Top 1200 Target Audience Quotes & Sayings - Page 7

Your job as a superstar is to manipulate the audience and try to tell your story. I like the dynamic of the audience.

I feel like, anytime I'm onstage, I tend to feel very connected with people in the audience or with the sort of heartbeat or tempo of the audience.

Any time you can create something that gets to a large audience is fantastic. And television still gets you to a huge audience.

I am a real ham. I love an audience. I work better with an audience. I am dead, in fact, without one.

Part of the discipline of being an editor is that you have to be a good audience member; your work is to be a surrogate audience member on the films you are working on.

Never use the word 'audience.' The very idea of a public, unless the poet is writing for money, seems wrong to me. Poets don't have an 'audience'. They're talking to a single person all the time.

I'm conflicted with theater in the city because you want to reach a diverse audience, and that audience doesn't typically go to the theater.

In our show, we try to think about consequences, not about tricking the audience or hiding things to fool the audience.

They're getting more and more experience on what to expect, and the Hellboy audience is such a faithful and fanatic audience as I am, and you have to really be very open about what you do

They're getting more and more experience on what to expect, and the Hellboy audience is such a faithful and fanatic audience as I am, and you have to really be very open about what you do.

I like a movie that the audience actively has to participate in, and not just casually observe. Whatever my part in it, just as an audience member, I find that exciting.

In MMA, you're trained to tune the audience out. In sports entertainment, you're trained to feed off what the audience is thinking and feeling.

Most of the big money people don't know what would interest an audience if you did it. They only know what interested the audience last time.

I should have done target practice.

Slow motion is so visually cinematic; when you create that, you create it for your audience, you let them have the feeling of what it must be like to be there. And in a movie, you can't forget the audience.

I happen to think that the Latino audience is an essentially traditional audience and will go to Fox News for traditional American values.

In fact, I think more broadly about what an audience requires, but I want an audience to be fascinated by the process of finding an answer, or finding out there isn't one.

Getting an audience is hard. Sustaining an audience is hard. It demands a consistency of thought, of purpose, and of action over a long period of time.

For me, 240 is my target weight.

Growing up in an Ethiopian household allowed me to feel like I had an audience before I had an audience.

YouTube's audience is very specific. They are ready for great content. But you have to engage with the audience in a very direct fashion.

Any show that's bringing in a young audience is doing a good thing, because that's the only way that theater will continue to grow. All the other audience members are going to be dead soon!

I feel most free onstage. The audience, it's an abstraction. You don't really see anyone out there, but you feel the audience inside you.

The only thing that really matters in the initial part of my career, the worst mistake I've ever made was try to do things to please the audience thinking how the audience is going to respond if I do this.

It's very important that a film that intends to play tricks on the audience... has to play fair with the audience. For me, any time you're going to have a reveal in the film, it's essential that it have been shown to the audience as much as possible. What that means is that some people are going to figure it out very early on. Other people not til the end. Everybody watches the film differently.

I really subscribe to that old adage that you should never let the audience get ahead of you for a second. So if the film's abrasive and wrongfoots people then, y'know, that's great. But I hope it involves an audience.

If the audience knows what's behind the door and the actor does not, that's comedy. If both the audience and the actor do not know, that's mystery!

I think my primary audience is in some sense an adult audience, because I think that will then have a knock-on effect for children.

Movies, over time, as they do or don't find their audience, or they find a different audience, they change in your memory and in the eyes of those who see it.

Her smile was a bite, and I was its target.

The stage is one place where you come face to face with your audience, unlike cinemas where you cannot see the applause or the booing by the audience.

The audience basically likes complex characters, and bringing out the complexities is the actor's job. The audience doesn't have the script, the actor does.

What I enjoy about my work is that it's all things that I wanted to see as an audience member so there's part of me that understands what an audience wants to see in that respect.

We try to connect with the audience as much as we can. We feel the energy from the audience, and it gives us so much joy and inspiration.

There's something therapeutic about connecting with an audience - when there's something really sort of odd or silly that you think is funny, and conveying it to an audience.

The Premier League is my main target.

There never has been a desire on the part of the government that the struggle of Black people in America should be linked to the struggle of our people in every part of the earth. Every leader that was international in scope and in reach became the target of the government - Paul Robeson, Marcus Garvey, W.E.B. DuBois, Martin Luther King Jr., Malcolm X, Kwame Ture and the Honorable Elijah Muhammad. Any Black leader who would try to connect us to our brothers and sisters in Africa and Asia were seen as a threat and became a target.

Dancers work and live from the inside. They drive themselves constantly producing a glow that lights not only themselves but audience after audience.

Part of the gestation of 'The Wall' was this business of alienation from the audience, and so the interesting thing was, what 'The Wall' eventually became was something that absolutely engaged the audience.

When you make a film like this, you must have the highest expectations of your audience. Having worked in situations where we have the lowest expectations of our audience.

I can hit any target on the field.

Bullies always have another target.

No one can hit their target with their eyes closed.

The nice thing about building up your own studio is if Hollywood decides to hate faith-based films, it doesn't matter to us. We have an audience and continue to serve that audience.

Intimacy comes from being yourself on the stage and making the audience feel, without trying, that you're sittin' down there with 'em, playing, and that can happen in a big hall, if you have a good audience that want to listen.

Christian audience, I think, have grown very tired of movies that try to pander to them. For instance if someone goes, "Ok, we're designing what we're going to do with this movie. It's a Christian movie and they'll eat it up." And you know what? Consumers are smarter than that. They go, "The movie isn't that great and he thought that I would just be a sucker and plop my $10 down for it?" Because you're looking down at the audience. You can't pander to an audience.

I prefer it when I can intimidate the audience rather than the audience intimidate me. I've been lucky in my career to have both.

I'd like to give the audience what they've always wanted to see and also I want to give the audience what they've never seen. It's these two things I'm striving for.

The target is to win football matches.

You can only be as good as your audience. Sometimes you can be as bad as your audience, but you have to remember you can never be better than them.

I only wear underwear from Target.

You never know what you have until you put it in front of an audience. That's the truth. That's the truth of filmmaking and that's why you make movies, for an audience to, hopefully, enjoy it.

You're playing the songs for the audience and they still think they're good songs. So I tend to get excited by that, audience reaction.

I think I can draw both a mainstream audience and an alternative audience to my shows. I also have the ability to disappoint both.

Saturn is such an alluring photographic target.

When you're playing rock music to 10,000 people, you almost attack the audience. When you play acoustic you're waiting for the audience to respond. It's a reverse energy, and you're more vulnerable. It's really intense.

I wanted to make a film as an artist, and it's going to have to find an audience, you know. I don't know how big the audience will be.

If you aren't getting flak, you aren't over the target.

The only reality of the theater exists in the mind of the audience. That audience looks collectively at what is going on on the stage and collectively imagines that this is real.

I was afraid no one would laugh, and I wanted to pretend I wasn't noticing the audience. I didn't want the audience to get the idea I was telling a joke and waiting for a laugh.