Top 1200 Talk Show Host Quotes & Sayings - Page 17

I'm calling on the United States: what kind of strategic partners are we, that you can still host someone whose extradition I have asked for?

When I came to the Food Network, I didn't want to do a cooking show. I told Kathleen Finch for nine months I didn't want to do a cooking show, I wanted to do a home-and-garden show.

At first, I was scared to show fear because you can never be sure how people will perceive you. But I dared myself to do that, to stand out. Now I'll talk about being beaten up or robbed or making a stupid decision because of a girl or whatever.

We work hard on the show. We really believe in the show. It's an enormous privilege to work on a show that has the power to touch people's lives in such a positive way. The fan mail and the e-mail certainly reflect that.

It used to be that if you got on 'The Tonight Show,' your career was made. Now, if you're on 'The Tonight Show,' maybe 14 more people show up to your gig in Tulsa.

I do sometimes talk about my cancer because that's something people relate to a lot, as we're all going to die. Because I've been close to death and won, I have strong opinions about it, and I've learned how to discuss it and keep the energy high in the show.

If you're going to be honest with yourself, you have to admit that you go into show business wanting people to talk about you and wanting everyone to know who you are. But that also means there are going to be a whole bunch of people who don't like you. No matter who you are.

I watched Master Class with Lorne Michaels on OWN. How can somebody produce a sketch show and talk for an hour and not say something even slightly amusing, or sarcastic, or ironic, or interesting, or informative? 'My mission as a producer is to encourage creativity.' Mission accomplished.

You do show after show after show and get them done and on the air. Television devours material. We work a minimum of 12, 14 hours, and often 15, 18 hours a day.

When you're doing a single-camera show, it's more buying into a level of reality. I think a sitcom, a four-camera show, doesn't require that so much. I think with a film show, you just need the characters to grow.

If I don't eat something after I work out, I get shaky and cranky - not a good combination when you're a television host.

Sir Julian Huxley, one of the world's leading evolutionists, head of UNESCO, descendant of Thomas Huxley - Darwin's bulldog - said on a talk show, 'I suppose the reason we leaped at The Origin of Species was because the idea of God interfered with our sexual mores.'.

All survival situations revolve around a host of variables...Always adapt, think positive, and move forward.

People say that if you talk too much about sex, you take away the mystery. I say, if you're somebody who likes to talk, talk all you want - it's not listening. You will never take away the mystery.

It's much better to wreak havoc on a show and be a maniac than promote myself. Plugs and anecdotes aren't really in line with my beliefs. Besides, if someone sees me on a morning show and thinks, 'That's not funny; this guy is crazy,' then I don't want them to come to the show anyway.

It [The Esemblist] is also about the generation of audience members that are watching shows and listening to us at the same time; hopefully, in time, when they listen to our show and then go see a show, they'll realize even more what it takes to make a show, and they'll know even more about everybody on stage, rather than just people above the title of the show.

Chris Martin is more of a musician and hasn't really put himself out there as a television host or anything like that.

I booked my first national tour of a Broadway show right out of college. It was the tap show, '42nd Street.' I had only been tap dancing for three years when I booked that show.

It's such a joy to talk to a roomful of people who have read my novel and are eager to talk about it.

When I talk to the National Alliance on Mental Illness (NAMI) and other patient support groups, I take questions at the end. At one talk I was asked, "What's the difference between yourself and someone without mental illness?". At another talk I was asked, "How do you make the voices be not so mean?". I wish I knew.

There is a whole host of people that have got an accent like mine, whether they're from Merseyside or Wales or the North West.

I don't worry about being bothered by the media. Either I'm going to talk or not talk.

I had no interest in being an actress what so ever, and when I was about 14 or 15, I was signed to a company in England. They owned a children's TV show which they put me in as a singer, and I was on the show for three years, and I left the show when I was 18 and started looking for a record contract.

If you're saying you're epically depressed in a song, you better be able to back it up. You better be able to talk about it in a smart way with someone who comes up to you after a show and is looking for help.

You know, 'The Golden Girls' was a very unusual show to start on. I was young, and it was a show about old people, and it was a very traditional show, but it was also an amazing training ground for a joke-writer. It forced me to learn those skills.

Political folk talk a lot these days about 'messaging' - a neologism designed to describe the way in which parties and politicians consciously characterize their efforts. It is only intended to be positive - i.e., 'Our messaging is designed to show we care.'

What was cool about my career, Jack LaLanne gave me my first break on TV. I was his co-host.

When I was on an American show in 2015, I tried to talk about the threat Vladimir Putin posed to the free world. The interviewer said, "Wake me up when he takes over Poland." We heard something similar from years ago and we ended up with World War Two. Putin decided to skip Poland and went straight to Wisconsin. Putin is at war, a hybrid war, with the free world. His domestic propaganda is based entirely on a strong man challenging the free world. When the demonstrations around Russia began, the harsh response was because it was more important to show strength.

It is not good to talk about Zen, because Zen is nothingness... If you talk about it, you are always lying, and if you don't talk about it, no one knows it is there.

I talk to my parents a couple of times a week. I talk to my daughters every day.

I try not to talk during the day when I have a show that night. My voice is my instrument, just like a saxophonist's instrument is his saxophone, plus also his voice, if he's the one between tunes that makes announcements.

Somebody has to give a wakeup call to our coaching world to ask them real questions and show them that if you have kids, then you know there is no way you can talk to somebody else like that, because that's somebody's child.

I was being trained because I wanted to be a preacher like my father. I wanted to talk about Moses; I wanted to talk about God... I wanted to talk about the apostles, the disciples and all that.

Obviously Mad TV, SNL are one kind of show, whereas The State belongs to the kind of show that is entirely conceived written and performed by a set group that existed before the TV show.

Robert Gober, for example. He doesn't seem like somebody who is just going to show in a gallery that asks him to show. He's just making his work, and when he's ready, he's going to show it.

I talk to millions of people every day. I just like it when they can't talk back.

One thing you don't want to do as a host is be running around all evening. Do as much as you can ahead of time, so all you have to do is grill the main ingredients.

My wife and I love to host wine and cheese parties. They are simple and elegant and you don't have to put a lot of effort and time into it.

I guess the best advice I ever got or anyone could get for doing a talk show, though it has not been easy very often, was from Jack Paar, who said, 'Kid, don't make it an interview. Interviews have clipboards, and you're like David Frost. Make it a conversation.'

I've been accused of being unambitious, but what I do takes up every minute. I'm executive producer, I'm a writer and the host.

You go, well you can't joke about race. Well if you're from a different race and that's your experience of the world and you want to talk about that, then fine. Or you can't talk about disability, but disabled comics can talk about that.

If you were to make little fishes talk, they would talk like whales.

Dutch is our first language. When you talk to older people, you speak Dutch. It's more respectful. The local language, you talk with your friends. You don't talk to your parents like that with the local slang.

If you want to talk about grace, if you want to talk about revelation, talk about your life with some depth, which doesn't mean lurid revelations as much as simply looking at your own deep experiences and describing them as they are.

People that are 40, they don't sit around at talk about gray hair and how it covers their hair. They talk about highlighting, of course they're covering gray, but they don't talk about it that way. They're going to get their colors because they need a little lightening.

I always do my show and say hello. And a lot of people are standing around waiting to shake my hand and say thanks for, A, letting me talk to you, and letting me feel a part of what you do.

I think one reason why our show is popular too is that we have relationships with all these people. They are our actual friends. We're not like show promoters where we're like, (sleazy) "Hey, come on over and do a show."

We're nondenominational. I come from Northern Ireland, and we've had religious wars for years. I didn't want to create an illusion that my God is better than your God. So our show is a spiritual show, not a religious show.

Right now I am kicking around an idea to do a web talk show on a boat. Guests would come on and go fishing with me. I would like to take people who have never fished: You get them out on the water and they really open up.

The way you play, you need to talk about winning. Don't talk about keeping your card - talk about winning.

This country has always been run by elite, and it's an elitist democracy. And that's not a radical concept. It's elitist democracy. When people talk about democracy, they don't talk - really talk about participatory democracy, until the point that we get us at Election Day.

I'm a terrible interviewer. I'm not a journalist - although I have a Peabody Award - and I'm not really a late-night host. What I am is honest.

He used to have a tent show, a little tent show, and I thought I was going to get a job working one year on the tent show, but he closed it down and I never got to go out there, but anyway, he had a sax and played drums.

I love a smart, well-written show, and '30 Rock,' well, you can't get any better than that. Tina Fey poos funny. There's nothing that she does that isn't funny. That show is an example of how brilliant she is. It's so smart. They've done some brilliant commentary about the 'Housewives' with 'Queen of Jordan,' their show-within-the-show.

Leaders who want to show sensitivity should listen often and long and talk short and seldom. Many so-called leaders are too busy to listen. True leaders know that time spent listening is well invested.

I sleep till one, and I'm always surprised when someone in blue rinse on a talk show says, 'You're a genius, Mr. Newley, you do so many things.' Tony Newley never realized his potential, did the things he should have done.

We did a different show every night. We'd open a show, and then two weeks later we'd open the next show. And two weeks later we'd open the third show until we had all eight running. And it was just one of the richest experiences I'd ever had in my theatrical life.

I talk about what other people don't want to talk about. Sometimes I talk too much. Sometimes people misconstrued what I say.

I'm proud of the work that we did, and my hope is that everyone who worked on 'Kroll Show,' it will be a credit that people will be like, 'Oh, you worked on that show? The word on that show was that it was good.'

We are the bright new stars born of a screaming black hole, the nascent suns burst from the darkness, from the grasping void of space that folds and swallows--a darkness that would devour anyone not as strong as we. We are oddities, sideshows, talk show subjects. We capture everyone's imagination.