Top 982 Tape Quotes & Sayings - Page 15

My brother Steve, who was a few years older than me, had 'Bad' on tape, and I remember listening to 'Smooth Criminal' and just thinking it was the coolest thing ever. I must have been five or six at the time, and I remember walking around school by myself thinking I was Michael Jackson. I wasn't dancing, exactly - more like walking musically.

I couldn't listen to music with lyrics for the first few months after the brain surgery, because they were too complex and disturbing. So I listened to a lot of classical music. I didn't really want to read, either, so I listened to books on tape or watched movies. I also re-taught myself all of my childhood piano pieces. It helped me repair my brain.

I submerged myself in all the information that I could find about Idi Amin. I mean, before I left Los Angeles, I was studying Kiswahili. I was working on the dialect. I was studying every documentary and tape of him that I could find - not just visual, but also audiocassettes, even in other languages when he was speaking in other dialects.

A lot of the gear came out of some of the old studios here in New York City. We picked up a lot of old microphones, reverb tanks, tape machines, so yeah, we try to record the old way, which takes more time and energy, but it certainly feels better when you're getting to the end of the process of making a record.

I've always resented the force of attraction that traps me here on Planet Earth. It makes me feel like a bug stuck to a piece of duct tape. Ever since my teenage years, when I used to read a lot of science fiction and took it much too seriously, I've dreamed of somehow reaching escape velocity. I am, you might say, anti-gravity.

I really admire actors who have time, because time is really the greatest luxury for an actor to live with a character, to develop a walk and a talk, or to listen to tape if you're playing a real character. But without time you're really just forced to make quick choices and move on and hope that the spaghetti sticks against the wall.

More than anything else, though, to anyone who would write about it, golf offers a four-hour drama in two acts, which becomes memorable even in the tape-recorded reminiscenses of old champs, and which - in the hands of someone like Herb Wind - can become a piece of war correspondence as artfully controlled as Alan Morehead's account of Gallipoli.

I think it's harder to forgive ourselves for mistakes that we made because we keep dwelling on it. We want to know how it affects other people, if they liked us for it, if they didn't like us. I think we stress over it, we replay it in our mind. It becomes an old tape that years later we continue to play it in our mind.

The danger lies in forgetting what we had. The flow between generations becomes a trickle, grandchildren tape-recording grandparents' memories on special occasions perhaps-no casual storytelling jogged by daily life, there being no shared daily life what with migrations, exiles, diasporas, rendings, the search for work. Or there is a shared daily life riddled with holes of silence.

He [Groucho's father] had absolutely no training, and if you had ever seen one of his suits, you'd realize what an accurate statement that is. You see, Pop never used a tape measure. He didn't believe in it. He said he could just look at a man and tell his size, with the result that frequently he'd make a pair of pants with one trouser leg seven or eight inches longer than the other.

So now the question is, basically, right now, how will the Osama Bin Laden tape affect the election? And I have a feeling that it could tilt the election a bit. In fact, I'm a little inclined to think that Karl Rove, the political manager at the White House, who is a very clever man, that he probably set up bin Laden to this thing.

It became kind of a fad in the late '70s to try to help people wake up out of comas by hearing things that they liked. I remember we sent out about six tapes. We heard that we were this one kid's favorite band so we sent a tape that said, "Hey this is Motörhead. It's time to wake up."

The greatest book is not the one whose message engraves itself on the brain, as a telegraphic message engraves itself on the ticker-tape, but the one whose vital impact opens up other viewpoints, and from writer to reader spreads the fire that is fed by the various essences, until it becomes a vast conflagration leaping from forest to forest.

Back then, Pro Tools only had four or eight tracks, so we couldn't actually hear all the tracks. We could only hear eight at a time, so if a song had 25 or 30 tracks, we wouldn't be able to hear it until we went into the studio an put it all on tape. The process was a little bit backwards.

There was something about the music on that tape. It felt different. Like, it set her lungs and her stomach on edge. There was something exciting about it, and something nervous. It made Eleanor feel like everything, like the world, wasn't what she'd thought it was. And that was a good thing. That was the greatest thing.

I like large sounds and very complex sonorities, and I also tend to opt for creating a feeling of vast space. I could achieve this effect either by using a symphony orchestra, which for a dance piece is pretty much impossible these days, or by using a synthesizer on multi-channel tape and a superb sound system, to get that same sensation of expansiveness and depth.

Can you stop your memory on a dime, put it in reverse, and spin it in another direction the way you can reverse direction on a tape recorder? We cannot forget on command. So we just have to let the forgetting happen as it will; we shouldn't rush it, and we certainly should not doubt the genuineness of our forgiving if we happen to remember. The really important thing is that we have the power to forgive what we still do remember.

What you need to do is get that tape measure out, and start measuring that gut. Then you start working out and you start eating properly till that gut gets down close to it was when you were in your 20's. Then you'll find out what your weight should be.

I love the Beatles. I haven't named any kids after them but I still really love them. They were the first group that I was ever properly aware of. In my early teens I would sometimes stay in and listen to the radio all day in the hope that I would catch a song by them that I'd never heard before and be able to tape it on my radio-cassette player.

I've had a lot of typewriters that I've had relationships with; one still has a piece of masking tape that says "$8" on it. I love working on them. I can't fix a computer or a car, but I can fix a typewriter. I like them because you can write on them late at night, depending on what you're fortifying yourself with, and the next morning you can still figure what you wrote.

The records that I like, they have life and warmth and soul in them. Like the slap back on Scotty Moore's guitar on 'Mystery Train.' You're not gonna get that in a computer. You're gonna want a live room, you're gonna wanna bounce the tape, you're gonna want real musicians, in a room, vibin' off of each other.

There's always this talk of the industry of music and about selling records and whatever, but that ignores probably the majority of music that isn't about trying to sell itself, that isn't about being connected to any industry. There's a huge amount of music where someone just happened to have a tape recorder and turned it on or hit the red button while they were in the back of church or recording something in their front room.

Memory is the great deceiver. Perhaps there are some individuals whose memories act like tape recordings, daily records of their lives complete in every detail, but I am not one of them. My memory is a patchwork of occurrences, of discontinuous events roughly sewn together: The parts I remember, I remember precisely, whilst other sections seemed to have vanished completely.

My first synthesizer was the VCS3. I got it in Bristol in the late Sixties, long before Pink Floyd used them. I had to sell an acoustic guitar and an old reel-to-reel tape recorder to raise the money. You can do fantastic things with modern computers, but you cannot use them in the same intuitive, spontaneous way you can a VCS3.

But that was my very first time on a set and they said, you know, you have to stand on a mark. That little piece of tape that you stand on is called a mark. I kept correcting them and telling them that my name was Michael and not Mark. They said, 'No, no honey.' I was a little green.

I don't like the way recording to digital sounds. Most of the time, when I'm recording to two-inch tape, I still have a romantic vision of how songs sounded coming out of the radio when I was younger, and how they sounded coming out of my little four-track cassette player.

I don't get pat down, you know what's on the waist, I don't mean Jazz when I say I "count base." Fly Louis sneakers, Purple Tape coming out the speakers, Bumped into my high school teachers, They said I wouldn't be nothing, sitting on the bleachers. Now I'm sitting in the Phantom, trynna figure out the features. I'm a big fish now, I watch for the leeches.

I always do casting for every role, even if it's just one sentence. I like to work with theater actors because they're used to a process. I think filmmaking sometimes can become so stiff. Sometimes I have the feeling that people come together praying in the morning that, "Let's just shoot something, no matter what! Let's just finish this day, no matter what we will tape!"

The way I photograph... in many ways it's directed by chance and all my mistakes, which are often the best stuff. I found that no matter if it's the same tape, the same TV, and the same camera, I can never duplicate an image... your arm jiggles, there's just too much chance. And I never put it on pause, or use any of that fancy equipment.

Now it is you who everyone presumes is so fragile. Wounded. Scarred. Maybe they're right. Perhaps you are. A nursery rhyme comes into your head, and, like an egg, you allow yourself to topple onto your side, your legs still pulled hard against your torso. You lie like that a long while, watching the chrome shell of the tape measure sparkle until the sun moves.

When I started playing solo 10 years ago, I had some ham-fisted idea about trying to subvert the "singer-songwriter" tag/genre, and I tried to obscure my identity into the identity of a collective or band or whatever. That's part of the reason that I used to play with backing tapes and why so much of my early stuff was so awash in tape hiss and echo noise.

I had a two-hour VHS tape of Sakuraba and all his crazy stuff. He was doing crazy double flying chops with both hands and undressing the Gracie family one shoulder at a time, and probably my favorite fight of all time was when he fought in Heroes and was rocked and kind of out of it, and they stopped him and kind of shook him in bounds.

When I was working with Talking Heads what would happen typically is that they would go out and start playing a track, and I would always run the tape. I always record everything, even a run through where you're trying to get in tune. That's a principle because sometimes when the situation isn't clear interesting things happen, and they are worth listening to again.

Restoring the people's voice in Congress is not just one part of our Better Way agenda, it's the most important part. Unless people are back in the driver's seat, we won't be able to rebuild our military, roll back the red tape, or help our most vulnerable.

We want to be special. We want our place in the cosmos to be central. We want evolution-even godless evolution-to have been directed toward us so that we stand at the pinnacle of nature's ladder of progress. Rewind the tape of life and we want to believe that we (Homo Sapiens) would appear again and again. Would we? Probably not.

But in that moment when my brother took the field, all that washed away, and everyone was proud... I looked up at my dad, and he was smiling. I looked at my mom, and she was smiling even though she was nervous about my brother getting hurt, which was strange because it was a VCR tape of an old game, and she knew he didn't get hurt.

Andrew [Ridgeley] and I had demoed a couple of our songs very cheaply, and we weren't expecting any kind of record deal. We just walked around with our demo tape, trying to find someone to give us the money to demo properly. Instead of that, we got a record contract. It was just an incredibly lucky break.

A lot of the time, when I'm choreographing, I'm not thinking about what movement look best next to the next movement - I'm actually thinking about what song and what sound sounds right next to the next thing. So kind of choreographing as if I'm always making a mix tape, so to speak.

I was at Texas State in 2005. I'd never coached quarterbacks and never called plays a day in my life. David Bailiff hired me and we go 11-3, and Barrick Nealy breaks all kinds of QB records. I grinded. I got my hands on every drill tape I could. I went to clinics. Every brain I could pick, I picked. And I wasn't too proud to ask the kids.

Some days are a blessing when you wake up and you say, 'Wow, I feel good today.' Some days are like: 'Wow, I feel bad. I got no chance today.' You tape it up and you go.

I stared at the creased map on my wall, the thin green line connecting all the places I had read about. There they were, all the cities of my imaginary future, held together with tape and marker and pins. In six months, a lot had changed. There was no thin green line that could lead me to my future anymore. Just a girl.

I think food trucks are the new answer to American fast food. The idea of raising two or three million dollars and going through red tape to open a restaurant, there's lots of barriers to success. There's a really easy jumping place for food trucks. It's very hip and acceptable for new chefs to open a food truck first.

The pitch would normally be low, but my ball starts carrying and stays on a sustained plane. Everyone always complains - 'that ball is low' - but then you go back and look at the tape, and it's right there. My catchers tell me, and the hitters tell me, that the ball stays true flight the last five or six feet.

I was basically a sound engineer, I produced radio shows and stuff and had to splice tape in the old days. And you knew a sloppy edit when you heard it, because I had enough of them. But that stuff takes the magic out of it, if you need to know everything. Then you become omnivorous. Everything is tender, and as soon as you burn it up, you're on to the next.

Too soon we breast the tape and too late we realize the fun lay in the running. We deny that the end justifies the means without ever stopping to consider that for practical purposes the End and the Means are one and the same thing. If there is to be any satisfaction in life it must come in transit, for who can tell when he will be struck down in mid-method?

I grew up in Lancaster, Pennsylvania, watching the Tony Awards on TV. Not just 'watching' the Tony Awards on TV - I would record them on a VHS tape and bring them in to school and show them to the other kids.

I remember when I was in Mid-South and they used to tape interviews every Wednesday morning, and I wasn't required to go to the interviews because I was a rookie and I wasn't cutting any interviews - I was a curtain jerker. But I went every Wednesday anyway because I was going to watch those guys and I was going to glean from them.

History was not a matter of missing minutes on the tape. I did not stand helpless before it. I hewed to the texture of collected knowledge, took faith from the solid and availing stuff of our experience. Even if we believe that history is a workwheel powered by human blood -- read the speeches of Mussolini -- at least we've known the thing together. A single narrative sweep, not ten thousand wisps of disinformation. (82)

I guess what surprised me the most was the discrepancy in casualties: Iraq, one hundred fifty thousand casualties, USA: seventy-nine! Let's go over those numbers again, they're a little baffling at first: Iraq: 150,000, USA: 79. Does that mean we could have won with only 80 guys there? Just one guy in a ticker-tape parade, "I did it! Hey!"

Every cell in our body, whether it's a bacterial cell or a human cell, has a genome. You can extract that genome - it's kind of like a linear tape - and you can read it by a variety of methods. Similarly, like a string of letters that you can read, you can also change it. You can write, you can edit it, and then you can put it back in the cell.

Stop smiling!” she ordered. “I can see you, Carter. Oh…and, uh, hullo, Walt.” The pot monster made squeaky grinding noises as it stood up straight. One clunky arm rose and tried to fix Sadie’s nonexistent hair. Leave it to Sadie to be self-conscious around boys, even when she’s made out of pots and duct tape.

Washington politicians think that government can make better decisions than you and me. But we know better. We know it's smaller, less intrusive government that will lead to real economic prosperity. We know it's business-friendly policies, not more red tape, that will create real growth.

All of the legal defense funds out there, they're looking for people out there with court of appeals experience, because court of appeals is where policy is made. And I know, I know this is on tape and I should never say that because we don't make law, I know. I know.

Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions. And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.

My dad bought a Beatles tape when I was in fifth grade, and that was the first time I ever really - I mean I was into music, but that was the first time it really blew my mind. When I heard the 'Red Compilation,' which wasn't like a proper album, I thought, 'music was more than I had ever thought it was before.

'The Blair Witch Project' is great for motion sickness. The first time you see it, it is extremely creepy. The first time I saw it, I saw it on a bootleg tape on a tour bus before it had even come out. It was one of the first movies I'd seen like that. I didn't even realize it was a damn movie!

As one who was a prosecutor for many years, I can tell you that having a tape recording of interrogations would help everybody. It would make clear if there had been improper pressure exerted on a defendant or witness, and it would also protect the interrogating officer from false claims that such pressure had been brought to bear.

My dad bought a Beatles tape when I was in fifth grade, and that was the first time I ever really - I mean I was into music, but that was the first time it really blew my mind. When I heard the 'Red Compilation,' which wasn't like a proper album, I thought, 'music was more than I had ever thought it was before.'

People have reacted to the length of "Aquarius" in very positive ways. For example, at the beginning, you have people in a car on the beach at night. One character says, "I'm going to play you this great track." She pushes in a cassette tape, and they listen to about 45 seconds of Queen's "Another One Bites the Dust." You can actually see the pleasure registering on their faces, but it takes time, and audiences have appreciated that.

While big business gain subsidies and political access, small businesses drown in red tape, and individuals now risk being classified as terrorists for complaining about it. Economic globalisation is about homogenising differences in the worlds' markets, cultures, tastes and traditions. It's about giving big business access to a global market.