Top 1200 Talking Much Quotes & Sayings - Page 18

Who are you talking to right now? Who is it you think you see? Do you know how much I make a year? I mean, even if I told you, you wouldn't believe it. Do you know what would happen if I suddenly decided to stop going into work? A business big enough that it could be listed on the NASDAQ goes belly up. Disappears. It ceases to exist, without me.

Talking about dreams is like talking about movies, since the cinema uses the language of dreams; years can pass in a second and you can hop from one place to another. It's a language made of image. And in the real cinema, every object and every light means something, as in a dream.

When Scripture talks about the heart, it's not talking about that life-sustaining muscle. It's talking about our entire inner being. The heart is the seat of our emotions, the seat of decisive action, and the seat of belief (as well as doubt).

We must know, as much as possible, in our beautiful art...what we are talking about and the only way to know is to have lived and loved and cursed and floundered and enjoyed and suffered. I think I don't regret a single "excess" of my responsive youth I only regret, in my chilled age, certain occasions and possibilities I didn't embrace.

Talking about dreams is like talking about movies, since the cinema uses the language of dreams; years can pass in a second, and you can hop from one place to another. It's a language made of image. And in the real cinema, every object and every light means something, as in a dream.

I'm always sitting down and talking to people that are doing independent features. It depends on the project and the quotient of the people that are involved. There are a lot of different reasons [to do something], like a particular script that resonates with me, in a particular way. It may not so much even be about the part, but what the script has to say.

How much are we willing to lose from our already short lives by losing ourselves in our Blackberries, our iPhones, by not paying attention to the human being across from us who is talking with us, by being so lazy that we're not willing to process deeply?

For me at this time in my life I recognize that everything is about moving closer to that which is God. And without a full, spiritual center - and I am not talking about religion, I am talking about without understanding the fullness from which you've come you can't really fulfill your supreme moment of destiny.

When I was lucky enough to be successful, I distanced myself completely from the whole thing of units and selling copies. I just wanted to keep everyone who comes to see me happy. I spend so much time after my shows talking to people who come from all over the world to see me. I'll go out and sign a picture and have a chat.

And in the fountain squatted a giant crab. I’m not talking ‘giant’ like $7.99 all-you-can-eat Alaskan king crab. I’m talking ‘giant’ like bigger than the fountain.

No talking has ever gotten me out of my game. The things that have gotten me out of my game in the past have definitely not been talking.

People love to talk, so let them have fun talking, I think they have an interesting, wonderful connection, so you knowWhat does dating mean? I don't know. I couldn't say. People love to talk, so let them have fun talking.

Some people who experience a religious conversion seem to undergo a personality change. They can be quite congenial and easygoing when talking about mundane things, but when they start talking about their faith, their demeanor changes. Their tone of voice modifies, their smile becomes tense and they become defensive when questioned about their evidence for belief. It becomes difficult to have a friendly conversation with them.

Okay, if this is what falling in love feels like, someone please kill me now. (Not literally, overzealous readers.) But it was all too much - too much emotion, too much happiness, too much longing, perhaps too much ice cream.

While we travel as much as we do; this city is still really unique to us in terms of how eclectic it is. There's the variation of pockets when you're travelling around London that you don't necessarily find in the centre, but I'm talking about the city as a whole. For us, the inseparable links to the arts, being innovative and creative in an area like this is very transient as well.

If you wish to glimpse inside a human soul and get to know a man, don't bother analyzing his ways of being silent, of talking, of weeping, of seeing how much he is moved by noble ideas; you will get better results if you just watch him laugh. If he laughs well, he's a good man.

The letter we all love to receive is one that carries so much of the writer’s personality that she seems to be sitting beside us, looking at us directly and talking just as she really would, could she have come on a magic carpet, instead of sending her proxy in ink-made characters on mere paper.

We have this imbalance where the people who are making algorithms aren't talking to the people who are using them. And the people who are using them aren't talking to the people who are having decisions made about their lives by them.

I always have this red nose in my pocket, and if it looks like I'm taking things too seriously, or the person I'm talking to is taking them too seriously, I put the nose on. It doesn't matter what we're doing or talking about, it doesn't matter if we agree or disagree, the nose changes everything.

I want my personal life to be personal... And I don't care if you're talking about things that are true, you're still talking about my personal life.

I don't mind him not talking so much, because you can hear his voice in your heart; the same way you can hear a song in your head even if there isn't a radio playing; the same way you can hear those blackbirds flying when they're not in the sky

Can I jump in your body and make out with my wife through you?” I fought a grin. “It doesn’t really work that way.” “Then can you just make out with my wife and pretend I’m in your body?” “No.” “I can pay. I have money.” “How much we talking?

I drink too much, I smoke too much, I take pills too much, I work too much, I girl around too much, I everything too much.

Talk to me about sadness. I talk about it too much in my own head but I never mind others talking about it either; I occasionally feel like I tremendously need others to talk about it as well.

And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don't want him to die. And it's not about the sponsors. And it's not about what will happen when we get home. And it's not just that I don't want to be alone. It's him. I do not want to lose the boy with the bread.

I would say things like 'I am the greatest! I'm pretty! If you talk jive, you'll drop in five! I float like a butterfly, sting like a bee! I'm pretty!' When white people heard me talking like this, some said, 'That black man talks too much. He's bragging.'

I think it's very insulting to say, 'White people don't understand.' What are you talking about? You're part of the problem then if you're... speaking and labeling all white people, saying they don't understand the issue or saying they can't relate. That's really not giving people much credit, is it?

When I was in B2K, we were just talking about love, being in love. But now I'm talking about being intimate, understanding what love really is about.

But one led to two, two led to four, four led to eight, until at the end it was about 85 a day - the doctors could not believe I was taking that much. And that was just the valium - I'm not talking about the other pills I went through.

You can refer to god and you are really just talking about nature. If you are going to say the universe is god, then everything is god, everything is religion. But when we explore traditional religion we are talking about humanistic gods people pray to, that they think can intervene in our lives, who run sort of a heaven-and-hell operation for the afterworld.

Well, for me, the real excitement of doing physical things in films, whether you're talking about a fight scene or a stunt sequence or even a love scene, for that matter, is by necessity it has to be choreographed very much like a dance. That being said, you have to rehearse it over and over again and find a mathematical precision.

I say too much of what, he says too much of everything, too much stuff, too many places, too much information, too many people, too much of things for there to be too much of, there is too much to know and I don't know where to begin but I want to try.

Does sex education encourage sex? Many parents are afraid that talking about sex with their teenagers will be taken as permission for the teen to have sex. Nothing could be further from the truth. If anything, the more children learn abour sexuality from talking with their parents and teachers and reading accurate books, the less they feel compelled to find out for themselves.

I don't like talking about myself and I don't like talking about the work.

I like talking about acting. I'm comfortable talking about acting.

I don't like talking about myself; I like to let the music be the spokesperson for me. So doing a memoir and all that chronological 'and then this happened and then blah blah' doesn't appeal to me that much. I think there's more mystique in what you don't know about.

I never thought about the gayness. Liberace just looked like he was having so much fun. And that whole idea of talking directly to the audience, you just went along with him. He made you happy. And he's finally getting acknowledged for all the Elton John, Lady Gaga, Madonna theatrics now that people are looking at his old costumes.

I'm all news, all the time. Full power, tall tower. I want to break in when news breaks out. That's my agenda. Now, respectfully, when you start talking about a liberal agenda and all the, quote, 'liberal bias' in the media, I quite frankly, and I say this respectfully but candidly to you, I don't know what you're talking about.

The nineties as a pop cultural sphere was a really fertile time for feminism that was grounded and located in popular culture. I'm talking about before the Spice Girls - Sassy Magazine, riot grrrl, the Beastie Boys, Nirvana. You had this alternative culture that was very much speaking up on behalf of women and in favor of women.

Well,” said the frog, “what are you going to do about it?” “Marrying Therandil? I don’t know. I’ve tried talking to my parents, but they won’t listen, and neither will Therandil.” “I didn’t ask what you’d said about it,” the frog snapped. “I asked what you’re going to do. Nine times out of ten, talking is a way of avoiding doing things.

I think if you come from where I came from and where I have always been, I've always been reaching out and whether it's talking with our neighbors or going shopping or standing, talking to people in these bookstores and hearing what's on their minds, or even the work I did for eight years as a senator to bring new jobs to New York and stand up for the people I represented.

If you examine the history of any playwright of the past twenty - five or thirty years - I'm not talking about the comedy boys, I'm talking about the more serious writers - it seems inevitable that almost every one has been encouraged until the critics feel that they have built them up beyond the point where they can control them; then it's time to knock them down again.

We need to send our words out in the direction we want them to go. In other words, we need to start talking victory when we’re staring at defeat. We need to start talking healing when we’re feeling sick. We need to start blessing and prosperity when we don’t have anything. We need to speak about marching when we feel like quitting.

I have met some very strange people and some very strange cats - and I'm not talking about jazz greats. I'm talking about animals that people claim have come from outer space, and boy, they're weird!

Adults are interested if you don't play down to the little 2 or 3 year olds or talk down. I don't believe in talking down to children. I don't believe in talking down to any certain segment. I like to kind of just talk in a general way to the audience. Children are always reaching.

I think it's still difficult to write about motherhood and anxiety, that talking about not wanting to be a mother or feeling ambivalent about motherhood makes people uneasy. The ambivalent mother is certainly much more interesting.

We had lead emitted in gasoline and in paint, painting generations of housing for an entire century, practically, before it was regulated. That's what I'm talking about, is that we have a regulatory system that is biased to protect profit and not to protect people. We need a much more precautionary and proactive regulatory system that is not influenced by the revolving door.

The minute you finish a piece of writing it doesn't belong to you, you don't write it any more, it belongs to you, the reader, the listener, the audience. So the less you know about whether or not this is me talking about my life or this is me talking about your life, I think the better. Then it can belong to you and it can live outside of the moment in which it was conceived.

I won't look it in the eye. As soon as I do, I get scared. You gotta walk the plank at some point, but at first you gotta put blinders on or you'll overthink things. I think it's dangerous, by the way, to do a lot of talks about your art, to do so much talking and so little making. You get the wrong idea about yourself.

Quentin and I were constantly finding something new that we had in common and comic books were one of them. I think we were talking about comic books much earlier in our relationship, before I had the part.

I'm not just talking about analyzing symbols from a dream but bringing the dream into life. I'm talking about seeing the world around you as a waking dream where the symbols and synchronicities will speak to you if you pay attention. That's why I call it active dreaming because it's about getting active with all our dreams can be.

We're talking about the Olympics. We're talking about trying to win the gold medal. All of these things can be overwhelming. But regardless of whether I win a gold medal or never compete again, I just have to trust that God has a plan for my life and I'm called to be His representative through the sport and outside of the sport.

I am not talking about the American people and the British people, I am talking about those mercenaries. ... They have started throwing those pencils, but they are not pencils, they are booby traps to kill the children.

I can't be talking to a tree. If I was talking to a tree I'd be mad, and I'm not mad, so trees can't talk.

You always worry that everybody is secretly talking about you behind your back, everybody is secretly making fun of your voice, your figure, the way that you are during puberty, but it turned out, in real life, everybody was. On movie sets, they were all talking about these things, because they had to.

You're talking to investors - and investors, they look at you and they realize, you know, not every business they invest in are the founders or the people running it going to have every bit of skill - and I think they looked at me and realized, OK, this is a guy who's got a lot - I'm much older than the usual run of people they fund.

All we are, all we can be, are the stories we tell," he says, and he is talking as if he is talking only to me. "Long after we are gone, our words will be all that is left, and who is to say what really happened or even what reality is? Our stories, our fiction, our words will be as close to truth as can be. And no one can take that away from you.

When I graduated from college, I thought I was losing my hair. And I started looking into hair transplants. I was talking to my mom. My mom said, 'You're crazy. You have so much hair.' It was a real lesson in your mind playing tricks on you. You can make your mind think anything is happening.

I'm so suspicious of our own understanding of the past. I just think that your mind plays absolute tricks on you and fools you every minute of every day. And so when you're talking about the past, you're talking about something that never happened. At least it didn't happen the way you think it happened.

By just passing through things, I continue to slightly limit myself. I want the jobs that don't say that much. I'm often the stepping stone or the conduit from one thing to another. I love the idea of existing in a film and growing and having bigger arcs, and being in scenes where you're just being, as opposed to talking. That' one of my ambitions, lying ahead.