Top 1200 Target Audience Quotes & Sayings - Page 4

I can't dumb down for the audience because I believe my audience is at least as smart as I am.

Target prices? How that works? I know quite a bit about farm policy. I come from Indiana, which is a farm state. Deficiency payments - which are the key - that is what gets money into the farmer's hands. We got loan, uh, rates, we got target, uh, prices, uh, I have worked very closely with my senior colleague, (Indiana Sen.) Richard Lugar, making sure that the farmers of Indiana are taken care of.

Kids audience is a brilliant audience. If you've got an audience of adults standing up and clapping, or you've got an audience of kids standing up and clapping, I know which one I'd choose.

The whole point is you're telling a story to an audience. So when there's no audience, it's like cinematic masturbation.

The one thing that I love about the live audience is the energy level. Like, from the minute of cast introductions, it's just constant energy being traded back and forth. When you do something funny, the audience laughs; when you're being serious, you can, like, feel the tension going through the audience.

Undeniably, the audience for improvisation, good or bad, active or passive, sympathetic or hostile, has a power that no other audience has. It can affect the creation of that which is being witnessed. And perhaps because of that possibility the audience for improvisation has a degree of intimacy with the music that is not achieved in any other situation.

We have a rock audience, classical audience, metal, pop - everything. We unite them all.

As much as I'd like to think and as much as people mistakenly think my audience is blue collar people in the heart of America, my audience is basically, in the States, an NPR audience. I play college towns in the summer because that's who comes to see me.

Only an individual can imagine, invent, or create. The whole audience of art is an audience of individuals.

I'm always trying to bring unusual content to a different audience - a non-art-world audience.

I don't only cater a film to the male audience but also the female audience.

I think when you're younger, as an actor you have much more of a notion that you are doing something to the audience. But with experience, I think you begin to worry less about what the audience's experience is and concentrate on working with the other actors, and that tends to let the audience do more work.

Even if there are people around to help you, you don't suffer with an audience; you don't triumph with an audience.

If I can get the audience to connect with the characters emotionally - and they love who they are, they love the larger-than-life situation that they're in, but most of all get the audience invested in the characters - then I always feel like I can sort of put them in the most outrageous circumstances, and the audience is okay to go with that.

An artist should write for himself & not for an audience. If the audience likes it, great. If not, they can keep away.

You turn the computer into the storyteller and the player into the audience, like in the old days when the storyteller would actually respond to the audience, rather than just having the audience respond to the storyteller. I had an enormous amount of fun, actually, working on that.

When you define the audience, the performer becomes what the audience wants. Politicians do that all the time.

Don’t try to visualize the great mass audience. There is no such audience—every reader is a different person.

I don't believe in elitism. I don't think the audience is this dumb person lower than me. I am the audience.

'Full House' was the first time I had ever been in front of a live audience. I said a line I had rehearsed with my mom, and they laughed. It was wild. To have that energy of the live audience was like, Whaaat? Feeding off that live audience was, to a 4 or 5 year old, a high.

With an audience it's now, there are no editors around. It's just me and the audience and it's what I like best.

Audience today like an honest approach to cinema; if you try to please the audience they come to know.

Speakers find joy in public speaking when they realize that a speech is all about the audience, not the speaker. Most speakers are so caught up in their own concerns and so driven to cover certain points or get a certain message across that they can't be bothered to think in more than a perfunctory way about the audience. And the irony is, of course, that there is no hope of getting your message across if that's all the energy you put into the audience. So let go, and give the moment to the audience.

What outrages me as a representative of journalists is that there's not more outrage about the number, and the brutality, and the cavalier nature of the U.S. military toward the killing of journalists in Iraq....They target and kill journalists ... uh, from other countries, particularly Arab countries like Al -, like Arab news services like Al-Jazeera, for example. They actually target them and blow up their studios with impunity.

If you address yourself to an audience, you accept at the outset the basic premises that unite the audience. You put on the audience, repeating cliches familiar to it. But artists don't address themselves to audiences; they create audiences. The artist talks to himself out loud. If what he has to say is significant, others hear & are affected.

There is always an audience for different individuals, but critics sometimes stop the audience finding the show and the show finding the audience.

A cult classic is one that has been fully embraced by an alternative audience, not the popular audience.

Acting is bad acting if the actor himself gets emotional in the act of making the audience cry. The object is to make the audience cry, but not cry yourself. The emotion has to be inside the actor, not outside. If you stand there weeping and wailing, all your emotions will go down your shirt and nothing will go out to your audience. Audience control is really about the actor

It was precisely this notion of infinite series which in the sixth century BC led the Greek philosopher Zeno to conclude that since an arrow shot towards a target first had to cover half the distance, and then half the remainder, and then half the remainder after that, and so on ad infinitum, the result was, as I will now demonstrate, that though an arrow is always approaching its target, it never quite gets there, and Saint Sebastian died of fright.

The potential audience seems to be dwindling in the states. I was kind of embarrassed for the band because of the size of the audience.

Making a show is also economics. Because the irony is, or the shame of it is, you cannot create a show instantaneously. It needs to be massaged. You need to see who is relating to who. How is it working with the audience? You need to give it a chance for the audience to find it, because there are so many outlets. And the audience doesn't know where to go.

It's wonderful to be part of a film that really reaches an audience's mind and an audience's heart.

I need an audience way more than an audience needs me.

There's a tremendous audience out there for popular music. It's a bigger audience than for movies.

When you put the musical in front of an audience, you get to see how the audience reacts.

Is it perfect? Absolutely not! But there was an audience for 'Wicked,' and our producers were smart enough to reach that audience.

I have the audience I deserve. Or at least I have the audience that represents the kind of people that I like.

If you start censoring what you're interested in for the audience, you don't give the audience enough credit.

Like I always tell people, I don't pander to any audience, but you have to play to your audience.

If you individualize an audience, it helps up the stakes of your responsibility to that audience.

In a live setting, the audience is trapped and can't leave. That really makes the audience be with you and laugh more because you're there.

What looks absolutely fabulous in rehearsal can fall flat in front of an audience. The audience dictates what you do or don't change.

The kind of audience that watches 'Matlock' is ideal for a lead-in to the affiliates' newscast in the afternoon. That audience is older.

You can't hit a target you cannot see, and you cannot see a target you do not have

Television masturbates its audience even though the audience is not really watching. It masturbates orifices the audience doesn't have. It sticks holes in the viewer and masturbates in those holes. Then it finally gets into the brain and masturbates there, too.

We need to raise the level of our game in terms of explaining the planetary warming by infrared absorption of CO2 etc. The missing area of understanding seems to be the actual physical mechanism. Lets target an explanation at an audience that has taken 1 year each of undergraduate physics and chemistry, plus calculus. Once we have something that is convincing at this level, we can work on how to communicate this to the interested public (i.e. those that hang out in the climate blogosphere). Willis Eschenbach’s help is needed in translating this for the WUWT crowd.

Museums have these great collections and the reality is they attract a regional audience not a national audience.

I don't have any sense of an audience when I'm writing. I don't consider the audience. Because all I'm interested in is the problem on the page.

I think as a standup performer you have to feel the audience. So the audience kind of dictates what they get, you know?

The next time I write a play - in order to get audience trust for a particular sort of tragic line, I'll try to bring the audience a good distance before that. Part of that is allowing comic moments to occur. I had been afraid of that - that once the audience started laughing in the play, they would never stop.

When you are able to make a living with your job as an artist, that means you have an audience and you have to thank this audience.

I don't like to chase an audience. You can smell when someone is chasing an audience and it's not good.

I can't wait to bring #LizaOnDemand to my YouTube audience and hopefully a new audience, too.

I almost never try to make the audience comfortable. I wouldn't want that if I were in the audience.

Your audience gives you everything you need. They tell you. There is no director who can direct you like an audience.

I don't like to be my own audience, I find that being my own audience, being in the audience, makes me self-conscious, basically. So I tune in sometimes, with the sound off, to check it out and I back up to it. In the future I will look at it when some time has passed.

In theatre, the main objective is to make the art happy, not the audience! If you have to choose between the audience and the art, always choose the second! You must know that the audience will always pull you down; resist it and fly at the heights like an eagle!

An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.

I still have a pretty lively audience in German and across Europe. And I continue to say, 'Thank you, God,' for making me smart enough to avoid getting hit by trucks and going out and finding myself an audience abroad. Which includes Asia - from Jakarta to Japan. Working hard at finding an audience abroad.

I'm comfortable having a specific audience to write to. I like the idea that my audience doesn't see what I do as controversial.