Top 1200 Talk Show Quotes & Sayings - Page 2

It's better if you have a strong opinion on any talk show.

I constantly have anxiety about being the lead of the show. I don't talk about it because it scares me, but I've always wanted to be a part of something where I could work on a character in such a big manner, and you get offered that with all the trappings of being the lead of the show.

I've always wanted to have a radio show. It has been a dream of mine for a long time. With a radio show I can sit in a studio, or ultimately even sit in my own living room, and talk to hundreds of thousands of people.

People are sitting at their kitchen table talking about how they're going to pay their bills, and we can speak to the hearts of people on that and show them that we respect them. Ultimately, that's how we have to talk to them. We can't talk down to them.

I don't think I would do a straight late-night talk show, like a 'Tonight Show' kind of thing. But I'm open to whatever is done well. I don't have any agenda. I'm not like Fugazi - I'm not trying to be just so punk rock until I die. Whatever is funny is good.

I think my play will talk for me, It will show people, and it will show the league.

After I impulsively revealed that I have OCD on a talk show, I was devastated. I often do things without thinking. That's my ADD/ADHD talking. Out in public, after I did the show, people came to me and said, 'Me, too.' They were the most comforting words I've ever heard.

Let me tell you what I just heard. Talk, talk, talk, I. Talk, talk, talk, I. Well, what about me?

The best compliment we ever got about the show was from a Korean veteran who was unable to talk about his war experience with his wife until 'M*A*S*H.' While watching the show, he was able to lean over to his wife and say, 'See, honey, that's the way it was.'

I think that in the end, a talk show is a very different animal.

I want to do an intelligent talk show where you have room to breathe.

The things I talk about and explain couldn't happen - yet, they don't seem impossible - you could say I talk about the world in an abstract perspective. But then, the world is basically insane - and it's trying to pass itself off as being a sane place. I show it for what it is.

Post my parents' divorce, when I was 10, my mother, Deepa Motwane, took up a job as a line producer with documentary filmmaker Shukla Das, who was a cousin of hers. When I was 17, she did a TV talk show and I helped her with research and assisted her as she was also producing that show.

Anyone who magnifies the power of a television talk show is very unrealistic.

I've always wanted to do a segment on a talk show. Jay Leno has been such a good friend, and if he would allow me, I'd have to get it all together, but I'd like to go on 'The Tonight Show' and do a set with no props. Or come out with a trunk and never touch it. Or come out with a clear trunk with nothing in it.

I was supposed to have a talk show on MTV.

Like everybody in show business, you think you're going to wake up one day, and it's all going to be taken away from you. I think we all share an insecurity in that way, everybody in show business - the ones I talk to, anyway.

We don't have to talk about faith and family at dinner-we just show it.

I had a hit talk show. I just wasn't working for the right people.

It sounds quite mad, but once I've got a show up and running, walking out on stage is the easiest part of my day. All I've got to do is talk until they laugh and then I stop, let them laugh and talk. It's a bit like meditation really.

Long ago, I did a five-and-a-half-hour-a-day, six-day-a-week talk show for four years, early on, in Los Angeles - local show. And when you are on that many hours with no script, you know, you get very comfortable, maybe overly comfortable with that small audience.

I talk and talk and talk. Boy, do I like to talk. I am a Sagittarius.

I don't consider success doing a show for 30 years; I'm sorry. To me, you're successful when you graduate from something. I did a series, I did a talk show, I did movies, I replaced Mickey Rooney [on Broadway] in "Sugar Babies." You understand?

The reasons I never set out to do a talk show is they're formulaic. People come out, tell jokes and read questions. But that's not what I do, and we built the show around my skill set.

In February 2003, I signed a three-year contract with MSNBC to host a talk show. Having recently decided not to run again for governor of Minnesota, I was still a pretty hot commodity. The show was originally scheduled for an hour, four nights a week.

I have a good Muslim friend who comes over to my house. Good guy; reads the Qur'an in Arabic. He comes over to my house and we talk about faith and we talk about things we have in common, but I can't shy away from the differences that we have. So I talk about why I'm not a Muslim and about the evidence that exists that show Christianity is true.

The average movie set is the least political arena on Earth. Nobody bothers talking about politics because, one, we all love the job so much. You don't talk about current events. You talk about old show business stories and whether or not there's gonna be French onion dip at the craft services table that day.

Talk. We are going to talk first. I want to see you smile and laugh. I want to know what your favorite show was when you were a kid and who made you cry at school and what boy band you hung posters of on your wall. Then I want you naked in my bed again.

In 1985, I was the host of a talk show, 'Hot Properties on Lifetime.' Hulk Hogan was on the show. He put me in a headlock and rendered me unconscious and let me fall to the ground. I split my head open and got nine stitches - and this was on live TV.

Luckily, my only responsibility for 'Still Processing' is to show up and talk.

I was on 'Melrose' at a time where we had to all go home and be there at the same time when the show was on, or set your VCR. But that was a big thing, and people of my generation still talk about that. They remember where they were, at what point of their lives that show came, and then talking about it the next day.

I constantly have anxiety about being the lead of the show. I don't talk about it because it scares me. But I've always wanted to be part of something where I could work on a character in such a big manner, and you get offered that with all the trappings of being the lead of the show.

Since I was 8 years old, I wanted to be a talk show host.

I only do a show when there's somebody I want to talk to.

When you talk about war on poverty it doesn't mean very much; but if you can show to some degree this sort of thing then you can show a great deal more of how people are living and a very great percentage of our people today.

Screw being a singer! I wanna be the voice of my generation with my talk show.

My talk show takes place in bed, in Italy.

If you want to talk to me after the show, I'd be surprised.

For anyone who's a fan of the X-files show - I mean, I have the ultimate role. I got to deal with Mulder, I got to talk to him, I had a fight sequence with him. Really for anyone who is a fan of the show, I think I fulfilled a lot of young boys' dreams.

I want to do an intelligent talk show where you have room to breathe...

I don't really deal in trash talk too much. But I show my confidence.

I called all the major network news bureaus, including Public Radio, and reported ozone AIDS cures coming out of Europe. Not a single reporter or show called back for details. I wrote and sent documentation to all the 'household word' TV talk show hosts who make their living acting 'concerned' and I tried all the 'AIDS fund raising spokespeople', show business celebs, even sending proof of their home addresses, but as of yet not one single phone call or inquiry came back for more.

I was actually offered a talk show on CBS at one point, and I just didn't want to do it.

I wish it was possible to do the work and not have to talk about it, but it is traditional in the theater to go into the village square and bang the drum and say, 'Come see this show, come see this show.'

I do a show. It comes on late at night on TV. And if that means I'm a late-night talk show host, then I guess I am, but in every other regard I resign my commission, I don't care for it.

If I'm doing a show on Sunday at 7 P.M., that wouldn't be the same show that I'd do at 11 P.M. on a Saturday - it's a different room at a different time of day with different sensibilities. That doesn't mean you have to compromise your art, but it is communication: you have to know how to talk to people.

Talk is cheap. Show me the code.

I cringe a lot when I look at my early talk-show experiences.

For anyone who's a fan of the 'X-files' show - I mean, I have the ultimate role. I got to deal with Mulder. I got to talk to him; I had a fight sequence with him. Really, for anyone who is a fan of the show, I think I fulfilled a lot of young boys' dreams.

I've gotten burnt the last few years on a couple of little independent films where you get paid nothing, you work your ass off, there's no marketing budget except you going on every talk show. But you're seeing it all over. I mean, these disasters at NBC, with the morning show.

Social lets consumers talk about the products. You may pay your way onto the Facebook feed, but after that, it's conversations by the users. That's not sufficient because it leaves out what is possible for employees to talk, for R&D to talk, or the CEO to talk.

In my own one-woman show, 'Feeling Good,' I talk about my childhood and write a letter to my younger self in the show. The most important thing I would tell her is to trust my instincts. Just trust them. They're little whispers from God, I think. You've heard it a million times, but it's true: Listen to that inner voice.

Kids kill a show! It's, like, a fun concept when the character is pregnant, but then if a show runs for a while, I'm sorry, but it gets annoying when it starts to talk. You get a child actor in there, and unless that child actor is freakin' awesome, it's going to be annoying.

I think the success of a talk show depends on how true it is to the personality of the person hosting it. The shows I really admire, like 'Oprah' and 'Ellen,' are distinctively like their hosts, so I think my show will be successful only if we try to stay consistent to my own sense of myself.

You can talk about things indirectly, but if you want to talk how people really talk, you have to talk R-rated. I mean I've got three incredibly intelligent daughters, but when you get mad, you get mad and you talk like people talk. When a normal 17-year-old girl storms out of the house or 15-year-old boy is mad at his mom or dad, they're not talking the way people talk on TV. Unless it's cable.

'Old School' is so breezy it could be a late-night talk show, especially when Craig Kilborn, of 'The Late Late Show,' sidles into camera range as a particularly loathsome competitor to Mitch.

It's really cool to get these guests on the show BoJack Horseman: not just actors, but, "Can I get Jonathan Lethem on my weird talking horse cartoon show to talk about how growing up in Brooklyn, he always dreamed of being a ringtone?"

We're developing things, but I don't know what we'll go with for the show, so I don't like to talk about it.

I think the people I talk about are generally so stupid that they don't even know I'm saying bad things about them. I've run into Paris Hilton and she's like, Oh, I love your show. And I'm like, You can't love my show if you can hear.

Some directors hand over portions of their movie to their head of department to the point where it's like, "I'm not going to talk to you about the costumes, but I'm going to let you talk to the expert." Rather than, "You want to talk stitching, let's talk stitching. You want to talk grade of leather? Let's."