Top 982 Tape Quotes & Sayings - Page 16

Your youth is the most important thing you will ever have. It's when you will connect to music like a primal urge, and the memories attached to the songs will never leave you. Please hold on to everything. Keep every note, mix tape, concert ticket stub, and memory you have of music from your youth. It'll be the one thing that might keep you young, even if you aren't anymore.

I'm fine watching stuff on tape, to me casting is the most painful part of the whole process, it's like going on a horribly awkward date every five minutes for eight hours, and people come in and they'll be someone good but they're not right, and you want to tell them they're good, but it sounds like BS, and they're looking at your face to see how they did, what adjustments they need, and it's just so emotionally draining, and it goes on and on.

I'd been on everybody else's show and there was always a preinterview. Somebody would come with a tape recorder and you'd talk for three or four hours, and they'd take it back and it would be transcribed, and it would be given to the writers, those many writers you see on all those shows, Larry King, Letterman, Leno, etc. And then they choose the answers that will be most evocative on their show.

I always hated high-school shows and high-school movies, because they were always about the cool kids. It was always about dating and sex, and all the popular kids, and the good-looking kids. And the nerds were super-nerdy cartoons, with tape on their glasses. I never saw 'my people' portrayed accurately.

Also because few people were watching - aside from a healthy amount of incarcerated people, because M2 was offered in a lot of prisons - I was able to ask really long, kind of muso questions, that they loved. We could really geek out and talk about music for long periods of time, and that tape would just keep rolling and rolling.

I saw a spider, I didn't scream 'Cause I can belch the alphabet Just double dog dare me And I chose guitar over ballet And I tape these suckers down 'Cause they just get in my way The way you look at me Is kind of like a little sister You high five your goodbyes And it leaves me nothing but blisters So I don't want to be one of the boys.

At first it was a bit strange and daunting to have to wear a mask, but afterwards I came to enjoy it. In warm conditions, though, it started to slip off my face. Other times they used this double-sided sticky tape, and I literally couldn't get it off my face. I would feel like I was ripping my face off and I had a lot of cuts and bruises because of it-huge red marks. People might think it was method acting.

You see the kind of approach, because he [Doanld Trump] is a businessman. He's like, I'm going to pick up the phone, I'm gonna call that CEO and we're going to talk about this directly, instead of getting mired in a lot of the way down, you know, bureaucracy and red tape and having 25 assistants or deputies talk to somebody instead of going directly to the root of the problem.

The man who will follow precedent, but never create one, is merely an obvious example of the routineer. You find him desperately numerous in the civil service, in the official bureaus. To him government is something given as unconditionally, as absolutely as ocean or hill. He goes on winding the tape that he finds. His imagination has rarely extricated itself from under the administrative machine to gain any sense of what a human, temporary contraption the whole affair is. What he thinks is the heavens above him is nothing but the roof.

When you're younger, you get scripts that you are too young for and now I'm getting scripts, which I think, "I'm too old for this character." They can always shift things around to make it work and make the ages work. But I'm definitely getting more complex and interesting roles and less what you would expect. So I can experiment more and have a bit more freedom when I'm putting things on tape.

People say nice things to me -- like that I ought to run for president -- which tells me that they like me. But I have my own deadline for how long I should be in Washington. I think you can get accustomed to red tape and many unfair things that go on in government. Once you stop getting angry about inefficiencies, waste, and injustice, you ought to get out. That's my time limit.

Life should be lived on the edge of life. You have to exercise rebellion: to refuse to tape yourself to rules, to refuse your own success, to refuse to repeat yourself, to see every day, every year, every idea as a true challenge - and then you are going to live your life on a tightrope.

I'm being accused of being a murderer! I'M being ACCUSED of being a molester!... They say my idea of a fun day is a dark lonely field and the urunj of a car, and a large stick and a roll of duct tape! My MOM shops at Wal-Mart! She gets calls all the time now; she's worried about me! I'm not the most emotionally stable guy in the world; I'll admit that... I do have some problems, but my God, I'm not a murderer!

Seven years I worked at the Polish deli. It's a very slow deli. So I sat around a lot on my stool at the cashier. And I'd sign my autograph on all the bags I'd put the milk in. Just everyday, practice my autograph. And the manager of the store would take some of them and tape them against the wall. And he'd say, "Some day, I'm telling you, it will be worth something." And I'm like 13, going, "Really?!" And when I go back there, he still has them on the wall. It's very cute.

Cloud storage in data centers will utilize the latest developments in physical storage virtualization, deduplication and other methods to make the most effective use of physical storage assets. Software defined storage could allow a further level of abstraction and cost effectiveness. The vast bulk of content stored "in the cloud" will reside on large SATA interface HDDs with some on magnetic (mostly LTO) tape (particularly for "archives.")

It's like that Simpsons joke - they're filming a cow in a movie and they go, 'OK, we'll tape a bunch of cats together to make a cow', and it's like, 'Why don't you just use a cow?'. For some reason that is novel - like, 'Oh, my guitar sounds like a piano and now if I can just get my piano to sound like my guitar'.

When Howard Marks came out of prison, years later, I met him at a concert in South Wales; I was a young whippersnapper and Howard was kind of an outlaw hero. I said to him - and it's on tape, a cousin of his filmed our meeting - I said, "If you write a book, I want to play you in a movie." He said, "Let's shake on it," and we did. Thirteen years later, there we were, making the movie.

People don't realize how much it means to your music to record on tape, whether it be for new music or old music. People don't realize how much or how imperative it is to use actual hardware when making drums because those are actual percussion samplers. They're hardware instruments that are made to have the drum hit.

The UFO was bouncing around the 747. It was a huge ball with lights running around it... Well, I've been involved in a lot of cover-ups with the FAA. When we gave the presentation to the Reagan staff, they had all those people swear that this never happened. But they never had me swear it never happened. I can tell you what I've seen with my own eyes. I've got a videotape. I've got the voice tape. I've got the reports that were filed that will confirm what I've been telling you.

We shot on location in our very first weeks, in our very first shows. I would like to go on location again, Hawaii would be good!! But normally, we tape five days a week in the studio starting at about 8:00 a.m. and continuing until about 8:00 p.m.

If you are recording, you are recording. I don't believe there is such a thing as a demo or a temporary vocal. The drama around even sitting in the car and singing into a tape recorder that's as big as your hand - waiting until it's very quiet, doing your thing, and then playing it back and hoping you like it - is the same basic anatomy as when you're in the recording studio, really. Sometimes it's better that way because some of the pressure is off and you can pretend it's throwaway.

When I give a speech at a corporate event, I often ask those in attendance, 'Do you know how to tell if you're doing the job?' As heads start whispering back and forth, I provide these clue: 'If you're up at 3 A.M. every night talking into a tape recorder and writing notes on scraps of paper, have a knot in your stomach and a rash on your skin, are losing sleep and losing touch with your wife and kids, have no appetite or sense of humor, and feel that everything might turn out wrong, then you're probably doing the job.'

My mom did this really cool thing: when 'Pulp Fiction' came out on video, she made, like, a 'mommy edit.' She took two VCRs and dubbed 'Pulp Fiction' from one tape to the next and edited out all the parts she thought were unsuitable for a kid. It was basically, like, the opening and ending credits.

A uniform cordoned off the area with crime scene tape. The M.E. pulled in and parked. There were two EMT trucks idling at the edge of the lot. I’d stayed close to the back door, and one of the Rangeman guys had taken a position two feet from me, standing at parade rest. No doubt in my mind he’d take a bullet for me rather than face Ranger over a dead Stephanie.

My older brother gave me a cassette tape of Mr. Bungle, and I couldn't stop listening to it. I used to drive around Colorado in a Mustang II - it was when they got away from the muscle-car Mustangs, so it was sort of old lady. I couldn't go above 45 mph in that car, but I would drive around listening to Mr. Bungle.

There's a lot to be said for being in a room with a casting agent or a director. There are things you can't really replicate when you're self-taping and there's the bonus of having someone to direct you, which is extremely helpful. The benefit of self-taping is, I suppose, being on your own clock. It's certainly more relaxing to self-tape than to audition with someone in the flesh but I don't know if it's necessarily better.

Auditioning is a funny one. It's all about energy. If you walk into a room and the room feels off or the people feel off, that can set you off. If the room is very small. I know which casting directors I should go to, because the place is conducive to doing a good job and the people are conducive and I know the other ones aren't, in which case I send in a tape.

Bob Dylan is my idol. Everybody has that person growing up that made them see things a little differently than they did before, Dylan is that guy for me. My dad gave me the 'Blonde on Blonde' album on cassette tape when I was seven or eight. It took me a while to get into Dylan's vibe, but once I did, I never looked back.

I love analogue tape and I love digital, they both have pluses and minuses and I don't really feel like I have to use one or the other. I love digital because it's really great for songwriting because you can just cut and move choruses around and pull chunks of songs. It's really easy to hear quickly "Oh, maybe the arrangement should be like this."

So here I am, my affections torn between a postal service that never feeds me but can tackle a challenge and one that gives me free tape and prompt service but won't help me out when I can't remember a street name. The lesson to draw from this, of course, is that when you move from one country to another you have to accept that there are some things that are better and some things worse, and there is nothing you can do about it. That may not be the profoundest of insights to take away from a morning's outing, but I did get a free doughnut as well, so on balance I guess I'm happy.

I don't personally do that many castings. But I did get involved in "The Bad Batch," because we couldn't think of an actress that was a 3-D embodiment of the character. But when I saw Suki Waterhouse on tape, I knew she was 'it.' And I can't describe that any more than to say that I never had to really express to her the the ideas that were on the page, she just instinctively embraced it. She was Arlen, and I didn't want to f**k it up. Her instinct was just it.

In order for me to get through all the red tape and just allow people to just get at my talent, I've got to set the record straight. And you can't set half the record straight; when you tell it, you've got to tell it all.

Being a journalist, I never feel bad talking to journalism students because it’s a grand, grand caper. You get to leave, go talk to strangers, ask them anything, come back, type up their stories, edit the tape. That’s not gonna retire your loans as quickly as it should, and it’s not going to turn you into a person who’s worried about what kind of car they should buy, but that’s kind of as it should be. I mean, it beats working.

If you exchanged wedding vows, tape them to your bathroom mirror and read them aloud to yourself every morning along with the ritual brushing of teeth. It's not realistic to believe that you will live your promises as a daily practice -- unless you're a saint or a highly evolved Zen Buddhist. Not where marriage is concerned. But you can make a practice of returning to your vows when the going gets rough.

When these people are going to put billions and billions of dollars into companies, and when they're going to bring $2.5 trillion back from overseas, where they can't bring the money back, because politicians like Secretary Hillary Clinton won't allow them to bring the money back, because the taxes are so onerous, and the bureaucratic red tape, so what - is so bad.

Objects obey quantum laws- they spread in possibility following the equation discovered by Erwin Schodinger- but the equation is not codified within the objects. Likewise, appropriate non-linear equations govern the dynamical response of bodies that have gone through the conditioning of quantum memory, although this memory is not recorded in them. Whereas classical memory is recorded in objects like a tape, quantum memory is truly the analog of what the ancients call Akashic memory, memory written in Akasha, Emptiness- nowhere.

I really don't care that much about "Beauties." What I really like are Talkers. To me, good talkers are beautiful because good talk is what I love. The word itself shows why I like Talkers better than Beauties, why I tape more than I film. It's not "talkies." Talkers are doing something.

There's nothing wrong with the Democratic Party that talks more about - and more loudly about - jobs, and cutting red tape, and bureaucracy, making it easier for entrepreneurs to start jobs, making it easier for businesses to grow and create more jobs. That has historically been the wheelhouse of the Democratic Party.

Many people think of me as just a riff guitarist, but I think of myself in broader terms. As a musician I think my greatest achievement has been to create unexpected melodies and harmonies within a rock and roll framework. And as a producer I would like to be remembered as someone who was able to sustain a band of unquestionable individual talent, and push it to the forefront during its working career. I think I really captured the best of our output, growth, change and maturity on tape - the multifaceted gem that is Led Zeppelin.

So, I installed a CCTV system to tape what's going on inside my mind. Thousands of hours of drama, confusion, discussion, huge special effects and futuristic scenarios. Also a lot of chatter, drama and suspense. Is like to go to the movies for free, every day. The CCTV technology used is the SSM-X45. Whose initials stand for: Sit down, Shut up and Meditate (X45 is just to sound more hi-tech)

I grabbed Aunt Prue's tiny hand, her fingers as small as bare twigs in winter. I closed my eyes and took her other hand, twisting my strong fingers together with her frail ones. I rested my forehead against our hands and closed my eyes. I imagined lifting my head up and seeing her smiling, the tape and tubes gone. I wondered if wishing was the same thing as praying. If hoping for something badly enough could make it happen.

We live in the time where we have fictitious election results that elects a fictitious president. We live in a time where we have a man sending us to war for fictitious reasons. Whether it's the fictition of duct tape or fictition of orange alerts we are against this war, Mr. Bush. Shame on you. Mr. Bush, shame on you. And any time you got the Pope and the Dixie Chicks against you, your time is up.

Reading is the creative center of a writer’s life. I take a book with me everywhere I go, and find there are all sorts of opportunities to dip in. The trick is to teach yourself to read in small sips as well as in long swallows. Waiting rooms were made for books— of course! But so are theater lobbies before the show, long and boring checkout lines, and everyone’s favorite, the john. You can even read while you’re driving, thanks to the audiobook revolution. Of the books I read each year, anywhere from six to a dozen are on tape.

On the whole, dialogue is the most difficult thing, without any doubt. It's very difficult, unfortunately. You have to detach yourself from the notion of a lifelike quality. You see, actually lifelike, tape-recorded dialogue like this has very little to do with good novel dialogue. It's a matter of getting that awful tyranny of mimesis out of your mind, which is difficult.

In a narrow market, when prices are not getting anywhere to speak of but move within a narrow range, there is no sense in trying to anticipate what the next big movement is going to be. The thing to do is to watch the market, read the tape to determine the limits of the get nowhere prices, and make up your mind that you will not take an interest until the prices breaks through the limit in either direction.

The greatest act of love was to make a tape for someone. It was the only way we could share music and it was also a way of advertising yourself. Selection, order, the lettering you used for the track list, how much technical detail you went into, whether or not you added artwork or offered only artwork and no track list at all, these choices were as codified as a Victorian bouquet.

Once I have the finished sculpture, I’ll put it out on the street or in nature or somewhere where it interacts with the environment. Really it’s kind of the idea of turning the street into a stage and this sort of urban theater has a life of its own. If you have creative drive, and you need to manifest it, then you need some sort of medium to do that through. For me, it worked out with sculpture, and tape just is a means of doing sculpture.

When I came to the United States, I saw a lot of Mike Tyson. I would stay up and watch all of the Mike Tyson fights. A friend here said, 'You got to do Jiu-Jitsu. That's the thing.' I said, 'C'mon, Jiu-Jitsu would never beat Mike Tyson.' So, he showed me the Royce Gracie tape. I was so impressed with the thing.

There is, however, one feature that I would like to suggest should be incorporated in the machines, and that is a 'random element.' Each machine should be supplied with a tape bearing a random series of figures, e.g., 0 and 1 in equal quantities, and this series of figures should be used in the choices made by the machine. This would result in the behaviour of the machine not being by any means completely determined by the experiences to which it was subjected, and would have some valuable uses when one was experimenting with it.

We're trying to make our current house look domestic so that somebody will want to buy it. We're making a lot of simple, obvious improvements that never would have occurred to us to make while we actually lived here, because, tragically, we both happen to be domestically impaired. If we were birds, our nest would consist of a single twig with the eggs attached via Scotch tape.

I could never be a part of an adaptation of a film where there's pressure to not disappoint the immense fan base. In those cases, they often wind up with filmed books on tape, quite uncinematic. Having said that, I'd say all the adaptations I've done are quite faithful to the original... You have to pick and choose which storylines and plot threads, because you don't have the time to kill in the film as they have in novels. All those pages with detours and plots and different storylines. But films add a lot, and you gotta keep it moving.

There is a lot of money to be made from miseducation, from the easy to read easy to learn textbooks, workbooks, teacher manuals, educational games and visual aids. The textbook business is more than a billion-dollar-a-year industry and some of its biggest profits come from 'audio-visual aids' - flash cards, tape cassettes, and filmstrips. No wonder the education industry encourages schools to focus on surface education.

The greatest thing is the internet and that means that anybody, you have just as much access as I do. And you can make your little tape and work on it and work on it until you got it the way you want it. And then you can put it on the net. And if it's any damn good somebody's gonna notice. That's happened over and over again now. To me that's good. That's good access that isn't controlled by the companies. I think that's a great thing.

I keep saying this - and I keep putting it off because I get busy - but I keep saying one year I'm gonna tape our Thanksgiving dinner or, like, our Christmas dinner and maybe put it on my website just for people to see how funny it really is, how much fun it really, really is.

Meanwhile someone is shining my head to get it dry to attach my top-hat to my head with toupee tape. I get into microphone and get back up into my dressing room for the rest of my costume. I get snapped into all these things and layers and bundled up. I walk downstairs to the pit. Someone hands me my baton (which lights up like a wand) and I watch the first three minutes of the show. Then I come up out of the pit and there I am.

International friendly games are not worth the lives of the silk worms who perish to make the pennants. They do not even have the philanthropic excuse that softens the otherwise unendurable tedium of testimonial matches. Quite simply, they are rotten games staged to pick the public's pocket, tiresome red tape left over from an era when nations and players were still insular and therefore curious about each other's potential.

I can't stop some idiot from crashing into a building or blowing up a bus, I can only be your dad and give you a few pure truths. Number one, duct tape will save your life. Number two, Tupac is alive, but I need you to keep that on the DL because of Suge. And number three, don't be afraid of anything - except the television news because they're lying to you every night.

In 1968 I ran into Steve Lacy on the street in Rome. I took out my pocket tape recorder and asked him to describe in fifteen seconds the difference between composition and improvisation. He answered: "In fifteen seconds the difference between composition and improvisation is that in composition you have all the time you want to decide what to say in fifteen seconds, while in improvisation you have fifteen seconds." His answer lasted exactly fifteen seconds.

It'd been about four months since shooting 'Power Rangers,' and 'Stranger Things' was the first thing I saw that made me think, 'I need this.' I had one day to get my act together, so I made a short film rather than a self-tape. It had an opening score, opening titles, and I may or may not have put on a g-string and danced to 'Hungry Like a Wolf.'

Going to regular public high school and working and auditioning was really, really tough. I never really fit in and hit the stride that all the other kids were on. Instead of going out and hanging out with my friends at that age, I remember being in my bedroom and putting on like a Christina Aguilera tape and just like belting. And seeing if I could hit every single note just like her.