Top 1200 Sweet Voice Quotes & Sayings - Page 20

Even if you think you're doing well and have it all figured out, there is a voice you will always inevitably hear at some point which nags at you and says "but wait..." Don't ever dismiss it, listen to what it has to say. Life will never be close enough to perfect, and listening to that voice means stepping outside of yourself and considering your own wrongdoings and flaws.

How sweet it is!

John [Lennon] as a singer - the way he sings on "Twist and Shout" and the way he sings on "Strawberry Fields Forever" - is a very odd voice, in the sense that it seems to be celebrating but almost mourning at the same time. There's a quality of mourning to his voice, which is very enigmatic.

It's sweet that I don't have to do my laundry.

We live in a society in which it seems that every space, every moment must be 'filled' with initiatives, activity, sound; often there is not even time to listen and dialogue... Let us not be afraid to be silent outside and inside ourselves, so that we are able not only to perceive God's voice, but also the voice of the person next to us, the voices of others.

It really depends, but, generally speaking, just because of the mechanics of it, voice-over is easier because there is no hair, no makeup, no wardrobe, no fittings, no line memorizing. You don't have to me woken up in Russia at 6 in the morning and go film a scene. It's just easier on the body, the family life to do voice-overs.

If you're passionate about it, speak up about it. Just show up, do your part, and make your voice heard, because at the end of the day, all we have is our voice and our platforms and our character.

This is what magic is. It's being able to speak in a voice which makes things happen, being able to speak in a voice which causes facts to be beheld by groups of people in a way that has been purged from profane language, for us relegated to poetry and that sort of thing.

You would have thought that as you got older the voice would tend to deteriorate in some ways, but I always look at somebody like Tony Bennett, who is my senior, and still can hit those high notes and still can belt it out as good as he ever did. So it must be something about the voice that's unlike the rest of the muscles in your body.

Temperament can really take a toll on the voice. If you get tight in your body with the acting, then you can get tight in your voice. And then you can get tired, and you can damage yourself vocally.

Sometimes you have to fail to move forward, so failing is part of the process. You can't be afraid to fail. You have to know that your voice matters. That's what I hope women get out of it. It's important to be in the movement. We're fortunate to live in a country where we're free to speak our minds, to criticize every figure from president on down, and so your voice matters.

The god of dirt came up to me many times and said so many wise and delectable things, I lay on the grass listening to his dog voice, frog voice; now, he said, and now, and never once mentioned forever from, One or Two Things

I was a ballet dancer for so long, but when I realized I had reached my limit and that I couldn't go any further I knew I wanted to pursue acting. That's one thing you don't use as a dancer - your voice. And the one thing I use most in my life is my voice so it's wonderful to get to express myself artistically through the biggest instrument I use.

Well, I don't think a specific role can destroy your voice. What can destroy your voice is when you... make an error. Everybody can make an error. But then you need to realize what is your way.

When Nina Simone first sings the title of 'Feeling Good,' her voice has been alone for thirty-nine seconds. The solitary singer: there's always something fiat lux about it. Resolute, the individual moves through the void. You know the accompaniment is coming, but the voice, all by itself, makes you care about it: form turns into feeling.

What has violence ever accomplished? What has it ever created? No martyr's cause has ever been stilled by an assassin's bullet. No wrongs have ever been righted by riots and civil disorders. A sniper is only a coward, not a hero; and an uncontrolled or uncontrollable mob is only the voice of madness, not the voice of the people.

Do I look like I have anything ?" I asked him, in a reasonable voice. He looked as unnerved as the nurse had. He said, "Sorry," and backed away. I took a step after him. I screamed, "I HAVE NOTHING!" And then I said, in a perfectly calm voice, "See, I never had anything to start with.

Prayer is no fitful, short-lived thing. It is no voice crying unheard and unheeded in the silence. It is a voice which goes into God's ear, and it lives as long as God's ear is open to holy pleas, as long as God's heart is alive to holy things.

Revenge is sweet but not nourishing.

It used to be, if you wanted to have a strong, influential voice in the feminist movement, you really needed to be part of this New York/D.C. elite group of feminists, or part of a mainstream feminist organization. And now it's kind of an amazing thing that you can just start a blog and put your voice out there and build your readership.

I think I was probably able to flip characters in my head as if I was playing different roles in order to write the different people because you kind of have to be one person, and inhabit him and write from his voice and be her and write her voice. So I think that helped.

Not all roles you do can be chocolate sweet.

I think Freddie Mercury is probably the best of all time in terms of a rock voice. There was a vulnerability to it, his technical ability was amazing, and so much of his personality would come out through his voice. I'm not even a guy to buy Queen records, really, and I still think he's one of the best.

I decided I like that mode. It's how I think - it's my voice. I like being funny and sad at the same time, or funny and disturbing at the same time. It's my natural voice.

My best time to write is right after coffee and breakfast - four eggs - because, full disclosure, I'm really a komodo dragon - and that's because then I'm energized but not so awake that the critical voice clicks on, the voice that sometimes says, 'Don't write that,' or, 'Man, that sentence is terrible - you should give up and go pet the cats.'

I've heard fate talked of. It's not a word I use. I think we make our own choices. I think how we live our lives is our own doing, and we cannot fully hope on dreams and stars. But dreams and stars can guide us, perhaps. And the heart's voice is a strong one. Always is. Your heart's voice is your true voice. It is easy to ignore it, for sometimes it says what we'd rather it did not - and it is so hard to risk the things we have. But what life are we living, if we don't live by our hearts? Not a true one. And the person living it is not the true you.

She swallowed and looked down at the artichoke petals piled neatly on the side of her plate. Her center certainly felt like it was melting, growing soft and wet just from the rasp of Mr. O'Connor's voice. Why should a man already devilishly handsome also have a voice that could charm birds from the sky? It simply wasn't fair.

Y’all might as well come on out,” I said. “I know you’re there. I can smell you.” “Smell me? But I just took a shower this morning!” an indignant voice drifted out of the shadows. There was a loud sound, like someone was getting smacked upside the head. Then another voice let out a low mutter. “Shut up, idiot.

Voice is the je ne sais quoi of spirited writing. It separates brochures and brilliance, memo and memoir, a ship's log and The Old Man and the Sea. The best writers stamp prose with their own distinctive personality; their timbre and tone are as recognizable as their voices on the phone. To cultivate voice, you must listen for the music of language-the vernacular, the syntactic tics, the cadences.

I have a sweet tooth, yeah.

Now, as I move through my fifties, I can be professional and domestic, creative and intellectual, patient and urgent. I have learned that we should never settle for someone else's definition of who we can be. Growing to this age, I realize, is kind of like feeling your voice deepen. It's still your voice, but it has more substance, and it sounds like it knows its own origins.

I sweet potato what I sweet potato.

The thing that separates Sophie from the music I do for other people is that it's 100% written by me. In the past, I've written my songs and then asked friends if they could record the vocals. I didn't want to use my own voice, because other people have much better voices. I was hearing the music with a voice that I don't have.

Sweets to the sweet.

Heroes can be sweet.

The fans are really sweet.

In the wildest anarchy of man's insurgent appetites and sins there is still a reclaiming voice,--a voice which, even when in practice disregarded, it is impossible not to own; and to which, at the very moment that we refuse our obedience, we find that we cannot refuse the homage of what ourselves do feel and acknowledge to be the best, the highest principles of our nature.

It [my vocal] didn't sound like what I wanted to hear; the vibrato isn't what I liked anymore. So I got myself to an ear, nose and throat guy who does a lot of work with singers, and I was hoping there was a big wart on my vocal cords or something and they could scrape it off and I could have the voice I wanted. But he said, "No, for 71, that's your voice."

I think I always dreamt of having a brand that really was represented globally, that had a voice - that had a clear voice and a clear vision that made women feel great about themselves. That really spoke to women on a personal level. And that women could wear.

I like the sound of my voice, doesn't mean it's any good but I like it. The joke is that "all good singers like the sound of their own voice" so we'll go with that.

Clear and sweet is my soul, clear and sweet is all that is not my soul.

Sitcoms are usually sweet with no viciousness.

Success is sweet and treacherous.

Take the example of my daughter. A lot of people were speaking out about education when the Taliban were bombing schools in Swat Valley, but Malala's voice was like a crescendo. It spread all around the world. She was the smallest but her voice was the biggest, because she was speaking for herself.

I have a British voice and a rather formal one at that, having been brought up in post-WWII Britain. My voice is perfectly suited to the sort of book I write, I think. It would not fit a contemporary, besides which I do not know enough about the contemporary world to write convincingly or comfortably about it!

My best time to write is right after coffee and breakfast - four eggs because, full disclosure: I'm really a komodo dragon - and that's because then I'm energized but not so awake that the critical voice clicks on, the voice that sometimes says, "Don't write that," or "Man, that sentence is terrible - you should give up and go pet the cats."

Not all kitsch is sweet.

I would love to have a chat with Michael Jackson. For the sole purpose of seeing if he has a deep voice or not. A lot of people say he actually had a deep baritone, but then on TV he always had the high pitched squeaky voice. I would love to spend some time with him.

If I am acting out in any particular way that is harmful to myself - without a shadow of doubt, there is a feeling suppressed under wanting that second candy bar. Often, it is that little voice I haven't paid attention to. It's generally not the adult voice. If I take a moment to address that and figure out what that is, the desire for the candy bar seems to dissipate.

There's this pet phrase about writing that is bandied around particularly in workshops about "finding your own voice as a poet", which I suppose means that you come out from under the direct influence of other poets and have perhaps found a way to combine those influences so that it appears to be your own voice.

The first paying voice-over gig I ever got was for a company called Harvard Community Health Plan, which is a Boston-based New England health care provider. I inherited a deep, gravelly voice from my dad, who has always claimed that if I ever get injured, he'll just take over for me.

I'm used to working with a rehearsal process and your body. It's a different thing to just be a voice. It's liberating, on one hand, because you get to show up in sweatpants and with Doritos on your fingers, but on the other hand, it's limiting because it's just your voice.

There's very little I can sing now. When I asked my first voice teacher, who was the best one, "When will I know when to stop singing?" he said, "Your voice will tell you." And it is very, very difficult to sing now.

Significance is sweet.

Former vice president Al Gore has devoted his post-administration years to a mission to tell the world about global warming. It's funny, but in his civilian life Gore has discovered the voice that voters had trouble hearing when he ran for president in 2000. The voice he has found is clear, impassioned, and moving.

Anyway, these books I love, they’re all books by men—every last one of them. Because if it’s unseemly and possibly dangerous for a man to be angry, it’s totally unacceptable for a woman to be angry. I wanted to write a voice that for me, as a reader, had been missing from the chorus: the voice of an angry woman.

The first time we did it [voice-over], I was trying to use my face and my eyes more so and really portray that emotion, and that didn't matter. I realized you have to bring that emotion into the way you sound, and all those different layers have to be in your voice instead of the way you are wrinkling your eyebrows or whatever. I had to learn how to do that.

Justice is conscience, not a personal conscience but the conscience of the whole of humanity. Those who clearly recognize the voice of their own conscience usually recognize also the voice of justice.

What is the psychedelic experience? What promise does it hold for a sane future for our planet and our children? And what is it about it that kindles the kind of loyalty that I feel coming from the people in this room this evening? And I submit to you that it is nothing less than the rebirth of a voice that has been silent for at least a thousand years, the still small voice of the Logos of the planet.

It's strange. No one ever really talked to me about my voice. People started writing about it, and I was like, 'What?' I'm really about my lyrics, but more people were talking about my voice. It's cool, but at first I got upset because I wanted people to focus on the content.