we're somehow not good actors because we sing and dance.

Actors and actresses who say they never go to see their own pictures are talking through their hats. You don't have to be a Freud to know that the most fascinating person in the world - actors or anybody - is yourself.

I always try to approach things from the point of authenticity. I've done that for my short films, working with non-actors from the real environments where you go exploring and placing them into the cast alongside professional actors.

People think actors have such glamorous lives, but the truth is actors go where nobody wants to go.

I would love to work with Jack Nicholson, Saoirse Ronan, Michael Shannon and James Franco in the future. I think those actors are amazing, and they are my favourite actors by far.

Actors know how to talk to other actors in a way that sometimes other directors just don't.

I would like to see fewer actors modeling, or if they're going to model to the extent that they are modeling, then I think that models should be actors.

I've been blessed. Starting with Steppenwolf Theater and onward, learning from wonderful actors and getting to play with wonderful actors.

My family weren't actors, and we didn't know any actors. It wasn't even something I was aware you could do as a job. I thought you had to be a Redgrave or a Barrymore before you were allowed to go to drama school.

People should be shrouded in mystery. Especially actors. No, hang on, maybe actors should be blown up.

There are different kinds of actors, and movie actors tend to be exceedingly precise and mechanical in a way that's really admirable for me to watch. You always learn from them.

The great amount of fun that I have is I can cast dramatic actors to play comedic roles, and I can cast comedic actors to play dramatic roles because, really, there's no such thing. There's just actors.

Are there differences between black actors' opportunities and white actors' opportunities? Yes, there are. It's been said.

I don't slot actors into the image of a character that's already built. I build characters by listening to the voice and the story inside the heart of each actor. Art and life are linked, and expressed through my actors.

The thing I was up against in documentary films - was trying to get non-actors to convincingly play themselves in a way I'd come to know before the camera started rolling. And many non-actors can't do that convincingly, even if they just have to play themselves - they can't be naturalistic. And I would always want to recreate something I'd witnessed them do or say, and it just would be incredibly difficult because of the fact they weren't actors.