Top 1200 Talking About Me Quotes & Sayings - Page 16

Explore popular Talking About Me quotes.
Last updated on November 8, 2024.
When people start talking to me about slow play and how I'm killing the game, I'm doing this and that to the game, that is complete and utter you-know-what.
When I run into a person or a kid that comes up and gives me the spiel about, 'Hey, I got your record at this time in my life, and it really helped me,' that stuff totally still rings true. If you're standing there talking to someone, it's really easy to tell if they're being authentic or not. And that's great.
I'm not going to stop talking to people who come up to me in an airport. I'm not going to worry about what may be their ulterior motive. — © Rob Lowe
I'm not going to stop talking to people who come up to me in an airport. I'm not going to worry about what may be their ulterior motive.
I never really knew what it meant, to win, until one day I was flying on the Phoenix Suns airplane, the team plane, on the way to Chicago. I was talking to Danny Ainge on this flight, and he was talking about the concept of knowing how to win. And so he proceeded to give me from his perspective as an athlete, and now he's a coach, what the whole concept of knowing how to win is, and he said part of it is rooted in experience, the experience of winning, but it's attitudinal, it's the belief that you should, it's the belief that you can, it's the belief.
Someone in my office suggested I get my haircut at New Millennium on Wilshire Blvd. It was so different from any place I had ever been; it was like a party. Everyone was laughing and having a good time and I heard the barbers talking about all of the celebs that get their hair cut there. When I went back, they were talking about other celebs that frequent businesses on Pico, Crenshaw and in Inglewood. We had been thinking about doing a game show then we said why not have it centered around all of the places that you don't think celebrities go.
The best talk is artless, the talk of people trying to reassure or comfort themselves, women in the sun, grouped around baby carriages, talking about their weeks in the hospital or the way meat has gone up, or men in saloons, talking to combat the loneliness everyone feels.
Fashion museums think the more you know about the significance of clothes culturally, the more interesting they are. We certainly don't neglect the aesthetic aspects of clothes. But, I feel that what sets us apart from social, economic, and even aesthetic, or art historical context is that we are not only talking about clothes as kind of art objects created by an artist designer, but also we're talking about the various meanings that clothes have in the world, and how that changes and how we kind of create meanings around clothes.
She is running around talking about how this is an insult to sportsmen, how she values the Second Amendment. She's talking like she's Annie Oakley.
Spitfire asked me if I had a problem talking about Van Halen or Extreme. I really don't. There are people who are just going to want to know what it was like to play with Eddie.
I knew I did not want to be a doctor; my parents kept talking to me about that. I wanted to be an NBA player, but around freshman and sophomore year, I stopped growing, so that was the end of that.
I don't do fake. That's the first thing you should know about me. I'm not one to put on airs or change my demeanor depending on where I am or who I am talking to.
I’m definitely excited to have a fresh start. Talking to the coach [Bob Hartley], talking to management, they want me to have success, and that definitely makes your life easier. It keeps your mind free to just go out there and play as good as you can, instead of worrying about giving up bad goals and having to prove yourself every night – not just to the public, but to the coaching staff and everybody else. That’s definitely a nicer way to feel comfortable, if you know they have your back.
Being a third-generation Mexican-American and speaking English exclusively, I heard Spanish spoken by my relatives all my life, especially when they didn't want me to understand what they were talking about.
'Billionaire' is basically about, you know, like 'Brewster's Millions.' It's me talking about what would happen if I would somehow manage to become a billionaire. What would I do with the money? Don't get it wrong, I'm far from a billionaire. I think I just made it out the 'thousandaire' category.
I know I'm not the only guy that's had problems in life. And it seems to me that a lot of athletes shy away from talking about things that may have happened to them or their families.
I have so much respect for when my parents did. They did not raise me talking about money and I would have disappointed them if I went to China. — © Dries Mertens
I have so much respect for when my parents did. They did not raise me talking about money and I would have disappointed them if I went to China.
No matter what I'm talking about, I can involve you into the story where you think it's you doing it. You're living it. I can remind you of things that went on in your life so you go, man I had that happen to me. I've been there. I've done that.
It's really hard for me to memorize the medical jargon if I don't know the meaning of every single word. So I do have to do a little Wikipedia/YouTube research to figure out what I'm talking about.
You know, people make a lot of money talking about me, don't they? They just get on those shows, and they talk away. There's nothing I can do. And that's one of the great lessons I try to convey in my book, which my mother implanted in me as a young girl.. Is you can either be an actor in your own life, or a reactor in somebody else's.
That's what probably will never get me to fall off cause I keep going through stuff and I keep talking about it.
When I was talking with Shanghai, I was talking to big clubs from Europe, as well. There was Atletico Madrid, who I almost joined. I liked them very much and what they were offering me at the time. There was also Juventus, Inter Milan, and AC Milan. I had some options.
College gave me validation: I gained a lot of confidence, just from once or twice saying something in class and the professor saying, 'Great idea.' That experience has certainly helped me say to a director, 'Actually, I think my idea is at least worth talking about.'
I’d promised myself that I’d really work on talking more, talking about uncomfortable things, because I could see from Brian how well things could work out if you did.
Every film that gets made, and I'm not just talking about 'Star Wars,' I'm talking about Marvel, DC, every tent pole film - they seem to just keep getting bigger and bigger and bigger and bigger. The worlds get bigger, the stakes get bigger.
Lance Armstrong showed up, and I started talking to him; I saw all these people with cancer who followed him to Paris for the Tour de France, and I saw the difference he was making in their lives. That put it together for me...having it be not so much about me, but [my being] a vehicle for it.
For a much lauded writer, I'm not terribly self-absorbed. In social situations, which are difficult for me - I mean, this is an interview - I'm normally uncomfortable talking about myself.
To me this is not yelling. I am not yelling. I'm just passionate about my opinions and I want to tell you all of them before you start talking again.
I started rapping when I was young, like 12, 11. But I wasn't really talking about nothing and it didn't really get me nowhere.
A better goals-to-game ratio is the aim for me now. If you score goals, you will get people talking about you.
I'm more interested in talking about what I do. And I don't think people are interested in my personal life. I've never had a Hollywood life. I've always been a worker. But it's true: If you know something about a person outside of the movie that is really repulsive to you, it's hard to shake. So I prefer to do my speaking through the work. I don't want people to know anything about me, because that's not important. I'm more interested in the me that takes shape through these characters. The other stuff is personal and too easy to trivialize out of context.
'It's Everyday Bro' started with me talking about the things I do on a day-to-day basis. From there, the creativity was unleashed, and the song was the result.
People have come to me for my opinion since 'October Baby.' But, hey, look, I'm an actor who is very fortunate to be in a movie that's making wonderful noise, and hopefully helping parents and children to be a little closer. Leave me alone. I'm not talking about politics. I'm just trying to have a conversation with my own kids.
There was a really long period of time when, if the newspapers ever referred to me, even if I was talking about, I don't know, cake making, they would put 'lesbian Sandi Toksvig.'
I feel like the older I get, the truer it feels that I'm only going have an investment in a poem if it allows or forces me to bring something that's supremely me onto the page. I used to think that the speaker of a poem was talking to someone else, to some ideal reader or listener, but now I think that speakers - poets - are talking to themselves. The poem allows you to pose questions that you have you ask of yourself knowing that they are unanswerable.
When ministers in this government talk about investing in education and skills, about making the planning system work; about employment law reform and delivering transport and power generation and broadband communication infrastructure, we are talking about raising Britain's productivity.
It doesn't matter what the scoreboard says. I'm always having fun, talking to other guys. They even come to first base and ask me about hitting. I try to help them out as much as I can in the 30 seconds before the pitcher throws the next pitch. That's me. I don't think I will ever change that.
Out of all the contracts that were out there, the better one for me was from the Reds. Not talking about money - putting that aside. It was a lot of development opportunities.
He doesn’t scowl, but his mouth is so tense that I know he’s angry with me. 'Don’t be an idiot,' he says. 'An idiot?' Is he talking about the blanket? 'You were lying.
Talking to each other instead of talking about each other is not some kind of nicey-nice (ph) idea. It's the difference between societies falling apart and societies getting something wonderful done.
I still have nightmares of dead comrades, a long time ago, talking to me. 'Emmanuel, don't forget about us, don't give up, keep telling our story.' — © Emmanuel Jal
I still have nightmares of dead comrades, a long time ago, talking to me. 'Emmanuel, don't forget about us, don't give up, keep telling our story.'
Our leaders should start talking as leaders. They talk like puppets. It might take us another 100 years to come out of this phase of corruption and mismanagement. But the good thing is that we are more aware, and more Africans are talking about these things.
They're not allowed to talk about it at school and they maybe feel uncomfortable talking about it with their parents. But instead of them not knowing about it, now we have these gadgets and we can learn about it and not tell our parents and get ourselves into potentially dangerous situations.
I was brought up in Guildford, and I think I used to absorb all the suburban things - seeing coffee mornings, women talking... that stuff, really. I was watching Alan Ayckbourn on some documentary, and he was talking about how he was around a lot of women as a child, listening to all that stuff.
Barack Obama is talking about cutting taxes. On net, he is a tax cutter. But the difference between Obama and John McCain is that Obama is raising some taxes on families, for example, with incomes over $250,000. Now, that amounts to about 2 percent, the richest 2 percent of American households. And even with those tax changes, even with all of the tax changes Obama's talking about, taxes will be lower under Obama than they were under the Clinton years.
As somebody who has psoriasis, it's your job to constantly stay on top of these things: talking to your doctor and talking to your doctor and just being proactive about your specific case.
The idea of Judaism as a flower, it a message for Jewish people, talking about the future. Many people associate Judaism with old and dry laws, and the Holocaust. But with this metaphor, Judaism for me is useful, pleasant, and fills me with good feelings.
And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don't want him to die. And it's not about the sponsors. And it's not about what will happen when we get home. And it's not just that I don't want to be alone. It's him. I do not want to lose the boy with the bread.
When people quote sketches to me, half the time I don't know what they're talking about so I have to sort of go, aha, yes, oh yep, I remember that and lie my way out of it.
One thing I will say about my father is that he was very much out in the forefront talking about his beliefs about being a complete fighter and attaching a philosophy to that and teaching it.
I usually look at things like that from an audience perspective first, then have a closer look at the specific character they're talking about me for.
Misa: Hey, Light. Wanna come sleep with me tonight? Light: Wh-what are you talking about…? Misa: Ha ha ha! Just kidding! You're saving me for after we catch Kira, right? You don't have to be shy about it! L: Yes, Light. There's no need to be shy. Light: I'm not being shy! L: No need to be so serious either
I want people talking about me as a great fighter - from being a prospect with the big pressure as soon as I turned professional, then going on to win the world title. — © Amir Khan
I want people talking about me as a great fighter - from being a prospect with the big pressure as soon as I turned professional, then going on to win the world title.
There was a criticism that stuck with me a little bit, which is that somebody said that I was jumping on a bandwagon by talking about sexuality. Obviously that's not a massive takedown, but I found that personally quite offensive because it's something that I've been living with and dealing with my whole life, and just because I decided to speak about it now is not me jumping on a bandwagon; it's a reflection of how I feel within this industry and how I've grown in the past five years.
There are so many things that we have to be very concerned about. But I always come back to feminism. People look at me sideways now and are like, "With everything going on, the destruction of the environment, these endless wars, this capitalism that has a stranglehold on our culture and our world and you're talking about feminism still?"
President Trump ought to realize, he's not campaigning anymore. He's president. And instead of talking about how many people showed up at his inauguration, he ought to be talking about how many people are going to stay into the middle class and move into the middle class.
But we were talking about me and my problems." Sophronia looked Monique up and down gravely. "I don't think we're going to solve those in the space of one carriage ride.
If someone had told me in 1963 that one day I would be in Congress, I would have said, 'You're crazy. You don't know what you're talking about.'
I think one of my main things is I lead by example. I'm not going to be just talking, talking, talking and sitting on the side saying you have to do that or this. I'm going to be the first one over there in practice, diving on the floor, whatever it takes to really get it going.
My mom is going to kill me for talking about sleeping with people. But I don't want to put myself in the position where I'm in a monogamous relationship right now. I'm not dating just one person. 'Sex and the City' changed everything for me because those girls would sleep with so many people.
My grandmother taught me that accomplishments meant less than what you left behind. I started to ask myself what impact my comedy would have on people's lives. And that changed my act. I got cleaner. I stopped talking about generic stuff like airplane peanuts and started speaking the truth about my gift.
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