Top 1200 Talk Show Host Quotes & Sayings - Page 18

I would not want to be unable to talk. Imagine not being able to talk when you're a talkative person.

Even the frankest and bravest of subordinates do not talk with their boss the same way they talk with colleagues.

Parents should talk to their children, even when they are babies and can't talk back.

When I talk to my colleagues from the national team, they always talk to me about Real Madrid.

It's strange to play outdoors, especially in the daytime. But we're figuring it out. The rules are different for festival shows - how you talk to the crowd, how you can try to get them involved. Things are just a little different, and I think we've learned to adapt our show.

Reporters don't know me, because I don't talk to them; I just talk to the players.

you couldn't talk yourself into love any more than you could talk yourelf out of it.

If you're my friend I should be able to talk to you but I can't, and if I can't talk to you, well, what is the point of you? Of us?

I want to try to talk like normal people talk, not just stand there and bark at the camera.

I talk fast, I'm always running from one thing to another, and I tend to gesture a lot with my hands when I talk.

I remember when I had my show [The Chris Rock Show on HBO], I used to run my show. It was so hard to get people to bring sketches to me. No one had ever worked for a black person before. Even the black people hadn't worked for a black person. It literally took a month or two for everybody to know: I'm really running the show.

Being an Olympic Medalist was a team effort. So I am honored to be a part of CBS Sports' WE NEED TO TALK cast of iconic women. Being part of a show with some of my broadcasting and sports idols is an honor.

When I come offstage, if I've done a bad show or had a bad night, the fact that everybody was standing at the end or three or four times during the show means nothing to me. I know I could have done a better show.

Live rather than talk. Talk is cheap and the tabloids scream about it every day.

We should not talk about our friends: otherwise we will talk away the feeling of friendship.

In the stand-up comedy top, there's room for everyone - if you're good, there's room for everyone. You'll put on your own show - no one casts you. You cast your own show as a stand-up comedian. When you get good at stand-up comedy you book a theater and if people show up, people show up. If people don't show up, people don't show up. You don't have a director or a casting agent or anybody saying if you're good enough - the audience will decide.

If you really want to show power in its larger aspects, you need to show the effects on the powerless, for good or ill - the human cost of public works. That's what I try to do, show not only how power works but its effect on people.

I just come and talk to the plants, really--very important to talk to them, they respond I find.

I talk to my readers on social networking sites, but I never tell them what the book is about. Writing is lonely, so from time to time I talk to them on the Internet. It's like chatting at a bar without leaving your office. I talk with them about a lot of things other than my books.

I dont think I talk to anybody the same way I talk to Moby.

It's always hopeless to talk about painting - one never does anything but talk around it.

I'm not good at small talk. I'm really not. I'm not that great at any talk.

Some people talk of writer's block - you got all of these ideas but nothing happens. The truth is, there's no such thing as writer's block. It's to the degree that you want to write. The thing is that these things show up whenever they feel like it.

Dear Government... I'm going to have a serious talk with you if I ever find anyone to talk to.

I think there's just some fundamental decisions at the beginning that are going to make it different. Our show The Right Now Show is going to be specifically different than Mr. Show because of the talent involved.

If you say someone is thrilled, it implies talk of an exciting project. I'm wary of such talk.

There are people who love and appreciate this country, but they don't talk about it that way. Now is the time to talk.

Girls that I use to try to talk to, now they want to talk to me.

We talk too much. We should talk less and draw more.

Talk low, talk slow and don't say too much.

I remember the first thing I did when I found out I was illegal was to get rid of my thick Filipino accent. I figured that I had to talk white and talk black at the same time, like Charlie Rose and Dr. Dre. If I can talk white and black then no one is ever going to think that I'm "illegal."

I collaborate with people because their music talk to me as much as mine talk to them.

Nobody listens anymore. I can't talk to the walls because they're yelling at me, I can't talk to my wife; she listens to the walls. I just want someone to hear what I have to say. And maybe if I talk long enough it'll make sense. And I want you to teach me to understand what I read.

Everyone likes to talk shop, which is the most interesting talk in the world, in the beginning.

If I have one piece of advice to give to people - talk. Nothing ever gets better if you don't talk.

I know that it is impossible to talk about my work. And since it's impossible for me or anybody else to talk about my work, I feel I might as well talk about it.

People will always talk, so lets give them sumthin to talk about

When we started the show, there were mixed responses. Half of the people said, 'That show doesn't have a chance.' The other half said, 'That show doesn't have a prayer.'

War's stupid. Nobody wins. You might as well talk first; you have to talk last anyway.

The way I try to explain it the best is that if Critic A from publication A hates our show, and Critic B from publication B loves our show, what are we supposed to do with that? We have to just respect everyone's opinions and go on making the show we want to make. I've never worked on a show that was altered by critical reception. You just can't afford to do that. So in that regard, it's actually no different that working in theater. It's just a lot more voices.

Power is America's last dirty word. It is easier to talk about money - and much easier to talk about sex - than it is to talk about power.

I don't think I talk to anybody the same way I talk to Moby.

Most musicians count at the beginning, and never count and talk to their musicians after that. They only talk to them at the end of the song. But I would count with them and talk.

Buses and subways are this remarkable social club. You talk to people you wouldn't normally talk to.

It makes you feel at home when you can talk to somebody and really talk about anything.

I'm working on a cooking show; I'm going to do some of it at Dallas Page's performance center. I'm going to do a cooking show called 'Dude Food,' where I show young guys how to eat good and clean, cheap.

I would sit and talk to any president who wishes to talk to me, but I'm not anxious to rule it in.

When the scary subject of race is finally broached, kids want to talk and talk. It's very satisfying.

I think it's a stereotype that soldiers don't talk, because my experience is that they will talk if they are met with empathy and no judgment.

A lot of people talk about writing. The secret is to write, not talk.

I'm a quiet person. It's only when I am cued to talk that I talk. Otherwise, I'm reserved and a bit of a recluse.

I need you to go out and talk to your friends and talk to your neighbors. I want you to talk to them whether they are independent or whether they are Republican. I want you to argue with them and get in their face.

Everyone wants to talk, you've just got to find a way to get them to talk.

My characters don't talk necessarily in a normal American way of talking. They talk a little different.

We often talk to ourselves in ways that we would never let a stranger or even a friend talk to us.

You want to prevent war, you talk, talk, but you also have to back it up with actions.

If you just talk to who's easy to talk to, you're not really getting the best data.

As a line I think you've always got to constantly talk. You talk about playing for each other.

I've never been unfaithful outside 'Made In Chelsea.' I don't care what the reputation looks like. I was unfaithful on that television show because it's a show about that. I'm not saying it was acceptable behavior, but the show wouldn't work without relationships failing. In real life it's completely different.

Societies can easily talk themselves into conflict and misery. But they can also talk, and act, their way out.