Top 1200 Target Audience Quotes & Sayings - Page 13

Powerful women are a threat in any society which is why I am such a target.

If you're doing well, you're a target, nobody's interested in you except how you can be of use to them.

When I look down the range at the target all I can do is try to distinguish between the different colors.

If you ask people in the US what logos they like and recognise, they'll name Target or Nike.

That's what makes a good show. It doesn't target one group. It tells a story everyone gets.

The inner life of the [imagination], and not the personal and tiny experiential resources of the actor, should be elaborated on the stage and shown to the audience. This life is rich and revealing for the audience as well as for the actor himself.

My target is to consolidate my place with Arsenal and to reach the Argentinian national team as number one.

I don't really believe in targets, because my next target is to beat Stoke City

We believed - and I personally still believe - that the so called Voice of God narration, ubiquitous in documentaries destined for PBS, is insulting to the audience. If you believe in the intelligence of your audience, you don't need to tell them what to think and how to process the material they're seeing.

Conservative talkers love to throw numbers around: their ratings and their audience size. And to be sure, they have a sizable audience which numbers in the tens of millions. But having people tune in and being able to dictate their actions are two different things.

Truly I was born to be an example of misfortune, and a target at which the arrows of adversary are aimed.

Basic research is like shooting an arrow in the air and, where it lands, painting a target.

I have a funny mental framework when I do physics. I create an imaginary audience in my head to explain things to - it is part of the way I think. For me, teaching and explaining, even to my imaginary audience, is part of the process.

It still amazes me how many musicians aren't really interested in engaging with their audience at all. Alfred Brendel, a pianist for whom I have the greatest respect, has described performance as a sacred communion between the artist and the composer. But what about the audience? Music is communication, a two-way street.

The thing is to be brave and move the audience with you, instead of cater to the lowest common denominator, you know, slipping on a banana peel and falling on your ass. You got to move the audience a little further ahead in terms of their appreciation of what is comedy. It's complicated.

It's funny, but... you're sort of a moving target for fortune, and you never know when it will befall you.

For me, a great show is when there's a great rapport with the band and the audience, and we're all really into it. The first trick is to bring the audience into the band, break the ice, have a life, and be one, so you can enjoy the next hour and a half together.

Country seems to be finding a bigger audience. Certainly an audience out of the general country scene is finding me.

Our state's strategy on methamphetamine, and any other issue, is going to be a moving target.

Television is not the exclusive target of promoters. Is Superman really worthy of a Newsweek cover?

The Champions League is a target for me in any case. I want to win this title.

My target is winning trophies. It doesn't matter which kind of trophy it is, I want to win all of them.

I'm already used to being a target, so I'm building a castle with the stones people throw at me.

There is something about the stage that makes it so much better than being in the studio. I always connect with my audience; a concert to me is a collaboration between me and the audience, and I love it so much.

When the theater is gothic it matches the sensibility of the show. It's also very intimate. The audience is very close to the performers. The show is scary and the scary stuff always works best with an intimacy with the audience. And the show is erotic, and I think erotic always works best when it's close to the audience, as well.

No support of one star or one director or one producer can make any individual actor a star. You have to connect with the audience; the audience have to like you. That is something that cannot be manipulated or fought for or tried for. Either they like you, or they don't.

A wet boy has a deader, an assassin has a target, because assassins sometimes miss.

The Champions League has always been a target of mine. I do want to play at the top.

Thoughts are the gun, words are the bullets, deeds are the target, the bulls-eye is heaven.

I get my clothes from three sources: Target, thrift shops, and friends. It's simple and it's cheap.

God is immutable—He never changes! His ministry to you is complete, on target, and constant!

The arrow of Marxist-Leninism must be used to hit the target of the Chinese Revolution.

When I was a kid in Eugene, Oregon, there was this fantastic guitar player who went out on the tables, chairs, out in the audience and played. So I started taking my guitar in the audience. I tripped, fell backwards and ripped my pants.

It's always a good situation to have the target be on you because that means you have been playing well.

Experimenting with drugs is like target practice where your head is the bull's-eye.

I think there was a time where the target man went out of fashion and it was all about the small and quick striker.

Never be put off by your target's anger; it is a sure sign of enslavement.

At heart, I guess I'm a saloon singer because there's a greater intimacy between performer and audience in a nightclub. Then again, I love the excitement of appearing before a big concert audience. Let's just say that the place isn't important, as long as everybody has a good time.

With solo shows, you have complete control over the set list. If you feel like you want to do something different or do a new song, you can just work it in. You can talk to the audience or not talk to the audience. There's nothing that's set.

And one of the things I noticed pretty early on in art school was that my classmates had no notion of an audience. Right? I mean, growing up with the mother that I did, I learned that when you walk into the dry cleaners, there's an audience waiting for you. You know, maybe it's just the person behind the counter.

My first show was in Patkar Hall next to Bombay Hospital. It was a total flop. I was so nervous standing in front of all those people that I completely froze. I forgot all my lines and the audience booed me off the stage. I realised that day that you have to earn the audience's appreciation. They aren't fools.

I know Fox News is the target of criticism but we take it in stride. Our No. 1 goal is to be accurate.

It may sound surprising, but a joke and a crime novel work in very much the same way. The comedian/writer leads their audience along the garden path. The audience know what's coming, or at least they think they do until they get hit from a direction they were not expecting.

So it's one of those things where we have to - our problem is pacing ourselves and still reaching a large enough number of our audience. Because we don't want to burn the audience. And we don't want to be excluding anybody.

I didn't have traditional stage fright. If there was 500 people in the audience or three people in the audience, it didn't really make a difference. What made a difference was the conductor. Everything that I was scared about as a drummer was him.

I know there are people who don't like their audience or like the experience of being recognized or celebrated, but my audience has been very good - they don't bother me and when they do contact me it's usually on the nicest possible terms.

Real Madrid is a legendary team that stands above all others and is the target of all players.

The feelings of being in the audience and being on the podium are very far apart. When you're onstage and something goes wrong, you can do something about it. In the audience, you just have to sit there, and if it's a disastrous performance, I'm the one that gets blamed.

I would love to be on a really good show and share all the stuff that goes into creating a big TV show and get my audience into it. I think that makes it personal and makes the audience feel like they're a part of it.

The thirteenth rule of radical tactics: Pick the target, freeze it, personalize it, and polarize it.

It's very strange to go from being completely secluded and doing your own work for yourself, to having an audience - and having an audience that's aware of what you do and expects you to do things that they like. It can make things difficult.

As an actor, early on, you learn that the audience is never wrong. And if you think they are wrong, you need to find a different way to make a living. Collectively the audience is smarter than you will ever, ever be.

The teenager seems to have replaced the Communist as the appropriate target for public controversy and foreboding.

Half the guys drafted in front of me are working at Target right now.

I look at an audience kind of like meeting my in-laws for the first time. You want to be yourself, but you still want to be somebody that they like. When I go on the stage each night, I try my best to outguess my audience.

Illusion starts between the ears. If the person doing illusion doesn't believe it, then the audience doesn't believe it. Seeing the picture in your head will allow the audience to see it in their heads.

My mind's my 9, my pen's my Mac-10. My target? All you wack niggaz who started rappin'.

It is easy to fail when designing an interactive experience. Designers fail when they do not know the audience, integrate the threads of content and context, welcome the public properly, or make clear what the experience is and what the audience's role in it will be.

To make us a terrorist target in a region that is full of terrorism is dumb and unforgiveable.

Every single performance of 'Fleabag,' I would learn so much from the audience reaction or how you could change it all the time, and I loved that sense that the performance is ever-growing and changing and could be affected by the audience.