Top 1001 Tales Quotes & Sayings

Many people think fairy tales and retellings of fairy tales are only for children, but I'm not the only writer to take an old tale and retell it for a sophisticated adult audience.

I also like the whole idea of fairy tales and folk tales being a woman's domain, considered a lesser domain at the time they were told.

People have always told tales. Long before humanity learned to write and gradually became literate, everybody told tales to everybody else and everybody listened to everybody else's tales. Before long it became clear that some of the still illiterate storytellers told more and better tales than others, that is, they could make more people believe their lies.

I love the stories of changelings and the thought that the Fey were these ancient, capricious creatures who were tricky and dangerous. I've always preferred the Brothers Grimm faery tales to the Disney fairy tales.

In kindergarten that used to be my job, to tell them fairytales. I liked Hans Christian Andersen, and the Grimm fairy tales, all the classic fairy tales.

I think almost everybody enjoyed fairy tales when they were young, tales of witches and ogres and monsters and dragons and so forth. You get a little bit older, you can't read fairy tales any more.

Because the great thing about fairy tales and folk tales is that there is no authentic text. It's not like the text of Paradise Lost or James Joyce's Ulysses, and you have to adhere to that exact text.

People say, "Look, your book [Tales and Wisdom from Duck Dynasty's Favorite Uncle] is about tall tales." And I said, "No, you don't understand, OK? The book is tall tales, OK, by me. But look, those tall tales are my life, OK? And look, I added some spices in there. That's the five percent. You know the one about the wolves chasing me? The only thing about that - they wasn't wolves, they was coyotes".

In music, on stage and on screen, fairy tales have always been guaranteed moneymakers. It's no wonder then, that in these difficult economic times, there are fairy tales everywhere you turn. From 'Once Upon a Time' and 'Grimm,' to 'Mirror, Mirror' and 'Snow White and the Huntsman.'

Do you believe in fairy tales?" "What...what kind of fairy tales?" "The kind you aren't supposed to waste your life on.

Fantasy is, I believe, the great nourisher of imagination. To paraphrase Einstein on how to develop intelligence in young people: Read fairy tales. Then read more fairy tales.

Boys like romantic [fairy] tales; but babies like realistic tales - because they find them romantic...This proves that even nursery tales only echo an almost prenatal leap of interest and amazement. These tales say that apples were golden only to refresh the forgotten moment when we found that they were green. They make rivers run with wine only to make us remember, for one wild moment, that they run with water.

What I like about fairy tales is the language and the matter-of-fact way of introducing magic, where it's accepted that a fox could talk or a gate could just appear in a wall. I think fairy tales are so psychological.

When our ancestors crouched about the camp fire at night, they told each other tales of gods and heroes, monsters and marvels, to hold back the terrors of the night. Such tales comforted and entertained, diverted and educated those who listened, and helped shape their sense of the world and their place in it.

If you happen to read fairy tales, you will observe that one idea runs from one end of them to the other--the idea that peace and happiness can only exist on some condition. This idea, which is the core of ethics, is the core of the nursery-tales.

Up to 1870, it was equally said of France and of Italy that they possessed no folk-tales. Yet, within fifteen years from that date, over 1000 tales had been collected in each country.

Boys like romantic tales; but babies like realistic tales-because they find them romantic.

I have been writing fairy tales for as long as I can remember. Not much has changed in terms of my natural attraction to the narrative techniques of fairy tales. My appreciation of them in the traditional stories has deepened, especially of flat and unadorned language, intuitive logic, abstraction, and everyday magic.

You can think of my films as cautionary tales, but you might even think of them as despairing tales, because at least in a cautionary tale, you have this idea that by listening to the story you can assure a better outcome. Whereas I'm not at all convinced that's the case. In fact, if anything, I'm convinced that it's the opposite.

I have very happy memories of fairy tales. My mother used to take me to the library in Toronto to check out the fairy tales. And she was an actress, so she used to act out for me the different characters in all these fairy tales.

You must learn to know the difference between tales and the truth, my Liza, she would say. Fairy tales have a habit of ending too soon. They never show what happens afterwards when the prince and princess ride off the page.

Soon enough his head would be swimming with tales of derring-do and high adventure, tales of beautiful maidens kissed, of evildoers shot with pistols or fought with swords, of bags of gold, of diamonds as big as the tip of your thumb, of lost cities and of vast mountains, of steam-trains and clipper ships, of pampas, oceans, deserts, tundra.

Fairy tales and folk tales have always played a role in my writing in one way or another.

The fact that fairy tales remain a literary underdog - undervalued and undermined - even as they shape so many popular stories, redoubles my certainty that it is time for contemporary fairy tales to be celebrated in a popular, literary collection. Fairy tales hold the secret to reading.

Fairy tales and folk tales are part of the DNA of all stories and great fun to write.

I wished that, for once, faery tales – real faery tales, not Disney fairy tales – would have a happy ending.

I'm used to writing fairy tales that can be somewhat dark, and the truth is that in fairy tales, romances are always problematic. They may end happily ever after, but someone's getting pushed into an oven or has blood in her shoe.

I didn't like fairy tales when I was younger. I found a lot of fairy tales scary. They really didn't sit well with me.

Though now we think of fairy tales as stories intended for very young children, this is a relatively modern idea. In the oral tradition, magical stories were enjoyed by listeners young and old alike, while literary fairy tales (including most of the tales that are best known today) were published primarily for adult readers until the 19th century.

Don't the great tales never end?" "No, they never end as tales," said Frodo. "But the people in them come, and go when their part's ended. Our part will end later – or sooner.

When fairy tales are written in the west, they're known as folklore. In the east, fairy tales are called religions.

Every kid loves fairy tales, stories of witches and giants and magicians. Then, when you get a little older you can't read fairy tales anymore.

Fairy tales have always been about getting through the worst of everything, the darkest and the deepest and the bloodiest of events. They are about surviving, and what you look like when you emerge from the trial. The reason we keep telling fairy tales over and over, that we need to keep telling them, is that the trials change. So the stories change too, and the heroines and villains and magical objects, to keep them true. Fairy tales are the closets where the world keeps its skeletons.

I'm fascinated with the stories that we tell. Real histories become fantasies and fairy tales, morality tales and fables. There's something interesting and funny and perverse about the way fairytale sometimes passes for history, for truth.

I love fairy tales because I think that behind fairy tales, there is always a meaning.

I am not sure how much good is done by moralising about fairy tales. This can be unsubtle - telling children that virtue will be rewarded, when in fact it is mostly simply the fact of being the central character that ensures a favourable outcome. Fairy tales are not, on the whole, parables.

The words 'fairy tales' must accordingly be taken to include tales in which occurs something 'fairy,' something extraordinary - fairies, giants, dwarfs, speaking animals.

I loved fairy tales when I was a kid. Grimm. The grimmer the better. I loved gruesome gothic tales and, in that respect, I liked Bible stories, because to me they were very gothic.

In college, I became interested in folk tales and fairy tales. Gradually I became more and more interested in the underlying meaning of it all and the possibility of the reality of real fairies.

I did translations of Grimms' Fairy Tales and became very charmed about that way of looking at things. Fairy tales tell a lot of truths. Just as a side point, for instance, we always think the bad guys in fairy tales are the stepmothers, who are witches. But where are the fathers when the witches are killing and mishandling their children? Away. They are on a business trip. They are hunting, they are away. Wow, you know! No one says the fathers are the bad guys! It's one of the things you don't say. But my goodness, where are they?

For most of human history, 'literature,' both fiction and poetry, has been narrated, not written — heard, not read. So fairy tales, folk tales, stories from the oral tradition, are all of them the most vital connection we have with the imaginations of the ordinary men and women whose labor created our world.

And the people listened, and their faces were quiet with listening. The story tellers, gathering attention into their tales, spoke in great rhythms, spoke in great words because the tales were great, and the listeners became great through them.

All lives are tales. Some spread, and grow in the telling. Others are just told between us and the gods, muttered back and forth behind our days, but those tales grow too and shake us just as fierce.

My grandmother was born in 1900, and she would regale me with tales I call 'Little House on the Prairie' tales, but they were tales of segregated and racist America growing up in Alabama and Mississippi, where she came from.

'The Tales' are an important part of 'Hollow City,' when the kids discover secrets encoded in them that end up saving their lives. I wrote two tales as part of 'Hollow City,' and spent the next couple of years finishing the trilogy but itching to write more tales.

The great thing about fairy tales and folk tales is that there is no authentic text.

The children know all about everything so well that it never occurs to them to play at the situations in any one of these tales, or even to read it twice over. But let them have tales of the imagination, scenes laid in other lands and other times, heroic adventures, hairbreadth escapes, delicious fairy tales in which they are never roughly pulled up by the impossible —even where all is impossible, and they know it, and yet believe.

The kid in the episode [of Tales From The Darkside ] was played by Christian Slater! He was all of about 12 or so, but I've run into Christian many times since then, and he always does his line from Tales From The Darkside whenever he sees me.

What works about fairy tales is that they endure, and the great thing about fairy tales is that you can explore big, epic things that you can't really explore in other situations.

I think that Shakespeare himself raided fairy tales and chronicle writers, and he always looked to people who worked in the mythic genres, whether it was folk tales or popular novels.

And all over the world, the old literature, the popular literature, is the same. It consists of very dignified sorrow and very undignified fun. Its sad tales are of broken hearts; its happy tales are of broken heads.

I wanted the chance to look again at very famous stories and see what made them work well, whether there were any ways in which they could be improved. Because the great thing about fairy tales and folk tales is that there is no authentic text.

The unrealistic nature of these tales (which narrowminded rationalists object to) is an important device, because it makes obvious that the fairy tales’ concern is not useful information about the external world, but the inner process taking place in an individual.

My inspiration is my life, what I see happening around me. It can be history and, quite often, plain traditional fairy tales. But I never adapt; I nourish myself with old stories, and then create my own tales.

Once upon a time fairy tales were told to audiences of young and old alike. It is only in the last century that such tales were deemed fit only for small children, stripped of much of their original complexity, sensuality, and power to frighten and delight.

I have a daughter, Hanna, and I never read fairy tales to her. But I did tell her bedtime tales and made up many tales involving 'Gory the Goblin' and other creatures that I borrowed from the Grimms' tales and other tales I knew.

[Fairy tales] are like a journey to the woods and the many ways you can get lost. Some people say it's not a good idea to read fairy tales to anyone under the age of eight because they are brutal and raw. When I was a kid I often felt that kids's books were speaking down to me, but I never felt that way about fairy tales. They are bloody and scary, but so is life.

We who with songs beguile your pilgrimage And swear that Beauty lives though lilies die, We Poets of the proud old lineage Who sing to find your hearts, we know not why What shall we tell you? Tales, marvellous tales Of ships and stars and isles where good men rest.

Fairy tales are my natural language. I feel at ease telling fairy tales like a fish feels in water. I am totally free.

Folk tales, fairy tales, religion, the occult - these are the things I'm most passionate about, even more than cinema. And I'm very passionate about cinema.