Top 165 Sweeney Todd Quotes & Sayings - Page 3

Just having walked into a prison environment, sat there for two hours, the effect that it had on me. ... I couldn't imagine the effect it would have on a person 24 hours a day. So then I became more intrigued, and we began a correspondence, and I began visiting [Todd Willingham].

I don't necessarily care about the money aspect of it. I just want to be valued where I'm at. If I am playing this game, I want to set standards for all the other running backs behind me, like Todd Gurley and Ezekiel Elliott, Melvin Gordon, guys like that.

Dark Horse movie might be blood, sweat, and tears for Todd Solondz, because things are so important to him and so specific. He has such a rhythm and a tone. So while he may have to work so hard to keep that intact, it allows the actors the freedom to just breathe. Because he's done all the heavy lifting. He really has. He has everything the way he needs it. And so we can just get there and be whatever he saw in the audition.

When I read the article [in The New Yorker] by David Grann, I was very struck by people responding to the article, of people thinking I was such a hero and what a wonderful person I was, and I didn't feel that at all. I felt like I had very much, like Todd [Willingham], taken a path of self-preservation.

It was a good hald minute before I looked over at Todd. his eyes were slightly foggy, like he was waking up- reluctantly- from a lascivious dream. "I didn't know they still made them like that," he said.... "Cool, tough, retro-manly. The kind who only cries if someone just ran over their dog. The big chested guy we can indulge our pathetic Daddy complexes with.

When it seemed like I was going to really have to be there at Todd's [Willingham] execution, I don't think I could have done it. I think I began to distance myself. I didn't visit as often; I didn't write as often. This was kind of after my conversation with [fire science expert] Gerald Hurst. And the [car] accident made sure that I didn't have to go up there. But I think he and I both shared that.

The enemy of the modern woman is not women who like fashion or are writing about it. The enemy is stereotypes that come from all places and that tell you to be one way or the other. The enemy is really real sexist people, like Todd Akin, and people who are violent against women physically or sexually.

My wife Jennifer Todd, who's a producer. She runs Matt Damon and Ben Affleck's company, and she produced Memento, and Boiler Room, and Prime, and Across the Universe... and Alice in Wonderland... She's really smart, and very helpful. That was nice, because I was super neurotic and worried.

I don't know if it was related to the type of music that we were doing at that time or what, but Todd Cook actually just turned to me and was like, "You know what would be a great name for a metal band? Dead Child." We talked half-jokingly that we were going to do a band. I guess as time went on, I started writing songs that were more metal sounding, and it just evolved from there. It actually started with the name first, and then the songs came second.

Sarah Palin is a figure of fun on the American left, easily lampooned as a know-nothing, gun-toting ex-beauty queen who loves God and the red, white and blue above pretty much anything else except for Todd, her macho husband, who races snowmobiles across the Alaskan tundra.

I live with fellow speed skaters and National Team members Heather Richardson, Sugar Todd and Mitch Whitmore, and Sugar lives up to her name. She spoils our household with baked goods, and not just at Christmastime.

When I was in high school, there was 'Superbad' and 'The Girl Next Door' and 'Wedding Crashers' and all these great movies. You hope to be a part of something that's smart, funny and in that Todd Phillips-vein. You want to make something like 'Superbad.' That movie was so good and so funny.

Dirk Gently [from Dirk Gently's Holistic Detective Agency], needs a sidekick, as all good detectives do, and he gets this message from the universe that this guy, Todd Brotzman, played by Elijah Wood, is the guy to help him through this mystery. But of course, that doesn't really explain the breadth of it.

Where's the activism? Nobody knows. And anyone who thinks they know, like Todd Gitlin, has their head up their ass. Nobody knows. The day before every revolution that's ever happened, that revolution was impossible. The day before Rosa Parks, that was impossible. The day after, it was inevitable.

I defend just like my brother Todd lived. He taught me how to play defense by the way he lived his life. I defend like every game is my last game, like anything can be taken away at any moment, and that's what my brother taught me. That's what he always preached to me, so that's how I believe the game should be played.

Guys like Todd Bridges never overcame being a child star. You can't have any big failures. I've always felt regular. I played organized ball at the rec league. At 13, they told me I sold 3 million copies. I didn't know what that meant.

Had there not been a Mary Todd, there would not have been an Abraham Lincoln. She found him when he was a young lawyer and really a bumpkin. No one knew of him, but she recognized his brilliance.

Nobody has had a bigger influence on me as far as day-to-day preparation than Todd Lickliter. He was a huge, huge, huge influence.

The occasional nomination of a Todd Akin or Christine O'Donnell or Sharron Angle is a problem for the GOP. But it's really just a symptom of a much more serious malady: an environment on the right that demands and rewards an ideal of 'purity' that has little appeal outside of the conservative movement.

Guys don't understand great art. They don't care that sometimes the camera has power beyond the photographer to record emotion that only the heart can see. They're threatened when the camera jumps ahead of me. Todd Kovich was pissed when I brought my Nikon to the prom, but I'd missed too many transcendent shots over the years to ever take a chance of missing one again. A prom, I told him, had a boundless supply of photogenic bozos who could be counted on to do something base.

And I know I’ve lost. Everything is lost. Everything is over. “As the newly appointed President of this fair planet of ours,” the Mayor says, holding out his hands as if to show me the world for the first time,” let me be the very first to welcome you to its new capital city.” “Todd?” Viola whispers, her eyes closed. I hold her tightly to me. “I’m sorry,” I whisper to her. “I’m so sorry.” We’ve run right into a trap. We’ve run right off the end of the world. “Welcome,” says the Mayor,” to the New Prentisstown.

My mom has a diary entry or something where I wrote, "I think Steven Tyler is my father." I had the same feelings for Todd Rundgren, who raised me as his daughter. I would go to sleep at night and wake up at like 6 in the morning and creep up the little steps to the tower where he would be on his computer. I would just sit there.

Do you think I should stay away from him?" I asked in a scratchy voice. Todd took a long time to answer. "My advice is, if you're inclined in that direction, go with your eyes open. It's okay to let someone play you, Haven, as long as you know what's going on.

I want guys who want to be here. I want guys who are energetic and passionate. I didn't see any passion from Todd. You could tell form his body language that he didn't want to be here.

It's always darkest before the dawn, Todd.” I look at him, baffled. “No, it ain't! What kinda stupid saying is that? It's always lightest before the dawn!

Todd Glass has amazing energy on stage. Dave Attell is one of my favorites because he's a one liner comic who is always incredibly in the moment with the audience. As for newer people, I think Adrienne Iapalucci writes some great, dark jokes and Sean Patton has a hilarious voice on stage.

War makes monsters of men, you once said to me Todd. Well, so does too much knowledge. Too much knowledge of your fellow man, too much knowledge of his weakness, his pathetic greed and vanity, and how laughably easy it is to control him.

[My friend and I] decided, we'll go to Corsicana, and we'll see what the people in Corsicana say. ... We just started meeting people and talking to them, and the more I heard the stories, the more red flags kept popping up. There was this disconnect between this person [Todd Willingham] that I'm reading in the court records, the prosecutor's statements, and this person that I'm learning about.

I was just trying to stay alive, looking for ways to find you, hoping you hadn't left me behind." "Never," I say. "Not never." He looks back up at me. "I'd never leave you neither." "You promise?" "Cross my heart, hope to die," he says, grinning shyly. "I promise, too," I say and I smile at him. "I ain't never leaving you, Todd Hewitt, not never again.

The truck was really fast, we just couldn't get a long enough green flag run there toward the end to get a good run on Todd and Skinner. But we were fast. Randy Goss, David Dollar and everyone on the No. 47 team and at Morgan Dollar gave me an awesome truck to drive tonight. We ran out of time to get back up there and race them for win.

I was just really appalled, and I really kept quiet until I saw the governor [Rick Perry] get on and repeat the same words that the prosecution had used in the penalty phase: that he [Todd Willingham] was a monster. And that got me to get on to the computer and connect with some of the media and say: "I have his letters. He wasn't a monster. He was a caring individual." Let them see another side.

It would be pleasant to believe that some of Lincoln's DNA is actively swimming around in somebody's soup, but all the evidence is against it. And of course, there's always the risk that what we might get would be more Robert Todd Lincoln than Abraham Lincoln.

God bless him, I mean a lot of times you get non-actors on a set and they get really self-conscious, especially when doing something crazy like singing along with Phil Collins. They get sort of reserved and self-conscious. Mike [Tyson] completely trusted Todd [Phillips] and totally put everything into it.

I promised Todd [Willingham] that I would attend the execution. ... It was impossible for me to go. I was incapable of that sort of travel. Sitting in a chair that long, driving to Huntsville just wouldn't have happened. ... I'm sure I would have been there. It's something I know. I would not have denied him that, but the accident kept me from being there. At some level, the universe was giving me the excuse for not being there. ... The universe was like, "Oh, you don't have to watch this." ... It would have been a horrible thing, but I'm sure I would have gone.

If we were controlling the performance, we never would have had someone push a button to make the pellet stove come on during a climatic moment. And after the loud pellet stove moment, which is like a Todd Haynes's Safe interruption into the home and into the narrative - as if the home is a like a ghost surrounding the characters - her performance changes entirely.

I'm the youngest of four boys, and my oldest brother, Todd, was like a father figure to me. We were very close even though we were 23 years apart. When my parents were working, he was the one there for me. He was diagnosed with lung cancer when he was 15 years old.

The story he [Todd Willingham] told me was this: He woke up to a fire. He ran out of the house and couldn't run back in to save his children, and that was enough to get me interested. ... There's a writer in me that's like, ... this is a great story. ... I have a good friend, who was my neighbor at the time, and I told her about it. ... She had been a reporter, and she was like, "Let's go investigate it."

You know I told the Lord, "Why can't I just move in healing and forget talking about all that other stuff." He said: " Because, Todd, you've got to get the people to believe in the angel". I said, "Why do I want people to believe in the angel. Isn't it about the people believing in Jesus?" He said, "The people already believe in Jesus but the church doesn't believe in the supernatural."

I think it can be hard for any man to sometimes be upstaged by his wife. So when I'm home, I work very hard to be Todd's wife and Jade's mother. I have no problem going back to those traditional roles. I try to be Giada, the young girl that he met 20 years ago and fell in love with.

I would like to work with Todd Phillips of 'The Hangover'. I would like to do more comedies; it would be a lot of fun. No actors in particular. I don't consciously seek out things to do.

I'm very surprised at Carol didn't get a best picture. Todd Haynes is an Academy darling, his period pieces are nothing short of brilliant, and they hold up. And I definitely feel like Carol speaks to, even though it's set in the past, it speaks to themes we're dealing with in life right now. It's really really shocking that it didn't get it.

There are five of us. We've all played in various bands together, in different combinations. I know that Todd [Cook] and Tony [Bailey] are my favorite rhythm section - they're just like a unit. I guess we've all just played together in various capacities, so when the band was coming together, it was sort of like we just chose members because they had similar sensibilities and also because they're just cool. We all got along real well.

Well, there's two things I have criteria for doing a film: The script, which is the story, and the filmmaker, and it's a filmmaker's medium. I like really strong directors, and so when I do a film, I'm out there to serve the director, really, which is in turn to serve the script, to serve the director cause he's the one making the film. I relied on Todd Haynes for that.

I started creative writing classes at Aberdeen Central Library, and the writer-in-residence there, Todd McEwen, encouraged me a great deal. He showed my stories to his editor, and I thought that was just what happened to everyone who took his classes!

I spent thousands of thousands of hours playing the piano, and by thousands of hours, I mean playing in cover bands or wedding bands or disco bands or original bands or playing cabaret for Todd McKenney.