Top 201 Sweetheart Quotes & Sayings - Page 4

Another step had her backed up against the wall, and he braced his arms on both sides of her. "I'm beginning to look forward to this marriage, just so I can spend the rest of my life making you miserable." Alexandra was too angry to be intimidated. "Misery loves company, sweetheart," she shot back. "So don't think I'll be suffering mine alone." She slipped out from under his arm and marched out the door.

Querida, it's alright," he said. "No one has hurt me in years." "Hey, you're supposed to be my brother," I said, trying to joke. "Brother's don't hold their sisters' hands or call them querida." Seb smiled, his hazel eyes starting to dance. "Yes, they do," he said. "This happens all the time." "Well I guess things are different in Mexico then," I said. "Because in America, no way. And I'm an American." "But you're in Mexico now," he pointed out. "Right. And you're saying here, boys holds hands with their sisters and call them sweetheart." "Oh yes. We're very friendly, we Mexicans.

You said we've got a new page. I figure I've got some say in what gets written on it. So I'm going to work on you. Last time around, you threw yourself at me.” “I did no such thing.” “Sure you did. But I can see I've got my work cut out for me this time. That's okay.” He skimmed his thumb over her knuckles before she jerked her hand free. “In fact, I think I'm going to enjoy it.” “I don't know why I waste my time trying to mend fences with you. You're as arrogant as you ever were.” “Just the way you like me, sweetheart.

The demand for equal rights in every vocation of life is just and fair; but, after all, the most vital right is the right to love and to be loved. Indeed, if partial emancipation is to become a complete and true emancipation of woman, it will have to do away with the ridiculous notion that to be loved, to be sweetheart and mother, is synonymous with being slave or subordinate. It will have to do away with the absurd notion of the dualism of the sexes, or that man and woman represent two antagonistic worlds.

...As the disparity between the rich and the poor grows, the fight to corner resources is intensifying. To push through their "sweetheart deals," to corporatize the crops we grow, the water we drink, the air we breathe, and the dreams we dream, corporate globalization needs an international confederation of loyal, corrupt, authoritarian governments in poorer countries to push through unpopular reforms and quell the mutinies. Corporate Globalization-or shall we call it by its name?-Imperialism-needs a press that pretends to be free. It needs courts that pretend to dispense justice.

Then he crouches down behind it, motions for Tess and me to sit down, and begins unbuttoning his vest. I blush scarlet and thank every god in the world for the darkness surrounding us. “I’m not cold and I’m not bleeding,” I say to him. “Keep your clothes on.” The boy looks at me. I would’ve expected his bright eyes to look dimmer in the night, but instead they seem to reflect the light coming from the windows above us. He’s amused. “Who said anything about you , sweetheart?

"I've found out why people laugh. They laugh because it hurts so much... because it's the only thing that'll make it stop hurting" ... "But that's not all people laugh at." "Isn't it? Perhaps I don't grok all its fullness yet. But find me something that really makes you laugh sweetheart... a joke, or anything else- but something that gave you a a real belly laugh, not a smile. Then we'll see if there isn't a wrongness wasn't there." He thought. "I grok when apes learn to laugh, they'll be people."

I aspire to be an instrument of the director. I'm happiest like that. The stronger the director, the more I'm willing to give them. It's not just about admiration for their films, it's how they deal with you, and whether they get you or the way you work. If they don't, you better adjust your way of working to suit them. I want to work with people who are good at what they do, and people who are passionate. As you get older, you suffer fools less easily. That's why there's all those cranky character actors. I'm an exception. I'm a sweetheart.

I'm always hearing warnings about keeping your belongings close to you [in Ho Chi Minh City] as thieves who ride motorbikes are adept at snatching things off a person as they ride by, but I personally have never seen it. Funny though, I don't hear folks talk about pick pockets but it's happened to me twice. Beware of that cute little sweetheart and stay away from those talented little hands.

I just got into it like a lot of people through the rock 'n' roll bands in the late '60s that turned to country music, like The Byrds and Buffalo Springfield, but particularly through The Byrds because of Gram Parsons, Roger McGuinn and Chris Hillman (with their 1968 album Sweetheart of the Rodeo). They kind of introduced English kids to Merle Haggard and George Jones and the Louvins (brothers Charlie and Ira).

And there is something profoundly humbling about knowing God. I’m not talking about the trinket God or the genie-in-a-lamp God. I mean the God who invented the tree in my front yard, the beauty of my sweetheart, the taste of a blueberry, the violence of a river at flood. There are a lot of religious trends that would have us controlling God, telling us that if we do this that and the other, God will jump through our hoops like a monkey. But this other God, this real God, is awesome and strong, all-encompassing and passionate, and for reasons I will never understand, he wants to father us.

All the black leather she needs is the E-Z boy recliner where her love is parked with one of his hands wrapped around a remote, the other, a bottle of beer. She's right. It's kinky. The way he doesn't look away from the TV, as her head bobs in his lap like a fisherman's float on a nature program, hectic with the pace his breath sets. His crotch swells under her mouth's prowess. He's such a sweetheart he waits until the commercials to come.

I don't believe in mistakes. Never have. I believe that there are a multitude of paths before us and it's just a matter of which way we walk home. I don't believe in regret. If you regret things about your life, than I'll bet that you're not paying attention. Regret is just imagining that you know what would have happened if you took that job in California or married your high-school sweetheart or just looked one more time before you stepped out into the street ... or didn't. But you don't know; you can't possibly know.

I just have a heart filled with gratitude for a wonderful family. My wife, Karen, is the love of my life, and she campaigned with me virtually every day of 130-some odd days of the campaign trail, as did our daughter, Charlotte, traveled all over the country with us. But my son, who just got married to his college sweetheart, and our youngest daughter - just am grateful for a family that has supported me in my calling to public service.

Several sets of arms would embrace me. But in the end, the only person I truly want to comfort me is Haymitch, because he loves Peeta, too. I reach out for him and say something like his name and he's there, holding me and patting my back. "It's okay. It'll be okay, sweetheart." He sits me on a length of broken marble pillar and keeps an arm around me while I sob.

“Simon,” she whispered, vaguely surprised that she had just used his first name, for she had never used it even in the privacy of her thoughts. Moistening her dry lips, she tried once more, and to her astonishment, she did it again. “Simon…” “Yes?” A new tension had entered his long, hard body, and at the same time, his hand moved over the shape of her skull in the softest caress possible. “Please… take me to my room.” Hunt tilted her head back gently and regarded her with a sudden faint smile playing on his lips. “Sweetheart, I would take you to Timbuktu if you asked.“

Dear Sweetheart, Without you my days are endless. Days seem like weeks... Weeks feel like months... Months like years... Years like centuries... Centuries like... You get the idea.

I repeat, sir, that in whatever position you place a woman she is an ornament to society and a treasure to the world. As a sweetheart, she has few equals and no superiors; as a cousin, she is convenient; as a wealthy grandmother with an incurable distemper, she is precious; as a wet-nurse, she has no equal among men. What, sir, would the people of the earth be without woman? They would be scarce, sir, almighty scarce.

A single raised eyebrow. "You've defected, sweetheart. No use worrying about the big, bad wolf now." She was aware of Judd speaking, but her attention never shifted off the man who was a predator, for all that he wore human skin. When he peeled open and held out a bar of some kind, she took it, aware low energy levels could be dangerous when it came to her ability to keep a handle on the cold fire. "Thank you." A faint smile, a strange amusement in those icy eyes. "You're welcome." It was the most polite interaction they'd ever had.

The moth don't care when he sees the flame He might get burned, but he's in the game And once he's in, he can't go back He'll beat his wings till he burns them black No, the moth don't care when he sees the flame The moth don't care if the flame is real 'Cause flame and moth got a sweetheart deal And nothing fuels a good flirtation Like need and anger and desperation No, the moth don't care if the flame is real.

A Hundred Years From Now Well a hundred years from now I won't be crying A hundred years from now I won't be blue And my heart would have forgotton she broke ever vow I won't care a hundred years from now Oh, it seem like yesterday you told me You couldn't live without my love somehow Now that you're with another it breaks my heart somehow I won't care a hundred years from now * Refrain Now do you recall the night sweetheart you promised Another's kiss you never would allow That's all in the past dear it didn't seem to last I won't care a hundred years from now * Refrain