Top 572 Surroundings Quotes & Sayings - Page 9

In the end, to ski is to travel fast and free – free over untouched snow country. To be bound to one slope, even one mountain, by a lift may be convenient but it robs us of the greatest pleasure that skiing can give, that is to travel through the wide wintery country; to follow the lure of peaks which tempt on the horizon and to be alone for a few days or even hours in clear, mysterious surroundings.

Although I write in English, and despite the fact that I'm from America, I consider myself an Armenian writer. The words I use are in English, the surroundings I write about are American, but the soul, which makes me write, is Armenian. This means I am an Armenian writer and deeply love the honor of being a part of the family of Armenian wrtiters.

The precision of hisskill places his work beyond the tentative and the experimental stage. He is continually searching and exploring both himself and his surroundings. and in this exploration of the realm of places, people and things, contrasts and relationships, Callahan is no respecter of conventional technical formula or code. His delicate sense of pattern is an integral part of his photography and not a thing by itself.

Whenever we make changes in our surroundings, we can too easily shortchange ourselves, by cutting ourselves off from some of the sights and sounds, the shapes or textures, or other information from a place that have helped mold our understanding and are now necessary for us to thrive. Overdevelopment and urban sprawl can damage our own lives as much as they damage our cities and countryside.

The environment is everything that makes up our surroundings and affects our ability to live on the earth - the air we breathe, the water that covers most of the earth's surface, the plants and animals around us, the overall condition of our planet, and much more. Protecting the environment is really important to everyone's welfare - that of our children, as well as that of the future generations.

I am naturally pretty shy. I've come out of it a pretty good bit because I'm kind of a strange combination of being really shy and also being a born entertainer. I've got both in me and I guess it depends on my surroundings as to what's going to come out more prominently.

See if you can catch yourself complaining in either speech or thought, about a situation you find yourself in, what other people do or say, your surroundings, your life situation, even the weather. To complain is always nonacceptance of what is. It invariably carries an unconscious negative charge. When you complain, you make yourself a victim. Leave the situation or accept it. All else is madness.

The idea that the snapshot would be thought of as a cult or movement is very tiresome to me and, I'm sure, confusing to others. It's a swell word I've always liked. It probably came about because it describes a basic fact of photography. In a snap, or small portion of time, all that the camera can consume in breadth and bite and light is rendered in astonishing detail: all the leaves on a tree, as well as the tree itself and all its surroundings.

'Environment' is not an abstract concern, or simply a matter of aesthetics, or of personal taste - although it can and should involve these as well. Man is shaped to a great extent by his surroundings. Our physical nature, our mental health, our culture and institutions, our opportunities for challenge and fulfillment, our very survival - all of these are directly related to and affected by the environment in which we live. They depend upon the continued healthy functioning of the natural systems of the Earth.

How many things would be different in everyone’s surroundings if we hadn’t lived? How a good word many have encouraged some fellow and did something to him that he did it differently and better than he would otherwise. And through him somebody else was saved. How much we contribute to each other, how powerful we each are-and don’t know it.

When we dream, we create. All of life is a dream or a series of waking dreams. We dream our surroundings. We dream our friends, our relations. We dream our bodies. We dream our dreams.

She's my friend, the boy said simply. That's who she is and that's enough for me. As Minli looked at the buffalo boy, aglow with happiness against his poor surroundings, she saw it was enough for him. More than enough, as the smile that kept curling up on his face told her.

We're only passers-by, and all you can do is love what you have in your life. A person has to fight the meanness that sometimes comes with you when you're born, sometimes grows if you aren't in lucky surroundings. It's our challenge to fend it off, leave it behind us choking and gasping for breath in the mud. It's our task to seek out something with truth for us, no matter if there is a hundred-mile obstacle course in the way, or a ramshackle old farmhouse that binds and binds.

The wisest is he that knows only that he knows nothing. God only knows. We mortals are only troubled with morbid little ideas, sired by circumstance and damned by folly. The human head can absorb only the flavorings of its surroundings. We assume that our faith political and our creed religious are founded upon our reason, when they are really made for us by social conditions over which we had little control.

We strive towards a better world, but one can never do it without compromise. We can all change the world for the better, starting in your own little surroundings, together with people who believe in it, too. This way you can make it work and show others that it actually can work. That doesn't mean that everybody has to do it like you "or else..." If there is no compromise possible, then it turns into extremism, and I don't think that extremism ever added something positive to the world.

You can neither lie to a neighbourhood park, nor reason with it. 'Artist's conceptions' and persuasive renderings can put pictures of life into proposed neighbourhood parks or park malls, and verbal rationalizations can conjure up users who ought to appreciate them, but in real life only diverse surroundings have the practical power of inducing a natural, continuing flow of life and use.

So it sort of dawned on me that you have to build into your work the fact that it's going to be shown in different kinds of places and different kinds of light. And the fact that the surroundings and where you're going to be shown is always changing, so that should really not affect the meaning of the work. It should be part of what the work is about.

No matter how much you try and make your surroundings suitable for creativity, if the enviornment inside of you isn't creatively healthy then you won't be able to make the art you want. Being in tune with yourself and your inner truth, being at peace in there, is the best way to nurture your creativity. Then you can even make a bad enviornment a good one.

Is your life beautiful? Do you live in surroundings that you have made beautiful through your own unique, creative ideas? To expect and lovingly require beauty to be apparent in all areas of your life is to be deeply loving to yourself, your soul, your world, and shows reverence to God and all of life. There is always something beautiful to be found, right where you are, if you will look for it. Concentrate your thoughts on the good, the beautiful, and the true things in life.

It's weird, the evolution of a person. You understand yourself, you understand your surroundings. Then, when you understand who came before you, once you understand that about yourself and the energy that you came to this planet with, you understand more about yourself.

You have to be very cautious about what you are doing for charity and things like that. I think you have to start with your life. I think that's what life is expecting you to do. In your family, in your surroundings, in your work life, in the people you're with, your relationships; how you behave and doing what you need to accomplish. That for me is being a hero every day of your life.

Looking, touching, material, place and form are all inseparable from the resulting work. It is difficult to say where one stops and another begins. The energy and space around a material are as important as the energy and space within. The weather--rain, sun, snow, hail, mist, calm--is that external space made visible. When I touch a rock, I am touching and working the space around it. It is not independent of its surroundings, and the way it sits tells how it came to be there.

Fear, coercion, punishment, are the masculine remedies for moral weakness, but statistics show their failure for centuries. Why not change the system and try the education of the moral and intellectual faculties, cheerful surroundings, inspiring influences? Everything in our present system tends to lower the physical vitality, the self-respect, the moral tone, and to harden instead of reforming the criminal.

Nurture your felt love for nature. Never deny it. That love is the eons, the purifying intelligence, beauty and diversity of nature sustaining us in its perfection. Our disconnection from this love and its advice produces our hurt, greed and destructiveness. We must reconnect and restore its peaceful voice in our thoughts, soul and surroundings.

Mid-summer ... when the alchemy of Nature transmutes the sylvan landscape to one vivid and almost homogeneous mass of green; when the senses are well-nigh intoxicated with the surging seas of moist verdure and the subtly indefinable odours of the soil and the vegetation. In such surroundings the mind loses its perspective; time and space become trivial and unreal, and echoes of a forgotten prehistoric past beat insistently upon the enthralled consciousness.

If children have an interest in nature, they will understand. I want them to become people who appreciate the consequences the next generation will suffer if we destroy our natural surroundings. So without a doubt, they need to learn that nature is vital to us by experiencing it. I want them to like nature and to climb mountains and so on.

So as you are, in whatever conditions you are, in whatever situations you are, whatever may be the surroundings, like a dirty mire full of creatures and filth, you can become like lotuses. When you become like lotuses, all that is filth, all that is horrible can become fragrant. And this is what we have to achieve.

The main purpose of my work is to provoke people into using their imagination. Most people spend their lives in dreary, grey-beige conformity, mortally afraid of using colours. By experimenting with lighting, colours, textiles and furniture and utilizing the latest technologies, I try to show new ways to encourage people to use their phantasy and make their surroundings more exciting.

Mainiacs away from Maine are truly displaced persons, only half alive, only half aware of their immediate surroundings. Their inner attention is always preoccupied and pre-empted by the tiny pinpoint on the face of the globe called Down East. They try to live not in such a manner that they will eventually be welcomed into Paradise, but only so that someday they can go home to Maine.

We depend on our surroundings obliquely to embody the moods and ideas we respect and then to remind us of them. We look to our buildings to hold us, like a kind of psychological mould, to a helpful vision of ourselves. We arrange around us material forms which communicate to us what we need — but are at constant risk of forgetting what we need — within. We turn to wallpaper, benches, paintings and streets to staunch the disappearance of our true selves.

Tell me again what we're doing here," I said, running a continuous scan of our surroundings. Fang popped some Cracker Jack into his mouth. "We're here to watch manly men do manly things." I followed Fang's line of sight: He was watching the Dallas Cowboys Cheerleaders, who were not doing manly things, by any stretch of the imagination.

No one can help us to achieve the intimate isolation by which we find our secret worlds, so mysterious, rich and full. If others intervene, it is destroyed. This degree of thought, which we attain by freeing ourselves from the external world, must be fed by the inner spirit, and our surroundings cannot influence us in any way other than to leave us in peace.

In addition to the well-known benefits of health and well-being derived from exercise, there are other unique advantages to being a runner. You are more attuned to not only your body but also the world around you. The outdoor life you lead as a runner gives you a special relationship with your surroundings: nature, the climate, the seasons. As you depend on these things to accommodate your activity, you grow to understand and appreciate them.

He who wishes to see how the soul inhabits the body should look to see how that body uses its daily surroundings. If the dwelling is dirty and neglected, the body will be kept by its soul in the same condition, dirty and neglected.

Seen in retrospect, evolution as a whole doubtless had a general direction, from simple to complex, from dependence on to relative independence of the environment, to greater and greater autonomy of individuals, greater and greater development of sense organs and nervous systems conveying and processing information about the state of the organism's surroundings, and finally greater and greater consciousness. You can call this direction progress or by some other name.

A child in his earliest years, when he is only two or a little more, is capable of tremendous achievements simply through his unconscious power of absorption, though he is himself still immobile. After the age of three he is able to acquire a great number of concepts through his own efforts in exploring his surroundings. In this period he lays hold of things through his own activity and assimilates them into his mind.

I was certainly going the right way for a stroke when I left Paris. I paid for it nicely afterwards! When I stopped drinking, when I stopped smoking so much, when I began to think again instead of trying not to think - Good Lord, the depression and the prostration of it! Work in these magnificent natural surroundings (Arles) has restored my morale, but even now some efforts are too much for me: my strength fails me.

I would get songs sung to me, like 'Old Man River, 'or kids would call me Mississippi and things like that. At the time, I wished I had a name that blended in more with my surroundings. Now, though, I've really learned to love it. From fifteen, I really liked it. It felt appropriate. Before that, I don't think it quite fitted me. I had to grow into it.

I'm a writer and this is what I do no matter what name we put to it. Year by year, the world is turning into a darker and stranger place than any of us could want. This is the only thing I do that has potential to shine a little further than my immediate surroundings. For me, each story is a little candle held up to the dark of night, trying to illuminate the hope for a better world where we all respect and care for each other.

Art is a high calling - fears are coincidental. Coincidental, sneaky and disruptive, we might add, disguising themselves variously as laziness, resistance to deadlines, irritation with materials or surroundings, distraction over the achievements of others - indeed as anything that keeps you from giving your work your best shot. What separates artists from ex-artists is that those who challenge their fears, continue; those who don't, quit.

When you're not doing fiction, there's a limit to how much illustrating you can do with your work. I mean, you can do fine. There are great non-fiction writers, but people aren't necessarily going to say anything that reveals them as much as a picture might. Even their surroundings, in lot of cases, the things that meant the most to me were the things I noticed in their houses. I was always looking, as much as I was listening to them. I was looking around for clues as to why I was there.

It is clear, then, that the idea of a fixed method, or of a fixed theory of rationality, rests on too naive a view of man and his social surroundings. To those who look at the rich material provided by history, and who are not intent on impoverishing it in order to please their lower instincts, their craving for intellectual security in the form of clarity, precision, "objectivity," "truth," it will become clear that there is only one principle that can be defended under all circumstances and in all stages of human development. It is the principle: anything goes.

Sometimes I come across a tree which seems like Buddha or Jesus: loving, compassionate, still, unambitious, enlightened, in eternal meditation, giving pleasure to a pilgrim, shade to a cow, berries to a bird, beauty to its surroundings, health to its neighbors, branches for the fire, leaves for the soil, asking nothing in return, in total harmony with the wind and the rain. How much can I learn from a tree? The tree is my church, the tree is my temple, the tree is my mantra, the tree is my poem and my prayer.

The child takes in his world as if it were food. And his world nourishes or starves him. Nothing escapes his thirst. Secrets are impossible. He identifies with his surroundings and they live within him unconsciously; it is perhaps for this reason that the small child has been characterized as naturally religious.

Polak, a psychiatrist, has applied a behavioral and anthropological approach to alleviating poverty, developed by studying people in their natural surroundings. He argues that there are three mythic solutions to poverty eradication: donations, national economic growth, and big businesses. Instead, he advocates helping the poor earn money through their own efforts of developing low-cost tools that are effective and profitable.

Many of us spend our entire lives in the same bubble - we surround ourselves with people who share our opinions, speak the way we speak, and look the way we look. We fear leaving those familiar surroundings, which is natural, but through exploration of the unfamiliar we stop focusing on the labels that define WHAT we are and discover WHO we are.

At one year of age the child says his first intentional wordhis babbling has a purpose, and this intention is a proof of conscious intelligenceHe becomes ever more aware that language refers to his surroundings, and his wish to master it consciously becomes also greater.Subconsciously and unaided, he strains himself to learn, and this effort makes his success all the more astonishing.

To live on a day-to-day basis is insufficient; we need to transcend, transport, escape; we need meaning, understanding, and explanation; we need to see over-all patterns in our lives. We need hope, the sense of a future; the freedom to get beyond ourselves...in states of mind that allow us to rise above our immediate surroundings and see the beauty and value of the world we live in.

I like Paris because I find something here, something of integrity, which I seem to have strangely lost in my own country. It is simplest of all to say that I like to live among people and surroundings where I am not always conscious of 'thou shall not.' I am colored and wish to be known as colored, but sometimes I have felt that my growth as a writer has been hampered in my own country. And so - but only temporarily - I have fled from it.

In contrast to the values of morality, which depend on and encourage our similarities to each other, values like friendship or beauty depend on and encourage our differences. Ultimately, friendship is essential to our fashioning ourselves in ways that don't simply repeat the fashions of our surroundings: it is a mechanism of individuality.

The great crime which the moneyed classes and promoters of industry committed in the palmy Victorian days was the condemning of the workers to ugliness, ugliness, ugliness: meanness and formless and ugly surroundings, ugly ideals, ugly religion, ugly hope, ugly love, ugly clothes, ugly furniture, ugly houses, ugly relationship between workers and employers. The human soul needs actual beauty more than bread.

Our surroundings are not contained by name and form. You are neither the body nor the mind, these are limits you identify with through a lack of clear-sightedness. When you are attentive to a tree or flower, the perception, shape, name and concept are not the only things present. There is also the All-presence that you share with them and that you are both part of. The very name and form spring forth from this eternal background, the All-presence. This is instantaneous awareness that cannot be reached by thought.

Everything can inspire me. I know that sounds like a cop-out answer, but I find inspiration in literally just about everything. As an actor, I have to watch people and observe their behaviors - this is how I create characters. My daily surroundings feed my work, whether it's something I'm working on right now or it's something down the road. Music, art, landscape - these are all things I draw inspiration from.

Sometimes I feel people can move past what they've grown up around and their surroundings while in a place and some people need closure after they've left and then coming back. I've seen it happen with people I knew growing up that hated each other, and then years later you go home and you see them walking down the street and they have babies.

Our state of mind plays a major role in our day-to-day experiences as well as our physical and mental well-being. If a person has a calm and stable mind, this influences his or her attitude and behavior in relation to others. In other words, if someone remains in a peaceful and tranquil state of mind, external surroundings can cause them only a limited disturbance.

Your brain gets too comfortable in your everyday surroundings. You need to make it uncomfortable. You need to spend some time in another land, among people that do things differently than you. Travel makes the world look new, and when the world looks new, our brains work harder.

Colours change: in the morning light, red shines out bright and clear and the blues merge into their surroundings, melting into the greens; but by the evening the reds loose their piquancy, embracing a quieter tone and shifting toward the blues in the rainbow. Yellow flowers remain bright, and white ones become luminous, shining like ghostly figures against a darkening green background.

Nothing in all nature is so lovely and so vigorous, so perfectly at home in its environment, as a fish in the sea. Its surroundings give to it a beauty, quality, and power which are not its own. We take it out, and at once a poor, limp dull thing, fit for nothing, is gasping away its life. So the soul, sunk in God, living the life of prayer, is supported, filled, transformed in beauty, by a vitality and a power which are not its own.

Contact with like-minded painters - a group means a great deal to me: nothing comes in isolation. We have worked out our ideas largely by talking them through. Shutting myself away in the country, for instance, would do nothing for me. One depends on one's surroundings. And so the exchange with other artists - and especially the collaboration with Lueg and Polke - matters a lot to me: it is part of the input that I need.

A man of genuine literary genius, since he possesses a temperament whose susceptibilities are of wider area than those of any other, is inevitably of all people the one most variously affected by his surroundings. And it is he, in consequence, who of all people most faithfully and compactly exhibits the impress of his times and his times' tendencies, not merely in his writings where it conceivably might be just predetermined affectation but in his personality.