Top 1057 Tape Recorder Quotes & Sayings

Explore popular Tape Recorder quotes.
Last updated on April 14, 2025.
As a 13, - 14-year-old kid, I'd sit on my bed with a tape recorder and a newspaper. I would do my own newscast. I would practice my diction.
I'll have to have a room of my own. Nobody could sleep with Dick. He wakes up during the night, switches on the lights, speaks into his tape recorder.
I wanted to get a tape recorder, but I got a parrot instead. I think I did that joke backwards. — © Mitch Hedberg
I wanted to get a tape recorder, but I got a parrot instead. I think I did that joke backwards.
I taught myself how to use a multi-track tape recorder, which was the first time I recorded myself.
I did the first 'Oxygene' on an 8 tracks tape recorder with very few instruments, with no other choice than being minimalist.
Life is marvelous now because I have a tape recorder.
Every single morning, I have a person sitting right there next to me in prayer with a tape recorder - and a song comes up every day.
I could learn how to press 'Record' on a tape recorder and write for a newspaper or a magazine.
He [Andy warhol] went out every evening to five or six parties with a tape recorder in one pocket and a camera with extra film and batteries in the other pocket, constantly recording and photographing everyone he came across.
The only vocal training I had was playing with a tape recorder as a kid, and you know, doing the beginning of the 'Lone Ranger' show, with a hearty hi-o silver, and just having fun, never really thinking I would be an announcer.
When I was a boy, I had a grand, big tape recorder, and I made late-night radio shows with glasses of water and funny voices. I just loved radio plays.
I never do formal interviews. I don't use a tape recorder. I take notes but occasionally.
It is just like your tape-recorder. It records, it reproduces - all by itself. You only listen. Similarly, I watch all that happens, including my talking to you. It is not me who talks, the words appear in my mind and then I hear them said.
I could have been a top notch spy. People confess the most amazing secrets to me, even when I am not fishing for those nuggets. I must look trustworthy because I sit there with a video camera or a tape recorder while the stories pour out.
In the '60s my friends were interested and we were hearing electronic music coming in on community radio from Europe, so that's where it started. And I had a tape recorder and started making things with it.
I would be content if I had nothing but a tape-recorder. I could still write songs and record them — © Barry Gibb
I would be content if I had nothing but a tape-recorder. I could still write songs and record them
The mystery lies in the here and now. The mystery is: What is one to do with oneself? As you get older you begin to realize the trick time is playing, and that unless you do something about it, the passage of time is nothing but the encroachment of the horrible banality of the past on the pure future. The past devours the future like a tape recorder, converting pure possibility into banality. The present is the tape head, the mouth of time. Then where is the mystery and why bother kicking through the ashes? Because there is a clue in the past.
Yoko Ono is someone who's music I've discovered more recently. The current cd rereleases of her albums all had bonus tracks recorded just with a tape recorder and I'm really into these at the moment because they have a great intimate feel.
When the audience first sees Cooper talking into his tape recorder at the beginning of 'Twin Peaks,' I think that's the greatest introduction to a character I've seen in my career. It tells you everything about the guy right there in a few minutes as well as bringing up a whole load of questions.
Many of my characters first came through to me as voices. That's why I use a tape recorder.
I was a staff songwriter for Combine Music Publishing in Nashville for seven years. I'd sit around with a groups of friends with a Yamaha piano and a tape recorder and crank out songs.
I think if you write humor, then people don't - you know - they don't give you that much credit. They tend to think you just dictate your stories into a tape recorder. And I'm not necessarily insulted by that, because I think that just means that it looks easy.
It's such a relief for me to sit in front of a tape recorder and not be using it to learn my lines.
I ain't never far away from a pencil and paper or a tape recorder.
Recalling a memory is not like playing a tape recorder. It's a creative process.
My first songs, I would just record them on this little tape recorder, and then I didn't start recording songs I really liked until my friend gave me a 4-track (recorder) and that's when my ideas really started coming together.
If you're famous and supposedly wise, it's always a good idea to have a tape recorder in the room. Never can tell when you might spew out a line or two worth printing somewhere.
Most of our stuff was trial and error. You live with a tape recorder, you turn it on, you play the song and you listen to it.
I was broadcast-struck from an early age; I had saved up for a tape recorder and started making programmes.
There was no music at all during my childhood. The first time we heard music was when my eldest brother bought a tape recorder. Even then, only he was allowed to touch it. But in our house, we listened to legends such as Muhammad Rafi, Mehdi Hasan, Noor Jehan, Attaullah Khan Esakhelvi.
When I was doing interviews at the FBI, my tape recorder battery died. They gave me a new one, and I said, 'Of course, this is bugged?'
right' i said. 'but first, we need the car. and after that, the cocaine. and then the tape recorder, for special music, and some acapulco shirts.
I usually dream of melodies. When I wake up I have them in my head. I usually come up with things in the middle of the night because that's when my mind is the quietest. I always have my tape recorder, pen and pad by my bed just in case.
Death is not complete annihilation. It is a pause. It is like pressing the pause button on a tape recorder.
Everything I'm doing musically is for its own sake. I'm recording at my house, trying really hard to write songs with a four-track tape recorder.
I think it's always hard for children to talk about abuse because it is only memory. I didn't carry around a tape recorder … I didn't chisel anything in stone … Anybody can look and say, 'Well how do you know for sure?' And that's one of the most painful things about it. You don't.
The draft that finally goes to my editor doesn't get into her hands until I have read it out loud innumerable times - sometimes into a tape recorder - to make sure that it sounds right.
... And we talk it out. Lately, I've had Roy Thomas come in, and he sits and makes notes while we discuss it. Then he types them up, which gives us a written synopsis. Originally - I have a little tape recorder - I had tried taping it, but then I found no one on staff has time to listen to the tape again later. But this way he makes notes, types it quickly, I get a carbon, the artist gets a carbon ... so we don't have to worry that we'll forget what we've said.
Tape machines are effects boxes as well because each tape machine has its own sound. You can over-load a tape machine or you can bump it a certain way so it compresses or makes a sound, tape saturation.
I'd say writing songs is, for me, as much playing the tape recorder as it is playing guitar or writing words. — © J. J. Cale
I'd say writing songs is, for me, as much playing the tape recorder as it is playing guitar or writing words.
All the dialogue on tape, and we'd play the tape in performance. Then I thought it'd be interesting if the actor's repeated what they heard on the tape, but at a slower speed, so we'd get a web of language.
When I was a little kid I loved the Marx brothers and discovered Monty Python when I was 10 or 11-years-old. I used to take a tape recorder and hold it up in front of the TV to record entire episodes to play over and over again, so that I could memorise it.
I'm called an oral historian, which is something of a joke. Oral history was here long before the pen, long before Gutenberg and the printing press. The difference is I have a tape recorder in my hand.
So I use a tape recorder a lot to record ideas.
I think there is an enormous diference between speaking and writing. One rereads what one writes. But one might read it slowly or quickly. In other words, you do not know how long you will have to spend deliberating over a sentence. ... But if I listen to a tape recorder, the listening time is determined by the speed at which the tape turns and not by my own needs.
I was 4 and dictating stories into a tape recorder, and my mom typed them up.
I had no experience with broadcasting basketball games, so I took a tape recorder and went to a playground where there was a summer league, and I stood up in the top of the stands and I called the game.
I've woken up from dreams and the whole song is there. I'm listening to it in my dreams. I consciously have to wake myself up and get a tape recorder because I hear it like a record.
I used to do little sketches into my cassette tape recorder when I was a little boy. I would just turn it on and just start doing voices and characters. I just loved it.
I would be content if I had nothing but a tape-recorder. I could still write songs and record them.
I never drove a car. I'm hopeless that way. I press the wrong buttons on the tape recorder. But if the person I'm interviewing helps me out, that person feels needed. People need to feel needed.
Well, if you're not a man in glasses standing in front of me with a tape recorder going like this, I can't see anything. But if you are, then I see perfectly well. — © Colm Feore
Well, if you're not a man in glasses standing in front of me with a tape recorder going like this, I can't see anything. But if you are, then I see perfectly well.
With my recovery programme, I have to do a daily inventory of how my day has been. I am terribly dyslexic and have attention deficit disorder, so I have to carry a tape recorder everywhere I go.
I had wanted a tape recorder since I was tiny. I thought it was a magic thing. I never got one until just before I went to art school.
The first six years of a child's life, it is like a tape recorder is on. Everything it sees, smells, touches, experiences in any way, whatever it hears, is being downloaded into the brain before the consciousness of the child is even made apparent.
Maybe I'll start from the initial idea, what motivated me to do that. In 1953, I had access to a tape recorder. Tape recorders were not widely available. There was no cassette tape back then. It was a Sears Roebuck tape machine. I put a microphone in the window and recorded the ambience.
I'm here as a radio journalist but am not even sure which part of a tape recorder takes the pictures.
After years of begging, I got my parents to get me a little Craig tape recorder, a reel to reel. Then I started recording voices, or recording Jonathan Winters off television and stuff like that.
I started performing at two or three on a tape recorder, one of those little flat recorders where you just push play and record.
I mean, I haven't been around very long. I can't expect everyone to have seen 'The House Bunny'. Oh God. I am having such waves of internal embarrassment, which now I'm admitting on a tape recorder. This is so one of the things I should keep in my head.
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